The second annual Architizer A+ Awards results are in, and 129 winners in more than 60 categories were announced today. Cool Hunting is proud to be a media partner with the global architecture awards program and…
While the life of a digital designer often leads down different paths and to various projects, most work produced is often temporary and intangible. To make something more permanent, four graphic designers from Reykjavik-based multidisciplinary creative studio ); return…
Glass panels sit at right angles to each other to form two desks, two benches and shelf in this range by Ronan and Erwan Bouroullec called the Diapositive collection.
“Diapositive consists of an assembly system of simple glass panels in which the edges are protected with pieces of wood, which distract from the impression of fragility,” said the designers.
One of the desks also includes an ash counter for writing, while the tops and legs are edged in the same wood.
The glass bench features a thin layer of dark coloured felt that forms a cushion on top of the seat.
The pieces are available in dark and light grey, pink, orange, transparent or mixed.
The collection will be presented at the Glas Italia stand at the Salone Internazionale del Mobile fair in Milan from 8 to 13 April.
Hardcore sci-fi writers, NASA researchers and even government policymakers are tasked with dreaming up the next century’s goals for mankind, but cult design consulting firm IDEO wanted to explore a “not-so-distant” future from a designer’s perspective….
by Dora Haller When a navy blue Aston Martin with a cream-caramel interior stopped in front of Heritage-Paris’ atelier, founder and owner Cyril Saulnier figured the driver must be lost. Turned out it was a…
L’étudiant en design basé en Norvège, Joe Ling, a récemment fait une nouvelle identité visuelle très riche pour la marque suédoise IKEA à travers des cartes aux couleurs primaires. Cet étudiant très talentueux livre un vrai travail sur la typographie du logo de la marque, la géométrie et sur le dynamisme des couleurs.
Sometimes all you need from a watch is reliability and a little bit of vibrancy. Japanese brand Q & Q (which stands for quest and quality), founded in 1976 as part of ,…
L’agence d’architecture islandaise PK Arkitektar a construit la maison B25 en Islande, à Reykjavík. La particularité de cette maison est qu’un mur de la façade a été fait en pierres volcaniques rouges qui cachent la porte d’entrée dans un creux. Cette bâtisse minimaliste est à découvrir dans la suite en photos.
This short movie by Danish animator Thallis Vestergaard traces the history of the bicycle from its invention in the eighteenth century up to the present day (+ movie).
Produced by Visual Artwork, a studio based in Denmark, Evolution of the Bicycle is a brief look at the different variations the two-wheeler has gone through in its 200-year history. It highlights how the design of the bike changed through the innovations and whims of different inventors.
The sequence starts in 1790 with the Velocifere by Frenchman Comte Mede de Sivrac. His invention featured two wheels, a piece of wood and a horse saddle, and is said to be the first instance of a bicycle, but had no steering.
Sivrac’s creation was improved upon by English inventor Denis Johnson, whose Dandy Horse, unveiled in 1818, attached a steering bar, increased the size of the wheels and made the bike lighter than Sivrac’s.
In 1839, Kirkpatrick MacMillan, a Scottish blacksmith inspired by steam locomotives, created the world’s first pedal powered rear-wheel driven bicycle.
Then in 1869, Frenchman Eugene Meyer created the Penny-Farthing, whose name was a reference to the oversized front wheel and disproportionately small rear one. He is also credited as the inventor of the wire-spoke tension wheel which is still used today.
Designers continued to play with the idea of different sized wheels, including G.W. Pressey’s American Star bicycle. This version swapped the large front and small wheel round, making it easier to steer.
It wasn’t until 1885 that the public first saw what would become the standard shape for a bike. J.K. Starley’s Rover Safety Bicycle featured two identically sized wheels, a saddle perched between them, and peddles attached to a crank, which drove a chain to turn the back wheel.
The design was refined by C.D. Rice before the development of the racing handle bars and simple saddle attachment we know today, which feature in the final evolution of the animated bike before it cycles away.
Focus sur la direction artistique de l’illustratrice Janine Rewell pour la collection Printemps-Eté de Minna Parikka, aux inspirations scandinaves. Le body painting a été réalisé par Saara Sarvas & Riina Laine et les photos sont signées Jonas Lundqvist. A découvrir dans la suite avec un joli making-of.
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