Robotic Open-source Scale Dress Printed by ELEGOO Neptune 4 Series: 3D Printing in Fashion

3D printing has revolutionized the design industry by making it easier to prototype ideas quickly and efficiently. This technology allows designers to experiment with new concepts without the high costs traditionally associated with prototyping. As a result, executing designs has become more affordable and accessible, opening up new avenues for creativity. Beyond design, 3D printing is now breaking into other industries, including fashion, with trailblazers like ELEGOO leading the charge.

ELEGOO is not just a pioneer in 3D printing but also in empowering women to use technology to turn their ideas into reality. One prime example is an innovative robotic and modular dress system that will showcase the potential of 3D printing in fashion, inspiring a new wave of creators. This initiative highlights how 3D printing is transforming the fashion industry, offering unprecedented opportunities for innovation and expression.

Designer: Anouk Wipprecht

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Anouk Wipprecht and the Scale Dress: Futuristic Fashion

Anouk Wipprecht, a visionary Dutch FashionTech Designer and Engineer, has partnered with ELEGOO to push the boundaries of fashion technology. She has developed a new modular system for integrating motors into fabrics, revolutionizing how garments can interact with the wearer and environment. This collaboration marks a significant leap in the fusion of fashion and technology, showcasing the endless possibilities of innovative design.

The “Scale Dress” is a groundbreaking creation from this collaboration, representing a futuristic approach to fashion. This robotic, open-source dress comprises multiple 3D-printed mechanical parts, each equipped with tiny servo motors. These motors animate the dress, creating dynamic movements around the body. Ingeniously, the mechanism is sandwiched between fabric layers, with its round shape evenly distributing weight to prevent sagging or imbalance.

The Scale Dress not only captivates with its moving elements but also serves as a modular, open-source template for aspiring designers. Anouk Wipprecht has ensured that the design is accessible to those interested in robotic fashion. The servo-arms can be interchanged to hold various elements, addressing the challenge of integrating electronics with fabric and creating lifelike movements.

To empower others to explore this innovative realm, Anouk has open-sourced the Scale Dress design on her Instructables page. In collaboration with ELEGOO, she provides a detailed step-by-step guide on creating your own robotic dress with moving parts. The guide focuses on utilizing 9g servo arms, enabling creators to experiment and personalize their designs with ease.

This initiative not only highlights the potential of 3D printing and robotics in fashion but also encourages a new generation of designers to embrace technology. By sharing her knowledge and tools, Anouk Wipprecht is paving the way for more innovative and interactive fashion creations, inspiring others to explore the intersection of technology and design.

ELEGOO With Her: Empowering the Next Generation of Women Creators

The “ELEGOO With Her” program is a remarkable initiative aimed at equipping more women and girls with 3D printing skills. And the debut of the Scale Dress marks the official launch of the program, followed by a roundtable featuring prominent female designers at Formnext 2024 in Frankfurt, the largest 3D Printing Fair in Europe. This will kick off the initiative that aims not just to revolutionize the 3D printing industry but also fashion tech.

From November 19, 2024, to February 5, 2025, ELEGOO will recruit 30 women and girls for its empowerment program, providing them with 3D printers, software support, and mentorship. Participants will benefit from two months of online courses and workshops, culminating in a showcase of their work in April. This program is a testament to ELEGOO’s commitment to fostering diversity and innovation in the tech industry, empowering women to become leaders in 3D printing.

ELEGOO Neptune 4 Series: Unleashing Creativity in Fashion Design

The Scale Dress, designed for the FashionTech field, utilizes 3D-printed mechanical parts created with the ELEGOO Neptune 4 series 3D printers. The Neptune 4 series’ intelligent printing capabilities make it an ideal tool for blending technology and fashion. By enabling intricate designs and seamless integration of mechanical parts, this printer is a catalyst for innovation in FashionTech, pushing the boundaries of what’s possible in the industry.

This fusion of 3D printing technology and fashion is opening up new horizons for creativity and innovation. With pioneers like ELEGOO leading the way, the potential for groundbreaking designs and empowering diverse creators is limitless. As 3D printing continues to evolve, its impact on fashion and beyond will undoubtedly shape the future of design.

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Hyundai Expands IONIQ Lineup with the Innovative IONIQ 9: Big on Space, Bigger on Tech

Hyundai has taken another bold step in redefining electric vehicles with the unveiling of its newest flagship, the IONIQ 9, a three-row electric SUV. This addition to Hyundai’s IONIQ lineup prioritizes expansive space and cutting-edge technology, pushing the boundaries of what customers can expect from an electric SUV. The IONIQ 9 was recently revealed at the iconic Goldstein House in Los Angeles, reflecting Hyundai’s commitment to innovation and progress in the EV market, as well as the company’s goal of a full lineup of 23 EV models by 2030. This venue represents the harmony between timeless architecture and futuristic automotive design, aligning with Hyundai’s vision for an electrified future.

Designer: Hyundai

The IONIQ 9 represents Hyundai’s determination to combine aesthetics, functionality, and electric performance in one sophisticated package. Focusing on the needs of modern drivers, it is designed to offer an unparalleled driving experience that integrates state-of-the-art technology, environmental consciousness, and innovative design language. Its unveiling at the Goldstein House emphasizes the harmony between timeless architecture and futuristic automotive design, encapsulating Hyundai’s vision for an electrified future.

Exterior Design

Hyundai’s ‘Aerosthetic’ design philosophy is prominently displayed in the IONIQ 9, combining aerodynamic innovation with futuristic styling to enhance both form and function. The IONIQ 9’s exterior design is built on the concept of blending form and function to enhance performance and aesthetics. A smooth, curved roofline creates a streamlined silhouette, aiding in the vehicle’s aerodynamic efficiency. Integrated digital side mirrors and a carefully sculpted 3D-shaped underbody cover contribute to the vehicle’s low drag coefficient of just 0.259 Cd. This improves the vehicle’s efficiency and presents a distinct, forward-looking aesthetic.

The Parametric Pixel lamps—a hallmark of the IONIQ series—add a futuristic flair, seamlessly merging into the bodywork to create a unified and distinctive front profile. The vertical headlights accentuate the bold character of the SUV, while the sculpted rear haunches emphasize the strength and solidity of its stance. With its graceful curve and smooth body panels, the roofline contributes to a minimalist yet sophisticated appearance that aligns with Hyundai’s broader design ethos of sleekness and innovation. Incorporating flush door handles further enhances the vehicle’s clean lines, reducing drag and adding to the overall aerodynamic integrity.

Attention to detail in the exterior extends to functional elements like the 3D underbody cover and aerodynamic wheels designed to minimize drag and improve overall efficiency. The hidden antennas contribute to the smooth roofline, ensuring there are no protruding parts that might interrupt airflow. The design also includes a dual-motion active air flap (AAF) system that enhances air sealing, optimizing aerodynamic performance while adding to the sleek visual appeal of the vehicle. The fenders and quarter panels are made of lightweight aluminum, which contributes to overall efficiency but also aids in balancing performance with structural strength.

Interior Design

The interior of the IONIQ 9 is designed to redefine comfort and spaciousness. Featuring a fully flat floor, the interior maximizes available space, making it perfect for families or groups. Hyundai has utilized its Electric-Global Modular Platform (E-GMP) to ensure that the floor remains unobstructed, allowing passengers to move freely within the cabin and making it easier to configure seating arrangements according to specific needs. The cabin is characterized by elliptical design elements and calming tones, which create a lounge-like, serene environment. This emphasis on a calming atmosphere is further accentuated by the expansive Panoramic Sunroof, which floods the cabin with natural light and enhances the open feel of the space.

The IONIQ 9 features Relaxation Seats in the first and second rows, which can fully recline and are equipped with integrated leg rests. These seats are designed to provide comfort during long journeys or while charging, turning the interior into a rest area. s The slidable Universal Island 2.0 console is another standout feature, allowing passengers to easily access storage from different rows and enhancing the versatility of the cabin.

Hyundai has carefully selected materials to emphasize sustainability without compromising on luxury. Using Eco Process Leather, Recycled PET Fabric, and Bio Paint made from recycled tire waste showcases Hyundai’s commitment to eco-friendly material choices. The interior trim options include calming color palettes such as Obsidian Black and unique two-tone combinations like Cognac Brown with Creamy Beige, adding to the cabin’s upscale yet inviting feel. Ambient lighting and slim air vents further enhance the futuristic yet warm atmosphere, blending functionality with a soothing aesthetic.

Special Features

The IONIQ 9 introduces several unique features that enhance its functionality and the overall user experience. One of the most significant elements is the Dynamic Body Care system integrated into the Relaxation Seats. This system uses targeted vibration and pressure to stimulate blood circulation, effectively reducing fatigue on long drives. This feature is particularly useful during charging breaks, allowing passengers to relax and rejuvenate before continuing their journey. The IONIQ 9 also incorporates Hyundai’s Vehicle-to-Load (V2L) capability, allowing users to power external devices using the vehicle’s high-capacity battery—an ideal feature for outdoor enthusiasts and those who enjoy car camping.

The second-row Swiveling Seats are another unique aspect of the IONIQ 9, offering an uncommon interaction level in SUVs. By allowing passengers to face each other, the Swiveling Seats transform the cabin into a space for socializing, whether during a long trip or when parked. The North American market will not have this option available. This focus on communal space is complemented by the slidable Universal Island 2.0 console, which provides ample storage space and is accessible from both the front and rear rows. This console enhances the vehicle’s functionality and ensures that items are within easy reach for all occupants, emphasizing Hyundai’s focus on user-centric design.

Another innovative feature is the Hyundai AI Assistant, an AI-enabled voice recognition system that intuitively controls various in-car functions. By incorporating AI-driven voice commands, Hyundai aims to create a more seamless and convenient driving experience where drivers can manage climate settings, navigation, and infotainment without needing to take their hands off the wheel. The climate control system features a rear-independent function, allowing rear passengers to customize their climate settings. This ensures that everyone in the vehicle remains comfortable, regardless of seating position.

Focus on Ergonomics

Ergonomics have been central to the design of the IONIQ 9, with every aspect of the cabin optimized for comfort and convenience. The Relaxation Seats in the first and second rows provide full recline functionality and integrated leg rests, allowing occupants to relax during charging stops or extended drives truly. The seats are designed with the contours of the human body in mind, providing support where it’s needed most and ensuring comfort over long periods. The Dynamic Body Care system adds another level of ergonomic consideration by actively reducing muscle fatigue and enhancing comfort during drives.

The slidable Universal Island 2.0 console is another example of Hyundai’s ergonomic approach. It is positioned to be accessible from multiple rows, allowing passengers to easily reach items stored within without straining. This enhances the vehicle’s usability and comfort, particularly for passengers seated in the second row. The console’s bidirectional opening design means it can be accessed from both the front and rear, adding to its practicality and underscoring Hyundai’s commitment to a user-centric experience.

The panoramic curved display is strategically positioned to provide the driver with all necessary information without obstructing their line of sight. This contributes to overall driving safety while ensuring that vital data is always within view. The positioning of controls within the cabin is also designed to reduce driver distraction, with intuitively placed buttons and dials that are easy to reach. Hyundai has also integrated a shift-by-wire system positioned on the steering column, freeing up additional space in the center console and improving overall ergonomics.

The climate control system, which includes a rear-independent air conditioning function, is designed to maximize comfort for all passengers. By allowing rear passengers to set their climate preferences, Hyundai ensures everyone in the vehicle enjoys a comfortable ride. This system is particularly beneficial during family trips or long journeys, where individual comfort needs vary. The slim roof air vent works with the Panoramic Sunroof to provide a well-ventilated, comfortable cabin environment that feels open and airy.

Material Choices

Hyundai’s commitment to sustainability is evident in the material choices for the IONIQ 9. The vehicle’s interior features Eco Process Leather, which is treated using a reduced chemical process to minimize environmental impact while retaining the luxurious feel expected in a high-end vehicle. Recycled PET Fabric is used extensively throughout the cabin, giving a second life to plastic bottles and other materials that would otherwise contribute to landfill waste. The use of these recycled materials aligns with Hyundai’s vision of creating a sustainable future without sacrificing quality or comfort.

Bio Paint, made from recycled tire waste, is used on interior trim pieces, adding another layer of sustainability to the IONIQ 9’s design. This innovative paint reduces waste and contributes to a cleaner production process. Hyundai has also utilized Bio TPO/PU Skin and Bio PET/SUEDE Fabric, highlighting its commitment to reducing environmental impact through material innovation. The interior trim options are designed to evoke a sense of tranquility, with a range of colors that promote a calming atmosphere, such as Mud Gray with Creamy Beige and Dark Teal with Dove Gray. These color choices enhance the interior’s aesthetic appeal and create a soothing, lounge-like environment perfect for long journeys.

The emphasis on sustainable and premium materials extends to the exterior as well. The aluminum fenders and quarter panels are not only lightweight, helping to improve overall efficiency, but are also durable, ensuring the vehicle can withstand the rigors of daily use. The exterior paint options include several new hues, such as Celadon Gray Matte and Ionosphere Green Pearl, contributing to the IONIQ 9’s sophisticated and distinctive appearance. These carefully selected materials and finishes reinforce Hyundai’s commitment to sustainability while offering customers a premium, thoughtfully designed vehicle.

Have you been waiting for a big, bold, and practical EV?

The IONIQ 9 might be it. Combining advanced ergonomic features, sustainable material choices, and a sleek, aerodynamic exterior, the IONIQ 9 offers a unique blend of technology, comfort, and performance, perfect for modern consumers who value style and sustainability. Hyundai continues to push the boundaries of electric mobility, and the IONIQ 9 stands as a beacon of what the future holds in electric vehicle design and functionality. It offers a unique blend of technology, comfort, and performance, catering to modern consumers prioritizing style and sustainability. As Hyundai continues to push the boundaries of what is possible in electric mobility, the IONIQ 9 stands as a symbol of the future—a future where design and functionality coexist to create truly exceptional vehicles.

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A Tiny Home Was Stacked On Top Of Another To Create More Floorspace

Tiny homes aren’t the largest, I mean the name says it all. Often they are made wider to create more space, but Romania-based Cabini decided to stack one tiny home on top of another to create more living space, showing us a novel and interesting way to build more living space in a little house. Called the Cabini Edelweiss, this tiny home comprises a support frame made from square metal pipes.

This frame is insulated with a PIR sandwich panel using Rockwool and then topped with a fiber cement facade and some wooden detailing. The home was constructed at the firm’s headquarters as two distinctive components, and then transported to the stunning property in Rasc, Valea Fericirii, in Romania by road.

Designer: Cabini

The home occupies around 387 sq ft, and it spans over two floors. The interior is cozy and light-filled, owing to large floor-to-ceiling windows. The glazing incorporates blinds for privacy. The furniture and finish are of premium quality, adding a sophisticated touch to the home. An audio system by Bang & Olufsen is integrated into the home. It also includes Schueco aluminum fixtures.

The ground floor holds a large living room with seating and storage space. The kitchen is located nearby and it is equipped with cabinet space, an oven, sink, and an electric hotplate. This section also includes a bathroom finished in Neolith stone, as well as a shower, sink, and toilet. You can access the upper floor via a staircase. This floor includes a bedroom with generous glazing and an ample amount of room to stand upright. A lovely outdoor terrace has also been included.

The model depicted in the pictures costs around US$100,000 including appliances and furniture. However, the price can vary depending on the options the buyer selects. Worldwide delivery is possible, and buyers can opt for an off-the-grid setup with solar panels as well. The Edelweiss is a unique and innovative option in a world where tiny homes have become quite mundane. All of them feature a similar aesthetic and floorspace, this one is quite different.

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Gorgeous titanium-coated drinking glass makes every drink a visual and gustatory treat

It’s almost too easy to take for granted the vessel we’re drinking from. After all, we’re definitely more interested in the taste of our drink, unaware that the material our glass or cup is made of can actually have an adverse effect on the very taste we’re so fixated on.

And that glass you’re drinking from? It might not even be pure glass but mixed with some metals to reinforce the material, metals that also affect the taste or, worse, affect our bodies.

If you’re searching for the perfect glassware, you don’t have to look far because we have just the perfect design for this very purpose. Stunningly beautiful and faithful to your flavors, this small piece of glassware is able to recreate the magnificent Aurora lights right in your hand, turning every sip into a memorable experience.

Designer: Progress Design

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Drinking glasses are a common sight in many households, whether they’re for “regular” beverages or alcoholic drinks. Clear as they might appear, some of these are mixed with some metals to produce certain colors or effects.

And while these metals aren’t so dangerous to our health, they do have negative effects on the taste of the drink.

It is almost as if you can’t combine beauty and taste in a glass, but that theory has been proven false with PROGRESS’ Rex Rock glassware.

Skilled craftsmen from Shizuoka, Japan harness the same technologies and processes used in making space-grade equipment like satellites to process titanium of the highest purity to reinforce the glass and coat its inner surface.

This rare form of pure titanium doesn’t release metal ions that mess with the flavor of the drink inside. In fact, it actually works to enhance the taste by breaking down unpleasant flavors.

Pure titanium is also regarded to be the most human-friendly and safest kind of metal because it rarely changes over time. That means no staining, no odors, and completely hygienic.

Pure titanium alone, as impressive as it already might be, isn’t enough to create an unforgettable drinking experience. This drinking glass takes the design even further by reproducing the mesmerizing colors of the rainbow and of the majestic Aurora lights.

This feat is made possible by making extremely precise cuts and changes to the glass’ thickness down to nano levels. Pouring drink into the glass results in a shimmering effect that’s comparable to the soothing glow of the aurora, a bonfire, or a murmuring stream, imagery that calms the heart and soothes the soul.

Stop worrying about the safety and taste of your drink and start enjoying the flavors and the dazzling visuals offered by this pure titanium-reinforced glassware. Whether it’s liquor, soda, or even just ice-cold water, this stunning drinking glass will turn the activity into a joyful and reinvigorating experience, rich in flavor and color.

Click Here to Buy Now: $58.50 $65 (10% off at checkout). Hurry! Black Friday deals end in 48 hours.

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Microsoft 365 Link mini PC streams Windows 11 from the cloud in a secure ecosystem

Let’s be honest Windows 11 is not perfect, evolving at an agonizingly slow pace. This has pushed many power users down the Apple alley. The recently launched Mac Mini has a lot going in its favor, further creating a deep divide between the Microsoft and Apple options.

As a last-ditch effort to save the glitchy Windows 11 OS and very less options to choose from that bind the hardware and software for a seamless experience, Microsoft has introduced the Windows 365 Link mini PC strictly limited to cloud usage in a walled environment. The portable CPU is targeted towards big organizations and businesses who give a lot of weightage to security and keeping the working environment productive.

Designer: Microsoft

Targeted towards enterprise users

This is the world’s first dedicated “boot to cloud” device that runs Windows 11 OS via the Windows 365 link on the Windows 365 servers. Priced at $349 it is specifically designed to run Windows 365 Cloud PCs, and you need a Windows 365 subscription to get started. That adds another $28 to $315 per month. It’s still not clear whether the mini PC will get the extra perk of a subscription discount as a bundle, but we hope so.

The most popular option for employees is a $66 per month per user with applications including Microsoft Teams and browsers. Include the $349 hardware cost of the Windows mini PC and you’ve got a fat bill of $2,000 for a closed ecosystem with limited applications. Compare that to the $1,300 price tag for the 15-inch touchscreen Microsoft Surface Laptop powered by the Snapdragon X Elite chip and having 256GB storage. Clearly, Microsoft’s compact PC is not targeted towards individual users, and in no way competes with Apple’s powerhouse mini PC.

Security takes center stage

This 120 x 120 x 30 mm desktop PC has a fanless design, and comes with a 3.5mm audio jack, three USB-A ports, one USB-C port, an HDMI port, and a single DisplayPort output. There’s one Ethernet port, WiFi 6E, and Bluetooth 5.3 for wireless connectivity. The mini PC is designed for specific requirements where workers need to be quickly rotated between workstations and securely access their files. This eliminates the hassle of configuring the user settings and saving time. Also, the PC is ideal for setups where cloud-based software and hardware integration takes precedence.

Windows 365 Link will be available for purchase in April 2025 – that’s a long way off. However, one can enroll for the preview program in the U.S., Canada, the U.K., Germany, Japan, Australia, or New Zealand. Interested users can join the program before December 15 with permission from the Microsoft account team.

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The Iconic “Lunch Atop A Skyscraper” Photograph gets its own Fan-Made LEGO Build

A brick recreation (brickreation, if you will) of an iconic classic, the “Lunch Atop A Skyscraper” LEGO Ideas kit captures the essence of the American dream. The original photograph, shot in 1932, features eleven New York construction workers casually eating lunch on a steel beam, suspended 260 meters (853 feet) above the ground. Built by LEGO maker DallasBricks, this LEGO rendition pays tribute by turning the famous photo into a brick-based artpiece that can be hung on a wall or placed on a bookshelf.

Designer: DallasBricks

At its core, the set uses a flat design style, similar to LEGO’s art series, but it incorporates thoughtful 3D construction methods to create the illusion of a suspended steel beam. The minifigures are carefully posed to reflect the relaxed yet precarious nature of the workers in the photograph. Each figure contributes to the scene’s energy, making it feel dynamic and alive, as if frozen in a moment of real life.

Although DallasBricks doesn’t specifically mention how many pieces are used in this build, it’s safe to estimate there are quite a few, given the skyscraper details in the background. Look closer and you’ll notice the skyscrapers aren’t all buildings, they’re actually a mix of LEGO tech and hardware pieces like keyboards, phones, remote controls, and screens, along with a few building window pieces. This creative use of different flat bricks gives the skyline its uniqueness, allowing each building to have a different character instead of looking all the same.

The original photo wasn’t just a depiction of the American dream, it was that of celebrating all the people who got together to make this dream happen. The photo features builders of different races, enjoying a meal together while rather casually hanging off a steel girder. The LEGO MOC (My Own Creation) has 11 minifigures too, just like in the photo, all enjoying a meal together before they get back to work.

The LEGO Ideas Lunch Atop A Skyscraper kit is currently a fan-made submission on the LEGO Ideas website, an online forum where LEGO enthusiasts create their own builds and share them with the LEGO community. With 2,790 votes as of writing this article (and with 560 days of voting left), DallasBricks’ LEGO MOC is well on its way to gathering enough votes to reach the 10,000 vote mark, following with the design will get reviewed by LEGO’s internal team and hopefully turned into a retail kit!

You can vote for the LEGO Ideas Lunch Atop A Skyscraper kit here on the LEGO Ideas Website, or check out some more unique fan-made LEGO Ideas builds here.

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Beyond Perception exhibit pairs furniture with digital twin for video game

Papery lamp

A lamp made of discarded mollusc shells and humming furniture featured in the Beyond Perception exhibit in New York City alongside digitized versions of the pieces for a future AI-driven video game.

Curated by technologist Kelsey Falter and artist Moral Turgeman, the exhibit explores what the curators believe is a thinning boundary between the physical and digital world.

Paper lamp
The Beyond Perception exhibit explored digital and physical furniture and object design. Ascension by Felicia Neuhof, RTM and Mother Games. Photo is by Barbara Gabrielle. Top photo by Rupert Ramsay.

Each piece from the exhibit, which includes vessels, lamps, furniture and an installation made of soil, was translated into a digital version of itself for the upcoming Le Zoo: House of Mirrors video game, led by Falter’s company Mother Games, set to release next year.

Users will be able to collect the pieces during gameplay, with funds going to its creator.

Render
The pieces were paired with a 3D rendering. Image by Michi Brandstetter of Mother Games

“With Beyond Perception we wanted to explore how the merging of the physical and digital in art fosters self-discovery and societal reflection,” said the curators.

“By introducing independent artwork, new design processes, and sustainable methods into a digital landscape, we hope to shift public perception and consumption patterns toward valuing intentionality and individuality.”

Silver vase
Old and new crafting techniques were employed for each object. Omnia by Alcino Silversmith, RTM and Mother Games. Photo is by Matias Corea

The exhibit concept was represented by a silver vessel called Omnia, according to the team, which was created in collaboration between 3D artist Michi Brandstetter of Mother Games and Turgeman’s Raise the Moral studio (RTM) and fabricated by Alcino Silversmiths.

Inlaid with aquamarine “eyes” the silver-plated vessel was first designed using generative 3D sketches and models, then handcrafted by Alcino Silversmiths in Portugal using traditional methods.

Fluffy vase
Ground by Felicia Neuhof and RTM was made using a base made of discarded shells. Photo is by Matias Corea

The mixed technique blends “physical craftsmanship with cutting-edge prototyping and modelling methods”, which represents a guiding theme found throughout the pieces in the exhibit.

Designer Felicia Neuhof also collaborated with the curators on the Ascension floor lamp. It has a translucent shade and sculptural base made of the designer’s biomaterial, a mixture of shellfish waste used as a concrete alternative.

Big table with ice
Onda furniture by RTM and Mother Games translates audio into a vibrating frequency. Photo is by Barbara Gabriel

Similarly, it was first 3D modelled by Brandstetter and then created with a series of hand-poured segments by Neuhof.

The designer also used the shellfish material for the Ground stool, which is topped with Mongolian goat fur. Both the lamp and stool showcase “the potential of waste transformation” in furniture.

Glowy bench
The HEMPLA bench by Sofia Hagen and Studio Marmi was made from 3D printed sugarcane and hemp. Photo is by Gokay Sarioz

Multi-sensory elements were present in some pieces, such as Ground and a chair and bench by Mother Games and RTM. All three pieces vibrate slightly by translating “audio into vibrations”, which can be felt when the user draws near to or interacts with the objects.

A 3D-printed bench and rug by designer Sofia Hagen and Studio Marmi also featured a mixture of new and old techniques and materials.

Intended to be a “meditation furniture set”, the bench is made with 3D-printed hemp and fermented sugarcane and is illuminated with integrated lighting by Studio Waldemeyer, which matches the user’s circadian rhythm.

Big block of dirt
Drop by Drop by Dominik Tarabanski slowly erodes a block of soil with a drop of water. Photo is by Dominik Tarabanski

It sits upon a handwoven, recycled hemp fibre rug, creating “durable, ergonomic seating that minimizes environmental impact”.

Collaborating with food artist Caique Tizzi, Mother Games and RTM also explored gastronomy, creating three tables with carved-out pockets filled with various food items trapped in puddles of ice.

The Water Across Form table reflects the “shapeshifting essence of water”, which is a central element found in the upcoming Le Zoo game.

An installation by artist Dominik Tarabanski also explores the element. Featuring a nearly 1,000-pound (452 kilograms) cube of soil, a single droplet of water falls from the ceiling into its centre, slowly eroding and transforming the block over time.

Big table with ice
Water Across Form by Caique Tizzi, RTM and Mother explores the states of water. Photo is by Rupert Ramsay

“It is both a lament and an invitation to pause, witness, and reckon with the irreversible processes unfolding around and within us,” said the team.

A foam and wire sculpture by Oliver Prime and a multicoloured mirror created with designer Christopher Mark also fill the space, along with additional sculptural pieces by RTM and the digital Operator tryptic by Matthew Woodward, which displays an ongoing creation and erasure of generative artwork.

Blue sculpture
Water of Life by Oliver Prime was made using foam and wire. Photo is by Matias Corea

Falter and RTM worked closely with each artist to create a digitized version of the items, fostering a dialogue to realize the vision for each piece both in the physical and digital realms.

“The 3D rendered design and the physical work certainly affected one another,” Falter told Dezeen.”Creating a 3D model and expecting it to translate 1-1 to an artisanal or experimental artistic process or material is not realistic.”

“There was an open dialogue between both the 3D artists and the hand-work artists.”

Dezeen US editor Ben Dreith took part in a panel on AI and design during the event.

Previously, writer Holly Nielsen said the metaverse will be “the digital equivalent of huge empty cities without character or community”, while Zaha Hadid Architects created a parametric London for the video game Fortnite with Epic Games.

Beyond Perception took place at Lume Studios in New York City from 14-15 November. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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Genesis Redefines Automotive Design with 2026 GV70, Electrified GV70, and California Design Studio

Genesis Motor North America has unveiled the redesigned 2026 GV70 and Electrified GV70 SUVs, accompanied by the announcement of a groundbreaking design studio in California. These twin milestones highlight the brand’s seamless integration of technology and aesthetics, pushing boundaries in product innovation and creative environments. With its sights firmly set on redefining the future of luxury vehicles, Genesis aims to transform automotive design through thoughtful craftsmanship and advanced technology.

Designer: Genesis

Exterior Enhancements: Bold Aesthetics Meet Cutting-Edge Technology

The 2026 GV70 and Electrified GV70 embody Genesis’s “Athletic Elegance” philosophy, presenting a perfect fusion of advanced technology and striking design. Their redesigned dual-weave G-Matrix Crest Grille creates a bold front fascia, while the multi-lens array (MLA) headlamps provide enhanced nighttime visibility and a modern visual signature. This technology-driven lighting system ensures functionality without compromising style.

Genesis GV70 Sport

For the Electrified GV70, the grille adapts to house a charging port equipped with a motorized door, integrated lighting, and a heating element, offering convenience and a sleek design. Redesigned skid plates and expanded air intakes contribute to a more dynamic, sporty profile, while new 19-inch and 21-inch wheel options emphasize athleticism and precision.

Genesis Electrified GV70

The attention to detail extends to the rear, where turn signals echo the two-line motif of the headlamps, maintaining aesthetic harmony. Genesis also introduces ten exterior colors for the GV70, including the astronomically inspired Ceres Blue, and six curated colors for the Electrified GV70, offering customers various sophisticated options to personalize their vehicles.

Interior Innovations: A Harmony of Function and Form

Inside, Genesis prioritizes elegance, simplicity, and advanced technology. The GV70 features a 27-inch OLED display that merges the digital cluster and infotainment system into a seamless horizontal unit. This modern layout aligns with the “Beauty of White Space” principle, inspired by Korean aesthetics, providing a clean and intuitive user interface.

Material and color options enhance the interior ambiance. Ultramarine Blue Nappa leather adds a luxurious touch, complemented by customizable ambient lighting that allows drivers to tailor the cabin’s atmosphere. A Bang & Olufsen surround sound system with Beosonic technology further enhances the in-cabin experience, delivering unmatched audio quality.

Practical updates include triple-zone automatic HVAC for optimal comfort and a relocated wireless charging pad for easier access. Genesis also integrates advanced convenience features such as voice recognition controls, which allow drivers to manage HVAC settings and windows effortlessly, and Digital Key, enabling seamless vehicle access and personalization.

Performance and Safety: Advanced Features for a Superior Drive

The GV70 offers two powerful engine options: a 2.5L inline-4 turbo with 300 horsepower and a 3.5L V6 twin-turbo producing 375 horsepower. Genesis pairs these engines with Electronically Controlled Suspension with Road Preview, which uses forward-facing cameras to detect road imperfections and adjust the suspension for maximum comfort.

Safety features are equally comprehensive. Enhanced Lane Following Assist, Hands-On Detection steering, and upgraded Remote Smart Parking Assist—which now includes diagonal parking—are standard. The Electrified GV70 introduces an 84 kWh high-capacity battery, providing extended range and a North American Charging Standard (NACS) port with a CCS adapter, granting access to more than 36,000 DC fast chargers nationwide.

Genesis Design California: A Creative Hub for the Future

Complementing its vehicle advancements, Genesis will open a new 80,000-square-foot design studio in El Segundo, California, in early 2025. This facility will serve as a creative ecosystem, housing 45 team members in an environment designed to foster innovation and collaboration.

Genesis Design California

The studio’s design blends Korean heritage with Southern California’s vibrant culture. Outdoor spaces inspired by traditional Korean gardens provide tranquil areas for reflection, while the interiors emphasize natural light and calming materials like soft acoustic felt. The modern tea platform in the lobby sets a meditative tone, reinforcing Genesis’s commitment to creating serene, inspiring spaces.

Key facilities include a clay modeling workshop, digital design labs, and a colors and materials studio, offering team members the tools to push creative boundaries. Luc Donckerwolke, Chief Creative Officer of Genesis, highlighted the studio’s importance: “The climate, cultural arts, and automotive scene in Los Angeles offered us the possibility to create a dynamic and attractive work experience by integrating nature and light into the work and creative spaces.”

Blending Technology, Culture, and Innovation

Genesis’s design philosophy reflects a harmonious blend of form, function, and cultural authenticity. From the MLA headlamps to the expansive OLED dashboard, every detail of the 2026 GV70 lineup underscores the brand’s commitment to thoughtful, user-focused advancements. Similarly, the California Design Studio exemplifies Genesis’s dedication to fostering creativity and integrating art and technology into its vehicles.

As Genesis approaches its 10th anniversary, these initiatives signal a bold vision for the future of automotive design. By combining advanced technology with cultural heritage and a deep understanding of user experience, Genesis is redefining what luxury vehicles can achieve—inside and out.

The post Genesis Redefines Automotive Design with 2026 GV70, Electrified GV70, and California Design Studio first appeared on Yanko Design.

Odd backpack is designed for carrying spare bicycle tires and large objects

It’s pretty amazing how much stuff we can cram into our backpacks, from laptops to 2-liter water bottles to a bundle of chargers and cables. Of course, these are objects that were designed to be small enough to fit in bags in the first place, so that’s not exactly out of the ordinary. Unfortunately, we sometimes need to carry things larger than the largest backpacks in the market.

This bag might be designed for bicycle racing, but it can definitely do more than just carry spare wheels for an emergency. Its literally open design actually offers a bit more wiggle room that will let you carry large or odd-shaped items without breaking a sweat. Unless, of course, they’re actually too heavy to carry on your back.

Designer: Fernando A. Robert

We often think of bags as enclosed containers with a single opening, but there really isn’t a formal definition of a bag’s design. This “Bike Backpack” might look like a regular backpack from the front, but its open sides definitely break the stereotype. Then again, the idea of carrying a bicycle wheel or a large box is itself already unconventional.

The Sherman Bike Backpack has a tri-fold design that opens vertically like a flap. The idea is that you stuff things that are too large or too wide for regular bags in between the flaps, letting the sides extend beyond the bag’s confines. Alternatively, you can also hang something outside and secure it with straps.

This is how you can carry one or two bicycle wheels that are thin and light enough to put on your back while cycling or racing. Of course, boxes, drawing boards, blueprint tubes, and other large objects are also fair game, as long as you secure them properly with straps. It definitely makes for an odd sight, but your comfort and convenience definitely outweigh any awkwardness.

The backpack also has compartments for carrying regular stuff, and you might be able to use it for carrying laptops, tools, or even clothes. That said, it isn’t the ideal backpack for all weather conditions, since the open sides make it very vulnerable to water, snow, and even dust.

The post Odd backpack is designed for carrying spare bicycle tires and large objects first appeared on Yanko Design.

Petronas Towers became "symbol of prosperity" for Southeast Asia says Rafael Pelli

Petronas Towers from ground

A combination of cultural traditions and complex engineering allowed the Petronas Towers in Malaysia to become a model for skyscrapers as place-makers, Rafael Pelli told Dezeen in this exclusive interview.

Completed in 1997 by Pelli Clarke & Partners, Petronas Towers were the tallest buildings in the world until 2004, with the north tower rising 451.9 metres (1,483 feet). The office building received the Global Icon 2024 award from the Council on Tall Buildings and Urban Habitat (CTBUH).

Under the deft hand of studio founder Cesár Pelli, the twin skyscrapers, connected at the base and by a sky bridge midway, were built on a former race track. They are mostly symmetrical, with a mix of circular and triangular volumes stacked and tapered towards large spires at the top and clad in glass and stainless steel.

Petronas Towers with woman in a stroller walking in front
Petronas Towers by Pelli Clarke & Partners in Kuala Lumpur has won the CTBUH Global Icons Award

“It was just a handsomely composed building, and was a strong image that became an icon for not only Kuala Lumpur and Malaysia, but for all of Southeast Asia,” studio partner Rafael Pelli, son of César Pelli, told Dezeen.

“Petronas Towers show that when a skyscraper is successful and well-designed it can become a national symbol and a symbol of growth and prosperity for whole regions,” he continued.

This success, according to Pelli, came from the attention to detail, the use of high-tech materials and engineering as well as sensitivity to local culture and the “formal geometry” of Islamic tradition.

View of Petronas Towers from the ground
When it was completed it was the tallest building in the world

Rafael Pelli said the designers “abstracted” these cultural inputs in a way that still allowed it to be contemporary, without the historicism of postmodern architecture, and can be categorized, the architect agreed, as a sort of regional modernism.

“It was very abstracted, so it was still a contemporary building – maybe post-modern in the sense that it’s not a pure abstraction in the way architecture tended to go more after that, but I don’t think it contained any overtly historicist elements.”

Rafael Pelli said that the studio’s lack of “stylistic preconceptions” and the multicultural upbringing of his father led, in part, to the final design.

“He learned international-style modernism when he was still in Argentina studying when some of the leading Spanish architects left because of the Spanish Civil War,” said Rafael Pelli.

“But there was always in him kind of feeling that [international modernism] can’t be universally applied, and there’s something to regional distinctions,” he continued.

“[My father] liked the idea that something would endure.”

Skybridge on Kuala Lumpur
It features a dramatic skybridge

Construction began on the 88-storey towers in 1993 with Thornton Tomasetti as the structural engineering firm. It features a tube structure, made primarily from steel-reinforced concrete, with radiating column-supported walls extending from the core with shapes informed by Islamic architectural plans.

According to the New York Times, the state oil company, Petronas, spent $800 million on the structure at the time, and the skyscrapers sat mostly empty for a few years due to the hard-hitting Asian financial crisis that began in 1997.

Cesar and Rafael Pelli
Rafael Pelli is the son of the late architect Cesár Pelli

One of the key elements of the project is its connection to public space and cultural institutions.

Its base holds the Suria KLCC a commercial mall that includes art galleries, an aquarium and a science centre, as well as a home for a philharmonic orchestra.

Adjacent to the skyscraper is a 6.9-hectare park.

View of Petronas Towers from adjacent park
It is adjacent to a massive park

Rafael Pelli said that both the mixed-use nature of the skyscraper and the integration into public space are hallmarks of the design that have been widely taken up.

“Today the design of tall buildings goes beyond the building itself,” said Rafael Pelli “People want some other contribution to the city, some public space.”

“Thirty years ago all skyscrapers were office buildings,” he continued. “Even then, Asia accepted different programs vertically spread out.”

Pelli said this changing program also presented design challenges, which have been shaping the way that skyscrapers are built today and has led to the construction of super-skinny buildings that can have smaller floor plates, as many of them are residential.

Petronas Towers from the ground floor
It has a stainless steel-clad facade

The architect is convinced, though, that the ideas behind designs are ultimately subordinate to the execution of projects.

“There are buildings that endure because they were beautifully resolved,” he said.

“They were well detailed and well executed. It doesn’t have to have a big, formal move to make a good building. But there’s just not many people working at that level.”

Petronas Towers at Night
Pelli said the towers became an icon and symbol of prosperity

Since Petronas and Cesár Pelli’s passing in 2019, the studio has gone on to design a number of other superlative buildings. These include the tallest building in Mexico City and the tallest building in Japan.

The CTBUH Global Icons Award is issued each year to skyscrapers that make a significant impact on the global practice of tall building construction.

The organisation also gives out several awards to recent structures, and named WOHA’s Pan Pacific Orchard skyscraper in Singapore the best new tall building of 2024.

The photography is courtesy of Pelli Clark & Partners.

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