Tadao Ando, Rem Koolhaas and Kengo Kuma join fight to save Moscow’s Shukhov Tower

News: architects including Tadao Ando, Rem Koolhaas, Kengo Kuma, Thom Mayne and Elizabeth Diller have launched an urgent appeal to Russian president Vladimir Putin to halt demolition of Moscow’s iconic Shukhov Radio Tower.

The group is among a host of names from the fields of art, architecture and engineering to have signed an open letter to Putin calling for the preservation of the 160-metre conical steel structure, which was completed by Russian engineer Vladimir Shukhov in 1922 and has been dubbed as the Russian equivalent of the Eiffel Tower.

Written by historian Jean-Louis Cohen and photographer Richard Pare, both experts in Soviet architecture, the letter claims the tower represents “a unique contribution of Russian engineering genius” and “an essential part of Moscow’s heritage”.

It reads: “The Shabolovka Radio Tower, the largest such structure ever built, remains as Vladimir Shukhov’s masterpiece and his monument. It is one of the emblems of Moscow, and one of the superlative engineering feats of the twentieth century, still influencing and enriching technical and architectural ideas globally.”

Moscow's Shukhov Tower
Moscow’s Shukhov Tower – image courtesy of Shutterstock

The text also notes that the tower’s replacement could take advantage of a planning loophole, allowing it to bypass the city’s usual nine-storey height restriction and extend up to 50 storeys, presenting “a golden opportunity for a cynical modern Erostratus”.

Other prominent figures to have signed the petition include Tate director Nicholas Serota, Columbia University’s Robin Middleton, Canadian Centre for Architecture founder Phyllis Lambert and Royal Academy of Arts curator Kate Goodwin.

The campaign to save the tower was launched following an announcement on 25 February that the Russian State Committee for Television and Radio Broadcasting had agreed to dismantling the steel diagrid, having left it to deteriorate for years.

In 2009 Putin had expressed support for restoring the tower and transforming it into a tourist attraction. The following year Norman Foster put his backing towards a campaign to save the “structure of dazzling brilliance and great historical importance”, thought to have inspired the Gherkin skyscraper.

See the complete letter below, or see a full list of signatories here:


An open letter to President Vladimir Putin concerning the fate of the Shukhov Radio Tower on Shabolovka St. Moscow.
March 13 2014

Respected President Vladimir Putin,

On February 25, 2014, the Russian State Committee for Television and Radio Broadcasting agreed to the dismantling of the celebrated Shabolovka Radio Tower in Moscow, designed by the engineer Vladimir Shukhov and completed in 1922. No conclusive evidence of danger has been demonstrated, although deferred maintenance has had negative effects on the surface of the structure. This superlative work of modern engineering and architecture has withstood the test of time both in its structural innovation and as a symbol of the city of Moscow thanks to the genius of its designer and builder, Vladimir Shukhov, who is generally considered the Russian equivalent of Gustave Eiffel.

Built in order to broadcast wireless programmes of the early Soviet era, the transmitting tower was developed from the research into hyperboloids undertaken in the late 19th century by Shukhov. Using variants on the basic form, hundreds of water tanks, electrical pylons and lighthouses were erected throughout Russia. So brilliant was the concept that the design was even incorporated into US Navy dreadnoughts where the structural type was used for constructing observation and communications masts. The Shabolovka Radio Tower, the largest such structure ever built, remains as Vladimir Shukhov’s masterpiece and his monument. It is one of the emblems of Moscow, and one of the superlative engineering feats of the twentieth century, still influencing and enriching technical and architectural ideas globally. Yet this masterpiece, featured in all the histories of engineering and architecture, is now threatened with being torn down in order to be replaced by new construction. The opportunity presents itself for a speculative developer to take advantage of the fact that, under present planning regulations, it is permitted to build to the same height as an existing structure on any particular lot, without the requirement for any further planning permission. Most of central Moscow, in which the Radio Tower site is included, is restricted to nine stories, approximately 25m. The Radio Tower at 150m, should it be replaced, would permit a structure of about 50 stories, a golden opportunity for a cynical modern Erostratus.

Dismantling the tower and storing its components in order to rebuild it later, even if it were possible to do so, would be extremely hazardous, as there is no guarantee that reconstruction will even be possible. Most importantly, the link of the tower to the Shabolovka neighbourhood, a distinguished housing scheme of the heroic early Soviet period would be lost, also lost would be its function as a key component in the Moscow panorama and cityscape. The hypothetical structure, if it were to be recreated elsewhere, would lose much of its historical significance and all of its urban context.

Respected President Putin, we are urging you to take immediate steps to assure the preservation of this essential part of Moscow’s heritage, a unique contribution of Russian engineering genius to world culture. Instead of being dismantled, there is an urgent need for its careful conservation along international standards and to nominate this masterpiece into the UNESCO World Heritage List. This necessity has been discussed by national and international experts for decades. Please assure that this great structure be permitted to remain as a beacon and symbol of progressive, forward looking civilisation.

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Za Bor Architects adds submarine-like meeting rooms to Yandex’s Moscow office

Brightly coloured pods resembling submarines contain meeting rooms at the new Moscow office for internet company Yandex by Russian studio Za Bor Architects (+ slideshow).

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

Za Bor Architects has previously designed several offices for Russian firm Yandex, including one in St Petersburg featuring giant three-dimensional computer icons, and this time renovated five floors of a building in Moscow’s Krasnaya Roza 1875 business district.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

The architects developed a scheme incorporating colourful communal areas and meeting rooms interspersed among more typical workspaces, which feature a muted palette of grey and white.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

“The client, as usual, wanted to see a happy and comfortable interior that would hold a large number of specialists,” said the architects.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

The red and yellow meeting cabins are located on the fourth floor, and incorporate transparent panels resembling giant portholes fixed to the exterior of their rounded walls.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

Groups of sofas with high padded backs and sides are arranged close to the pod-like meeting rooms to create additional places for secluded working or conversations.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

Original features such as brick walls and columns were integrated into the design, contrasting with new additions such as the colourful pods and furniture.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

Two meeting rooms on the second floor are constructed as cave-like spaces with curving ceilings and walls covered in grey carpet.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

The rounded shells of these rooms are staggered to make room for glazed gaps that allow light to enter, while curtains along the glazed front walls can be drawn when privacy is required.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

On the lower levels, a stripe of green carpet meanders across the floor, and loops up onto the walls and ceilings that envelope glass-walled meeting rooms.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

“The first three floors are connected with a generic element which is intended to form a giant ribbon that, while penetrating floors, forms streamlined volumes of meeting and conference rooms,” said the architects.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

Curtains enclosing the meeting rooms on these floors match the orange and green colour scheme of the surrounding walls and furniture.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

Photography is by Maria Turynkina and Dmitry Kulinevich.

Here’s a project description from Za Bor Architects:


Yandex Stroganov office in Moscow, Russia

The main place in Za Bor Architects’ portfolio is held by offices of IT-companies. It has a lot to do with a pretty informal and creative atmosphere that these firms are willing to build up for their employers, because working environment is one of the key factors that affect the company’s attraction. It is worth to note that Yandex – the largest IT-company in Russia, and one of the world’s leaders in this field, has been entrusting their offices to Za Bor Architects for six years already. Today there are 21 Yandex office in 12 cities of four countries of the world, that Za Bor Architects have developed.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

Recently one more Moscow office of Yandex was opened in Stroganov building in Krasnaya Roza 1875 business quarter. This reconstructed building is full of columns and inter-storey premises, which influenced the interiors a lot. The client, as usually, wanted to see a happy and comfortable interior that would hold a large number of specialists.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects

The first three floors are connected with a generic element, that is intended to form a giant ribbon, that, while penetrating floors, forms streamlined volumes of meeting and conference rooms.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects
Ground floor plan – click for larger image

The first three floors have the following common elements of all Yandex offices, as open communication lines on the ceiling, unique ceiling lights in complex geometrical boxes, and compound flowerpots with flowers dragging on to the ceiling. Alcove sofas by Vitra are used as bright colour spots, and places for informal communication. Wall finishing is traditionally industrial carpet, marker covering, cork; and of course, a poured floor.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects
First floor plan – click for larger image

The fourth and fifth floors are constructed in a totally different style. You may only notice two signature elements of Za Bor Architects here – large meeting rooms – architects call them bathyscaphes, and employees named them Orange and Tomato due to their colours.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects
Second floor plan – click for larger image

Such difference in decoration is determined with very complex construction elements and level differences in the building (the ceiling height varies from 2 to 6 meters), balconies, beams that were left from the previous tenants. Nevertheless, here we can see new colours, partition walls and flooring. Here, in these neutral grey-white interiors, rather than elsewhere, there are many workplaces completed with Herman Miller systems, and the largest open-spaces. Also there are cafeteria and game room with a sport corner.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects
Third floor plan – click for larger image

This has constrained partition of the building into two separate office, in fact it helps clients and numerous visitors of Yandex Money department to deal with their issues, without distracting technical specialists, located on the top floors.

Colourful pods house meeting rooms in IT firm offices by Za Bor Architects
Fourth floor plan – click for larger image

Client: Yandex
Address: Stroganov business center, 18B Leo Tolstoy str, Moscow
Project management: Yandex
Architecture and design: Za Bor Architects
Architects: Arseniy Borisenko and Peter Zaytsev
Project coordinator: Nadezhda Rozhanskaya
Furniture: Herman Miller, GlobeZero4, Vitra
Lighting: Slide
Acoustic material: Sonaspray
Acoustic solutions: Acoustic group
Flooring: Interface FLOR
Time of project — 2012-2013
Floor area: 5800 sqm

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Futuristic Styled Apartment in Moscow

Les décorateurs d’intérieur russes de chez Geometrix Design ont imaginé cette maison à Moscou avec pour seul mot d’ordre : le futur. Et ils ont merveilleusement réussi à rendre compte de la dimension futuriste avec un jeu sur les formes cubiques des objets et des murs en relief. Plus d’images dans la suite.

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Cities From The Sky

Voici de nombreuses vues impressionnantes prises depuis le ciel sur des lieux et des pays aux 4 coins du monde. New York, les pyramides d’Egypte et l’Arc de Triomphe à Paris sont assez reconnaissables mais il y a également des vues plus surprenantes comme ce cliché au milieu de l’Océan Indien. A découvrir dans la suite.


New York, Etats-Unis.

Dubaï, Émirats Arabes Unis.

Shanghai, Chine.

Mexico, Mexique.

Barcelone, Espagne.

Amsterdam, Pays-Bas.

Venise, Italie.

Spoorbuurt, Nord des Pays-Bas.

Turin, Italie.

Maldives.

Moscou, Russie.

San Francisco, États-Unis.

Paris, France.

Seattle, Etats-Unis.

Chicago, États-Unis.

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Wowhaus converts a Moscow road into a riverside park

Russian studio Wowhaus has transformed a four-lane highway beside Moscow’s Moskva River into the city’s first year-round park, featuring rows of trees, fountains, cafes and artists’ studios (+ slideshow).

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

Extending from the northern perimeter of Gorky Park, the Krymskaya Embankment project creates pedestrian pathways and cycle routes alongside the southern bank of the river, connecting with the Central House of Artists gallery building and Muzeon Fallen Monument Park.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

Starting at the Krymskaya Bridge, Wowhaus divided the stretch into four zones that each accommodate different activities, then used a wave motif to unite various design elements that include cobbled paving, wooden benches, buildings and pathways.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

“The central design element of the embankment is the wave,” said the architects. “Wave-shaped benches, and pedestrian and cycling waves create an artificial landscape.”

Krymskaya Embankment Moscow park by Wowhaus

“In summer the wave-shaped multi-level layout can be used for walking, cycling or roller skating, while in winter it is a perfect setup for sledging, skating or skiing,” they added.

Krymskaya Embankment Moscow park by Wowhaus

The first zone encompasses the area in front of and underneath the bridge. It includes a wooden stage for outdoor performances, as well as a series of sheltered benches made from reconstituted stone and wood.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

The next section accommodates the artists’ studio and exhibition spaces, which are contained within a 210-metre-long structure featuring wavy roof profiles.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

A riverside pathway runs along beside the structure, leading on to a fountain area behind. Here, jets of water are laid out on a 60-metre-long grid to create an interactive water feature, flanked by rows of linden trees designed to reference classic French streetscapes.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

The final zone, entitled Green Hills, includes landscaped areas interspersed with winding pathways and various pavilions. Wooden benches slice into the hillsides and are surrounded by rowan trees, apple trees and hawthorns.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

Here’s a project description from Wowhaus:


Krymskaya Embankment

A once unappealing Krymskaya embankment, only recently separated from the Muzeon park and the Central House of Artists, has been transformed beyond recognition: what once was a road has turned into a lane for pedestrians and bicycles. Fountains have been set up, wave-shaped artist pavilions have replaced a chaotic exhibition area and small hills with benches scattered about have become part of the landscape park thus extending a green strip from Gorky park on the other side of the Krymsky bridge.

Krymskaya Embankment Moscow park by Wowhaus

Objective

To turn a quiet four-lane road into a new city landmark, thereby bringing life to the deserted area of Muzeon park between the Central House of Artists and the Moskva river.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

Solution

To link the Krymskaya embankment to a 10 km pedestrian and cycling route that starts at Vorobievy Gori and to replace the road with a landscape park with distinct transit and sport features while preserving the artists’ exhibition zone.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

The transformed Krymskaya embankment is the first year-round landscape park in the centre of Moscow. In summer the wave-shaped multilevel layout can be used for walking, cycling or roller-skating while in winter it is a perfect setup for sledging, skating or skiing. The central design element of the embankment is the wave: wave-shaped benches, pedestrian and cycling waves create an artificial landscape.

Krymskaya Embankment Moscow park by Wowhaus

The park zone was divided into four parts: an area in front of the bridge, an artists’ zone around a “Vernisage” pavilion, the Fountain Square and “Green Hills”. When planning each zone, the view from the other bank was also considered.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

Under the Krymsky Bridge

A transit zone connecting Gorky Park with the Krymsky embankment has become a popular spot and also provides shelter from the rain now that a stage, and two wooden amphitheatres have been built. 28 artificial rock and metal benches illuminated from the inside are scattered along the way as an amenity for pedestrians and cyclists from Muzeon to Gorky park.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

Vernissage zone

The entrance of Muzeon is a 210 metre wooden vernissage with a wave-shaped roof (the pavilion was designed by Asse Architects).

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

Fountain zone

The fountain zone which is the central element of the new park, faces the Central House of Artists and is separated from the river by a linden alley. A fountain jet, 60 metres long and 14 metres wide, is one of the options of the so called “dry” fountains when the edge of the water is level with the paving. The fountain has an internal system of dynamic lighting that allows various lighting patterns.

Krymskaya Embankment Moscow park by Wowhaus

49 lindens were planted in a classic French park order to the north-east of the fountain on the embankment. A special planting technology, used in Russia for the first time, allows walking and cycling on these lanes without causing damage to the trees.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

“Green Hills”

When planning this part of the pedestrian route special attention was paid to the artificial landscape and plantation. Hills designed for walking and resting were furnished mainly with steppe plants. Trees and bushes with decorative crowns like lindens, hawthorns, rowan trees and ornamental apple trees were planted on hills from where one can contemplate and admire the scenery.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

The artificial relief is accentuated by wave-shaped wooden benches and beach beds that are “cut” into hills between walking lanes. There is also an artificial pond in this part of the park.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Alexander Minchenko

Pavilions

In accordance with the bureau’s project there are three pavilions on the Krymskaya embankment, the fourth one will be completed by the end of 2013 and will replace a gas station. Pavilions will be used as cafes, stores and bike rentals.

Krymskaya Embankment Moscow park by Wowhaus

Pavilion near the fountain square is designed by Darya Melnik and the cafe-pavilion in the “Green Hills” zone is designed by Anna Proshkuratova. The bike rental pavilion closest to the 3rd Folutvinsky Lane is equipped with a concrete roof ramp for bikes or skateboards, designed by Roman Kuchukov.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

All pavilions feature an extensive use of glass, some of them even use structural glass shapes – U-shaped toughened glass with high-bearing capacity.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

Lighting solutions

To make the park accessible and attractive for guests 24 hours a day, planning takes into account night time illumination, especially the point lighting of certain landscape elements. Ornamental lamps that are installed in groups among plants on the hills illuminate the area and create a striking visual. All the lanes are illuminated as well so that pedestrians and cyclists do not get lost.

Krymskaya Embankment Moscow park by Wowhaus
Photograph by Olga Ascension

On the Fountain Square the “dry” fountain together with the linden alley make up a lighting composition that combines the dynamic colour lighting of the fountain jets with the softer warm-white illumination of the regular rows of the linden alley.

Krymskaya Embankment Moscow park by Wowhaus

Area of the Krymskaya embankment:45 000 m2
Length of the embankment: 1 km
Area of planting: 10 700 m2
Planting: 44 726 perennial and ornamental plants, 96475 bulbous plants, 485 trees and bushes.
Number of flowerbeds and hills: 34, 3 of which are breast walls
Area of paving: 24 318 m2
Length of bicycle lanes: 4684 m2
Light: 1419 light fixtures
Fountain info: fountain dimensions – 12m х 60 m, 203 sprayers
Area of pavilions: pavilion on the Fountain Square – total area 275 m2, pavilion on “Green Hills” – total area 35 m2, bike rental pavilion: total area 200 m2.

Krymskaya Embankment Moscow park by Wowhaus

Bureau partners: Dmitry Likin, Oleg Shapiro
Leading project architect: Mikhail Kozlov
Architects: Maria Gulida, Alena Zaytseva, Roman Kuchukov, Darya Melnik, Tatyana Polyakova, Anna Proshkuratova, Anastasia Rychkova, Tatiana Skibo, Yarmarkina; with the participation of Yuriy Belov, Anna Karneeva, Olga Lebedeva, Anastasia Maslova
Senior project engineers: Dmitry Belostotsky, Ivan Mikhalchuk
Planting: Anna Andreeva
Lighting: Anna Harchenkova
Constructors of pavilions: Nussli (consulting), Werner Sobek
Artificial landscape consulting: LDA Design
Fountain and electricity engineering: Adline
Chief design contractor: MAHPI

Photos: Olga Alekseenko, Yuriy Brazhnikov/Village, Nikolay Vasiliev, Olga Voznesenskaya, Elizaveta Gracheva, Darya Osmanova

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Foster abandons Moscow museum project

dezeen_pushkin_1

News: Foster + Partners has announced its resignation from a major expansion and modernisation of the Pushkin Museum of Fine Arts in Moscow, following a row about the firm’s involvement in the project.

Foster + Partners claims that the museum has failed to involve the firm in the project, while Moscow’s chief architect says the problem is that Norman Foster wasn’t contributing to the design personally.

A statement released this week by Foster + Partners reveals that it had walked away from the £430 million project two months ago. The announcement was prompted by comments from Moscow’s chief architect Sergei Kuznetsov, seemingly unaware of the resignation, who gave an ultimatum for the firm’s founder to take a more active role in the development and visit the city within the next month.

“If Sir Foster, for one reason or another, refuses to participate further in the work, then, most likely, a competition will be held to choose another team, possibly of Western architects,” Kuznetsov told journalists.

Speaking later to the Arts Newspaper, he added: “It’s not the candidacy of Norman Foster that raises any questions. The only problem is that either Norman Foster must himself work on the project and defend it face-to-face, personally – this is a very important question in architecture – or he must turn down this project.”

The architecture practice responded by revealing it had formally withdrawn from the project in a letter dated 5 June 2013, claiming that the museum had failed to involve them in the development of the design.

“Foster + Partners formally resigned from the Pushkin Museum project and stipulated that their name could not be used in conjunction with the project, as confirmed in a letter from Lord Foster to the director of the museum on 5 June 2013,” said the firm.

“Foster + Partners took this action because the museum, for the last three years, has not involved us in the development of the project, which was being carried out by others. This was despite numerous attempts by the practice to continue working with the museum.”

Norman Foster had been appointed to the project in 2006 by former Pushkin Museum director Irina Antonova – a fan of Foster’s work – who left the post in July after more than 50 years in charge. It was scheduled for completion in 2018 but may now be pushed back for another two years.

Foster + Parters is also currently working on a new California campus for Apple, which is reportedly $2 billion over budget, as well as a 200-metre skyscraper on Park Avenue, New York.

See more architecture by Foster + Partners »

Image of Pushkin Museum of Fine Arts is courtesy of Shutterstock.

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Danaë by Vadim Zakharov: Installation at the Russian Pavilion makes it “rain” coins for the 2013 Venice Biennale

Danaë by Vadim Zakharov


Greek mythology is the inspiration for the Russian Pavilion at this year’s 55th Venice Art Biennale, which is seen in “Danaë”—a provocative installation conceived by conceptual artist …

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Melnikov House at risk of collapse, warn architects and heritage experts

Melnikov House at risk of collapse, photo by dbasulto

News: the iconic 1920s Moscow home of Russian avant-garde architect Konstantin Melnikov is showing signs of serious structural damage as work continues on a large complex next door, warn heritage experts and international architects including Rem Koolhaas and Álvaro Siza.

The cylindrical Melnikov House, located on Krivoarbatsky Lane off the Arbat pedestrian strip, has developed “numerous new cracks” and accrued damage to its foundations as a result of the construction of a mixed-use scheme nearby, according to an appeal addressed to Russian president Vladimir Putin and posted on the website of Moscow-based preservation watchdog Archnadzor last week.

The risk of losing the “masterpiece of twentieth century world architecture”, which was designed by Melnikov as a home and studio, had “grown significantly” said the post, as reported in the New York Times.

Melnikov House at risk of collapse, photo by qwz

The architect’s granddaughter and current occupant of the house, Ekaterina Karinskaya, believes the greatest threat to the physical condition of the house is the three-level underground parking garage for the building planned behind the house.

The walls of the garage would block the path of groundwater and flood the Melnikov House, she explained in a report posted on the US website of international heritage watchdog Docomomo.

“All of this is being done in order to simply destroy the house,” said Karinskaya. “They cannot just knock it down because it will draw a widely negative response. So they have dug from two sides, setting off processes underneath in the soil.

“Now they will build a dam so that the house would crumble down by itself. And once that happens, they will say ‘well, what did you expect, [the house] is old… it’s over now, it’s dead’.”

Another open letter called for the preservation of the house as a public museum to house all Melnikov’s archival material, most of which is currently inaccessible to researchers.

The letter, whose signatories included architects Rem Koolhaas, Álvaro Siza and Arata Isozaki, also demanded “fair compensation of the Melnikov family for their efforts to preserve it”.

Architects Peter Eisenman, Kenneth Frampton, Steven Holl, Alberto Pérez‐Gómez and Bernard Tschumi were also among the letter’s signatories.

Moscow’s expansion continues apace with a proposal to build a new district around manmade waterways and the recently completed skyscraper Mercury City, which last year usurped Renzo Piano’s The Shard as the tallest building in Europe – see all news and architecture from Moscow.

In New York this week the Museum of Modern Art announced plans to demolish the American Folk Art Museum next door, just 12 years after it was completed by US architects Tod Williams and Billie Tsien.

Top photograph is by dbasulto and lower photograph is by qwz.

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Fuksas wins competition for Moscow Polytechnic Museum and Education Centre

News: Italian architects Massimiliano and Doriana Fuksas have won a competition for the Moscow Polytechnic Museum and Educational Centre with a design consisting of four copper-clad elements that appear to have been “cut by the wind”.

Moscow Polytechnic Museum and Educational Centre model by Massimiliano and Doriana Fuksas Architects

The $180 million centre will be built at the Sparrow Hills district of the Russian capital, close to Soviet-era monuments including Moscow State University and the Luzkniki Stadium.

“It’s one of my most beautiful projects and it is an Italian victory,” said Massimiliano Fuksas. “The museum and educational center must become a milestone and reflect the image of the new generation.”

Fuksas will work with Russian studio Speech on the centre, which is due to be completed in 2017.

Moscow is experiencing a building boom, with plans to double the size of the city announced last year and the 339 metre Mercury City tower recently overtaking London’s Shard to become Europe’s tallest tower. See all our stories about Moscow.

See all our stories about architecture by Massimiliano and Doriana Fuksas.

The following information is from the architects:


International competition for the “Moscow Polytechnic Museum and Educational Centre”, Russia, won by Massimiliano and Doriana Fuksas architects + Speech

March 2013

Massimiliano and Doriana Fuksas + Speech have won the prestigious international competition for the design of the “Moscow Polytechnic Museum and Educational Centre” in Moscow which should be realized by 2017. After the historic season of Italian architects, centuries later, an Italian architect returns to realize an important public work in Moscow.

“It’s one of my most beautiful projects and it is an Italian victory, the museum and educational center must become a milestone and reflect the image of the new generation.” Massimiliano Fuksas

The “Moscow Polytechnic Museum and Educational Centre” in Moscow (about 31,403 square meters) will be located in the “Sparrow Hills”, about 10 km from the Red Square, at a cost of 180 million dollars. Near the site there are several buildings built during the “socialist classicism”, monumental buildings, among which the library of Moscow State University.

The project is composed of four elements that make up a sculpture of irregular geometry, as cut by the wind, entirely covered by copper pre-oxidized that sends back streaks of green and blue. The elements are connected to each other through the internal levels. They develop across and lay on a transparent case that looks at the city.

The project idea came from the desire to communicate with the architecture of the past and at the same time come into conflict with it. The monumental architecture of the surrounding buildings is in contrast with this new building that is imposing but expresses a formal complexity underlined by the color of copper pre-oxidized that covers it.

The volume of the case, having a regular layout, is functional for loading and unloading the artworks between the level -1, which include the parking, ground floor and upper levels of the four sculptural elements. The transparent case consists of two levels. The area open to the public is situated on the ground floor and it includes the lobby that can accommodate several art installations, a cafe, a shop, two auditoriums of different sizes (between 500 and 800 seats) designed as parallelepiped made of red wood and three winter gardens with a sliding roof.

On the ground floor  three structural volumes made of copper pre-oxidized stand out housing the vertical connections, in contrast with the formal geometry of the surrounding space. At the top level, the mezzanine, there are the offices. The cover made of stone of the case is conceived as a “square suspended” for the public. The sculptural part of the project is laid on it.

The sculptural elements  made of copper pre-oxidized develop on three main levels. Each level corresponds to a function. Interior spaces are designed on the basis of functional flows, deliberately in contrast with the complexity of the geometry of the exterior.

The first level is dedicated to a space related to communication. There are mainly placed several conference / auditorium rooms and the Science and Technology Center with support services.

The second level is dedicated to the exhibition: exhibition halls, science / art gallery, exhibition area of the Museum’s collection, exhibition Maths, cinema / auditorium. On the third level there are several laboratories, a library, a workshop, the exhibition area of the Science and Technology Museum Center.

Natural light enters the museum through three major cuts, two arranged vertically, one on the front side and another at the rear overlooking the near park, while a large skylight at the ceiling dominates all levels of the museum.

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Polytechnic Museum and Education Centre
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Sleepbox Hotel Tverskaya by Arch Group

Russian studio Arch Group has filled an old building in Moscow with its portable sleeping capsules to create the first Sleepbox hotel.

Sleepbox Hotel Tverskaya by Arch Group

The modular hotel rooms were first developed for travellers taking naps in busy urban environments, but have also allowed Arch Group to convert an awkward building in the city centre into a functioning hotel.

Sleepbox Hotel Tverskaya by Arch Group

Conceived as a midpoint between a hotel and a hostel, the four-storey building contains units for up to two people on its first and second floors, while the top floor is filled with single-person capsules.

Sleepbox Hotel Tverskaya by Arch Group

Each Sleepbox is mobile and can be placed anywhere, provided it can be connected to a power source. As well as beds, the rooms are equipped with LED reading lamps, plus sockets for charging laptops and mobile phones.

Sleepbox Hotel Tverskaya by Arch Group

A lobby and reception occupy the ground floor and includes an information zone where guests can use iPads to access the internet, plus a storage area filled with lockers.

Sleepbox Hotel Tverskaya by Arch Group

Showers and toilet cabins are located on each floor and have bright green circular lights on the outside to indicate when they are occupied.

Sleepbox Hotel Tverskaya by Arch Group

The building also contains a handful of regular hotel rooms, which were added to the top floor in spaces where the ceiling heights were too low for a Sleepbox.

Sleepbox Hotel Tverskaya by Arch Group

Arch Group developed the concept for the Sleepbox in 2009 and the first capsule opened at Moscow’s Sheremetyevo airport two years later.

Sleepbox Hotel Tverskaya by Arch Group

See more stories about sleeping on Dezeen »

Here’s a project description from Sleepbox:


Sleepbox Hotel Tverskaya

The first Sleepbox Hotel creates a special niche in hospitality services between hostels and common hotels. Hostels are mostly cheap, which directly affects service quality.

Sleepbox Hotel Tverskaya by Arch Group

Traditional hotels have high level of comfort that it conditioned by high prices. Sleepbox Hotel Tverskaya is partly based on hostel principles to keep price low, but it offers considerably different quality of hotel services.

Every guest has an opportunity to live in his own module that has no comparison with any other type of hotel room. The hotel is a totally new and unique experience for every traveler, however it can boast low prices and excellent location.

Sleepbox Hotel Tverskaya by Arch Group

Sleepbox hotel is located in Moscow downtown in the immediate vicinity of Kremlin. The hotel doors open to 1-st Trevskaya Yamskaya Street and it is only 3 minutes away from Belorusskiy Railway Station, where Aeroexpress trains arrive from Sheremetyevo International Airport. Hotels with such location are mostly expensive, but staying in Sleepbox Hotel is 3 times cheaper than in nearby hotels.

 

This is owing to the use of Sleepbox modules created by architectural bureau Arch Group that allow organizing in only 4 sq.m. a proper place for rest and relax in a variety of buildings from airport terminals to offices. These modules are mobile, can be installed anywhere inside the building and just need to be connected to the power supply. These features give an opportunity to open a hotel in a building that has never been intended for a hotel.

Sleepbox Hotel Tverskaya by Arch Group

Sleepbox Hotel has 4 floors. On 1st floor you can find reception, information zone, lobby, individual lockers for visitors and management. Snow-white seamless reception desk with sleepboxish design is made of Corian. The desk can be seen from the street though glass doors. A visitor finds himself in a futuristic space that underlines unusual idea of the Sleepbox hotel. By the entrance there is an information zone that helps visitors to orient themselves or to find out railway schedule. For this purpose besides the maps there are iPads with Internet connection affixed to the wall.

Sleepbox Hotel Tverskaya by Arch Group

While working on the design of this hotel we aimed to create something absolutely different from the rest of Russian hotels. We wanted to make it so that even experienced European visitors make a booking here without hesitation. As for the expenses we sought to ensure that technical realization of this project was cheap so that the lodging cost could remain on minimum level as planned.

Sleepbox Hotel Tverskaya by Arch Group

The design of Sleepboxes is supplemented with a structure, which represents lighting and forms a part of ceiling and walls at the same time flowing by the boxes from the ceiling to the walls. It is made of transparent stretch sheet with LED spot lights behind. We have used this piece of design at all floors and even at the staircase, which gives a feeling of consistent space uniting all the floors of the hotel. To reduce the price of finishing works is was decided to leave the existing ceramic granite on the floor covering it with rubber. The floor pattern is similar to the ceiling pattern so each group of boxes is visually separated from walls and floor with black zones, which underlines boxes design and helps to combine wooden surface with general monochrome background.

Sleepbox Hotel Tverskaya by Arch Group

Wooden double Sleepboxes are located on floors 2 and 3, and single black and white boxes are located on floor 4. These boxes are equipped with an inbuilt TV set. There are common hotel rooms on the same floor with attached washrooms and dormer windows. This was made to use effectively the space under the inclined roof, where ceiling height in not enough to install a Sleepbox.

Sleepbox Hotel Tverskaya by Arch Group

Showers and toilet cabins are located on every floor and made in the general futuristic style. Toilet cabins look like separate capsules fixed in a row. Joints between them are illuminated with LED. There is a big round occupancy indicator, which shines green when the cabin is free and red when it is occupied.

Sleepbox Hotel Tverskaya by Arch Group

Area: over 800 m2
Architectural bureau: Arch group
Architects: Mikhail Krymov, Alexey Goryainov, Alexey Poliakov
Project and building: 2011 – 2012

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by Arch Group
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