Mission to Earthphase: The World’s First-Ever Dual-Phase Dial and Movement by Omega x Swatch

Omega and Swatch have introduced the Mission to Earthphase, a watch that illustrates Earth and Moon phases on a single dial. This latest addition to the MoonSwatch series features an innovative Earth phase complication, marking a first in watchmaking history. Designed to simulate how Earth appears from the Moon, the Mission to Earthphase pays tribute to the beauty of our planet as seen from space.

Designers: Swatch x OMEGA

From the dial’s textured gray surface to its intricately crafted Earth and Moon indicators, this watch is filled with details inspired by celestial mechanics. Beyond its aesthetic appeal, the Mission to Earthphase features a quartz movement tailored to manage these dual complications. Here, we’ll explore the design, how it works, and the unique movement that powers this timepiece.

A Design that Brings Earth and Moon Together

The Mission to Earthphase’s dial design immediately captures attention. Unlike traditional moonphase watches, which depict the phases of the Moon as seen from Earth, the Mission to Earthphase shifts perspectives. Positioned at ten o’clock, the Earth phase complication displays Earth’s phases as they would be viewed from the Moon, offering a unique perspective of our planet.

Image: Swatch

In this Earth phase indicator, continents and oceans are depicted in vivid colors. Oceans are treated with UV-reactive ink, glowing under ultraviolet light, creating a soft blue glow reminiscent of how astronauts describe Earth—as a glowing blue marble against the vastness of space. This glow captures the beauty and mystery of our planet. Landmasses are rendered with fine detail, presenting a vibrant and precise representation of the Earth’s surface.

Across the dial at the two o’clock position, the Moon phase indicator sits across the dial. Omega and Swatch have ensured that the Moon is represented with signature attention to detail. Two large depictions of the Moon glow in the dark thanks to Super-LumiNova treatment. This soft white glow adds a touch of mystique without overpowering the rest of the dial, enhancing visual appeal and ensuring legibility in low-light settings.

The Movement: Precision and Innovation

The Mission to Earthphase is powered by a unique quartz movement specifically engineered to support both Earth and Moon phase complications. Traditional moonphase watches use a simple mechanism to track the Moon’s 29.5-day cycle. However, Omega and Swatch took a more complex approach to incorporate both Earth and Moon phases.

Image: Swatch

The Earth phase rotates in the opposite direction of the Moon phase, accurately depicting how the Earth’s phases appear to an observer on the Moon. This reverse rotation reflects the actual orientation of Earth and Moon phases relative to each other.

The gearing system behind the Earth phase complication was calibrated to ensure synchronization with the Moon phase while operating independently. This design required Omega and Swatch to rethink the mechanics of dual-phase displays, resulting in a sophisticated and reliable movement.

Textured Dial and Classic Bezel for a Space-Inspired Look

The dial surface of the Mission to Earthphase features a grainy gray texture that replicates the rugged landscape of the Moon. This surface provides a tactile quality, grounding the watch in its cosmic theme and echoing the Moon’s cratered terrain. It connects the wearer to the idea of standing on the Moon and looking back at Earth.

Image: Swatch

Surrounding the detailed dial is a black tachymeter bezel with light gray markers. This bezel contrasts with the textured dial, allowing the dial’s features to remain the focal point. The tachymeter scale adds a functional element, maintaining the chronograph heritage of Omega’s Speedmaster series while emphasizing the connection between space exploration and timekeeping.

Bioceramic Case and Space-Ready Strap

The Mission to Earthphase case is crafted from Bioceramic, a material that combines ceramic with bio sourced elements derived from castor oil. The 42-millimeter case has a light gray tone that harmonizes with the lunar-themed dial, adding a sense of cohesion. Bioceramic is lightweight and durable, making it ideal for a watch designed for comfortable wear while maintaining sophistication.

Image: Swatch

Swatch has equipped the Mission to Earthphase with a black Velcro strap stitched with light gray thread, providing comfort and adjustability for various wrist sizes. The strap draws from materials used in astronaut gear, adding an authentic touch of space-inspired practicality. The Omega and Swatch branding is visible on the strap, highlighting the partnership behind this watch.

The battery cover on the watch’s back is etched with an image of the Moon, complete with Neil Armstrong’s iconic footprint—a nod to the historic lunar landing.

The Mission to Earthphase runs on a quartz movement chosen for its precision and low maintenance requirements. While mechanical movements often carry a sense of tradition, the quartz option provides the accuracy needed to maintain Earth and Moon phase indicators. This aligns with Swatch’s approach of making accessible, high-quality designs without compromising performance.

Image: Swatch

Quartz technology ensures that the Earth and Moon phases stay in perfect sync with real-world cycles, reducing the need for manual adjustments. This makes the Mission to Earthphase practical for everyday wearers who appreciate innovation without the upkeep of a mechanical movement. The stability and durability of quartz movement provide peace of mind, keeping the watch accurate with minimal intervention.

A Unique Achievement in Dual-Phase Display

The Mission to Earthphase showcases the Earth and Moon phases in a unified, independent rotation. This dual-phase complication exemplifies Omega and Swatch’s innovative engineering, clearly depicting Earth-Moon dynamics.

Image: Swatch

The Mission to Earthphase brings the cosmos to the wrist through its crafted dial, unique movement, and detailed design. Omega and Swatch provide a distinctive experience of the Earth-Moon relationship, blending technical precision with artistic vision.

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Toyota’s new Micro-camper doubles into a cargo-van, pop-up shop, or even a wheelchair-accessible van

As the name suggests, most camper vans are made for camping. However, Toyoya’s Kayoibako interprets things differently. Inspired instead by shipping containers, the adorable micro-camper is compact enough for tight city streets yet versatile enough to transform from a cozy camper into a mobile pop-up shop or even a mini delivery van. Built as a multifunctional, adaptable space, the Kayoibako explores the future of compact vehicles designed for urban explorers, small business owners, and anyone craving flexibility in a city-ready package.

Designer: Toyota

With a length of 3.99 meters (around 13 feet), the Kayoibako maximizes every inch of space. The tiny EV uses a nearly nonexistent hood and a minimalist driver-only seat setup, which frees up over 2.1 meters of usable floor length behind the driver and 3.1 meters in the seatless passenger area. Collaborating with lifestyle brand D&Department, Toyota created a cozy camper layout with a foldable double bed, ambient lighting, and simple furnishings, proving that functional design can be stylish too. The roof—standing at 186 cm (73 inches)—is accessible via a ladder and can double as a gear rack, providing easy storage solutions for adventurers looking to take advantage of every inch of this micro-camper.

What really makes the Kayoibako concept exciting is how easily it shapeshifts to meet diverse needs. Toyota envisioned it for multiple configurations, including an adaptive wheelchair-accessible design, a fully mobile retail shop with racks, and a straightforward cargo hauler. This flexibility comes from the vehicle’s customizable software. For instance, if you’re using it as a mobile shop, the Kayoibako could integrate inventory tracking, or, if it’s out on the trails, off-road navigation could be added to the suite. With all these options, Toyota has crafted a concept that feels a step ahead, blending physical versatility with digital intelligence.

Inside, the Kayoibako is as simple as it is modern. The minimalist dashboard is defined by an ultra-slim, curved infotainment screen that stretches across the windshield area, designed to give the driver a seamless interface with all key information in one place. The Kayoibako’s cockpit keeps things light, thanks to a skeletal steering wheel and minimal controls, perfect for a vehicle that aims to be as flexible as its users’ needs. This simplicity lets Toyota make the most of the interior, creating a spacious, uncluttered atmosphere that’s highly adaptable for different uses, from outdoor exploration to city delivery.

So, will the Kayoibako make it to production? Toyota’s been quiet about that, though its experimentation with flexible mini-vehicles, like the Hilux Champ mini-pickup, hints at a future where modular electric vehicles might become mainstream. If the Kayoibako—or something like it—hits the market, we’d be looking at a new category of hyper-adaptable, eco-friendly EVs. Whether for work, play, or a mix of both, it’s a concept that could be just what the tiny van scene has been waiting for.

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Vaga Arquitectura and Pistache Ganache wrap Brazilian store in undulating "membrane"

Brazilian studios Vaga Arquitectura and Atelier Pistache Ganache teamed up to design a “consumer-first” boutique outfit with curving coral walls for a mattress company in Sāo Paulo.

Renovated in 2024 by design studio Vaga Arquitetura and luxury retail designer Atelier Pistache Ganache, the narrow store sits on the end of a block in the Pinheiros neighborhood.

Vaga Arquitectura- and Atelier Pistache Ganache-designed mattress store
Vaga Arquitectura and Atelier Pistache Ganache have interior designed a mattress store

The 162-square metre (1745-square foot) space is the new flagship store for Zissou, a Brazilian startup that specialises in “mattresses in a box” and other sleep products.

A pink-toned fluted facade treatment wraps around the ground level of the storefront and is punctuated by a large plate glass in the centre, while the second level is composed of white stucco with the brand’s sideways Z-shaped logo stamped into the centre of the facade.

Pink fluted walls
Curves line the store facade and continue inside

The coral facade bubbles out to mark the store’s corner entrance, meanwhile forming a small front courtyard with the neighbouring wall. The sidewalk pavers are painted with a bright indigo hue to define the area.

The three-colour palette and soft curves continue inside the store.

Custom pink membrane
The custom pink membrane mimics the softness and technology of Zissou’s products

“Our goal was to create an immersive and sensory experience that maximized the integration of the online and offline journey, always keeping the customer at the centre of everything,” the team told Dezeen.

“Inspired by the theme Layers Between Sleeping and Living, we designed a horizon in the space using a coral pink membrane, which, along with the lighting treatment, represents the space between the sky and the earth, connecting sleep with everyday life.”

Blue Room
There is a secluded Blue Room at the back of the store

“Visitors are guided through this fluid and inviting environment, designed to spark curiosity and offer a unique experience tailored to each product, culminating in spaces that provide a singular journey.”

The custom pink membrane mimics the softness and technology of Zissou’s products and flows through the space dividing the linear footprint into smaller rooms along a grid system.

Blue Room
“An immersive and automated experience” is provided by the blue space

“The idea is that this element arouses the curiosity of those passing by on the sidewalk, encouraging them to enter the store for a unique experience, designed for them along with Zissou’s team,” said VAGA Arquitetura co-founder Pedro Domingues.

In contrast to the coral walls, plush dark blue carpet – experienced after customers remove their shoes when they enter – directs circulation between the spaces and leads to the secluded Blue Room in the back corner offering “an immersive and automated experience, with controlled sound, light, and temperature.”

“The entire space was redesigned so that the store’s initial concept could be realized: creating specific environments for each product, so that each offers a unique experience,” said said VAGA Arquitetura co-founder Pedro Faria.

The team dismantled the old wooden mezzanine, opening the interior to a white double-height ceiling above the pink horizon line and creating a sense of decompression.

Coral walls in the mattress store
The store is located in Sāo Paulo

An enclosed spiral staircase leads to the upper level, where another retail space opens to a back terrace for hosting brand events.

Other flagship stores recently completed across the globe include a boutique with silver curtains and a burgundy stage for Danish womenswear label Rotate, designed by Thaibaut Allgayer in Copenhagen, and a pyramid-shaped store for drone brand DJI in Shenzhen, China by Various Associates.

The photography is by Carolina Lacaz.


Project credits:

Architecture: VAGA Arquitetura + Pistache Ganache
VAGA team: Pedro Domingues, Pedro Faria, Gustavo Naoki and Ingrid Rosa
Pistache Ganache team: André Romitelli and Martina Brusius
Collaborators: Roberta Tannus
Construction: BeFive
Structure, electrical installations, and hydraulic installations: Jarreta Projetos
Lighting Design: Lichia Lighting
Scenography: GTM Cenografia
Client: Zissou

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OpenAI is building their own AI Chips to take on Nvidia’s Chip Dominance

In a strategic move that feels like it’s straight from an Aaron Sorkin movie, OpenAI has started crafting its own AI chip, a custom creation designed to tackle the heavy demands of running its advanced models. The company, known for developing ChatGPT, has partnered with Broadcom and Taiwan Semiconductor Manufacturing Company (TSMC) to roll out its first in-house chip by 2026, Reuters reports. While many giants might build factories to keep all chip manufacturing in-house, OpenAI opted to shelve that multi-billion-dollar venture. It’s instead using industry muscle in a way that’s both practical and quietly rebellious.

Why bother with the usual suppliers? OpenAI is already a massive buyer of Nvidia’s GPUs, essential for training and inference—the magic that turns data into meaningful responses. But here’s the twist: Nvidia’s prices are soaring, and OpenAI wants to diversify. AMD’s new MI300X chips add to the mix, showing OpenAI’s resourcefulness in navigating a GPU market often plagued by shortages. Adding AMD into this lineup might look like a mere “supply chain insurance,” but it’s more than that—this move exhibits OpenAI’s reluctance to put all its eggs in one pricey basket. Sort of like Apple developing its own Apple Intelligence while leaning on ChatGPT whenever necessary.

Broadcom is helping OpenAI shape the chip, along with a data transfer capability that’s critical for OpenAI’s needs, where endless rows of chips work in synchrony. Securing TSMC, the world’s largest contract chipmaker, to produce these chips highlights OpenAI’s knack for creative problem-solving. TSMC brings a powerhouse reputation to the table, which gives OpenAI’s experimental chip a significant production edge—key to scaling its infrastructure to meet ever-growing AI workloads.

OpenAI’s venture into custom chips isn’t just about technical specs or saving money; it’s a tactical play to gain full control over its tech (something we’ve seen with Apple before). By tailoring chips specifically for inference—the part of AI that applies what’s learned to make decisions—OpenAI aims for real-time processing at a speed essential for tools like ChatGPT. This quest for optimization is about more than efficiency; it’s the kind of forward-thinking move that positions OpenAI as an innovator who wants to carve its own path in an industry where Google and Meta have already done so.

The strategy here is fascinating because it doesn’t pit OpenAI against its big suppliers. Even as it pursues its custom chip, OpenAI remains close to Nvidia, preserving access to Nvidia’s newest, most advanced Blackwell GPUs while avoiding potential friction. It’s like staying friendly with the popular kid even while building your own brand. This partnership-heavy approach provides access to top-tier hardware without burning any bridges—a balancing act that OpenAI is managing with surprising finesse.

(Representational images generated using AI)

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Dezeen Agenda features Neom's first completed region in Saudi Arabia

Sindalah resort in Saudi Arabia

The latest edition of our weekly Dezeen Agenda newsletter features Sindalah, the first region of Saudi Arabia’s Neom project to open for visitors. Subscribe to Dezeen Agenda now.

Italian studio Luca Dini Design has designed Sindalah, an island resort in the Red Sea that has become the first region of mega-project Neom to be completed in Saudi Arabia.

The 840,000-square-metre resort, located five kilometres off the Neom coastline in the Red Sea, has opened to a select group of guests.

520 Fifth Avenue by KPF
“Beaux-arts” supertall skyscraper by KPF tops out in Manhattan

This week’s newsletter also featured a beaux-arts style skyscraper designed by architecture studio KPF, cob bricks for low-carbon construction developed by researcher Tavs Jorgensen and images of Zaha Hadid Architects completed Mercury Tower in Malta.

Dezeen Agenda

Dezeen Agenda is a curated newsletter sent every Thursday containing the most important news highlights from Dezeen. Read the latest edition of Dezeen Agenda or subscribe here.

You can also subscribe to our other newsletters; Dezeen Debate is sent every Thursday and features the hottest reader comments and most-debated stories, Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours and Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design. 

The post Dezeen Agenda features Neom’s first completed region in Saudi Arabia appeared first on Dezeen.

Beyond the Basics: Top 10 Cutting-Edge Trends in Stationery Design

Stationery remains essential, adapting to global trends like sustainability, and minimalism, and bridging the gap between digital and analog domains. With technological advancements, stationery for school and office settings is progressing towards smarter, sustainable products, transforming traditional items into symbols of productivity and creativity. This transformation underscores a fusion of innovation and timeless design, enhancing how students approach their studies and how office workers manage their tasks efficiently.

Explore the transformative trends shaping the future landscape of stationery, traditional office supplies, and educational tools.

Designer: Playfool

1. Using Recycled Materials

Wood is typically associated with brown, but different tree species produce various colors. In Japan, Forest Crayons uses pigments from recycled forest trees to create crayons, mixed with wood, rice wax, and rice oil. Each color, such as the magnolia’s light green or fungus-stained wood’s deep turquoise, reflects the tree species and growth conditions. The set includes ten colors: Bayberry, Bogwood, Cedar, Chinaberry, Cypress, Hazenoki, Katsura, Kaizuka, Magnolia, and Zelkova. This project, endorsed by the Japanese Forest Agency, promotes a renewed appreciation for Japan’s forests.

2. Zen Aesthetics

Designer: Jacopo Drago (Zenical)

Pens usually signify productivity and creativity, but the Zen Pen, a unique Japanese-made writing instrument, aims to evoke calm through its design and texture. Inspired by Zen gardens, it features 3D-printed grooves and an off-center, smooth clip, mimicking the sand and stone elements. Crafted by skilled Japanese artisans using modern 3D printing and milling, the Zen Pen provides a soothing tactile experience, promoting mindfulness and tranquility. This makes it an ideal tool for students, helping them stay focused and calm while writing and studying in a school environment.

3. Ergonomic Design

Designer: orangered life

The 25° Ruler sets new standards in precision and durability, crafted from aerospace-grade aluminum and featuring laser-engraved markings for long-lasting accuracy. Available in sizes ranging from 6 to 20 inches and various vibrant colors, its ergonomic 25° angle enhances usability by placing measurements conveniently along the bottom edge. A teardrop design ensures safety and ease of use, while dual-sided markings cater to metric and imperial units, starting from zero to ensure precise measurements.

4. Bold Colors

Designers: YoonJeong Lee, Hyobin Jeon, and yerin An

Royi Stationery offers innovative supplies that tell stories of honesty and introspection. Their transparent staplers and hard disks prompt reflection on deeper values, inspired by timeless narratives like the tale of the naked king. These products encourage a meaningful connection with stationery tools, inviting users to see beyond surface appearances and appreciate the wisdom embedded in everyday objects.

5. Harmonizing Digital and Analog

Designer: Cortex

The Sidekick Notepad blends digital efficiency with analog charm, ideal for users who embrace a digital-analog hybrid workflow. Featuring 60 tear-away pages of Munken Lynx paper and a cover made from recycled coffee cups, it includes sections for notes, to-do lists with checkboxes, and a date section. Perfect for quick note-taking during meetings or daily tasks, it offers practicality and sustainability in one compact design.

Designer: Nuwa Innovation

The Nuwa Pen is an AI-powered ballpoint that bridges the gap between handwritten charm and digital efficiency. This innovative pen uses a TRIDENT imaging system and AI to effortlessly convert your scribbles on any paper into searchable digital notes. With 2GB of built-in memory, rapid charging, and compatibility with the Nuwa Pen App for cloud storage, it ensures your ideas are always accessible and organized. Ideal for those who value both the tactile joy of writing and the practicality of digital tools, the Nuwa Pen redefines note-taking versatility.

6. Minimalist Design

Designers: Christoph Bohrer, Martin Wagner and Yang Han

Introducing the stilform FLOW: an award-winning ballpoint pen that merges elegance with innovation. Its magnetic cap retracts the refill with a satisfying click, offering a unique fidget feature. Available in aluminum, brass, or titanium, each variant boasts a sleek, durable design ideal for a luxurious writing experience. The FLOW utilizes recycled materials and is refillable, ensuring longevity while reducing environmental impact. Perfect for those who appreciate fine craftsmanship and functional beauty in their everyday writing tools.

7. Nature-Inspired Design

Designers: Gahnghyun Yi, Jiwon Lee, Chaeyeon Ha

Transform your workspace with nature-inspired accessory designs that merge functionality with aesthetic appeal. The Greenery Pencil Holder mimics bamboo stems with a curved plate for storing pens and pencils. The Greenery Clock features an abstract, leaf-shaped digital display and a flat surface for small items. The Greenery Tray offers horizontal “leaves” for storage and key rings, while the Greenery Cable Holder simplifies cable management with leaf-like circles. These designs bring a touch of greenery to your desk, enhancing both organization and visual appeal.

8. Quirky Design

Designer: Seung-Wan Nam

The Bloomstick pen concept is a symbolic tool for journaling dreams comprising of a silicone-covered button that blooms like a flower when pressed, it merges functionality with a decorative touch. Available in green, blue, and pink, this pen adds a whimsical flair to your writing experience. Ideal for collectors and stationery enthusiasts alike, it transforms from a conventional pen into a visually appealing piece that inspires creativity and captures the essence of dreaming.

Designer: LEGO

The Star Lord Helmet by LEGO is a functional and visually stunning addition to their Infinity Saga series. Standing 7 inches tall with 602 pieces, it faithfully recreates the iconic headgear from Guardians of the Galaxy Vol. 3. Ideal for ages 18 and up, it features intricate details like red-tinted eyepieces and lifelike breathing valves. Beyond its collectible appeal, this build serves as a practical stationery holder and pen stand, offering storage for essentials in its hollow interior.

Designer: Nikken Cutlery

Click Here to Buy Now: $25

These Seki Sound scissors are more than just tools—they’re a playful homage to iconic electric guitars. Inspired by precision craftsmanship from Seki, Japan, renowned for cutlery excellence, they feature authentic details like guitar strings and frets. Designed to cut through paper, vinyl, and tape effortlessly, they’re as sharp as they are stylish, with a protective cap that doubles as a guitar head. Perfect for adding a touch of creativity and functionality to your workspace, these scissors are a must-have for design enthusiasts and music lovers alike.

9. Multifunctional Design

Designer: Pelin Özbalcı

The sPINmemo lamp reimagines traditional lighting with its innovative design that combines practicality and personalization. Featuring a rotating cork body for pinning notes and photos, this lamp promotes creativity and organization while offering storage space on its ceramic head. Crafted for both functionality and aesthetic appeal, it ensures optimal illumination and blends seamlessly into any workspace or living area. Ideal for those who value minimalism and versatile home decor solutions, the sPINmemo lamp enhances both lighting and personal expression.

10. Modular Design

Designer: Wonjun Jo

This innovative highlighter draws inspiration from East Asia’s train systems, featuring a modular design reminiscent of train cars. Each segment serves as a different color highlighter, allowing for easy interchangeability and reducing the need for multiple units. Its ergonomic shape and sustainable potential, including refillable cartridges, set it apart in stationery design. LINE’s creative approach not only enhances functionality but also offers a fresh and enjoyable user experience, bridging utility with a playful modular design inspired by transit systems.

Designer: Burcu Nehir Tum

The MEMORABLE picture frame integrates a sophisticated marble design with modular functionality, featuring a unique rail system. This allows users to attach various modules like a pen holder, small vase, or note holder, enhancing both organization and personalization in your workspace. Crafted for durability and aesthetic appeal, MEMORABLE blends timeless elegance with practical modular design, making it ideal for displaying cherished memories while doubling as versatile desk storage.

The stationery landscape is transforming into a vibrant blend of sustainability, innovation, and artistic expression, revolutionizing how we approach work, study, and creative assignments.

The post Beyond the Basics: Top 10 Cutting-Edge Trends in Stationery Design first appeared on Yanko Design.

Arquitectonica and Yabu Pushelberg design "fun" residential skyscraper for Miami

Miami skyscraper

Architecture studio Arquitectonica and interior design studio Yabu Pushelberg have designed a “fun” residential skyscraper in Miami’s Design District for French chef Jean-Georges.

The Jean-Georges Miami Tropic Residences will be 48 storeys tall and contain 329 luxury condominiums, as well as amenities such as a podcast-recording studio, bar and lounge, juice bar, spa and outdoor gathering spaces.

Miami skyscraper
Arquitectonica and Yabu Pushelberg have designed a skyscraper for chef Jean-Georges in Miami

The building will also include a Jean-Georges restaurant and retail space at ground level.

Renders show a fin-shaped tower that is wrapped in terraces running around the perimeter of each floor. It sits on a multi-level podium with curved corners that clad in glass and terraces on the opposite side.

Miami skyscraper
The design features a podium covered in greenery

Plants are shown wrapped around the podium.

The building’s design is meant to be “imaginative and fun” according to the team, which includes Miami developers Terra and Lion Development Group.

Miami skyscraper
Terraces line the perimeter of each level

“Designed to provide a curated suite of holistic experiences, Jean-Georges Miami Tropic Residences unique environment is meant to be imaginative, engaging, reinvigorating, and fun,” said the team.

It will also seek to “blend the urban tapestry” of the surrounding Design District neighbourhood, which is known for its various creative projects spanning architecture, installations and the arts.

“Miami Tropic’s architecture by Arquitectonica and interior design by Yabu Pushelberg seamlessly blend the urban tapestry of art and culture to form strong connections between the building and the people who live there,” said the team.

Yabu Pushelberg’s interior design will incorporate plants, shades of green and wood and stone materials to reflect Miami’s tropic climate.

Miami skyscraper
Yabu Pushelberg will reflect Miami’s tropical climate in its interiors

“Having lived in Miami, we’ve witnessed the Design District’s dynamic transformation firsthand,” said Yabu Pushelberg co-founder George Yabu.

“We are inspired to contribute to this pedestrian-friendly neighborhood with Miami Tropic where the city’s lush, tropical environment blends with its vibrant culture.”

Miami skyscraper
The studio will use shades of greens

The project is also “sustainably-minded” and will pursue Florida Green Building Design Silver certification.

It is slated for completion in 2o27.

Miami has seen several new skyscrapers recently completed and proposed for the city’s skyline, including an Aston Martin and Bodas Mian Anger-designed tower shaped like a sail and an “elegant” skyscraper by Foster + Partners.

The images are by The Boundary.

The post Arquitectonica and Yabu Pushelberg design “fun” residential skyscraper for Miami appeared first on Dezeen.

Ten design and architecture projects by students at IE University

A photograph of a person handling an interactive table design in tones of blue.

Dezeen School Shows: a phone case that doubles as a board game to combat excessive use of social media is included in Dezeen’s latest school show by students at IE University.

Also included is a proposal for a transport system which utilises solar panels and rainwater collection. There’s also a project which uses the colour pink to promote sustainability within the fashion and textile industry.


IE University

Institution: IE University
School: IE School of Architecture and Design
Courses: Bachelor in Architectural Studies and Bachelor in Design
Tutor: David Goodman

School statement:

“In an international and entrepreneurial environment, IE School of Architecture and Design seeks to bridge the traditional gaps between academia and the professional world, fostering connections between creative industries and society at large.

“IE School of Architecture and Design redefines design education based on pedagogical and technological innovation, project-based learning and environmental and social responsibility.

“Our school serves as a hub for diverse creative fields.

“We boast a robust and innovative portfolio of programs within the creative industries.

“Our capabilities extend to a wide range of creative disciplines, including architecture, design, real estate development, interior design and fashion design, among others.”


A series of three visualisations of a building design in tones of blue, white and yellow.

Commodity of Land and Locals: Exotic Invasive Species by Alara Aykanat

“There can be a comparison between humans and exotic invasive species exhibiting our equal impact on areas we aren’t native to; even so, humans are invasive to the areas which they are native to.

“Thus, the idea of post-human infrastructures becomes a core for a world beyond the human and signals a need for anti-anthropocentric solutions.

“Drawing from the original understanding of ecology as oikos or the household, post-human infrastructures allow us to think about the role of non human creatures such as animals and plants as active co-creators of space.

“It evokes collaboration, entanglements and spatial modes of kinship with non-humans in the crafting of more sustainable built environments.”

Student: Alara Aykanat
Course: Design Studio 9: Synthesis
Tutor: Mariona Benedito Ribelles
Email: aaykanat.ieu2019[at]student.ie.edu


A visualisation of a detailed building design and plan in tones of orange, pink and yellow, against a white backdrop.

The City Under A Tree by Daniela Figueroa Rozotto

“The City Under a Tree is a project in Málaga aimed at creating private spaces for FYCMA and the city, generating income to support public activities.

“It balances private and public events, attracting a diverse audience all year round.

“By integrating temporary structures and permanent features, construction costs are minimised, while involving locals promotes social sustainability.

“The project uses research to schedule activities for families, tourists and event attendees, allowing FYCMA to host larger events.

“It encourages sustainable transport with improved bike paths and features eco-friendly systems like solar panels, rainwater collection and natural ventilation, making it a model for sustainable urban development.”

Student: Daniela Figueroa Rozotto
Course: Design Studio 9: Synthesis
Tutor: Izaskun Chinchilla
Email: d.figueroarozotto[at]student.ie.edu


A series of three visualisations of a building design. The first is in black and white tones, the second in white, grey and blue tones and the third in tones of pink, yellow and green.

Sticks and Stones of [Flood + Drought] by Yusuf Sühan Bozkurt

“Sticks and Stones is an architectural project in Girona, Spain, designed to address climate extremes like floods and droughts.

“Using the act of limestone mining as a core concept, the project creates terraces that appear or disappear with changing water levels from the Onyar River.

“Excavated voids serve as flood reservoirs and transform into a community museum during droughts.

“The project fosters environmental awareness and community engagement through this dynamic relationship with water.

“Social housing is designed vertically to minimise environmental impact, allowing the site to evolve with future needs.”

Student: Yusuf Sühan Bozkurt
Course: Design Studio 9: Synthesis
Tutor: Mariona Benedito
Email: yusufsuhanbozkurt[at]student.ie.edu


A visualisation and plan of a building in tones of pink, green and red, against a white backdrop.

Mediateca San Andrés – Centro Cultural de Málaga by Daphne Fournel

“The project envisions a médiathèque in Málaga, aiming to represent the region’s cultural past and technological future.

“It will serve as a collaborative public-private space between the University of Málaga and local tech company ANOVO, fostering innovation and providing students with dedicated learning areas.

“Aligned with the Expo’s health city goal, the building integrates a cycling route through its structure and connects to the city’s metro and bus networks, promoting sustainable movement, whilst a public plaza will offer a space for both locals and tourists and be situated near the airport, city centre and beach.

“With 10 million annual visits to the nearby port, the building aims to reclaim part of the coastline for community use, creating learning spaces for residents.

“The design also incorporates the natural flow of the sea, allowing water to interact with the site without disrupting its natural movement, embracing the connection between the city and its coastal environment.”

Student: Daphne Fournel
Course: Design Studio 9: Synthesis
Tutor: Mariona Benedito
Email: dfournel.ieu2019[at]student.ie.edu


Two images adjacent to one another; the first displays a three-dimensional map buildings in tones of blue, beige and white, the second a visualisation of a building in tones of brown, overlooking a body of blue water. There are people kayaking in the water and others in and around it.

Wood on Wood by María Suárez-Pumariega Blanco

“The project aims to transform Zorrotzaurre Island in Bilbao by reconnecting the city with the Nervion River through the creation of a dynamic hybrid plaza that adapts to the tides.

“This multi-functional space can serve as a pool, plaza, or gathering spot, integrating water into the urban fabric and promoting sustainability.

“The design prioritises pedestrians and cyclists, preserving historical buildings while introducing new structures along the waterfront to activate the riverfront.

“The central plaza manages rainwater and includes flexible timber structures housing a café, sailing school and terrace. Sustainability features like solar panels, aerothermal energy and rainwater systems make the site self-sufficient.

“The project reimagines Bilbao’s relationship with the river, blending urban development with natural elements to create a fluid, adaptable urban environment.”

Student: María Suárez-Pumariega Blanco
Course: Design Studio 8: Territory
Tutor: Lola Domènech Oliva
Email: msuarezpumar.ieu2020[at]student.ie.edu


An image displaying multiple photographs of spreads from printed publications, in multiple different colours with text on them, against a white backdrop.

Reconstructed Modernism: A Revision on Euro-American Design Ideologies by Carlos (Charlie) Loaiza

“The thesis Reconstructive Modernism examines how the Western world has misrepresented classical antiquity to suit ideological needs of the Euro-American modern movement, resulting in significant social, aesthetic and cultural consequences.

“Through speculative design and revisionist analysis, it critiques the false narratives that portray modernism as pure and classical antiquity as idealised.

“The project advocates for a shift in both design aesthetics and ideology, challenging modernist values and promoting a more inclusive, nuanced approach to design.

“It seeks to reimagine 21st-century design by critically engaging with historical narratives and fostering reflective, innovative practices.”

Student: Carlos (Charlie) Loaiza
Course: Final Project Bachelor in Design
Email: cloaiza.ieu2020[at]student.ie.edu


A series of images; one displaying a digital image of a person sat at a table using a sewing machine in tones of black, white and purple; another a photograph of a person wearing a bag in tones of beige and purple; the last an abstract visualisation showing people, plants, boxes and vases, in tones of black, white, brown, green and purple.

Memory Shells: Reconnecting Lebanese Post-War Generations to Lost National Belonging and Memory by Mariane Meshaka

“Memory Shells seeks to reconnect post-war generations in Lebanon to a lost sense of national identity by fostering collective memory through the rehabilitation of the Egg, an abandoned cinema on the former Green Line in Beirut.

“Once a sniper stronghold during the Lebanese Civil War, the Egg was reappropriated during the October 2019 Uprising as a social hub, symbolising unity, resistance and reclamation.

“This project leverages the cross-sectarian unity brought on by the uprising, aiming to transform the Egg into a space for inter-communal interactions and heritage preservation.

“By focusing on traditional crafts and shared cultural tools, Memory Shells hopes to heal sectarian divisions and build long-term collective memory, offering a platform for national reconciliation and unity.”

Student: Mariane Meshaka
Course: Final Project Bachelor in Design
Email: mmeshaka.ieu2020[at]student.ie.edu


A visualisation of a building, which takes form as stacked spherical shapes in tones of pink, against a pink backdrop. Below it is a detailed plan of the design with illustrations in tones of black, pink and white.

Accelerating Pink by Alejandra Gabián, Ana Sánchez and Alejandra Olaguibel

“Accelerating Pink is a sustainable design project that reimagines the colour pink, traditionally associated with overconsumption in fast fashion, to address its environmental impact.

“The project envisions an interactive city in Plaza de España, Madrid, featuring recycling processes for textiles and plastics and sustainable pink pigments produced through bioengineering.

“Visitors can engage with the recycling process through playful activities, highlighting the project’s message that sustainability can coexist with creativity and fun, while encouraging reflection on the environmental consequences of fashion consumption.”

Students: Alejandra Gabián, Ana Sánchez and Alejandra Olaguibel
Course: Design Studio III
Emails: agabian.ieu2021[at]student.ie.edu and aolaguibel.ieu2021[a]student.ie.edu


Two photographs adjacent to one another displaying an interactive table design in tones of blue. There is a person handing the table in all-white clothing.

KIRI Table by Isabel Peña, Isabel Sanchez and Kayla Vinh

“The KIRI Table is a sustainable design project that repurposes recycled plastic from ghost fishing nets, aiming to raise awareness about ocean pollution.

“Inspired by the fluidity of the ocean, the design uses Kirigami techniques to transform flat plastic panels into dynamic shapes.

“The project follows a zero-waste approach, utilising all materials and even repurposing plastic shavings into a lampshade.

“It showcases how ocean waste can be transformed into functional and creative products, promoting sustainability and innovation.”

Students: Isabel Peña, Isabel Sanchez and Kayla Vinh
Course: Design Studio II
Emails: ipena.ieu2022[at]student.ie.edu and kvinh.ieu2022[at]student.ie.edu


Two photographs adjacent to one another; the first shows a person's hand holding a smartphone with a white case on it, against a white backdrop; the second shows a smartphone with a white fold out case that allows for a game to be played on it, using beige square counters with red and blue numbers on them.

Another Round? by Candela del Barrio

“The project explores social media addiction and its impact on human interaction by creating a phone case designed to discourage phone use during in-person activities.

“Inspired by traditional board games, the case holds tokens, which fall out if the user picks up their phone while playing.

“This concept serves as a metaphor for prioritising real-life connections over digital distractions.

“The design highlights issues like social isolation and cognitive disruption, promoting meaningful interaction through a playful yet thought-provoking approach.”

Student: Candela del Barrio
Course: Design Studio II
Email: cdelbarrio.ieu2022[at]student.ie.edu

Partnership content

This school show is a partnership between Dezeen and IE University. Find out more about Dezeen partnership content here.

The post Ten design and architecture projects by students at IE University appeared first on Dezeen.

Kids Figure Out Clever Way to Prevent Bear from Destroying Fence

In North Vancouver, Canada, a black bear regularly wanders through the neighborhood at night. Residents are tolerant, but one point of frustration for Curt Scheewe is that the bear frequently breaks through his fence while searching for food. And this has been going on for years. “I would spend time to fix it and replace boards, and after a while, he just kept breaking it down all the time so we just left the hole,” Scheewe told Canada’s Global News.

After ten years Scheewe has put up a new fence, which was swiftly broken. Scheewe’s kids came up with the idea of installing a gigantic, one-meter-square dog door, which would allow the bear to move through the fence freely.

Scheewe had to experiment with the size and weight, making the door heavy enough that a bear could push through, but a dog or coyote couldn’t. Regular hinges wouldn’t work, so he improvised by using copper pipes as pivot points.

The design worked:

Full story below.

This Batmobile replica can actually be yours for just $3M

If you’ve ever watched any of the Batman movies, you’ve probably dreamt about owning a car like the Batmobile. Christopher Nolan’s Batman movies in particular have specifically elevated this vehicle and if given the chance, car collectors would probably drop a pretty penny to get a replica of this. Well, if you have 3 million dollars to spare, you can actually own a true-to-life Batmobile although you can’t really drive it anywhere.

Designer: Wayne Enterprises

Warner Brothers previously created a Wayne Enterprises lifestyle company to sell pretty expensive products that Bruce Wayne would probably own if he were a real person. But this is probably the most absurdly expensive item that will only be available to a few, lucky, rich people who can afford it. The Wayne Enterprises Tumbler is a life-size and fully functional recreation of the car from the movies, made in collaboration with Action Vehicle Engineering.

The 2-seat car is powered by a 6.2-liter LS3 V8 making 525 horsepower mated to a 4L85E paddle shift transmission. It is made from Kevlar, Carbon Fiber, Sheet Metal, and Fiber Glass and has stainless steel headers, flap actuators, 4-wheel power disc brakes, authentic interior with bespoke seating trim, and even premium GPS. It is not street legal though so you can only drive it in certain areas. Well those who can afford this will probably have enough space around their mansions to take it for a spin.

Unfortunately, there will be no actual flames coming out of its jet engine simulation. And unfortunately for us mere mortals, it costs $2.9 million and only 10 Tumblers will be produced for the first people who can shell out that amount. Well, Wayne Enterprises also has the Hot Toys 1/6-scale Batmobile if you only have $635 to spare.

The post This Batmobile replica can actually be yours for just $3M first appeared on Yanko Design.