Hasta La Ideas

This isn’t an outdoor art installation, but it is still somewhat curated. Or maybe hoarded is a better description. Somewhere in the inner western suburb of Sydney’s Summer Hill, a brightly-colored collection of garden gnomes sits on display. The owner of the home is yet to be seen, but there are hundreds of gnomes, side by side, all with equally dopey expressions on their faces and accompanied by a second fixation, caterpillar soft toys. There are so many gnomes, the garden is no longer visible. Maybe it’s an Amélie style prank that has just piled up over the years?

Mildly fascinated and entertained by the ever growing collection, I decided to make my own contribution one afternoon when a cheery looking garden gnome appeared at the local op shop for the bargain price of $1. Big blue bow tied neatly around its neck, it was ready for dispatch. But on arrival, it appeared that the gnome collector already had five of the exact same type.

pimg src=http://www.productdose.com/images/products/draft_5188.gif
alt= //ppThis vase from a href=http://www.giopatocoombes.com/Cristiana Giopato/a incorporates two attractive elements besides just looking good (something I try to convince the ladies of about myself). It recycles an old wine bottle to be used as a vase and it also allows you to customize your vase however you like using the discs. If you hike regularly it will also remind you of the trail markers that hikers make of small rocks to guide other hikers. |via a href=http://www.contemporist.com/2009/02/09/hula-hoop-vase-by-cristiana-giopato/Contemporist/a|br //p

We aren’t the only ones falling head-over-heels for the Herve Leger by Max Azria Fall 2009 Collection> — Not one but two runway models took a tumble during the New York Fashion Week show, but they couldn’t have looked more fierce doing it! With its parade of tightly-bound bandage dresses with metallic paneling, snakeskin details, and all sorts of shimmery embellishments like fringe, tiling, and beading, the Sunday night show was full of life and movement despite the impossibly snug fit of the dresses! Some of Hollywood’s chicest stars were present to witness the heavily shoulder-padded fall preview, including Sophia Bush, Jessica Stroup, and January Jones, all in their own Herve Leger favorites. While some commented that the collection lacked a certain brightness, the pieces undoubtedly took full advantage of its subdued color scheme, utilizing hues ranging from limey olive and deep brown to gunmetal chrome, and instead of bursts of color, contrasted neutrals with shiny metallics for a pop of fashionable flash.

Colors: neutral browns and olives, plus chrome, silver, and black
Silhouettes: banded halter dresses, capped sleeves, boxy shoulders, cinched waists
Celeb Sightings: Lucy Liu, Joy Bryant, Sophia Bush, Michelle Trachtenberg
Photo Credit: Getty Images for Mercedes-Benz Fashion Week

Detail from I Would Save Freehand print for ifyoucould.co.uk by tDR

I discovered recently that this (allegedly) high-tech industry of ours is populated by a whole
tranche of designers who are quietly hanging on to an old, obsolete piece of drawing software writes Michael Johnson. They know they shouldn’t, they get ridiculed for it, but they can’t help it. A piece of software that has been ever-present for decades has proved a tough habit to crack. Like the beginning of an AA meeting where people stand and admit that they’re hardened drinkers, it’s time to stand up and say that “my name is Michael and, yes, I do still use Freehand”…

At this point readers will be experi­encing mixed emotions – some will be thinking ‘what an old saddo’. Younger ones will be asking ‘what’s Freehand?’. But, especially in the UK, it seems that a lot of people will be quietly nodding their heads.

Little things started to give it away. I asked Michael C Place for some text from a D&AD project recently and his answer was in the affirmative “as long as I didn’t mind getting it in Freehand”. We discovered recently that Dixon Baxi were still advocates. Some quiet digging revealed a vast array of design studios still using it: Neville Brody, Why Not Associates, Spin, to name a few. The Designers Republic were committed fans and we know there are users at Barnbrook Design, maybe even at North too.

Experiments by Jeff Knowles at Research Studio

MCP declined to contribute to this piece, not wanting to get involved in a discussion about a piece of software, and he has a point. But it seems the choice to use, and continue to use this programme is more than just geekery.

If Quark users have to migrate to InDesign, at least they’re moving to something on a par, and in some cases better. Just ten minutes with Keynote persuades most people to happily drop Powerpoint like a stone, such is the gulf in quality. But Freehand users are coping with a transition to some­thing they see as a step sideways, often backwards.

It was one of the great, original debates of the graphic design business – ‘which programme do you use to draw?’ Battle lines were drawn early between the intuitive, easy-to-learn Aldus Freehand and Adobe’s more technical Illustrator. Malcolm Garrett remembers it well: “There was a sense that if you required a particular kind of precision then Illustrator was the way to go, in the same way that XPress won out over PageMaker. The clue is in the ordinariness of the names, Freehand, and PageMaker, they just don’t say ‘professional’.

Spread from Vogue Nippon supplement by Barnbrook Design

“I remember Erik Spiekermann once saying he disliked Freehand, because it was too, er, ‘freehand’.” He thinks that “designers who felt they were more ‘expressive’ liked the basic feel of Freehand, which allowed them to create in a welcoming environ­­ment, more akin to art studio than drawing office. For some reason Illustrator gave the impression that it was more technical and thus less expressive somehow.”

Garrett feels the differences are minimal but hardened users jump straight to its defence. “It’s intuitive and fast,” says Aporva Baxi from Dixon Baxi, still determinedly delivering artwork to printers in Freehand, despite the protests. “We just feel at home and can work very fast using it, allowing us to concentrate on the creative. The fact that you can drag any number of pages around, create a full book, guidelines or presentation whilst still being able to design freely is liberating.”

Logo book designed by Spin

For Spin’s Tony Brook it was love at first sight. “I went from a complete computer virgin, to a happy clapping convert in a matter of hours. I have met so many passionate advocates of Freehand, it is like a badge of honour, whereas your common or garden Illustrator disciple just mumbles and calls me old, which may be true, but if that’s the best they can do….”

A Flock of Words by Why Not Associates and Gordon Young

Spread from Typography Now by Why Not

Why Not Associates’ Andy Altmann reveals that it “was great for designing all the typographic layouts for the environmental projects we have collaborated on with artist Gordon Young. The typographic trees in Crawley [see CR March 09], the entire 320m of the typographic pavement in Morecambe – it would have been really painful to have done it in anything else.” Amazingly, Altmann also admits that all the artwork for the seminal book Typography Now was done as 200 individual pages in the programme.

johnson banks’ Mouse identity for Microsoft

Nearly all of its adher­ents know the writing has been on the wall ever since Adobe acquired Macro­media in 2005, getting their hands on the crown jewel, Flash. The 2007 announcement that Freehand wouldn’t be updated came as no surprise, and Adobe’s position on this is clear: “Adobe has no plans to initiate development to add new features. While we recognise it has a loyal customer base, we encourage users to migrate to the new Adobe Illustrator….”

To Adobe, bouncing a bunch of ‘has-beens’ into switching makes logical sense, and without any apparent fan-base in the States (a US source could only think of one designer they knew still using it) they faced no significant backlash there.

But its impending demise will feel like amputation to some. “For me it basically feels like an additional limb used purely for design, a third arm that understands and knows what I want,” says Nick Hard in Neville Brody’s Research Studios.

MTV2 ident work by Dixon Baxi

Baxi admits they “quietly dread the day we have to install a system update to osx that suddenly conflicts with it”. Tony Brook reveals that “Adobe has finally beaten me into submission. This Christmas I did a day’s course on Illustrator. I still don’t get it.”

For this writer, once a Freehand beta-tester, it’s been ever-present on a 20-year journey. But now my copy won’t let me print out anything containing fonts (bit of a drawback), and regularly needs re-booting/re-installing (not ideal). Garrett criticises this as an inherent inability to embrace change, a sort of ‘I know what I like, and I like what I know’ culture.

I Would Save Freehand print for ifyoucould.co.uk by tDR

He’s right of course, and the news that The Designers Republic has folded should perhaps be the death-knell for their favourite piece of software too. Its central place in British graphic design for 20 years is coming to an end.

At least there’s a glimmer of hope. It seems that Adobe has (finally) acknowledged that Illustrator could do with some of Freehand’s best bits (like multiple, different-sized pages in a document, and even simple old ‘paste-inside’).

Perhaps they’ll send me a copy of CS4 and I’ll be a (slightly late) beta-tester? But in the meantime, I have a logo to do by this afternoon, I think I’ll just knock out a few quick ideas in a programme I know well….

All projects shown were designed in Freehand.

Michael Johnson is design director of johnson banks and editor of the johnson banks Thought for the week blog . This article appears in the Crit section of the CR March issue.