Why the M2 iPad Air Is Ideal for Students, Designers, and Everyone In Between

iPad Air M2

The iPad Air, now available in both 11-inch and 13-inch models, caters to a variety of needs and preferences. Whether you’re a student always on the move or a designer needing ample screen space for intricate visuals, there’s an option perfectly sized for you. The 11-inch version excels in portability, easily slipping into a small bag or backpack, making it the go-to device for students who juggle between classes and study sessions across campus. Meanwhile, the 13-inch model, with its expanded display, provides 30 percent more screen real estate, offering designers and students the luxury of a bigger canvas to work on complex projects or manage multiple applications side by side with iPadOS’s multitasking features.

Designer: Apple

The 11-inch iPad Air is super-portable, while the 13-inch model provides an even larger display, giving users more room to work, learn, and play.

Beyond size, the iPad Air boasts a Liquid Retina display with advanced technologies such as True Tone, high brightness, and anti-reflective coating, ensuring everything you see is detailed and vibrant. This is crucial when precision in color and detail plays a significant part in your coursework or professional projects. The support for P3 wide color gamut also means that the visuals are not just bright but incredibly accurate, which is especially important for design students and professionals who rely on true-to-life colors for their digital artistry.

The repositioned front-facing camera is another subtle yet impactful enhancement. Set along the landscape edge, the camera automatically keeps you in frame during video calls, thanks to the Center Stage technology. This feature is particularly beneficial now that remote collaboration has become more prevalent in both educational and professional settings. Whether you’re presenting a thesis to your class or brainstorming with colleagues over a video call, the camera adapts dynamically to ensure you are always seen, complemented by dual microphones that focus on your voice while minimizing background noise.

Moved to landscape edge, 12MP Ultra Wide front-facing camera with Center Stage improves call experience.

Performance-wise, the M2 chip in the iPad Air is a big leap forward, bringing not only speed but also efficiency to every task. This chip is tailored for advanced tasks such as photo and video editing, 3D modeling, and large-scale graphic designs, all while maintaining energy efficiency for all-day battery life. This means less time tied to a power outlet and more flexibility to work in settings that inspire you, be it a quiet corner of a library or lounging at your favorite cafe.

Moreover, the iPad Air now supports not only the Apple Pencil (2nd generation) but also the newly introduced Apple Pencil Pro, enhancing its utility for both students and designers. The Apple Pencil Pro includes a new sensor in its barrel that can detect squeezes, enabling users to quickly switch between tools, line weights, and colors effortlessly—ideal for designers working in applications such as Affinity Designer 2. Additionally, its custom haptic feedback provides tactile responses to actions like squeezing or double-tapping, enhancing the user’s interaction by confirming their inputs in a way that feels intuitive and direct. The inclusion of a gyroscope allows for fine control over tool orientation, mimicking the real-world experience of rotating a pen to achieve the desired stroke or effect.

Apple Pencil Pro enhances creativity with squeeze, barrel roll, and haptic feedback for intuitive marking, note-taking, and design in apps like Affinity Designer 2.

For those who are prone to misplacing their tools, the Apple Pencil Pro introduces support for Apple’s Find My network, a first for Apple’s stylus line. Both the Apple Pencil Pro and the Apple Pencil (2nd generation) attach magnetically to the side of the iPad Air, where they also charge, ensuring they are always ready for use and conveniently stored. This versatility makes the iPad Air an even more attractive option for anyone looking to maximize their productivity and creative output, whether they are annotating documents, taking detailed notes, sketching out a design, or navigating through complex creative software.

Connectivity is also an important feature of the iPad Air’s appeal. With the introduction of Wi-Fi 6E and the option for 5G connectivity, the device ensures that you can work from anywhere without lag or interruption. This is particularly valuable for students who need to download large resources quickly or for designers who must upload high-resolution files to cloud-based platforms.

Magic Keyboard: Floating cantilever design, magnetic attachment, multiple viewing angles, integrated trackpad, USB-C pass-through charging, and full iPad protection.

Traveling with tech can sometimes feel like a balancing act between staying productive and managing your gear effectively, especially for someone like myself who’s always on the move. One of the standout features of the iPad Air, from my perspective, is its versatility—particularly the ability to detach it from the Magic Keyboard. This becomes incredibly handy during air travel. Picture this: you’re on a flight, deeply absorbed in your latest design project or perhaps the climax of your favorite Netflix series. Just as the airplane prepares for takeoff, the usual announcement comes over the PA: “Please stow your laptops.” However, thanks to the iPad Air’s detachable setup, you can continue your work or entertainment seamlessly by simply detaching the iPad from its keyboard. It’s moments like these where the iPad Air proves its worth, allowing you to maintain your creative or entertainment zone without a hitch.

In terms of the operating system, I appreciate the straightforward and efficient design of iPadOS 17. It simplifies daily tasks and enhances user interaction, making everything from navigation to app management feel more fluid. The customization options in iPadOS 17 are particularly notable; they allow you to tailor the Lock Screen on both the 11-inch and new 13-inch displays. This personalization capability lets you set unique wallpapers and choose expressive fonts that truly reflect your personal style.

As WWDC 2024 approaches, while iPadOS 17 certainly gets the job done, I’m eager to see what iPadOS 18 will bring to the iPad. Anticipating new features and enhancements that could further refine and expand the functionality of this already versatile device adds an exciting layer of potential for iPad users looking forward to the next evolution in their device’s capabilities.

Interactive widgets on iPadOS 17 are also great for productivity. Imagine being able to glance at your screen and tap a widget to immediately capture a brilliant idea in the Notes app or adjust your schedule in Calendar. This kind of immediate interaction is perfect for someone who needs to stay flexible and react quickly to changes, which is often the case in both travel and creative professions.

iPad Air with M2 uses AI for features like Subject Lift, Visual Look Up, and Live Text.

The enhancements to Messages and FaceTime add a layer of fun and convenience. With new sticker features and the ability to leave video messages, staying connected feels more personal and engaging. For professionals, the Continuity Camera feature is particularly impressive. You can start a video call on your iPad Air and seamlessly hand it off to Apple TV, making it perfect for professional presentations or casual catch-ups.

Freeform’s new tools for drawing and collaboration are a boon for creatives. Whether you’re sketching out a quick concept or organizing a project with teammates, these tools make it easy to bring your ideas to life. And for someone who frequently deals with contracts or creative briefs, the enhanced PDF capabilities in the Notes app can be incredibly efficient, allowing you to annotate, fill out forms, and collaborate without ever needing to print or scan anything.

Lastly, the inclusion of features like Stage Manager, which lets you handle multiple overlapping windows, is ideal for multitasking. This feature, combined with AI-driven capabilities like Live Captions and intelligent accessibility features, ensures that the iPad Air isn’t just keeping up with the demands of mobile professionals and creatives—it’s anticipating them.

Every Apple product I’ve used, from my M1 MacBook Pro to an iPhone 12 Pro Max or a three-year-old iPad Pro with an M1 chip, continues to hold immense value. Remarkably, there has been very little performance degradation, and none feels obsolete. This changelessness is largely thanks to Apple’s timeless design concepts, which are consistently implemented across the product line.

Moreover, the new iPad Air reflects Apple’s ongoing commitment to environmental responsibility. It is crafted with 100% recycled aluminum for its enclosure, utilizes 100% recycled rare earth elements in all magnets, and features 100% recycled gold plating and tin soldering in multiple printed circuit boards. These efforts are complemented by packaging that is entirely fiber-based, aligning with Apple’s goal to eliminate plastic from all packaging by 2025. As part of a broader commitment, Apple aims to be carbon neutral across its entire manufacturing supply chain and the life cycle of every product by 2030. These steps not only reflect Apple’s dedication to reducing its environmental footprint but also enhance the appeal of the iPad Air to environmentally conscious consumers.

Whether you’re considering an upgrade or this might be your first Apple product, you can trust that in the next year, or even the year after, you won’t feel the need to upgrade unless you choose to. Apple’s commitment to quality, forward-thinking design, and environmental sustainability ensures that its products not only meet current demands but continue to remain relevant and perform excellently well into the future.

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Foldable iPhone Needs to Happen: 5 Reasons Why Foldable Phones are Here to Stay

Apple just announced what might be the biggest upgrade to the iPad line since the iPad Pro was introduced in 2015. In addition to switching to an OLED panel, with all the benefits that it entails, as well as gaining a new Apple Pencil Pro, the new iPad Pro is possibly one of if not the thinnest tablets in the market, especially for its 13-inch size. But while Apple’s new tablets are definitely worthy of attention, the company’s fans are still holding their breath for a foldable iPhone. Rumors claim that could be coming in two years, but it could also be canned at the last minute, just like the AirPower wireless charging mat if the design and performance don’t meet the meticulous company’s standards. Then again, some probably consider foldable devices as a passing fad, but that couldn’t be farther from the truth. Apple should launch a foldable phone sooner rather than later because these devices aren’t going away, and here are the reasons why.

Designer: Semin Jun

1. Content is Still King

Chances are, you’re using your phone less for calls and more for content, which does include activities like instant messaging and chatting. The screen is the most important part of the device because it is the part that we see and use the most. Content is the primary reason for having a smartphone, whether it’s for consuming content or sometimes even creating it, so any technology that lets people enjoy more content or gives them more ways to enjoy content is always a winner. Is it any wonder, then, why phablets or phones with large screens are now the norm, despite how much Apple ridiculed its size at first?

Foldable devices solve this in two ways. Large foldable phones in the style of the Google Pixel Fold offer an experience similar to a mini iPad mini that you can still shove in your pocket and use as a regular phone to some extent. In theory, it delivers the best of both worlds, with a screen that can contain as much content as possible while still in a portable format.

Conversely, clamshell-style foldables like the Samsung Galaxy Z Flip series strike the problem from the opposite end. It provides a screen experience that’s exactly like a normal large phone but lets you conveniently cram the device in very small purses and pockets. It still prizes the role of content but delivers it in a design that doesn’t get in your way because of its size.

2. Falling Prices

One of the reasons why people avoid foldable phones and why they see them as luxurious fads is because of their rather mind-blowing prices. Yes, it’s expected that novel technologies and designs would cost more at the start, but foldable phones have been around for almost half a decade now, and yet most still cost a premium flagship and a half. Fortunately, things are changing for the better, even if slowly.

Designer: nubia

As the technologies and components become more common, the cost of their production will start to decrease as well. Given that there’s still plenty of room for newer designs that will involve more costs, high-end foldable phones won’t be going away any time soon. At the same time, however, that still leaves the door wide open for options on the lower rung of the price ladder. The new nubia Flip 5G, for example, is currently the most affordable among the relatively cheaper clamshell foldables. Sure, it does cut corners in a few aspects, but that is also proof that you can have “mid-tier” foldable phones in this market.

There’s definitely a great deal of interest in a cheaper book-style foldable, and that might be coming this year if not from Samsung then from its growing number of rivals. Admittedly, it might take another year before more affordable foldables become more common, but it’s something that will happen sooner rather than later.

3. Design Refinement

Even after five years, the foldable phone design is still relatively young. Given how it strays so far from normal phones, it’s not surprising that perfection still feels so far away. In other words, there’s still much to be done, and smartphone makers continue to push the boundaries, refusing to settle for the status quo. In a way, it’s a matter of pride for these brands, as well as refusing to admit defeat after investing so heavily in foldable designs.

Images courtesy of AppleInsider

Foldable phones are getting thinner to the point that a folded phone no longer feels like you have two regular phones stacked together. At the same time, others are cramming more powerful and larger cameras into these ultra-thin devices, trying to get them on the same playing field as any other flagship model. While standard smartphone designs seem to have settled down after many tumultuous years, things are just heating up for foldables. There’s still a lot to be explored, and we’re far from reaching the peak.

4. Stylish Trendsetters

Smartphones have graduated from being technological products that only tech-savvy people can truly appreciate to lifestyle items that reflect the owner’s design tastes and personal preferences. Smartphone expressiveness is becoming an important factor in how people choose devices these days, from the design of the cameras to the overall style of the phone itself. That’s part of the reason why “flip” foldable phones are reported to be outselling their larger cousins, precisely because they bring back that classy image of flip phones from decades ago.

Designer: Honor

Yes, you can dress up your regular phone slab as much as you want, but the way you open and close a foldable phone is going to be fashionable for quite a while. And you can also dress them up as much as you want, and may even offer more customization options and creativity with the styles of cases and accessories used. Everything you can do on standard phones, you can also do with foldables but with more pizzazz and a “wow!” factor.

There’s also the aspect of offering more customization options inside as well. The foldable screen is a bigger canvas you can play on, and some external Cover Screens can get creative with their designs as well. It’s a new playground for designers and creative users who want to truly make their smartphones an extension of themselves.

5. Innovation Has Just Begun

Foldable phones are just the start, however, because they are the most accessible and easiest to comprehend. Once the idea of foldable screens has become cemented in people’s minds, it will be easier to introduce newer designs that can provide even better solutions. The current foldable designs are far from perfect, but they’re paving the way for future foldable devices.

Designer: Samsung

We’re already seeing that in the PC market with the introduction of foldable laptops, but we don’t need to go that far for proof. Samsung has already shown off working prototypes of tri-fold devices that turn the phone into a larger, and more conventional tablet design. We’ll see other foldable technologies unfold (no pun intended) in the future as well, including a phone that folds both ways. And don’t forget those rollable screens that offer an alternative answer to the same screen size problem.

Apple is rumored to unveil a foldable laptop next year, with a foldable iPhone following in 2026. Honestly, the order should probably be reversed, given how MacBook owners are more meticulous about how new designs affect functionality, sometimes negatively. Either way, Apple really needs to jump on this train soon, not just because it’s trending but because it can have a significant impact in driving innovation in this space forward by leaps and bounds.

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An Unusual Furniture Design Niche: Behind-the-Sofa Consoles

Here’s an unusual furniture niche: Powered behind-the-sofa consoles. Michigan-based builder Mitten State Woodworks specializes in them, offering depths as narrow as 3″, and as wide as 11″. The other dimensions are up to you and the size of your sofa.

A built-in outlet provides two standard plugs and two USB-A ports. You can spec additional outlets.

They offer them in Oak, Maple, Pine and Walnut and with a variety of staining options:

Non-powered units are also available.

Prices obviously vary according to dimensions, powered/non-powered and wood species, and are in the $80 to $200 range.

It’s an intriguing category; the “design” work is minimal, as is the construction (sadly, pocket hole screws, from what I could see in the grainy user review photos). And because of the application there’s no need to design the pieces to stand on their own. One thing I’d add, however, is some kind of felt to the back, to protect the wall’s paint. If these have such a feature, it’s not listed in the descriptions.

Desk-Mounted Pet Bed to Keep Cat Off Keyboard Lands $420K+ on Kickstarter

“I struggled to work with my cats nearby,” writes inventor Scott Salzman. “They interfered with my work, stepped on the keyboard, and interrupted business.” Salzman then designed this Desk Nest Cat Bed:

It’s basically a monitor arm, a small pet bed, and a mating mount.

It’s also a crowdfunding smash, having pulled in $422K-plus at press time. Buy in starts at $115 and there’s less than 24 hours left to pledge. This dude is a genius.

This Beautiful Stool CNC Machined from an Aluminum Slab

This striking ANC stool

…was CNC-milled from an aluminum slab. Once the parts are folded, the diamond-shaped key is bolted into place, holding it all together.

It was designed by Swiss design consultancy Panter & Tourron. The motivation behind the piece is somewhat paradoxical:

“ANC…reflects the role of the designer and the machine in times of global automation. The name pays homage to the Arts and Crafts movement from the 19th century. Strongly anti-industrial, the movement was promoting a return to the traditional and medieval man-made arts and crafts forms.

“The [stool] celebrates the inner aesthetic and beauty of the trace of the machine. Envisioned primarily out of functionality rather than decoration, the objects are produced through heavy CNC milling on flat aluminum boards and presented here as machine-made sculptures.”

The Arts & Crafts movement was anti-industrial, arguing that machine-made goods were ugly and didn’t adhere to established design principles. Though Panter & Tourron are wielding an industrially-produced CNC mill here, I suppose their point is that this is the chisel and mallet of our day, and that they have used it to create something soulful.

Appropriately, this is not a production piece; it was created for the Geneva-based design gallery NOV, whose mission is to highlight emerging Swiss designers.

Seventeen lighting designers spotlighted at Look Book 2024 at ICFF

Concrete and glass lamp by John Sheppard Studio

Promotion: creative networking event Look Book’s 2024 edition will feature 17 craftspeople and design studios specialising in creating lights and lamps.

In its eighth year, the Look Book annual event, featured as part of the International Contemporary Furniture Fair (ICFF), showcases North American designers and studios, attracting international architects and interior designers to explore their latest products. The event aims to create connections and foster collaborations with design studios, artisans and makers.

This year’s (ICFF) will take place from 19 to 21 May at Manhattan’s Javits Center in New York.

Read on to discover 17 of the lighting designers who will be exhibiting their products at the fair  as part of the 66 studios showcasing in Look Book this year. Among the highlights is a studio creating sculptural lights referencing both minimalism and Japanese aesthetics as well as a lighting collection made out of mycelium and hemp


Lamp on desk

Anaïe Dufresne

Based in the Canadian city of Montreal, design studio Anaïe Dufresne works with various materials including acrylic, wood, ceramics and metal to create dynamic lighting fixtures.

At this year’s ICFF, as part of the Collectif Ensemble, Anaïe Dufresne will present her ceramic and acrylic series of lights – comprising wall, table, floor and hanging lamps – that demonstrate the brand’s goal of creating skilfully designed and manufactured lighting solutions.


A red metal lamp designed by D'Armes

D’Armes

Two collections, named 1979 and Rico, will be launched by Montreal-based design studio d’Armes.

Emerging designers Florian Martin and Will Choui are responsible for designing the collections, which contain table, wall and floor lights as well as pendant lamps.


Metal lamps by Daughter Manufacturing

Daughter Manufacturing

Established by founders Mario and Kitty Costello, Daughter Manufacturing is a design company set to present its new Empire lamps at ICFF.

The duo specialise in metalwork and produce lighting and clocks from their machining workshop in Camden, Maine.


Concrete and glass lamp by John Sheppard Studio

John Sheppard Studio

Based in New York City, John Sheppard Studio produces textural wall hangings as well as lighting fixtures, which are informed by both the natural world and urban environments.

According to the studio, its products explore “the tension between geometric precision and handmade imperfection”. They include chandeliers, sconces and table lamps.


Round biomorphic light by MushLume Lighting

MushLume Lighting

MushLume Lighting is set to unveil a 10-year anniversary collection called An Ode To Nature, which comprises bio-fabricated lighting fixtures made from hemp and mycelium.

The brand is based in Brooklyn, New York. The company says its products “sit at the intersection between science and design”.


Spherical lamp on a ceramic stand

TAV Ceramics

Vancouver-based TAV Ceramics‘ newly launched X Collection of lights is a reflection of founder Tanvi Arora’s multidisciplinary design background – she worked in interior design before beginning to work with ceramics.

The range includes a table lamp, a wall sconce, and vases, which share a clay materiality.


Hanging lighting above a table

Tibo

Design brand Tibo will be exhibiting its Data and Bouquet lighting collections at ICFF, which demonstrate the studio’s dedication to artisanal craftsmanship as well as refined mechanical manufacturing processes.

Founder Jean-François Thibault designs and manufactures his products in Quebec, where his family have run a shop specialising in lighting for the last 60 years.


Three lamps and a bowl

Vy Voi

With studios in both New York City and Ho Chi Minh City, designer Steffany Trần creates a range of furnishings, including lighting, for her brand Vy Voi that all reference Vietnamese culture.

The Rể Cây and Nấm collections will be displayed at Look Book, which contain table and floor lamps, wall sconces and design objects.


Ceramic light by Daniel Shapiro

Daniel Shapiro

The Flummoxing Rumpus Collection, featuring some eye-catching lighting, is set to be unveiled at ICFF by Saint Louis-based studio Daniel Shapiro.

Each piece created by the designer is unique and carries an individual number to reinforce this.


Pendant light by Pax Lighting

Pax Lighting

Ceramics and brass are the two core materials featured in lighting designs by Nebraskan studio Pax Lighting.

The brand produces wall, ceiling and pendant lights that can be decorated with custom glazes – each piece celebrates the concept of being ‘perfectly imperfect’, according to the brand.


Blue conical light with doughnut-shaped bulb by Noiro Studio

Noiro Studio

A collection of floor lamps with donut-shaped light fixtures are being shown at ICFF by New York-based design label Noiro Studio.

The Cosmos collection is the brand’s debut range and references the theory that the universe is donut-shaped.


Yellow and peach-coloured light by Michiko Sakano Studio

Michiko Sakano Studio

Glass artist Michiko Sakano – who produces products and objects from her studio in Brooklyn, New York – is set to display her Droplets lighting series at ICFF.

The range, like all pieces in the studio’s catalogue, is informed by Japanese design as well as minimalism and simplicity of form.


Wall light

Simon Johns

A collection of lighting named Future Fossils is being unveiled by Simon Johns, a designer based in Quebec.

The series also contains a sconce and floor lamp as well as two tables, which all share a ribbed surface texture that appears to have been formed by nature.


Pendant lights with fringes made from metal by INDO-

Indo

Based in Providence, Rhode Island, Indo is a lighting and furniture design brand that looks to the founders’ Indian heritage to inform its designs.

Pendant lights and sconces from the brand’s Durbar range will be displayed at ICFF – alongside the tables and mirrors also in the collection – that celebrate Indian craftsmanship and artisanal prowess.


Red hanging light

Laylo Studio

Chicagoan design brand Laylo Studio has produced limited edition furnishings and lights that counteract the contemporary norm of mass-produced furniture.

The studio’s Nymph Floor Lamp, which forms parts of the Pushing Daisies series, is being highlighted at the event.


Gold hanging lights

Umbra & Lux

Kinetic sculptural mobiles and suspended lighting fixtures are among the Nymphaea collection created by Vancouver-based design company Umbra & Lux.

The pieces in this series are characterised by the lily pad-like metal plates used as both decorative elements as well as light shades.

To register for a complimentary pass to ICFF, please register here. This is open to all trade; manufacturers and independent reps are not eligible.

ICFF will take place from 19 to 21 May 2024 in Manhattan, New York. Read Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

Partnership content

This article was written by Dezeen for ICFF and Wanted as part of a partnership. Find out more about Dezeen partnership content here.

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Trashboard is a more sustainable skateboard that uses recycled aircraft carbon

To most people outside of that community, a skateboard is nothing more than a wooden plank on wheels with sometimes outrageous artwork painted on it. The probably surprising reality is that a great deal of design and engineering goes into making these skateboards to keep them aerodynamic while also light and sturdy. While it’s fine to stick to nearly perfected traditions when it comes to materials and processing, there’s also a need to push the envelope in order to design a product that will not only stand the test of time but will also help the planet last a little bit longer as well. That’s the kind of innovation that this seemingly normal sustainable skateboard brings to the market with a little help from airplane maker Airbus.

Designer: François Jaubert

To be fair, much of a skateboard’s composition, particularly its deck, already uses sustainable materials like wood. That said, there’s also such a thing as the overuse of fresh wood, which can lead to deforestation and other related environmental consequences. While skateboards themselves can be recycled or upcycled, the use of recycled materials like recycled wood hasn’t exactly born much fruit.

Enter the Trashboard, a sustainable design that uses recycled materials that aren’t wood. Building upon an earlier project that successfully used packaging cardboard to make a surfboard, the Trashboard combines recycled and upcycled materials to make a unique deck that still feels like the genuine item. In particular, it uses upcycled carbon from discarded aeronautic components courtesy of Airbus to minimize the use of raw new materials. It also uses compressed recycled cardboard for the deck’s flex core and binds the layers together using bio-sourced epoxy resin.

From the outside, you wouldn’t even realize that the Trashboard is made differently. It still retains the same standard form that gives skateboards their smooth gliding power, and it also has rather artistic prints, though leaning more towards a monochromatic tone that gives the decks a more elegant aesthetic. All in all, Trashboard promises to deliver the same exhilarating cruising experience, while also allowing skaters to share in the responsibility of helping keep our planet alive.

The post Trashboard is a more sustainable skateboard that uses recycled aircraft carbon first appeared on Yanko Design.

Hairstyle Follows Function: Why Samurai Had Crazy Haircuts

If you watched the recent Shogun remake, you might have wondered why the samurai, fearsome warriors that they are, had such goofy haircuts.

I’d asked a teacher about this when I was living in Japan. The two-part answer had to do with the helmets samurai wore in battle.

1. The top of the head was shaved for cooling purposes. Those helmets, made of thin iron plates, get hot.

2. The topknot, or chonmage, provided a raised contact point for the helmet at the rear of the head. The forehead provided a contact point at the front. This would friction-fit the domed helmet atop a samurai’s head, while leaving a ventilation gap at the top.

I asked why the sides of the head weren’t shaved as well, and the teacher said he wasn’t sure. My theory is that hair on the sides provided additional friction to prevent the helmet from rotating in an impact. The samurai tied their helmets on with a cord beneath their chins, but just that and the topknot could surely use a little more help in battle; it’s not like they had fitted foam inserts.

Another example of hair serving a function in a martial context:

Military service is mandatory in the Republic of Korea, a/k/a South Korea. When my cousin came of age in the ’90s, he went into the ROK Navy. On a visit to Korea I met up with him while he was on leave, and was shocked at his regulation haircut: Shaved on the crown and all around the sides, but with long, emo bangs in the front! Essentially a reverse samurai haircut.

I asked him what the point was, and he explained that if they find you floating in the water, incapacitated or dead, they grab hold of the front locks to pull your body out. You were essentially growing a handle on the front of your head. Brutal but practical.

The History of Architecture: Important Timelines

Architecture is a fluid art that blends various periods and styles while architectural history can be used as a method for tracking the development of architecture or buildings across diverse cultures and time periods, starting from the Stone Age to ancient Egyptian architecture and the building edifices of the modern era. Additionally, the construction styles have evolved across different centuries in different parts and civilizations of the world. Let’s delve into the architectural timeline, which spans from prehistoric times to the mid-20th century, and explore the different eras across various social and cultural backgrounds, influenced by early civilizations, religion, and social shifts.

Image courtesy of: wirestock

1. Prehistoric Architecture (11,600 BCE -3,500 BCE)

Prehistoric architecture refers to an era where there were no records of written history and shelters were primarily used for protection and storage of food out of organic materials like mud, foliage, stone, and animal products such as bone and hide. During this period some tombs and ceremonial structures were also constructed and these were often circular to reflect the celestial design. Stonehenge forms one of the first prehistoric monuments that was built nearly 5,000 years ago.

Image courtesy of: wirestock

2. Ancient Egyptian Architecture (3050 BCE – 900 BCE)

The ancient Egyptian civilization spans over 3000 years and one of the most notable examples of Egyptian architecture is the pyramids. The materials used for the excavated temples, palaces, and tombs were constructed using local materials like mud brick and limestone. The construction included the post and lintel method and many structures were aligned astronomically. Additionally, the structures included intricate carvings that were adorned with paint, but the paint has eroded over time.

Image courtesy of: Unai82

Image courtesy of: Givaga

3. Mesopotamian Architecture (3200 BCE – 330 BCE)

Mesopotamian architecture forms the ancient architecture along the Tigris and the Euphrates. Some of the key achievements in Mesopotamian architecture include contributions towards urban planning and using the concept of courtyard houses. Another notable structure of this civilization was the design of the Ziggurats which was a massive structure in the form of a terraced step pyramid constructed with receding stories that led to a temple at the summit.

Image courtesy of: wirestock

4. Ancient Greek Architecture (900 and 30 BCE)

Ancient Greek architecture is renowned for its temples like the Parthenon, processional gateways, public squares enclosed by storied colonnades, town council buildings, public monuments, grand tombs, and stadiums. Temples, in particular, were conceived as sculptural entities harmonizing with their landscapes, often situated on elevated terrain to showcase their proportions and play with light. This architectural tradition introduced the division of styles into three orders: the Doric, Ionic, and Corinthian, profoundly influencing later Western architecture.

Image courtesy of: sokorspace

Image courtesy of: Netfalls

5. Ancient Roman Architecture (600 BCE – CE 476)

Ancient Roman architecture, initially influenced by Greek design, evolved into a distinct style, considered part of classical architecture. Thriving during the Roman Republic and Empire, it produced the most surviving structures. Romans used innovative materials like concrete and technologies such as arches and domes, resulting in sturdy buildings. This style emerged during the Imperial period, blending Etruscan and Greek elements, giving rise to classical architecture. It shifted from column-and-lintel construction to massive walls with arches and domes. The Roman architecture featured grand public structures, engineering marvels, and improvements in housing and sanitation, elevating living standards.

Image courtesy of: Givaga

Image courtesy of: a_medvedkov

6. Byzantine Architecture (330 – 554)

Byzantine architecture was the architectural style of the Byzantine Empire, also known as the Eastern Roman Empire which spans from 330 AD, marked by Constantine the Great’s establishment of a new Roman capital in Byzantium (later Constantinople), to the empire’s fall in 1453. Notably, the early Byzantine architectural style is distinguishable from earlier Roman architecture in both aesthetics and structure as it developed into a distinct artistic and cultural entity, centered on the new capital of Constantinople (modern-day Istanbul), rather than Rome and its surroundings.

Hagia Sophia

Image courtesy of: tatiana_bralnina

Image courtesy of: ABBPhoto

7. Romanesque Architecture (790 – 1150)

Romanesque architecture, characterized by semi-circular arches, emerged in medieval Europe, and it evolved into the Gothic style, recognizable by its pointed arches. Romanesque architecture blends elements from ancient Roman, Byzantine, and local traditions, featuring robust construction with thick walls, round arches, sturdy pillars, barrel vaults, tall towers, and decorative arcades. Structures display clear, often symmetrical forms, emphasizing simplicity compared to later Gothic edifices. While numerous castles were constructed during this era, churches predominate, with notable abbey churches still in use today.

Image courtesy of: ABBPhoto

8. Gothic Architecture (1130-1500)

Gothic architecture, prevalent in Europe, evolved from Romanesque architecture and originated in northern France. The distinctive feature that defines Gothic architecture is the pointed or ogival arch, which, in turn, gave rise to the emergence of pointed rib vaults and flying buttresses, complemented by intricate tracery and stained-glass windows. Gothic architecture is evident in ecclesiastical buildings like cathedrals and churches, as well as castles, palaces, town halls, universities, and more.

Statuary of the West Front of Salisbury Cathedral

Image courtesy of: clodio

9. Renaissance Architecture (1400 – 1600)

Renaissance architecture marked a deliberate revival of elements from ancient Greek and Roman culture. The Renaissance style prioritized symmetry, proportion, geometry, and regularity, drawing inspiration from classical antiquity, especially ancient Roman architecture. It featured orderly arrangements of columns, pilasters, lintels, semicircular arches, hemispherical domes, niches, and aediculae, departing from the complex proportional systems and irregular profiles of medieval buildings.

Florence Baptistry

10. Baroque Architecture (1584 -1750)

Baroque architecture, emerging in early 17th-century Italy, promoted by the Catholic Church, aimed for astonishment and awe. Architects heightened and adorned Renaissance elements, using quadratura, trompe-l’œil, and gilding to create heavenly illusions. Dramatic lighting, sculpted angels, twisted columns, and elaborate decorations defined the opulent style, notably in grand palaces. Baroque can be broadly classified into Early Baroque, High Baroque, and Late Baroque styles.

Image courtesy of: frimufilms

Image courtesy of: wirestock

11. Rococo Architecture (1723-1759)

Rococo is a highly decorative and theatrical architectural and artistic style marked by asymmetry, scrolling curves, gilding, pastel colors, sculpted molding, and trompe-l’œil frescoes, aiming to create surprise, motion, and drama. Rococo exudes exuberant decoration with abundant curves, undulations, and nature-inspired elements. Exteriors are typically simple, while interiors are ornate, aiming to impress immediately. Complex floor plans with interlocking ovals are common in churches, while palaces feature grand staircases offering varied perspectives of the décor.

Eglise Notre-Dame, Bordeaux

Ceiling of Santi Giovanni e Paolo, Venice, by Piazzetta

12. Neoclassical Architecture (1640-1850)

Neoclassical architecture, also known as Classical Revival architecture, aimed to return to a purer classical style, shedding the excesses of Late Baroque while adapting to contemporary needs. This architectural style emphasizes wall structure over ornamentation, emphasizing symmetry, simple geometry, and societal function. It contrasts with the naturalistic ornamentation of the Rococo style and incorporates classicizing features from the Late Baroque tradition.

Oudenbosch Basilica

Arc de Triomphe du Carrousel

13. Modern Architecture (1900 to Present)

Modern architecture, or modernist architecture, is an architectural style rooted in innovative construction technologies, including glass, steel, and reinforced concrete. It emphasizes functionalism, minimalism, and the elimination of ornamentation. Emerging in the early 20th century, it dominated architecture after World War II until the 1980s when it gave way to postmodern architecture.

Designer: Frank Lloyd Wright

Designers: Le Corbusier, Pierre Jeanneret

14. Postmodern Architectural History (1964 to Present)

Postmodern architecture, emerging in the ’70s and ’80s, reacted against modernism and the international style by revisiting architectural history through references, quotations, and sampling. It aimed to reconnect with the public, resulting in a diverse range of buildings blending classicism and contemporary elements to create innovative designs.

Designer: Frank Gehry

Petronas Twin Towers

Image courtesy of: GaudiLab

Image courtesy of: tampatra

Burj Khalifa

Image courtesy of: photocreo

Image courtesy of: wirestock

The post The History of Architecture: Important Timelines first appeared on Yanko Design.

In the Paddock of Formula 1’s 2024 Miami Grand Prix with Rolex

The official timepiece of the riveting motorsport invites us behind the scenes

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In the Paddock of Formula 1’s 2024 Miami Grand Prix with Rolex

The official timepiece of the riveting motorsport invites us behind the scenes

<img width="1024" height="684" src="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_160-1-1024×684.jpg" class="attachment-large size-large wp-post-image" alt="" style="object-fit:cover" data-attachment-id="357360" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_160-1-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="1" data-image-meta="{"aperture":"7.1","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Carlos Sainz Jr (ESP) Ferrari SF-24 leaves the pits in qualifying.","created_timestamp":"1714857307","copyright":"Protected by Copyright","focal_length":"500","iso":"1250","shutter_speed":"0.000625","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Carlos Sainz Jr (ESP) Ferrari SF-24 leaves the pits in qualifying. ©Rolex/James Moy

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Before McLaren driver Lando Norris ascended the podium for his first Formula 1 victory at the scintillating 2024 Miami Grand Prix, hundreds of employees of F1 and motor sport’s global governing body, the FIA (Fédération Internationale de l’Automobile), as well as individuals affiliated with teams, sponsors, partners and press all circulated in the paddock. It’s here, in this elite restricted access sector, that Rolex (a global partner and the official timepiece of Formula 1 since 2013) took COOL HUNTING and select VIP guests through the inner-workings of a sport that continues to captivate the world.

<img width="1024" height="684" data-attachment-id="357361" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024-2/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-016-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="1" data-image-meta="{"aperture":"11","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Circuit atmosphere – rolex clock in the pits.","created_timestamp":"1714656107","copyright":"Protected by Copyright","focal_length":"27","iso":"250","shutter_speed":"0.002","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Circuit atmosphere – rolex clock in the pits.

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Rolex clock in the pits ©Rolex/James Moy

The paddock easily functions as a metaphor for Rolex, with complex, moving components and precision essential to both. The paddock is a hub of critical activity that encompasses everything from the race control room to the pit building and the home of the safety cars. To delve deeper into the wristwatch metaphor, the race control room is very much the mechanical movement powering the entire operation. Within is a wall of screens and a series of staffed desks, transported from race to race around the world, which house the FIA’s video analysts, as well as the clerk of the course (who knows the track inside and out), the race director, the sporting director and the race control messaging operator. Communication extends from here to all of the teams, as well as the safety car operator and medical staff.

<img width="1024" height="684" data-attachment-id="357362" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024-3/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-181-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="1" data-image-meta="{"aperture":"7.1","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Max Verstappen (NLD) Red Bull Racing RB20 leads at the start of the race.","created_timestamp":"1714943003","copyright":"Protected by Copyright","focal_length":"300","iso":"500","shutter_speed":"0.0008","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Max Verstappen (NLD) Red Bull Racing RB20 leads at the start of the race.

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Max Verstappen (NLD) Red Bull Racing RB20 leads at the start of the race ©Rolex/James Moy

F1 drivers wear future-forward biometric gloves that track heart rate and in-ear accelerometers which note g-force. The data they harvest is piped directly to the race control room and a vehicle impact triggers alerts on the wall of screens. In the instance of impact, the safety cars, medical cars or extraction teams are dispatched directly by the FIA operators within the race control room. From this high intensity room, every inch of the track can be observed—thanks to two or more cameras per turn, plus all of the on-board cameras in vehicles and any helicopters and CCTVs of street tracks.

<img loading="lazy" width="1024" height="684" data-attachment-id="357363" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024-4/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-185-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="1" data-image-meta="{"aperture":"8","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Charles Leclerc (MON) Ferrari SF-24 at the start of the race.","created_timestamp":"1714942967","copyright":"Protected by Copyright","focal_length":"324","iso":"400","shutter_speed":"0.0005","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Charles Leclerc (MON) Ferrari SF-24 at the start of the race.

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Charles Leclerc (MON) Ferrari SF-24 at the start of the race ©Rolex/James Moy

As many might be aware of, a safety car is deployed when a hazard has been detected on the track (there’s a virtual safety car alternative as well, which pops up on drivers’ dashboards and alerts them to reduce their speed by 40%). Vehicles in the physical safety car fleet, which are 730 horsepower Mercedes-AMG GT Black Series cars, enter the track and slow down the competing racecars so that marshals can resolve any disruption or danger. Bernd Mayländer, a German motorsport athlete, has been the safety car driver for more than 460 F1 grand prix around the world.

<img loading="lazy" width="1024" height="684" data-attachment-id="357364" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024-5/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-198-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="1" data-image-meta="{"aperture":"20","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Lando Norris (GBR) McLaren MCL38 in the race.","created_timestamp":"1714943555","copyright":"Protected by Copyright","focal_length":"200","iso":"800","shutter_speed":"0.001","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Lando Norris (GBR) McLaren MCL38 in the race.

” data-medium-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-198-300×200.jpg” data-large-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-198-1024×684.jpg” src=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-198-1024×684.jpg” alt=”” class=”wp-image-357364″ />

Lando Norris (GBR) McLaren MCL38 in the race ©Rolex/James Moy

“2000 was my first season,” Mayländer says during our tour with Rolex. “I was racing in DMT and F2 and I thought this could be a good job. It’s nice to work for the FIA, because it’s the highest race organization worldwide, and being a safety car driver is having a position in Formula 1. I never expected to get so close to Formula 1. I was happy to drive Le Mans, but I never dreamed this big. I’m a country boy.”

<img loading="lazy" width="1024" height="684" data-attachment-id="357365" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024-6/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_124-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="1" data-image-meta="{"aperture":"14","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Sergio Perez (MEX) Red Bull Racing RB20 in Sprint.","created_timestamp":"1714842891","copyright":"Protected by Copyright","focal_length":"123","iso":"500","shutter_speed":"0.000625","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Sergio Perez (MEX) Red Bull Racing RB20 in Sprint.

” data-medium-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_124-300×200.jpg” data-large-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_124-1024×684.jpg” src=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_124-1024×684.jpg” alt=”” class=”wp-image-357365″ />

Sergio Perez (MEX) Red Bull Racing RB20 in Sprint ©Rolex/James Moy

Mercedes has covered the safety and medical cars since the French Grand Prix in 1996. “Before that, professor Sid Watkins [the sport’s late, legendary doctor] said that we needed a proper safety car because the car before was too slow. That was the entry for Mercedes. They covered everything until 2020, when they decided to share the program with others,” Mayländer explains. Next year, Aston Martin will share duties by introducing a Vantage into the fleet.

<img loading="lazy" width="1024" height="684" data-attachment-id="357403" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024-8/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_138-scaled.jpg" data-orig-size="2560,1709" data-comments-opened="1" data-image-meta="{"aperture":"6.3","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Daniel Ricciardo (AUS) RB VCARB 01 in qualifying.","created_timestamp":"1714842923","copyright":"Protected by Copyright","focal_length":"14","iso":"200","shutter_speed":"0.0004","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Daniel Ricciardo (AUS) RB VCARB 01 in qualifying.

” data-medium-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_138-300×200.jpg” data-large-file=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_138-1024×684.jpg” src=”https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_138-1024×684.jpg” alt=”” class=”wp-image-357403″ />

Daniel Ricciardo (AUS) RB VCARB 01 in qualifying. ©Rolex/James Moy

Though the basics of the work remain the same, Mayländer has observed several Formula 1 safety changes over the last 25 years. “I remember when I started we had only two safety cars,” he says. “We now have two safety cars and two medical cars. The ability and speed of the cars have changed, too. It’s completely different. We now have headsets; before we had a hand radio. We have two screens inside. We have a full package of information from GPS and radio. It’s easier to make a safe, quick decision.” Further, the FIA is working on a path toward sustainable fuel.

<img loading="lazy" width="683" height="1024" data-attachment-id="357366" data-permalink="https://coolhunting.com/culture/in-the-paddock-of-formula-1s-2024-miami-grand-prix-with-rolex/attachment/formula-1-crypto-com-miami-grand-prix-2024-7/" data-orig-file="https://150102931.v2.pressablecdn.com/wp-content/uploads/2024/05/f1miam24jm_-029-scaled.jpg" data-orig-size="1707,2560" data-comments-opened="1" data-image-meta="{"aperture":"10","credit":"u00a9Rolex/James Moy","camera":"Canon EOS R3","caption":"Circuit atmosphere – rolex clock in the paddock.","created_timestamp":"1714676698","copyright":"Protected by Copyright","focal_length":"19","iso":"250","shutter_speed":"0.002","title":"Formula 1 Crypto.com Miami Grand Prix 2024","orientation":"1"}" data-image-title="Formula 1 Crypto.com Miami Grand Prix 2024" data-image-description="" data-image-caption="

Circuit atmosphere – rolex clock in the paddock.

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Rolex clock in the paddock ©Rolex/James Moy

An estimated 275,000 people attended the Miami Grand Prix this race weekend. There, Rolex clocks provided the time and branding stretched out along the track. Many other sports are fragmented by player, team, city or nation. There are different tours and leagues. But Formula 1 has an enveloping, self-contained, cohesion—everyone is traveling together, always. This unity, coupled with the fact that it’s a sport played out on an international stage aligns with so many of Rolex’s values. Very few brands could logistically and financially support a global organization like Formula 1 at such a level—and that’s what makes them the ideal partner.