Past, Present, Future Car

It’s a car, it’s a yacht, it’s a plane…it’s Poursuivreve!  A vehicle aimed at challenging our concept of how to get around both practically and aesthetically.  The Poursuivreve’s stylistic call back to old time race cars, combined with its modern cockpit-like frame make it a sight for all generations and its aerodynamic angles and lipo battery-powered system spell its environmental premise.  With the Poursuivreve you can ride in style while saving the planet.

Designer: Yutong Wu


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(Past, Present, Future Car was originally posted on Yanko Design)

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Simon Davidson Photography

Simon Davidson est un photographe australien qui nous propose de découvrir l’univers des courses de voitures à travers des clichés maîtrisés de burnouts. Montrant des voitures en action et captant des instants avec beaucoup de talent, le rendu est à découvrir sur cette série.



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Cat and Bird

Un court film d’animation très fluide et avec une direction artistique réussie. Intitulé sobrement “Cat & Bird”, il présente une rapide course entre un chat et un oiseau en pleine ville. Dirigé par le studio I Love Dust, sur une musique et un sound-design de Resonate.



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Holograms

Candice Lin’s sculptural illusions and videos taking on racial and gender inequalities
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Artist Candice Lin‘s new exhibit “Holograms” uses video and sculpture to challenge the distribution of power among races and genders, exploring the concept of authentic identity.

In her ceramic sculpture “The Moon,” Lin challenges understandings of feminine interiority by requiring audiences to peer through the vulva of a truncated female form in order to watch the animated loop inside. Dubbed “Inside Out,” the animation addresses the old Madonna-vs.-whore cliché.

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The exhibit’s namesake, “Holograms,” a twenty-minute video projection montage of found footage and animations, likens identity to a holographic image. Attempting to embody that which can’t be categorized, the ambiguous work incorporates optical illusions, hypnosis and visual contradictions, all to thwart any image of authentic identity.

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“Holograms” runs 6 November through 11 December 2010 at L.A.’s Francois Ghebaly Gallery .


Montante Maserati 8CTF

Gear up with a limited-edition Italian bicycle modeled after a Maserati winner
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In celebration of their famous 1940 win at the Indianapolis 500 known as the “Boyle Special,” Maserati teamed up with cult Italian bike builder Cicli Montante to create a limited-edition bicycle resembling the victorious fixed head, eight-cylinder 8CTF race car. With driver Wilbur Shaw behind the wheel for the second year in a row, Maserati historically took first place proving the prowess of European design.

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Debuting at the recent Paris Auto Show, Cycle EXIF points out that while successful bike/car collaborations are rare, the Montante Maserati 8CTF is a clear exception.

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In addition to the beautiful coloring and detailing, Cycle EXIF asks “Who else is sticking a front disc brake on a fixed geared bike? It might not necessarily be the smartest thing to do, but at least they’re putting it out there.”

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A limited run of 200 bikes were created (in commemoration of the 200 laps completed during the race), each individually numbered and selling online from Cicli Montante for €3,000.


Oophaga Vicentei x Oophaga Pumilio

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As Stockholm’s art and design schools prepare to open their doors for annual graduation shows, there are already ripples of exciting suggesting that this year holds many delights for the viewer. Last year the city was outraged at the work of Konstfack student Anna Odell, whose video work documented her own fake suicide attempt.

This year however, much of the buzz is as a result of clever thinking instead of hyperbole. Linda Shamma Östrand is a student at Konstfack whose cerebral work takes in an exploration of mixed cultural identity or, in her words, the notions of being a hybrid. The vehicle demonstrating her chosen topic is her self-bred hybrid frog (pictured top), Oophaga vicentei x Oophaga pumilio (pictured below left and right). The frog’s scientific name contains the “x” to indicate that it is a hybrid variety with the names on either side denoting the species of its origin.

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“As a child of parents from different countries, I am always compelled to describe my parents’ origin instead of my own when people ask me where I come from,” Östrand explains on her mini-site. “It led me to wonder whether I am bearing a seemingly unknown problem. By breeding a hybrid fertile frog and simultaneously writing a diary of reflections in my everyday life, I am exploring hybrid disciplines in an attempt to understand the hybrid concept,” she clarifies.

Some critics argue that emerging students are losing their poignancy and relevance due to aspirations of grandeur and ego-driven projects. Through her unique frog and inward-looking questioning of identity, Östrand has given reason for the viewer to talk about her conceptual, didactic art without damning its visual medium.

Photo of Oophaga vicentei by Thomas Ostrowski; Oophaga pumilio by Steven M. Whitfield