Leica M-Monochrom

Photographer Jacob Aue Sobol captures an emotional trip through Russia in black and white

by Warren Rubin

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For the release of the newest Leica M-System camera, the black-and-white only M-Monochrom, Magnum photographer Jacob Aue Sobol journeyed across the Trans-Siberian Railway, stopping in Moscow, Ulan Bataar and Beijing with the camera and a 50 mm APO-Summicron-M lens.

The Leica M-Monochrom is the first 35mm-format commercial digital camera built exclusively for black-and-white photography. With a design based on the M9 and a sleek all-black exterior sans the typical red Leica logo, the Monochrom stands apart with its custom-designed CCD sensor that lacks the typical red, green and blue filters over the pixels. Rather than collecting color data, the camera captures luminance data—the amount of light striking each pixel—which allows it to resolve extreme detail and fine tonality.

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Any photographer can make an image black-and-white in post-production, but the Monochrom’s 16-bit capture can detect roughly 65,000 different tones of gray compared to the M9, a 14-bit capture capable of only 16,000 tones. The Monochrom provides a much greater range of tone so that the base data used in post-processing, starts higher. “You have twice as much light reaching the sensor because you don’t have the color filter,” says Sobol, “so there were a lot of tones to work with in the post processing.”

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Arrivals and Departures marked not only Sobol’s first time using a Leica, but the first time with a digital camera as well. Artists can go a lifetime without changing their medium, but as he relates, “It was a great experience. If people look at my prints with the Monochrom and you look at my prints taken with film, it’s pretty close.” He typically does high-contrast developing to create his prints, so his aim was to replicate this with the Monochrom. “The reaction I get is that people feel it is my voice and you can see it has my signature.”

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On this trip he took close to 1,000 images a day, investing emotion in each one. He says, “I use the camera very much as a mirror, so I feel that with the people I photograph I am photographing a piece of myself. That’s my ambition for people who look at my pictures, that they can relate to some of these emotions and things they experience from their own life.”

As emotionally invested as Sobol is, no laughing or crying appears in any of his images. He feels these emotions would make his images too obvious. Instead, they remain emotionally open to him because, “it always happens to be that there is some emotion that seems stronger. Something that is really vibrating.”

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Sobol, an award-winning photographer, plans to go back to the Trans-Siberian Railway to finalize this project. He is also planning a project to photograph twins, as he is a twin himself. He became an associate at Magnum in 2010 and when asked if being a part of Magnum influenced his work Jacob said, “Not really. I don’t think so. Maybe, but then I realized I had to be myself. I am grateful for the relationship with Magnum.”

Visit the website to find out more information and locate a dealer to purchase the Leica M-Monochrom.


Urban Ski Russia

Une session étonnante de ski en plein environnement urbain, dans la région reculé de Mourmansk en pleine campagne en Russie. Une expérience de la team Nipwitz, produite par Flatlight Films sur une bande son signée « Stealpot – Tiho i Lako ». A découvrir en images et vidéo dans la suite de l’article.

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Movie: Rem Koolhaas on Garage Centre for Contemporary Culture by OMA

Movie: Rem Koolhaas was at the ICA in London this morning to launch OMA’s design for the Garage Center for Contemporary Culture in Moscow. He gave Dezeen a quick introduction to the new gallery, which will be built in Gorky Park in the Russian capital for gallerist Dasha Zukhova.

See our earlier story about Garage Centre for Contemporary Culture here.

Garage Centre for Contemporary Culture by OMA

Garage Centre for Contemporary Culture by OMA

In the second announcement from Rem Koolhaas’ office today, OMA have unveiled their designs to convert a 5400 square metre 1960s pavilion in Stalinist-era Gorky Park in Moscow into a new venue for the Garage Centre for Contemporary Culture

Garage Centre for Contemporary Culture by OMA

Above: Garage Gorky Park – overview

The renovation of the famous prefabricated-concrete Vremena Goda restaurant, which has been derelict for over 20 years, will preserve some of the original Soviet elements and will create exhibition galleries on two levels, a creative centre for children, a shop, café, auditorium and offices.

Garage Centre for Contemporary Culture by OMA

Above: hinged panels raised

Translucent polycarbonate will clad the exterior, while inside the galleries hinged panels will fold down from the ceilings to create white walls when necessary.

Garage Centre for Contemporary Culture by OMA

Above: hinged panels lowered creating an instant white cube 

One of the floors will also be removable, allowing the lobby to be converted into a double height space that can accomodate larger artworks and sculptures.

Garage Centre for Contemporary Culture by OMA

Above: education platform

Completion is scheduled for next year.

Garage Centre for Contemporary Culture by OMA

Above: south gallery view

OMA have also announced that they won the first round of a competition to oversee an expansion of the Russian capital. See all of our stories about OMA here.

Here is some more information from OMA:


Rem Koolhaas’ OMA to design new home for Garage in Moscow

Today, Garage Center for Contemporary Culture unveiled concepts for a new building in Gorky Park, designed by Rem Koolhaas’ OMA.

Garage Gorky Park – due to be completed in 2013 – will be a renovation of the famous 1960s Vremena Goda (Seasons of the Year) restaurant, a prefabricated concrete structure that has been derelict for more than two decades.

Garage Centre for Contemporary Culture by OMA

Above and top:  entrance to the pavilion    

OMA’s design for the 5,400 square meter building includes exhibition galleries on two levels, creative center for children, shop, café, auditorium and offices.

The design preserves original soviet-era elements – including a large mosaic, and decorative tiles and brick – while incorporating a range of innovative architectural and curatorial devices. OMA is collaborating on the project with the young Russian practice Form Bureau.

Garage Centre for Contemporary Culture by OMA

Above: outdoor events

Dasha Zhukova said, “Our move to Gorky Park marks an exciting new phase in Garage’s development. I am delighted that we have one of the world’s leading architects, Rem Koolhaas’ OMA, working on the project, and I am sure their plans will attract a new generation of visitors to Garage.”

Garage Centre for Contemporary Culture by OMA

Above: ‘conventional’ gallery

Rem Koolhaas commented, “We are very happy to work on turning the almost-ruin of Vermena Goda into the new house for Garage. We were able, with our client and her team, to explore the qualities of generosity, dimension, openness, and transparency of the Soviet wreckage and find new uses and interpretations for them.”

Garage Centre for Contemporary Culture by OMA

Above: exhibition concept

Garage, founded by Dasha Zhukova in 2008, is a major non-profit arts project based in Moscow, dedicated to exploring and developing contemporary culture. At the beginning of this year, Garage moved from its original home in the Bakhmetevsky Bus Garage to Gorky Park in Moscow.

Garage Centre for Contemporary Culture by OMA

Above: hinged panels

Garage aims to bring important international modern and contemporary art to Moscow, to raise the profile of Russian contemporary culture internationally and encourage a new generation of Russian artists. It also organizes and supports a wide range of cultural projects internationally.

Garage Centre for Contemporary Culture by OMA

Above: before – Vremena Goda Pavilion March 2012

The Stalin-era Gorky Park was planned in the 1920s by renowned soviet Constructivist architect Konstantin Melnikov, who also designed Garage’s previous home, the Bakhmetevsky Bus Garage. Opened in 1928, Gorky Park extends 300 acres along the Moskva River in the heart of Moscow.

Garage Centre for Contemporary Culture by OMA

Above: Garage Gorky Park location

The park is undergoing a major renovation and regeneration project, of which Garage Gorky Park is a major part.

Garage Centre for Contemporary Culture by OMA

Above: Garage moves

Co-founded by Rem Koolhaas in 1975, OMA is a leading international office practicing architecture, urbanism and cultural analysis.

Garage Centre for Contemporary Culture by OMA

Above: before – Vremena Goda Pavilion March 2012

Dedicated for over thirty years to the design and realization of buildings and masterplans, OMA is led by seven partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten and Managing Partner Victor van der Chijs – and sustains an international practice with offices in Rotterdam, New York, Beijing, Hong Kong and soon Doha.

Garage Centre for Contemporary Culture by OMA

 Above: before – Vremena Goda Pavilion and Hexagon in 1970

The work of Rem Koolhaas and OMA has won several international awards, including the Pritzker Architecture Prize in 2000 and the Golden Lion for Lifetime Achievement at the 2010 Venice Biennale.

OMA wins first round of competition for Moscow expansion


Dezeen Wire:
Rem Koolhaas’ architecture and urban planning practice OMA scored highest in a competition between ten firms seeking to win the right to oversee an ambitious expansion of Moscow.

OMA wins first round of competition for Moscow expansion

The development will help redistribute housing and employment opportunities to a 150,000 hectare site to the southwest of the city and involves creating new infrastructure for transport, industry and energy provision.

OMA wins first round of competition for Moscow expansion

See all of our stories about OMA here.

The following information is from OMA:


OMA wins first round of the Moscow City Agglomeration Development Concept Competition

Moscow, 27 April, 2012 | A consortium of experts led by OMA scored the highest of the 10 teams that completed the first stage of the competition to develop the concept of the Moscow Agglomeration.

In 2011, the Russian Federation Council confirmed that the city of Moscow will annex 150,000 hectares to the southwest, making Moscow 2.4 times its current size. The expansion is designed to relieve pressure on the historic city center by redistributing the working places to the annexed part of the Moscow Oblast, thereby addressing transport, ecological and social issues that result from high levels of commuting. Before Moscow’s new administrative borders come into force in July this year, the Council called for a concept for the development of the Moscow Agglomeration, and in February this year the Council invited 10 teams to participate in the development of this concept.

For the first round of the competition, focused on a plan for the Moscow Agglomeration as a whole, OMA proposed a joint framework for the development of Moscow and the Moscow Oblast, under which the administrative border and political mandate could address the entirety of the Agglomeration. OMA proposed logistical hubs outside Moscow’s current boundaries which would be linked to the City and the Oblast through high-speed rail, integrating all forms of infrastructure: transport, broadband, industry, and energy provisions. The proposal also suggested that the development would not rely solely on government funding, but could introduce a public/private mix.

On the proposed development strategy, OMA Partner-in-charge Reinier de Graaf says, “We are very honored to participate in such an ambitious project. In launching this plan, the authorities have taken an important step in addressing the problems of the city at the appropriate scale: Moscow’s proposed expansion becomes a reason to develop a single integrated future for Moscow and the Oblast.”

The OMA team working with AMO, its internal research studio, is led by Reinier de Graaf and Associate Laura Baird. The concept is being developed together with a core team consisting of the Strelka Institute for Media, Architecture and Design, Project Meganom and Siemens. This core team will be supported by an advisory board which includes McKinsey, Ricky Burdett, Saskia Sassen, member of the Committee for Global Thought (Columbia University), the Levada Center, West 8, and RWDI.

About OMA

OMA is a leading international office practicing architecture, urbanism and cultural analysis. Dedicated for over 30 years to the design and realization of buildings and masterplans, OMA is led by seven partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten and Managing Partner Victor van der Chijs – and sustains an international practice with offices in Rotterdam, New York, Beijing, Hong Kong and soon Doha.

AMO, the counterpart to OMA’s architectural practice, is a research studio and advisory service working in areas beyond the traditional boundaries of architecture, including media, politics, sociology, renewable energy, technology, fashion, art, curating, publishing and design.

Wood Warm Wight Apartment by Peter Kostelov

Slideshow: Russian architect Peter Kostelov has removed the welded metal walls of an apartment he first completed seven years ago and replaced them with light timber partitions.

Wood Warm Wight Apartment by Peter Kostelov

These panelled screens sit within the retained metal framework that lines each room and are complemented by beige-coloured soft furnishings.

Wood Warm Wight Apartment by Peter Kostelov

The layout of the residence remains as it was, but the architect has renamed it Wood Warm Wight Apartment to reflect its new bright and less industrial appearance.

Wood Warm Wight Apartment by Peter Kostelov

When we first published the interior Dezeen readers called it “stark” and “like a jail cell” – see the original design here and let us know how you think the two compare.

Wood Warm Wight Apartment by Peter Kostelov

You can also see all our stories about the architect here.

Wood Warm Wight Apartment by Peter Kostelov

Photography is by Zinon Razutdinov.

Wood Warm Wight Apartment by Peter Kostelov

Here’s a longer description from Peter Kostelov:


WWW.AP (Wood Warm Wight Apartment)

The previous project of this apartment was called as” Moscow Metal Apartment”.

Wood Warm Wight Apartment by Peter Kostelov

It was finished in the end of 2005. After it served for 7 years it was decided to bring in some changes.

Wood Warm Wight Apartment by Peter Kostelov

The apartment plan stayed the same, as well as carcass of all metal frames, which form walls, partitions and items of furniture.

Wood Warm Wight Apartment by Peter Kostelov

As for filling between frames which initially was metal plates now replaced by white toned wood.

Wood Warm Wight Apartment by Peter Kostelov

While the look of the previous design is associated with words “Industrial”, “Extreme”, “Cold”, “Gloomy”, “Hard”, “Dark” the new one is a complete opposite.

Wood Warm Wight Apartment by Peter Kostelov

Here come the words: ”Warm”, “Wood’, “White”, which explains the name of the new project: WWW.AP

Wood Warm Wight Apartment by Peter Kostelov

In fact these probable changes of the artistic image of the apartment were assumed initially.

Wood Warm Wight Apartment by Peter Kostelov

Steel carcass ran through the apartment performing such functions as planning, dividing the space, creating the elements of furniture and items of interior. While shape-generating are still metal frames filling is just an accessory.

Wood Warm Wight Apartment by Peter Kostelov

Theoretically filling inside frames could be of any material: stone, wood, cork, even textile.

Wood Warm Wight Apartment by Peter Kostelov

Yet working with metal was extremely interesting at that moment as it seemed almost impossible to apply this material for interior of a living space.

Wood Warm Wight Apartment by Peter Kostelov

Nevertheless it appeared to be captivating and surprising.

Wood Warm Wight Apartment by Peter Kostelov

Just mere change of frame filling resulted into stunning effect as the apartment looks totally different.

Wood Warm Wight Apartment by Peter Kostelov

In fact it was primary task: keeping all basic characteristics: design, walls and partitions lay-out on the assumption of minimum efforts and expenses to make possible changes from brutal and industrial look to warm and cozy living space.

Wood Warm Wight Apartment by Peter Kostelov

Surely warm grayish-beige colors of walls and other elements of décor-cushions, curtains, and bedspread also supported this change for WWW apartment.

Wood Warm Wight Apartment by Peter Kostelov

As a result utterly new space with new characteristics came out.

Wood Warm Wight Apartment by Peter Kostelov

Before filming this new project it seemed it would be correct to replicate pictures of old apartment made 7 years ago so that to compare two object as “before” and “after”.

Wood Warm Wight Apartment by Peter Kostelov

But after a few pictures were filmed it became clear that even focusing on the old point of camera and keeping the same size of pictures still we get totally changed space.

Wood Warm Wight Apartment by Peter Kostelov

“Dark” and Light” graphics created new design and concept, while metal and wood combination point to contrast of materials and texture. Definitely now we see absolutely new image which lives in its own laws.

Wood Warm Wight Apartment by Peter Kostelov

Built Area: 86m2
Architect: Kostelov Peter

Bolshoi Theatre Identity

Afin de célébrer le théâtre Bolchoï et sa ré-ouverture (après une reconstruction de la scène principale), voici cette commande vidéo créant l’identité du festival et du lieu. Un travail du motion designer russe Anton Nenashev. A découvrir en vidéo dans la suite de l’article.



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Multi-level apartment by Peter Kostelov

Multi-level apartment by Peter Kostelov

Russian architect Peter Kostelov has slotted a timber structure into a two-storey apartment in Moscow to create two extra floors.

Multi-level apartment by Peter Kostelov

The former top level of the apartment had ceiling heights of up to 8 metres, where the architect has inserted a mezzanine and new upper storey.

Multi-level apartment by Peter Kostelov

Openings in the walls of the wooden structure allow views between rooms on different levels, as does a cutaway in the ceiling of the middle floor.

Multi-level apartment by Peter Kostelov

Bespoke angled lamps hang from the ceilings of the billiard room and dining room on this level, while specially designed furniture fills rooms throughout the apartment.

Multi-level apartment by Peter Kostelov

Marbled tiles line the floor, walls and surfaces of the kitchen, which opens out to a second dining room on the lower floor.

Multi-level apartment by Peter Kostelov

On the top floor, a semi-circular window stretches across the walls of a master bedroom and study.

Peter Kostelov refurbished another Moscow apartment in 2009, for which he used industrial materials, but readers thought that one was a bit too much like a prison. Take a look at it here.

Multi-level apartment by Peter Kostelov

Photography is by Alexey Knyazev.

Multi-level apartment by Peter Kostelov

The following text is from Kostelov:


Multi-level apartment

Characteristic of this apartment is its inner space and cubic capacity.

Multi-level apartment by Peter Kostelov

It is located on the top 18th floor.

Multi-level apartment by Peter Kostelov

Initially it was a two level apartment of total houseroom of 258 sq. meters.

Multi-level apartment by Peter Kostelov

As for the first level it was quite common one: three meter standard height of ceiling and a houseroom of 69 sq. meters.

Multi-level apartment by Peter Kostelov

The second level houseroom was larger 189 sq. meters and the height of ceiling varied from 3 to 8 meters in different zones.

Multi-level apartment by Peter Kostelov

Surely these unique space peculiarities caused project direction: to not only exploit maximum of this nonstandard extreme height but to make multi-level space.

Multi-level apartment by Peter Kostelov

The owner of the apartment approved the idea, moreover it was requested that each member of the family should have extra space so that everyone including 3 children of different age and gender could have their private space for comfortable living.

Multi-level apartment by Peter Kostelov

Central part of the apartment on the second level was as large as 60 sq. meters and more than 8 meters high.

Multi-level apartment by Peter Kostelov

The space was vertically divided into two levels by the newly made third level.

Multi-level apartment by Peter Kostelov

After making necessary calculation on the thickness of overhead cover 0,5 m. was put as required space for structural beams, placing ventilation and final trimming.

Multi-level apartment by Peter Kostelov

The highest ceiling 4,5 m was chosen for the living room located at the lower part of the second level. The upper part on the second level got 3m., where a bedroom, a bathroom and a study room are located. Thus the third level added 54 sq. m to the apartment.

Multi-level apartment by Peter Kostelov

The covers between second and third floors have two clear spaces. One was left for the staircase, while the second one, the closest to the window, appeared to join two spare spaces of the second and third level, the flow of light of which makes partially two-tiered space.

Multi-level apartment by Peter Kostelov

On the third level a dome made by glass partitions separates a bedroom and a study room, which allows the light to spread evenly. The floor space of 9 sq. m. was added to 20 sq. meters of the lower level. Consequently the floor space of each nursery room got 30 sq. m located on two levels.

Multi-level apartment by Peter Kostelov

A home library ceiling in the right –hand side of the apartment is 4,4 m. The same as in children’s room the second level was made here which enlarged it to 8 sq. m. All in all 35 sq. m was added to houseroom.

Multi-level apartment by Peter Kostelov

Rearranging turned a duplex apartment into four-level apartment having added to it 90 sq. m. of extra house room (from 258 sq. m. up to 348 sq. m.)

Multi-level apartment by Peter Kostelov

Click for larger image

Nearly all pieces of furniture (except settees and beds) were specially designed.

Multi-level apartment by Peter Kostelov

Click for larger image

The owners gave preference to warm and light colors.

Multi-level apartment by Peter Kostelov

Click for larger image

In contrast to upholstering the furniture was made from natural processed metal: dinner and low tables, bookstands, stools, shelves.

Multi-level apartment by Peter Kostelov

Click for larger image

Location: Moscow, Russia
Built Area: 348 m2
Architecture, Interior Design: Peter Kostelov
Development effort: Kovaleva T.N., Egorova N.G. “OAO Mosproect”
Projecting: 2009
Building: 2010-2011


See also:

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Apartment in San Sebastian by pauzarq Penthouse apartment by Lecarolimited Axial Symphony by Design Systems

7TV Russia

Voici une très réussie campagne de rebranding + identity pour la chaîne russe 7TV. Une création très colorée en stop-motion sur un sound-design de Nookaad Productions. Une conception du créatif suisse Greg Barth basé à Montréal. A découvrir en images et en vidéo dans la suite.



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Gazebo for TV show by Za Bor Architects

Gazebo for TV show by Za Bor Architects

Russian architects Arseniy Borisenko and Peter Zaytsev have completed an outdoor kitchen for a yacht captain that resembles the broken-up hull of a boat.

Gazebo for TV show by Za Bor Architects

The spiralling larch pavilion near Moscow was created as part of a television show called Dachniy Otvet, which translates to The Village Talks, and invites different designers and architects to carry out surprise renovations for volunteer clients.

Gazebo for TV show by Za Bor Architects

The faceted helical structure comprises 14 chunky planes, each formed of larch planks glued together.

Gazebo for TV show by Za Bor Architects

A steel chimney bursts through the ceiling of the pavilion to provide an extract for a brick barbeque.

Gazebo for TV show by Za Bor Architects

Other pavilions recently featured on Dezeen include a seaside temple of oriented strand board and a riverside structure where inhabitants can hear what’s going on beneath the water’s surface – see more stories about pavilions on Dezeen.

Gazebo for TV show by Za Bor Architects

Photography is by Peter Zaytsev.

Gazebo for TV show by Za Bor Architects

Here’s some more information from Za Bor Architects:


Gazebo for TV show

The project has been developed specially for popular TV show «Dachniy Otvet» (Eng: «The village talks»). The idea of the show is that for those owners of country houses and cottages, who agreed to participate in the experiment, the invited designers or architects do re-planning of a part of their village.

Gazebo for TV show by Za Bor Architects

The important moment is that the house owners pay nothing for reconstruction, but at the same time they can’t influence the result, so it comes always unexpected for them. The architects in their turn try to offer the most original solutions.

Gazebo for TV show by Za Bor Architects

The object here is fairly typical suburban area, with garden trees belonging to the captain of the yacht, who enjoys cooking on the grill with his family and a number of friends.

Gazebo for TV show by Za Bor Architects

Architects have suggested to make a small-size self-supporting structure consisting of fourteen planes made of larch white-tinted wood.

Gazebo for TV show by Za Bor Architects

The gazebo has the helical structure resembling a sea wave, with an area for feasts (dining zone) and, in the distant second part separated by a small air «gap», is a barbecue area with a chargrill made of brick and steel. Architect’s concept for the construction is transparency and openness which inspires a contact between man and nature, especially because of surroundings: a green lawn and wonderful fruit trees giving an abundant harvest each fall.

Gazebo for TV show by Za Bor Architects

Neutral tints of the gazebo are drowning in intense colours of the garden – from the lush green in summer to yellow and red in autumn, and bringing together a rather complex and aggressive form with pastoral Moscow suburbs, allowing it to exist peacefully within the site context.

Gazebo for TV show by Za Bor Architects

Arseniy Borisenko and Peter Zaytsev — the architects, are making comments on the project: «We wanted to develop a complex dynamic structure that would not only perform its functions – gazebo and chargrill area, but would preserve the existing context of the site.

Gazebo for TV show by Za Bor Architects

Although our project is a complex structure consisting of 14 flat segments, we used neutral colours and natural larch wood.

Gazebo for TV show by Za Bor Architects

This helps, on the one hand, to present an object effectively and emphasize its structural features, on the other – to leave it in the existing suburban context, to fuse in the greenery of the garden, to please the eye, not to offend it.

Gazebo for TV show by Za Bor Architects

The gazebo planes are an excellent protection from the wind and rainfall, so we hope its new owners will be able to use it not only in summer but in winter as well.

Gazebo for TV show by Za Bor Architects

Architects: za bor architects / Arseniy Borisenko, Peter Zaytsev
Location: Moscow Region, Russia
Principal Use: recreation
Engineering: za bor architects
Materials: larchwood, break, steel
Project year: 2011

Gazebo for TV show by Za Bor Architects


See also:

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Dominey Pavilion
by Lightroom Studio
Trail House by
Anne Holtrop
The Black Cloud by Heather and Ivan Morison