Citrocasa Fantastic

A state-of-the-art automatic juicer now available for home and commercial use
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Citrocasa, the Austrian juicer barons, have finally made their premier juicers available stateside. Having dominated the commercial juicer market in Europe, they’ve released a new, significantly smaller product intended for small businesses and residences. It is called the Fantastic, and it is one fine piece of Austrian engineering.

Sporting a rating of 30 OPM (oranges per minute) this juicer is three times as fast as any conventional one. It completely deconstructs for cleaning and features a patented cutting system which prevents any rind from getting to your glass.

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40% smaller than any other Citrocasa model (though still a hefty 55 kg/121 lbs), the juicer’s compact design makes for a dense but space-saving machine. Its sleek, stylish design will complement any kitchen counter. Contact Citrocasa USA for ordering inquiries.


Pixie

Nespresso introduces a machine small enough for desks and colorful “capsule” cups
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For no-fuss espresso, Nespresso‘s straightforward operation and effortless cleanup make their machines the maker of choice for many homes and offices. The Swiss company recently made it even easier to get a fresh brew in just seconds with its Pixie machine, a compact version of the CitiZ that comes in six colors.

Its tiny footprint (just over a foot long) means its small enough to sit on a desk, and an improved heating system takes just 25 seconds to warm up. All that, and the Pixie is supremely energy-efficient too, using 40% less power than other makers like it. (Check out our complete guide to prosumer espresso here.)

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Perhaps even more appealing than the Pixie, Nespresso launched a collection of insulated cups designed to look like their essential espresso capsule. The cups come in two sizes and a rainbow of colors, and (unlike other Nespresso accessories) are free of obvious Nespresso branding.

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The Pixie currently sells exclusively from Williams-Sonoma in the U.S. for $250, but will sell through the Nespresso site later this spring, when the cups ($30 for a set of two) will be available as well.


Dagmar Rousset

Melbourne boutique marries colorful style, art objects and French lessons under one roof
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“The main thing distinguishing Dagmar Rousset from other shops in Melbourne is that it’s owned and managed by a fashion outsider–me!” the undeniably fashionable Julia Pound exclaims from her stunning Getrude Street boutique. “The other thing is that Melbourne is known for its love affair with black,” she explains, “but Dagmar attempts to buck this trend by suggesting that color really isn’t such a bad thing.”

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Indeed one glance inside this boutique-cum-art gallery, and now language school too, makes obvious Pound’s obsession with all things bright and beautiful. Stocking an eclectic mix of well-known (Eley Kishmoto) and lesser known (Take Off Your Clothes) labels from across the globe, along with numerous Melbourne-based fashion offerings such as Emma the Shoemaker and Hopeless Lingerie, Dagmar has just the right mix of local chic and international style.

Keen to ensure Dagmar Rousset customers are provided with unique and one-off pieces, Pound is the exclusive Melbourne stockist of All knitwear,
Salasai
and Reckless Exuberance.

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In addition to eclectic fashion, Dagmar Rousset offers a finely edited selection of homewares, including embroidered duvet covers from Sydney label The Lowercase and All dishcloths, as well as objects d’art such as Mooks of Florida and San Francisco’s Double Parlour.

Clearly not one to shy from challenges, Pound recently added a French School to Dagmar Rousset’s belt. “I know a lot of shops that also run sewing classes, but there aren’t many clothing shops that double as language schools,” says Pound, “People are sometimes confused by this, but when I explain my highly self-indulgent concept (i.e. combining my two passions, design and French), they seem less perplexed!”

Photos by Leah McIntosh


MoMA Spring/Summer 2011 Preview, Part I

Nine products designed to look like other things

While the MoMA store’s product preview always has us excited for the shopping year ahead, a few designs stood out for their “faux” ingenuity. Below are nine objects cleverly designed to resemble other objects, making for a new way to enjoy an old favorite. Check the
MoMA store site
this spring to buy them and peruse consumer expert Rob Walker’s blog Things That Look Like Other Things for more illusory inspiration.

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Loose Leaf Door Stop

Thai designer Teerachai Suppameteekulwat’s green leaf-shaped doorstop ($14) adds a bit of brightness to the home while propping open a door to let in springtime air. Tapered to fit beneath most doors, it’s made of polypropylene.

Toast It Coaster

This set of six cork coasters ($10) might make you pine for butter and jam while enjoying your morning brew. The toast-shaped surface protectors, designed by Patricia Naves, even come packed like a loaf of bread.

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Watermelon Knife

Forged from Japanese carbon steel, this serrated watermelon knife ($25) has a playfully eerie resemblance to the fruit it’s meant to slice. The knife features an ergonomic design to make cutting through the thick shell of Citrullus Lanatus (or any other melon) easier so that you can enjoy a juicy treat without too much effort.

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Tea Bag Infuser

Drawing inspiration from traditional teabags, Claus Jensen and Henrick Holbaek‘s infuser ($30) updates paper versions for a more eco-friendly and (some would say) better-tasting version. The stainless steel and wire infuser can make pots or cups of tea and its rubber base helps it stay put.

Prato Umbrella Stand

Naoki Terada’s umbrella holder ($35), a MoMA exclusive, brings a mini lawn to even the most compact apartments. Cute and functional, the grass patch can hold up to twenty umbrellas and is made of steel and synthetic resin.

Couture Flower Vase

On first glance Sayaka Nishinami’s beautifully-crafted vase ($24) appears to have a delicate lace sleeve around the base. But it’s the effect of matte porcelain that creates the effect on what is actually a seamless design.

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Leaf Tray

Argentine design collective VacaValiente ($18) is known for recycling leather into happiness. Their Leaf Tray, which functions as a catch-all for the house, embodies the firm’s optimistic approach.

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Faux Bois Placemat

The digitally-printed vinyl placemats ($12) by NYC-based designer Sandy Chilewich bring the outdoors inside. The result is a little rustic harmony for the kitchen table with a woodgrain pattern that, unlike its real-life counterpart, wipes clean easily.


Gabarage

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Set in Vienna’s design-forward 4th district, Gabarage Upcycling Design repurposes materials from personal and corporate donations—old binders, street signs, film, tennis balls and more—into playful, purposeful modern design pieces. The upshot is a dramatic increase in product lifecycles, garbage bins may become furniture, a silencer may become a piece of jewelry, and a bowling pin can find a far more peaceful existence as a flower vase.

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But what Gabarage provides its community goes beyond ecologically sound design solutions into the realm of social responsibility. Every finished product in its showroom results from collaborations between professional artists and designers and a team of disadvantaged people from the surrounding community, all preparing to rejoin the regular labor market. Its staff of 20 includes unemployed individuals, welfare recipients and adolescents addicted to illegal substances who either completed drug therapy or are being cared for at outpatient clinics. The employees gain professional creative experience through an occupational training program developed specifically for the shop.

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When asked about the company’s hopes for the future, Daniel Strobel, Gabarage’s head of marketing and corporate communications, replies, “Besides the aesthetically pleasing aspect, most of all I hope that our products and the idea behind them contribute to a rising level of awareness concerning both the ecological and the social responsibility we all bear. By (re)using waste materials and employing former addicts, we work towards a more sustainable economy and try to set an example for corporate social responsibility, which hopefully many will follow.”

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Photography by Ambra Duda and Sandra Krimshandl-Tauscher


Science Project Pillows

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Following the success of her typography placemats and other clever concepts, textile designer Heather Lins’ new pillows introduce another nerdy motif, this time taking up illustrations that look lifted from the pages of science textbooks.

The designs—Geology (a volcano), Botany (a flower), and Anatomy (a person)— incorporate eco-friendly materials for an accessory that’s environmental in more ways than one. Sewn in the U.S., dark wool felt backgrounds offset the brightly colored appliques made from a material derived from post-consumer and -industrial sources, like soda and water bottles.

Filled with down and feathers, the 17-inch Science Project pillows sell for $176 a pop (marked down 20% from $220 through Earth Day, 21 April 2010) from Heather Lins’ online Supermarket.


Pigeon Toe Ceramics Spring 2010

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A Portland, OR-based company, Pigeon Toe Ceramics produces high-quality ceramic pieces for the home. Fine artist and former graphic designer Lisa Jones takes the homegrown, local aesthetic to heart, hand throwing each piece from clay sourced and manufactured in the city of Portland, and firing them in a kiln powered by solar and wind energy.

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Jones’ Spring 2010 collection includes plant hangers, crockery and a series of pendant lights, all with Pigeon Toe’s trademark simple lines, unassuming colors and clean, luminous simplicity.

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In addition to commissioned and pre-made wares, Jones also collaborates with local female artists to produce limited-edition edition runs of hand-painted pieces. Known as PTC+, the series includes work by Alyson Graves, Kelly Britton Andreini, and Alia Smith.

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Items ordered from Jones shop are made to order and take three weeks to ship. For a selection of goods already made, check out the Pigeon Toe Ceramics’ Etsy shop.


Vík Prjónsdóttir Blankets

by Richard Prime

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Causing a stir of excitement at the recent Stockholm Design Week, Icelandic design group Vík Prjónsdóttir showed its latest collection of wool blankets inspired by a mixture of myths, folklore and the lure of nature.

The collective, widely known for their Beardcap, dates back to 2005 and includes the founding designers Brynhildur Pálsdóttir, Egill Kalevi Karlsson, Guðfinna Mjöll Magnúsdóttir, Hrafnkell Birgisson, Þuríður Rós Sigurþórsdóttir and the knitting factory Víkurprjón. With a philosophy honoring their pedigree, Vík Prjónsdóttir sources ideas and materials from its surroundings, so that each product can be traced back to its Icelandic roots.

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For its newest blanket project, the collective threw out all preconceptions of form and function to create a selection of conceptual designs, each challenging usability with a bold graphic identity and captivating set of colorways. Offerings range from a Michael Jackson homage (a black-and-white throw covered in handprints and leaves) to a blanket meant to create space for communing with the hidden world.

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Having collaborated in the past with Henrik Vibskov for his A/W 2008 collection, Vík Prjónsdóttir seems to be coming into their own—potentially joining the likes of Maarten Baas or Jaime Hayón as a studio known for creating wild flights of fantasy in the interior design market. Prices start upwards of $200, check their
list of stockists
for availability.