Design For The Other 90%

The National Geographic Museum will open a new exhibition this Wednesday, April 28 called Design for the Other 90%, a touring exhibition from the Cooper-Hewitt, National Design Museum in NYC. The exhibition takes a look at designers who are developing solutions that address basic needs for the vast majority of the world’s population not traditionally served by professional designers. Of the world’s 6.5 billion people, 90% have few to none of the basic necessities required for progress and survival.

Cool Hunting Video Presents: Jamie Oliver

by Michael Tyburski

Having already tackled British eating habits, we recently talked to
Jamie Oliver
about his latest massive project reshaping how Americans view food from the ground up, starting with U.S. school menus. In this video, Oliver shares the motivation and tactics behind his revolution, along with the challenges of working on public policy.


The End of Styrofoam?

Eben Bayer and Gavin McIntyre have developed a material they call Ecocradle. It feels, looks, and pretty much functions exactly like styrofoam. What is so interesting about this material is that it is comprised of only organic matter with mushroom roots acting as the glue to bring it all together. For more on the duo’s research and development head over to L Magazine.

One Big Solar Rooftop


Image via GOOD

The nation’s largest rooftop solar installation was unveiled last week in Woodbridge, New Jersey. The building (seen above) is a FedEx shipping plant and is quite impressive to say the least. Jersey leads the east coast in solar energy production and is 2nd to only California in the nation.

Post Fossil: Excavating 21st Century Creation

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Showcasing over 70 international designers, the current exhibit “Post Fossil: Excavating 21st Century Creation” at Tokyo museum 21_21 Design Sight is the upshot of esteemed Dutch trend forecaster Lidewij Edelkoort‘s examination of the future of design in all of its constituent parts. The content spans techniques, shapes, materials, colors and themes with 140 pieces demonstrating a new way of thinking—using the past to reinvent the future.

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The exhibition includes an array of resourcefully creative works, many fusing nature with design like Atelier NL’s “Drawn From Clay” pottery, Joris Laarman’s “Bone Chair” and Peter Marigold‘s man-made chess board. Each artist answers serious questions about meaningful consumption, how to break free of old paradigms and whether less really is more.

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Edelkoort selected designers who defy the trend of designing for design’s sake and instead create with “unfettered freedom” as they search for new methods and, arguably more importantly, new tools to design with.

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Referencing the Arte Povera movement of the ’60s, Edelkoort predicts the ideas will see a resurgence due to shifts in economics and thinking about sustainability. Tokyo’s 21_21 Design Sight makes the perfect venue to showcase these works as a museum focused on generating design that “sees clearly what is ahead.”

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Post Fossil: Excavating 21st Century Creation” runs through 27 June 2010, check out Tokyo Art Beat for full details.


Steven M. Johnson on Work, Life, and Intercontinental Solar-Electric Highways

S_M_johnson.jpgWhen a certain volcanic eruption put the kibosh (kibash?) on our transatlantic trip, frog design was good enough to dispatch a plump and determined carrier pigeon to bring us the new design mind magazine. The latest issue, launched last week at a special TED salon in London, tackles the theme of work-life (a term that is sure to soon shed its vestigial hypen and become “worklife”). “What we do for a living and how we do it has become such an important part of our lives that we wanted to ask some fundamental questions,” says design mind editor-in-chief Sam Martin. “Is work-life balance possible anymore? Is it even that important? Work bleeds into life far more than it used to, so it’s critical that we allow life to become part of work as well. That’s the hard part.” Articles in the issue tackle topics including sabbaticals, stress, clean energy, food, China, and becoming your own boss in the “me-conomy,” but our first stop was Allison Arieff‘s illuminating peek into the brain of Steven M. Johnson.

The inventor and artist has a lot to say about, well, everything. When Arieff asks Johnson to develop some concepts around the work-life theme, he gets right down to business. “From 6:30 to 9:30 this morning, I turned on my idea faucet (which I usually keep somewhat tightly turned off) and have 55-60 rough notes as a result,” he e-mails her. “Of course, just like Blackberry’s push email, my ideas keep coming out even after I have stopped generating them.” Johnson, who spent nine years working in R&D at Honda, points to a couple of ideas as those that he would most like to see realized. First up: an Intercontinental Solar-Electric Highway, a “narrow, smooth, and gracefully rolling highway stretching from coast to coast, dedicated solely to ultralight vehicles.”

There are already proposals for an intercontinental trail that could be hiked from the Atlantic to the Pacific, so there should similarly be an intercontinental highway for solar, electric, and ultralight vehicles, one that also provides a lane for bicycles. It would be a beautiful road, and very quiet…lined with solar-powered underground buildings. Billboards would be illegal. There would be hikers’ huts, youth hostels, cafes, and battery-swap services. Highway lighting would be powered by solar panels. The highway itself would take up far less space than a freeway, cost comparatively little, and foster the design and production of new, efficient electric- and solar-powered vehicles, the kind that are now in danger of being blown off the road by 18-wheel semi-trailer trucks.

Also high on Johnson’s to-realize list? His own line of multiuse furniture, which he would prefer to invent, design, and manufacture himself. “There would be a line of chairs that become desks, sofas that become showers, and sofas that become sturdy dining tables.” he says. “I would love this kind of business because it would combine my interest in utility with my softness for humor and whimsy.”

New Career Opportunities Daily: The best jobs in media.

Strutturaquattro

All in wood, Strutturaquattro is made of twenty-nine 15mm plywood panels veneered in oak and far one from the other by the same distance.The successio..

Scandinavian Spring/Summer 2010 Sunglasses

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Emerging like edgy first blooms, a slew of new sunglasses from Stockholm are challenging other fashion capitals known for quality, stylish accessories. Both fashion forward frames and reconceived classics pop as the main styles, but three brands in particular have us excited for blues skies ahead.

Whyred (above) introduced handmade tortoiseshell frames with a sophisticated retro aesthetic. Taking their inspiration from The Who manager Pete Meaden, the look fits right in with the brand’s modern collections abiding by the motto “clean living under difficult circumstances.” The unisex sunglasses sell online for $340.

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The Scandinavian staple Cheap Monday leaves nothing to chance with a ride range of styles and colors. (See more in the gallery below.) Putting their spin on the classic Wayfarer, the label adds wire arms in place of plastic while leaving the main shape intact. Rounded edges and cat eye frames in pastels make a more feminine choice, while stylish dark blue plastic rims and gun metal wire aviators bring a harder edge. Pick them up from their store in Copenhagen and online from Urban Outfitters or Tobi for around $40.

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The Local Firm continues to reinvent the standard plastic sunglasses—last year, by squaring out the frame and oversizing it slightly. Now they’re even bigger with a more obvious block shape inspired by 3D glasses and ’80s electronica. The dark gray frames of its two models (Shadow or Dust) will sit nicely on the tanned and buff as well as the more pasty-faced. Both styles sell online for kr 995.


Babba Lamp

Babba Lamp is a new project studio belenko! The lamp can be rotated by adjusting the intensity of illumination

Pencil vs Camera

Coup de cœur pour les travaux de Benjamin Heine, un jeune artiste belge. Bourré de talent, il a créé la série d’images “Pencil VS Camera”, combinant photographies et dessins, et dont le rendu est unique. Plus d’images dans la suite de l’article.



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