MoMA to demolish Williams and Tsien folk art museum

MoMA to demolish Williams and Tsien folk art museum, photo by Dan Nguyen

News: the Museum of Modern Art in New York is to raze the former American Folk Art Museum next door just 12 years after its completion by US architects Tod Williams and Billie Tsien.

The bronze-clad museum, which opened its doors in December 2001, will be demolished and replaced with a glass-fronted building linking MoMA’s existing space on West 53rd Street with a planned 82-storey tower designed by French architect Jean Nouvel.

The American Folk Art Museum, which holds a collection of paintings, sculptures and crafts by self-taught and outsider artists, was sold to MoMA in 2011 to pay off a $32 million loan. It currently exists at a smaller site on Lincoln Square, further north in Manhattan.

While the MoMA director Glenn D. Lowry said the demolition was not a comment on the architectural quality of the building, the news was met with disappointment by Tsien, who told the New York Times she saw the building as a “beloved small child”.

“It’s a kind of loss for architecture,” she said, “because it’s a special building, a kind of small building that’s crafted, that’s particular and thoughtful at a time when so many buildings are about bigness.”

The expansion across both the folk art museum site and the Nouvel building will provide MoMA with approximately 4600 square metres of additional floor space.

When Nouvel’s tower is complete in 2017 or 2018, its second, fourth and fifth floors will line up with the same levels in MoMA’s existing building over the road, but the art museum is still deciding what to put at ground level on the site of Williams and Tsien’s building.

In January this year, the architects’ Barnes Foundation art gallery in Philadelphia won an Institute Honor Award from the American Institute of Architects.

A major retrospective of the work of modernist architect Le Corbusier opens at MoMA this June – see all news about MoMA and see more architecture in New York.

Photograph by Dan Nguyen.

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Dezeen Mail #147

Dezeen Mail #147

Zaha Hadid’s glacier-inspired benches (above) and more new products from Milan feature in Dezeen Mail issue 147, which also includes the lastest news, jobs, competitions and reader comments from Dezeen.

Read Dezeen Mail issue 147 | Subscribe to Dezeen Mail

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Altered Appliances by Piet Zwart Institute students

Milan 2013: patterned rolling pins that make edible plates and a meat grinder that squeezes out biodegradable bowls are among a set of kitchen products on show at Ventura Lambrate in Milan this week (+ movies).

Altered Appliances by Piet Zwart Institute students

Altered Appliances is a collection of four projects by students from Rotterdam’s Piet Zwart Institute, all of which introduce low-tech, hand-powered appliances and ideas to the kitchen.

Altered Appliances by Piet Zwart Institute students

Rollware is a set of laser-cut rolling pins designed by Joanne Choueiri, Giulia Cosenza and Povilas Raskevicius to produce edible plates and dishes from dough.

Altered Appliances by Piet Zwart Institute students

One set of four rolling pins is used to imprint patterns on the dough.

Above: Rollware movie

Another set cuts the dough into four different plate sizes before they are baked into tableware.

Altered Appliances by Piet Zwart Institute students

Extrudough is a collection of biodegradable tableware made with a meat grinder, which designers Bo Baalman and Kine Solberg describe as an “analogue, human-powered 3D printer”.

Altered Appliances by Piet Zwart Institute students

A soft dough is extruded through the meat grinder in thin tubes onto various shaped moulds and then dried at room temperature.

Altered Appliances by Piet Zwart Institute students

As well as being cheap to produce, the products have a shorter decomposing time than other temporary tableware such as paper plates.

Above: Extrudough movie

The Flip Food lunch box by Ilias Markolefas and Nathalia Martinez Saavedra is inspired by the brown paper bags often used for carrying lunch to school or work.

Altered Appliances by Piet Zwart Institute students

The designers used stencils to cut a brown paper surface into a flat template, which is then folded and assembled to form a geometric lunchbox with six compartments.

Altered Appliances by Piet Zwart Institute students

The printed patterns visible on the outside vary depending on the lunchbox’s rotation, so they can be used to indicate the type of food held inside.

Altered Appliances by Piet Zwart Institute students

Reusable plastic protective containers can also be inserted into the compartments to protect certain foods.

Above: Flipfood movie

Finally Maddalena Gioglio and Egle Tuleikyte created the CONEformation measuring set from mounds of salt poured out of a contraption holding various sizes of measuring funnels.

Altered Appliances by Piet Zwart Institute students

The salt mounds are hardened by spraying water onto them and then covered with a layer of runny clay. The salt is then removed to reveal a set of ceramic measuring vessels.

Altered Appliances by Piet Zwart Institute students

The four projects emerged from a studio led by Alex Suarez – whose installation in a salt factory we featured in 2010 – and Brian Peters at the Piet Zwart Institute in Rotterdam, the Netherlands.

Other food designs we’ve featured include a collection of tableware made from baked dough and prototypes for 3D-printed hamburgers and pasta – see all projects involving food.

Above: CONEformation movie

Also at Ventura Lambrate this week are a seating booth inspired by an old train carriage and dining chairs with legs that flick out like ice skates, both designed by Tjep. – see all news about Ventura Lambrate.

Dezeen is in Milan covering the highlights of the design week – see our round-up from the Salone yesterday, browse all news from Milan or check out our interactive map of the week’s best talks, exhibitions and parties.

Photographs are by the designers.

Here’s some more information from Piet Zwart Institute:


Altered Appliances is an exhibition presenting projects that investigate the retooling of industrial low-tech appliances and gadgets to offer alternative design solutions and experiences for today’s kitchen. The exhibition is staged as a live demonstration presenting the process of making. The kitchen was the inspiration for the design projects. Historically, the kitchen as a domestic room grew from the need to house a variety of activities related to consumption. It is a story of the making of the modern home and its components, and on the shifting place and development of the most technological, equipment-laden and factory-like room of the home.

For the projects, the designers researched historical examples of appliances/apparatus, particularly low-tech, hand powered devices to become experts in a particular appliance, use and its effect. From this initial investigation, design parameters, fabrication techniques and material experimentations were developed to define the project, its application and explore new “altered” design opportunities for the kitchen.

The projects were made during a thematic design studio by design students in the Master of Interior Architecture & Retail Design (MIARD) program at the Piet Zwart Institute, Rotterdam, NL.

Rollware: Edible Dishware
Designers: Joanne Choueiri, Giulia Cosenza, Povilas Raskevicius

Rollware is a set of laser-cut rolling pins designed as a tool for the production of bread-based edible dishware, which are adorned with customised and useful patterns. The sustainable products merge traditional crafts, tableware production and cooking with digital technology.

Extrudough: Biodegradable Tableware
Designers: Bo Baalman, Kine Solberg

Extrudough is a collection of biodegradable tableware fabricated using an altered meat grinder that operates as an analogue, human powered 3D printer. The product line consists of five biodegradable containers, each with a unique pattern, colour and density.

Flip Food: Lunch Box
Designers: Ilias Markolefas, Nathalia Martinez Saavedra

Flip Food is a lunch box designed to store and carry food in a playful way. It is a self-standing rotating object with six compartments to store different types of food in each section. Inspired by the classic brown paper bag used by many to carry lunch to work or school.

CONEformation: A Measuring Set
Designers: Maddalena Gioglio, Egle Tuleikyte

CONEformation is a set of measuring cones for cooking, designed for mixing ingredients and serving food. The organic shapes of the cones are an unexpected yet a practical addition to the task of measuring for recipes in the kitchen.

Instructors: Alex Suarez, Brian Peters

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SmokeStack by Frederik Roijé

Milan 2013: Dutch designer Frederik Roijé presents a tall outdoor heater shaped like a factory chimney in the Tortona district of Milan this week.

SmokeStack by Frederik Roijé

Frederik Roijé’s SmokeStack is made from Corten steel, a weathered metal that provides a protective layer around the heater

“The shape of Smokestack refers to memories from the past, being a landmark and symbol of progress,” said the designer.

SmokeStack by Frederik Roijé

The heater is on show at Torneria, Via Tortona 32, not far from Dezeen’s base at the MINI Paceman Garage where we’ve set up a movie studio as part of our Dezeen and MINI World Tour.

SmokeStack by Frederik Roijé

Roijé also recently unveiled a piece of furniture for children combining a chair, table and lamp and a candle holder that resembles a piece of pipe sticking through the wall – see all design by Frederik Roijé.

SmokeStack by Frederik Roijé

We’ll be in Milan all week hunting out the best design on show, including Studio Job’s desk with a golden nose for a drawer handle and a skeletal chair by Nendo inspired by a stiletto heel.

See all news and products from Milan 2013 or take a look at our interactive map featuring the highlights of the week’s exhibitions, parties and talks.

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Competition: five Ma Yansong monographs to be won

Competition: five copies of Ma Yansong Monograph to be won

Competition: we’re giving readers the chance to win one of five copies of a new book of projects by Ma Yansong, director at Beijing architecture studio MAD, including the recently completed China Wood Sculpture Museum in Harbin.

Competition: five copies of Ma Yansong Monograph to be won

Ma Yansong: From (Global) Modernity to (Local) Tradition is a product of a retrospective exhibition that took place at the ICO Museum in Madrid, documenting eight years of work by the Chinese architect.

Competition: five copies of Ma Yansong Monograph to be won

The hardback book is curated by Menene Gras and includes essays and photos of the exhibition, as well as images of some of MAD‘s best-known projects.

Competition: five copies of Ma Yansong Monograph to be won

Featured buildings include the curvaceous Absolute Towers in Mississauga, Canada, the Ordos Musuem in Inner Mongolia and a concept for a star-shaped mobile Chinatown.

Competition: five copies of Ma Yansong Monograph to be won

Each project is accompanied by concept sketches, technical drawings and model images, along with final photographs where relevant.

Competition: five copies of Ma Yansong Monograph to be won

To enter this competition email your name, age, gender, occupation, and delivery address and telephone number to competitions@dezeen.com with “Ma Yansong” in the subject line. We won’t pass your information on to anyone else; we just want to know a little about our readers. Read our privacy policy here.

Competition: five copies of Ma Yansong Monograph to be won

Competition closes 11 May 2013. Five winners will be selected at random and notified by email. Winners’ names will be published in a future edition of our Dezeen Mail newsletter and at the top of this page. Dezeen competitions are international and entries are accepted from readers in any country.

Competition: five copies of Ma Yansong Monograph to be won

See more architecture by MAD »

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Internet more important than water, say householders

Internet more important than water, photo from Shutterstock

News: the internet has become a more vital resource in the home than water, heating or television, according to a survey of Londoners.

Asked which household utility they couldn’t live without, 38% of respondents said they’d be most stressed out by not having internet access, while 32% said having no water would be their main priority and 18% said a lack of heating.

No television was a top concern for just 8% of people, while 4% said they’d be most annoyed by a lack of washing machine.

A similar survey carried out in 2012 found 17% said they couldn’t live without an internet connection, but a year later that figure has risen to 27%.

Asked how long they thought they could manage without getting online, 27% of people said they didn’t think they’d cope at all, 25% said they could last a day and 29% said they’d manage just a few days. Only 4% of people said they didn’t need the internet at all.

Respondents also revealed that losing the internet connection at work is more stressful than being late, experiencing a bad journey to the office or dealing with a computer crash.

The street survey of 1000 commuters was commissioned by Infosecurity Europe, organisers of an annual information security event in London, which this year takes places from 23 to 25 April at Earls Court.

Last month a study of people’s bathroom habits found that the under-30s are using their time on the toilet to check social media – see all news about technology and find out more about the latest wearable technology that allows people to stay connected all the time, such as the Google Glass voice-controlled headset and the Pebble smartwatch.

Photograph from Shutterstock.

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AIA Small Project Awards winners announced

Four Eyes House by Edward Ogosta Architecture

News: the American Institute of Architects (AIA) has named the ten winners of its annual Small Project Awards, including a concept for a house in the desert with four bedroom towers (above) and a concrete playground pavilion with hidden chimneys (below).

Webb Chapel Park Pavilion by Cooper Joseph Studio

The awards, open to all architects licensed in the US, are given each year to ten projects with limited scales or budgets. This year’s winning projects were selected by a jury of architects and journalists.

Studio for a Composer by Johnsen Schmaling Architects

Wisconsin office Johnsen Schmaling Architects picks up two awards. The first is for a woodland practice studio for a musician (above), while the second is a two-storey brick and cedar house in Madison.

Nevis Pool and Garden Pavilion by Robert M. Gurney

Two awards also go to Washington DC architect Robert M. Gurney, for the restoration and extension of an early nineteenth-century house in Lewes, Delaware, and for a slate pavilion with glazed corners and a swimming pool in Maryland (above).

Tahoe City Transit Center by WRNS Studio

Other winners include a gallery reception that doubles up as an events space in Nebraska, a granite bus station with a floating cedar roof (above) in northern California, a series of grave markers inscribed with poetry in Pennsylvania and a latticed steel park pavilion Dallas(below).

Nexus House by Johnsen Schmaling Architects

Earlier this year the AIA announced 28 winners of this year’s Institute Honor Awards, including projects by OMA, BIG and Kohn Pedersen Fox. See more architecture in the US.

See the full list of winning projects below:


AIA selects the 2013 Recipients of the Small Project Awards

The American Institute of Architects (AIA) has selected the ten recipients of the 2013 Small Project Awards. The AIA Small Project Awards Program, now in its tenth year, was established to recognise small-project practitioners for the high quality of their work and to promote excellence in small-project design. This award program emphasises the excellence of small-project design and strives to raise public awareness of the value and design excellence that architects bring to projects, no matter the limits of size and scope.

The jury for the Small Project Awards includes: Leonard Kady, AIA, (jury chair) Leonard Kady Architecture + Design; Julie Beckman, KBAS; Christopher Herr, AIA, Studio H:T; Laura Kraft, AIA, Laura Kraft Architect; and Rob Yagid, Fine Homebuilding Magazine.

Category 1 (a small project construction, object, work of environmental art or architectural design element up to $150,000)

Bemis Info Shop by Min | Day

Bemis Info Shop, Omaha, by Min | Day

More than a new entry and reception area for a contemporary art center, the InfoShop is a social condenser and transition space between the city and the galleries. It is an open social space for spontaneous meetings, dialog and debate. A 24’-long reception desk can be transformed into a full bar with a plug that fills the work area. Opposite are banks of simple boxes for publications and leaflets that extend the modules of the existing brick wall. The paneled the wall with custom, CNC-milled panels derived from a pinwheel aperiodic tiling pattern. The pattern is composed of right triangles with infinite variation in scale and orientation but no periodicity.

Cemetery Marker by Kariouk Associates

Cemetery Marker, South Canaan, PA, by Kariouk Associates

Before dying, a woman left a note for her children to be read after her death and her sole request was that her gravesite becomes a garden. The tops of her marker are inscribed with a stanza from Audre Lorde’s poem “Prologue”, reading“…The children remain like blades of grass over the earth and all the children are singing louder than mourning…And the grasses will still be singing.” The five cast bronze plates of this marker spread over the site at varied heights above the earth, spaced to permit the grass to grow between. As the plates age, they oxidize and blend into the landscape.

Studio for a Composer by Johnsen Schmaling Architects

Studio for a Composer, Spring Prairie, WI, by Johnsen Schmaling Architects

This intimate retreat serves as a studio for a Country Western musician to write his work and reconnect with nature. A concrete plinth, carved into the sloped site, provides storage space and supports a linear studio volume whose long sides are covered with a weathering steel shroud. Glazed openings at each end of the studio frame views into the landscape, providing access into the space and onto the green roof of the concrete plinth. The clerestory provides natural light for the storage space below; at night, it emits its soft glow into the dark countryside. The carefully detailed steel envelope turns the building skin into an ever-changing canvas.

Category 2 (a small project construction, up to $1,500,000)

Nexus House by Johnsen Schmaling Architects

Nexus House, Madison, WI, by Johnsen Schmaling Architects

The house is composed of two principal building blocks: a two-story brick podium partially embedded in the sloping site; and a linear cedar-clad meander that wraps up and over the podium before transforming into a cantilever, its overhang providing shade for the patio below. Steps lead up the slope to the front door, a glazed recess with a delicate steel canopy marking the vertical joint between the two building blocks. The door opens into a vestibule that leads into the main living hall, an open space whose neutral material palette is complemented by a troika of dark-stained wood objects spatially anchoring the open space: an entertainment center; a fireplace and chimney; and a wood canopy cradling an intimate side lounge, which can be closed off to transform into a guest bedroom or quiet study.

Nexus House by Johnsen Schmaling Architects

Pavilion at Cotillion Park, Dallas, by Mell Lawrence Architects

The composition of steel components abstracts and mimics the surrounding trees to produce similar dappled shade. The sun’s movement animates the structure, catching direct light, casting shadows and patterns, and creating dynamic figure-ground shapes against the sky. Long concrete benches not only define the outdoor room under the translucent roof, but stretch out beyond to extend the usable area into and under the surrounding shade trees. Over time the raw steel will oxidize and the fly-ash concrete will weather like natural stone. The solid polycarbonate roof blocks the rain and UV rays. Suspended at the center of the pavilion hangs a bright red/orange elliptical mobile/weathervane which gently rotates to acknowledge any changing wind direction.

Webb Chapel Park Pavilion by Cooper Joseph Studio

Webb Chapel Park Pavilion, Mission, TX, by Cooper Joseph Studio

The site plan creates a shaded area for both a playground, and a soccer field. All surfaces are highly durable, fireproof and maintenance free. The reduced palette of board-formed concrete and plaster allows for the most effective play of shade and shadow. There is an element of surprise with the bright yellow, pyramidal shapes inside the rectangular concrete shell. The ceiling’s primary purpose is to act as a natural ventilation system, just as a traditional “palapa”, allowing hot air to rise. Convection breezes are increased as seating is embedded in the earth, keeping the concrete cooled.

Category 3 (a small project construction, object, work of environmental art, or architectural design less than 5,000-square-foot constructed by the architect – the architect must have had a significant role in the construction, fabrication and/or installation of the work, in addition to being the designer)

308 Mulberry by Robert M. Gurney

308 Mulberry, Lewes, DE, by Robert M. Gurney

The original structure was constructed in the early nineteenth-century in the heart of the historical district of Lewes. In the redesign, the exterior of the original structure is meticulously restored. While the exterior of the original house is restored with historically correct detailing, the four new pavilions are crisply detailed, without overhangs and trim. The additions are conceived as one-story pavilions organized around a new swimming pool and large Deodor Cedar tree, located at the rear of the property. Large expanses of glass set in black steel frames punctuate the cedar walls. Tall red brick chimneys and landscape walls add vertical and horizontal elements, completing the composition.

Nevis Pool and Garden Pavilion by Robert M. Gurney

Nevis Pool and Garden Pavilion, Bethesda, MD, by Robert M. Gurney

The new pavilion, intended for year round use, provides a threshold between the structured landscape and adjacent woodland. A low-pitched, terne coated stainless steel roof floats above a dry-stacked slate wall and mahogany volume. The interior contains a stainless steel kitchen component along with a small living space, anchored by the fireplace. The bluestone flooring, stone and mahogany walls, and Douglas-fir ceiling create a warm, natural space. Five steel-framed glass doors along with frameless glass walls and mitered glass corners enclose the space, open the space much of the year while a large fireplace and heated floors provide a cozy counterpoint in winter months.

Tahoe City Transit Center by WRNS Studio

Tahoe City Transit Center, Tahoe City, CA, by WRNS Studio

The Tahoe City Transit Center (TCTC) represents a vital step toward achieving a more sustainable transportation network within the region. The structure’s long and low roof hovers above the land, and is carefully situated among existing trees and other dramatic features of the site. In a simple, elemental gesture, the building brings together two of the area’s predominant materials, Sierra granite and western red cedar. With its broad eaves, narrow floor plate, thermally massive walls, and high performance glazing, the building adapts to the seasons and integrates sustainability wherever possible.

Category 4 (unbuilt architectural designs less than 5,000-square-foot for which there is no current intent to build, of all project types including purely theoretical, visionary projects, with or without a client)

Four Eyes House by Edward Ogosta Architecture

Four Eyes House, Coachella Valley, CA, by Edward Ogosta Architecture

Four “sleeping towers” orchestrate four spatiotemporal viewing experiences: morning sunrise (east), mountain range (south), evening city lights (west), and nighttime stars (zenith). Each tower contains a compact top-floor bedroom, sized only for the bed, and each with a unique viewing-aperture. Ground-floor common spaces form a loose connective field between the discrete tower volumes, and offer a more permeable relationship to the landscape. The sensations of sleeping and waking are thus inflected by the building’s foregrounding of intensified onsite experiential events.

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W Hotels Designers of the Future Award 2013 winners announced

W Hotels Designers of the Future Award 2013 winners announced

News: designers Seung-Yong Song, Jon Stam and Bethan Laura Wood have been announced as the winners of this year’s W Hotels Designers of the Future Award.

W Hotels Designers of the Future Award 2013 winners announced

Above: Play Time – Spaghetti Junction stacking tables by Bethan Laura Wood
Top: Objects series by Seung-Yong Song

Presented in conjunction with Design Miami/Basel, W Hotels revealed the three young designers that are receiving the annual prize during a ceremony in Milan today.

W Hotels Designers of the Future Award 2013 winners announced

Above: Cabinet of the (Material & Virtual) World by Jon Stam

This year’s laureates have been commissioned to create original, site-specfic work inspired by their visits to W Hotel branches in Verbier, Bangkok and Mexico City. The finished projects will be unveiled at the Design Miami/Basel event in June.

W Hotels Designers of the Future Award 2013 winners announced

Above: Dami series by Seung-Yong Song

Past projects by Korean designer Seung-Yong Song include furniture shaped like baskets (above), concrete vases with steel cages and a collection of chairs that double up as ladders, clotheshorses, shelves or lamps.

W Hotels Designers of the Future Award 2013 winners announced

Above: Soft Rock scarf by Bethan Laura Wood

British designer Bethan Laura Wood creates patterned products, textiles and jewellery. Her work was shortlisted for London Design Museum’s Designs of the Year in 2012.

W Hotels Designers of the Future Award 2013 winners announced

Above: Bioscope by Jon Stam and Simon de Bekker

Canadian designer Jon Stam won best graduation project on completing his studies at Design Academy Eindhoven and currently teaches Digital Craft at the Willem de Kooning Academy in Rotterdam. His work includes a hand-held movie projector that combines digital and analogue processes (above).

Previous recipients of the award include designers Max Lamb, Philippe Malouin and Asif KhanSee all our stories about past winners and their projects »

Here’s a full press release from the organisers:


W Hotels and Design Miami/Basel and worldwide announce the winners of the 2013 W Hotels Designers Of The Future Award

Following design trips to W Hotels around the world, designers to unveil new works at Design Miami/Basel to Later be Installed at W Hotels in Verbier, Bangkok and Mexico City

From the 52nd edition of Salone Internazionale del Mobile, W Hotels Worldwide and Design Miami/Basel today announced the winners of the 2013 W Hotels Designers of the Future Award. The 2013 winners include Seung-Yong Song from Korea, Canadian Jon Stam and Bethan Laura Wood from the United Kingdom. In an evolution of the Award, this year for the first time, the winning designers were sent to new or renovating W Hotels to solve a specific design challenge or need. The newly commissioned works will be unveiled at Design Miami/ Basel (June 11-16, 2013) and later installed at W Hotels in Verbier, Bangkok and Mexico City.

“The W Hotels Designers of the Future Award allows us to recognize the best up-and-coming design talent from around the world,” said Mike Tiedy, Senior Vice President, Global Brand Design & Innovation, Starwood Hotels & Resorts. “These emerging designers provide forward-thinking and innovative design solutions for our hotels, while showcasing their unique works to both W guests and locals alike.”

“We are proud to continue our partnership with W Hotels to create a meaningful platform for talented emerging designers,” said Marianne Goebl, Director of Design Miami/. “With the introduction of the design residencies abroad, the designers get the opportunity to dive into the local culture and develop new work.”

This is the fourth occasion that W Hotels and Design Miami/ Basel have collaborated on the Award. Started in 2006 at Design Miami/ Basel, the Designers of the Future Award recognizes up-and-coming designers and studios that are expanding the field of design. Each year, three designers or studios are selected as a way to honor a variety of approaches in the constantly evolving landscape of contemporary design. The Award moves beyond pure product and furniture design to acknowledge technologically and conceptually vanguard pieces that work across multiple disciplines, offering the next generation of design creatives the opportunity to present newly commissioned works to an influential audience of collectors, dealers, and journalists at Design Miami/ Basel.

The W Hotels Designers of the Future Award also draws attention to design practices that exemplify new directions for the design field, and as W Hotels continues to grow globally, the Award provides the W design and innovation teams with access to the world’s brightest talent in contemporary design. The objective for W Hotels is to create a vision of how guests may conceptually interact with cutting-edge and technologically advanced design solutions throughout hotel Living Rooms (the W brand’s re-interpretation of the hotel lobby) and guestrooms globally.

Designer Projects Focused on “Making Connections”

The brief for this year’s award commissions is entitled “Making Connections”. The designers’ projects will facilitate exchange between local communities and the international visitors who pass through them, whether for business or pleasure. The goal of these projects is to deepen the appreciation for the distinct regional characteristics found in each destination.

For the first time, each of the winning designers has been paired with a new or renovating W Hotel to create a site-specific project. Each designer has already been sent on a design visit to a specific W Hotel, finding inspiration in the hotel design concept, the destination, local craft and materials as well as investigating the cultural and material conditions of the surrounding area, all of which will inform their finished project. Jon Stam spent time in Verbier, where the W brand’s first ski retreat will open later this year, Seung-Yong Song visited W Bangkok, which opened December 2012, and Bethan Laura Wood traveled to W Mexico City, which will complete a full renovation in 2014. In addition to being showcased at Design Miami/ Basel in June 2013, their finished work will ultimately be installed at the hotel they visited, solving for a specific design need.

2013 W Hotels Designers of the Future Award Winners

Seung-Yong Song – Born 1978, Seung-Yong Song attended École Supérieure d’Art et de Design de Reims and received his BFA, MFA in France. He has worked with Claudio Colucci, Jean Marc Gady, Patric Nadeau and Matt Sindall, and opened his own studio in 2011 in Korea.

Jon Stam – Born in 1984, Canadian-Dutch designer Jon Stam studied design at the Ontario College of Art in Toronto, Canada, before moving to the Netherlands to study under Aldo Bakker, Jan Boelen and Ilse Crawford at the Design Academy Eindhoven. In 2008 he graduated cum laude, and set up his own studio in 2010 in Amsterdam.

Bethan Laura Wood – Born in 1983, Bethan Laura Wood completed her degree from the Royal College of Art in 2009, where she studied under Jurgen Bey and Martino Gamper in the Design Product department. Bethan set up her own studio, WOOD London, that same year, and showcases her limited edition lighting and furniture ranges with Nilufar Gallery in Milan.

The winners were selected by an international jury that included Jan Boelen of the Design Academy Eindhoven and Z33; Tony Chambers of Wallpaper* magazine; Aric Chen of M+ Museum Hong Kong; Alexis Georgacopoulos of Ecole Cantonale d’art de Lausanne (ECAL); Marianne Goebl of Design Miami/; Benjamin Loyauté, author, curator and journalist; and Mike Tiedy of Starwood Hotels & Resorts, parent company of W Hotels Worldwide.

Qualifying candidates for the W Hotels Designers of the Future Award must have created original works in the fields of furniture, lighting, craft, architecture and/or digital/electronic media. Candidates must have been practicing for less than 15 years and have produced a body of work that demonstrates originality in the creative process, while also exhibiting an interest in working in experimental, non-industrial or limited-edition design.

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Serac Bench by Zaha Hadid for Lab23

Milan 2013: Zaha Hadid imagined a block of ice formed in the crevasses of a glacier for the design of this bench, launching this week in the Tortona district of Milan.

Serac Bench by Zaha Hadid for Lab23

The Serac Bench, designed by Zaha Hadid for street furniture brand Lab23, is made from a resin and quartz composite that gives it a sparkling white colour.

Serac Bench by Zaha Hadid for Lab23

The surface of the bench is shaped into a series of smooth ridges and curves, and a single arch forms a backrest on one side.

Serac Bench by Zaha Hadid for Lab23

The piece is on show at the Officine della Torneria, Via Novi, 5, just around the corner from Dezeen’s movie studio at the MINI Paceman Garage.

Serac Bench by Zaha Hadid for Lab23

London architect Zaha Hadid is showing a number of projects around Milan this week, including a pair of monochrome pendant lamps, a limited edition of marble tables and a system of twisting auditorium seats.

Serac Bench by Zaha Hadid for Lab23

See more design by Zaha Hadid »
See more design from Milan 2013 »
See our map of the best things to see at Milan 2013 »

Photography is by Jacopo Spilimbergo.

Here’s some more information from Zaha Hadid Architects:


Zaha Hadid for Lab23

Zaha Hadid’s concept of urban furniture to be seamlessly integrated with its context and Lab23’s experience coalesce into the Serac Collection, especially the Serac Bench, the urban bench designed by the architect and designer for the renowned street furniture label.

The concept behind the Serac Bench, which will be presented at Fuorisalone 2013, at the Officine della Torneria from April 8th to 14th, is evoked by the image of a block of ice formed by intersecting crevasses in a glacier. Developed as an urban sculpture for seating and resting, the Serac Bench seamlessly integrates with its context. Its striated articulations emerge from the landscape, each layer taking its own unique trajectory in reaction to latent forces that disperse – and ultimately coalesce – the many strata of the bench to generate its overall formal composition. The design rediscovers the fluid, continuous nature of Zaha Hadid’s work – exploring relationships between full and void, object and background, form and function; an evolutionary pattern that is evident throughout her repertoire.
The bench has been developed in resin quartz, a tough and durable material that when shaped into a more curvaceous form, transitions into a softer, fluid and tactile surface. The sparkling crystal balances a stunning light play with mesmerizing depth.

Lab23, with numerous collaborations with world-renowned architects and designers under its belt, will present the Serach Bench together with its entire collection of street furniture, developed with innovative and enviromentally friendly materials, which have always characterized the brand. Five and Sofa are designed to furnish urban living rooms with ottomans, side tables and sofas. On the other hand, line S, designed by Veronica Martinez, consists of benches and flower boxes that recall the winding shape of an S. Stéphane Chapelet developed benches, tables and Zadig, a steel seat which features an interesting texture thanks to its laser cutting.

At Fuorisalone 2013, and after focusing mainly on public spaces, Lab23 will have the chance to present Aria23, a collection of outdoor furniture dedicated to the general public that distinguishes itself for a unique sensitivity for enviromental impact. For Aria23, architecture studio Marconato e Zappa, has developed a selection of décors.

The common and idenitfying feature of this collection is indeed the use of WPC, wood and plastic composit, an entirely recyclable material.

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Ambra Medda launches online store for collectible design

Ambra Medda

News: Ambra Medda, the director and co-founder of Design Miami/Basel, has announced the launch of L’ArcoBaleno, a website offering unique and limited edition pieces for sale alongside reports from the design world.

Launching in May, L’ArcoBaleno – which means rainbow in Italian – will combine an online shop with original reports and movies about culture and design trends.

Founder Ambra Medda, who left Design Miami in 2010, said: “L’ArcoBaleno will reflect the entire spectrum of design – that includes collectible objects, but also fashion, food, music, architecture, art and technology.

“Our hope is that it will influence the global design conversation, and inspire and engage collectors, curators, and devotees of creative fields.”

The website’s CEO Oliver Weyergraf added: “We have developed the site with a ‘mobile first’ approach, building it to address the needs consumers have today, and what we anticipate their needs will be in the future as commerce becomes an increasingly mobile function.”

Ambra Medda launches L'ArcoBaleno

L’ArcoBaleno will be guided by an advisory board that includes architect David Adjaye, Greek shipping heir Stavros Niarchos, gallery owner Suzanne Demisch, musician and design fan Pharrell Williams and British designer Tom Dixon, with whom Medda partnered in 2011 for the launch of the MOST exhibition space in Milan.

Earlier this year the founder and CEO of online furniture retailer One Nordic criticised the way design is sold to the public. “I just feel that this whole industry is terrible at seeing that many people are moving online and willing to buy furniture online,” Joel Roos told Dezeen. “In the furniture field many, many companies retail exactly the same way as they did in the seventies.”

Last autumn, in a reversal of the trend for physical shops moving their business online, the homeware webstore Made.com opened a showroom in a west London office tower.

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