Beater by Ding3000 for Normann Copenhagen

Beater by Ding3000 for Normann Copenhagen

Stockholm 2012: the prongs of this whisk by Hanover studio Ding3000 for Danish brand Normann Copenhagen fold away for neat storage.

Beater by Ding3000 for Normann Copenhagen

A ring round the handle slides down over the flexible nylon strands to hold them together and form a hook at one end.

Beater by Ding3000 for Normann Copenhagen

Ding3000 have previously designed cutlery that clips together to form little sculptures and a device for measuring spaghetti.

Beater by Ding3000 for Normann Copenhagen

See all our stories about Ding3000 here.

Beater by Ding3000 for Normann Copenhagen

See all our coverage of Stockholm Furniture Fair here and all our stories about Normann Copenhagen here.

Beater by Ding3000 for Normann Copenhagen

Here are some more details from Normann Copenhagen:


Collapsible and space-saving

The German design trio Ding3000 has created a whisk for Normann Copenhagen that is sculpturesque, space-saving and functional all at the same time. Beater can be folded together, saving space in the kitchen drawer or on the wall.

Beater is inspired by a pack of straws and is gathered in the middle using a ring that functions as both an opening and closing mechanism and a hanging fixture. An everyday product with a creative and space-saving design, Beater comes in eight stunning colours.

Ding3000 explains: “We are driven by the romantic notion that a designer invents products aimed at making the world a better place. Our whisk is simple and sculpturesque in form and function and we have made it as space-saving as possible without compromising on the design.”

Beater comes in white, grey, light blue, nude, lavender, pink, mint and dark blue.
Material: nylon
Size: 33x48cm

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Swedish designers Marcus Abrahamsson Kristoffer Fagerström have created this bench with a seat made of stacked pine batons for outdoor furniture brand Nola.

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Called Pylon, the design features a folded metal base that branches to support the coloured slats.

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

Abrahamsson originally designed the bench in untreated pine for the cafe area at Konstfack University College, where he graduated in 2009.

Pylon by Marcus Abrahamsson and Kristoffer Fagerström for Nola

The project was exhibited at Stockholm Furniture Fair, took place 8-12 February 2011. See all our coverage of the event »

Here are some more details from Nola:


Pylon

Designed by Marcus Abrahamsson and Kristoffer Fagerström

This sleek seat is based on a traditional bench shape, which has been dramatically transformed into a strikingly futuristic design. Taking inspiration from the pylons towers that support power lines, the designers constructed the base of the bench from twin uprights that anchor the seat the floor. Two layers of thick pine slats are glued together to form the seat, which is gripped between the upper reaches of the base supports. Pylon is a perfect complement to high-design interiors and cutting-edge architecture, or any setting where design takes centre stage. A one-seater version is also available.


See also:

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Bench by Raw Edges
for Bench 10
Bench by Richard Shed
for Bench 10
Kiwa bench by
Hyung Suk Cho

Ausgebrannt by Kaspar Hamacher at 20 Designers at Biologiska

Ausgebrannt by Kaspar Hamacher

Stockholm 2011: Belgian designer Kaspar Hamacher makes stools from wooden logs by setting them on fire.

Ausgebrannt by Kaspar Hamacher at 20 Designers at Biologiska

Called Ausgebrannt (German for ‘burnt out’), the project involves stripping bark from the logs then burning away certain sections to create legs.

Ausgebrannt by Kaspar Hamacher at 20 Designers at Biologiska

The stools were displayed on circular landings at the Biologiska museum in Stockholm as part of 20 Designers at Biologiska, surrounded by a 360 degree diorama of stuffed animals and sea birds.

Ausgebrannt by Kaspar Hamacher at 20 Designers at Biologiska

More about 20 Designers at Biologiska in our earlier story.

Ausgebrannt by Kaspar Hamacher at 20 Designers at Biologiska

Stockholm Design Week took place 7-13 February. See all our coverage of the event here »

Ausgebrannt by Kaspar Hamacher at 20 Designers at Biologiska

Here’s some text from Hamacher:


Kaspar Hamacher uses fire to create furniture. Fittingly named ‘ausgebrannt’ which means ‘burned out’ in german. Tree trunks have been cut into segments varying in length.

Ausgebrannt by Kaspar Hamacher at 20 Designers at Biologiska

The bark is stripped from the exterior and fire is then used to hollow out parts of the trunk to create legs. Working in Brussels, Kaspar moved back to the forest where he now runs his atelier. The product brought him back to his roots.


See also:

.

Emma Marga Blanche
at Biologiska
Fredrik Färg
at Biologiska
David Taylor
at Biologiska

Origami by Carlos Tíscar for Offecct

Origami by Carlos Tiscar for Offecct

Stockholm 2011: designer Carlos Tíscar of Spain launched this Origami sofa for Swedish brand Offecct at Stockholm Furniture Fair last month.

Origami by Carlos Tiscar for Offecct

The sofa is a contemporary version of an easy chair and has a winged backrest and slanted armrest, inspired by Japanese paper folding.

Origami by Carlos Tiscar for Offecct

Stockholm Furniture Fair took place 8-12 February. See all our coverage of the event »

Origami by Carlos Tiscar for Offecct

More furniture stories on Dezeen »

Here’s some more information from Offecct:


Origami – a Sofa for Intimate Conversations and Privacy

In the spring of 2010 OFFECCT launched Origami, a comfortable contemporary version of the classical easy chair, developed by OFFECCT in collaboration with Spanish designer Carlos Tíscar.

Origami turned out to fill a need in the market where easy chairs with higher backs are in high demand. To meet this demand OFFECCT now launches the Origami sofa as a complement to last year’s easy chair.

“Today, we are more and more working and communicating in public places, and Origami’s high back gives people who sit and work on a computer or an iPad, or having an intimate conversation, a valued sense of integrity and unprecedented comfort” says Kurt Tingdal.
The sofa is not just an expanded version of the chair, but an entirely new piece of furniture with a new suspension system.

The name Origami comes from the Japanese art of folding paper into 3D objects. Like origami, Tíscar’s easy chair and sofa is built by angular sections of straight lines. Tíscar has worked with contrasts rather than volumes, and the result is a piece of furniture that is powerful despite its light appearance.


See also:

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Valdemar by
Artificial/form
Cozy Furniture by
Hannes Grebin
All our stories on
Stockholm 2011

Grand by Monica Förster for Offecct

Stockholm 2011: Swedish designer Monica Förster presented this sofa with arms that curl outwards asymmetrically for Swedish brand Offecct at Stockholm Furniture Fair.

Grand by Monica Forster for Offecct

One half of the Grand sofa’s seat is much deeper than the other.

Grand by Monica Forster for Offecct

The sofa comes in a left hand, right hand and straight version plus a footstool.

Grand by Monica Forster for Offecct

Stockholm Furniture Fair took place 8-12 February 2011. See all our coverage of the event »

Grand by Monica Forster for Offecct

All our furniture stories »

The following information is from Offecct:


Inviting freedom – the Grand Sofa by Monica Förster

OFFECCT launches the Grand sofa designed by Monica Förster. When Monica Förster commenced the work to develop a sofa for OFFECCT the initial idea was to create a piece that conveyed the feeling of something improvised and sketched. The first ideas were transferred to a scale model where Förster worked intensively to create a shape that conveyed a sense of freedom.

Thereafter OFFECCT’s product development department took over and translated it into a model at full scale. Monica Förster worked closely with OFFECCT to develop details, proportions and relations between volume and surface.

”OFFECCT’s first prototype captured the idea of the couch very well, and it has been a rewarding project that resulted in Grand, a sofa that is characterized by softness and asymmetry, creating an inviting sense of freedom” says Monica Förster.

Grand is a large and generous sofa. Grand comes in a right, a left and a straight version with an accompanying footstool and an optional divan.


See also:

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Entailles by Philippe Nigro
for Ligne Roset
Crown by Chris Martin
for Massproductions
Ominous by
Monica Förster

Bone Chair by Julien de Smedt Architects

Bone Chair by Julien de Smedt Architects

Stockholm 2011: Julien de Smedt Architects of Copenhagen, Oslo and Brussels presented this chair at Stockholm Furniture Fair last month. 

Bone Chair by Julien de Smedt Architects

Called Bone Chair, the design was developed by creating a boxy approximation of a seat and selectively removing material from each plane.

Bone Chair by Julien de Smedt Architects

The prototype was presented as part of 101% Designed in Brussels at the fair.

Bone Chair by Julien de Smedt Architects

Stockholm Furniture Fair took place 8-12 February. See all our coverage fo the event »

Bone Chair by Julien de Smedt Architects

More furniture on Dezeen »

Bone Chair by Julien de Smedt Architects

Here’s a tiny bit of text from Julien de Smedt Architects:


The dissection of a chair, cutting away all the ballast material. What is left is BONE, a chair’s skeleton.

Bone Chair by Julien de Smedt Architects

Project: Chair design
Dmensions: 54 (l) x 57 (d) x 79 (h) cm
Status: Prototyping
Project Team: Julien de Smedt, Wouter Dons

Bone Chair by Julien de Smedt Architects


See also:

.

Bone Armchair by
Joris Laarman
LoveThisChair by
Huibert van Muilwijk
BAC chair by
Jasper Morrison

Crown by Chris Martin for Massproductions

Crown by Chris Martin for Massproductions

Stockholm 2011: here’s an upholstered chair launched by designer Chris Martin of Swedish company Massproductions at Stockholm Furniture Fair this month.

Crown by Chris Martin for Massproductions

Called Crown, the armchair has a backrest that appears to perch on its slender arms.

Crown by Chris Martin for Massproductions

An easy chair is also available, upholstered in the same stretchy woollen fabric to minimise seams.

Crown by Chris Martin for Massproductions

See our popular story on Massproductions’ Jig chair, also launched in Stockholm this month, in our earlier story.

Stockholm Furniture Fair took place 8-12 February 2011. See all our coverage of the event »

See all our stories about Massproductions »

Here are some more details from Massproductions:


New upholstery collection by Chris Martin for Massproductions

The Crown armchair and easy chair create a dignified and elegant sitting experience, regardless of the location in which they are placed. They have a light, open back design with fully upholstered side panels which give a sense of volume despite the chair’s low weight. The chairs are made from relatively flat parts, which when joined together give a strong form which is greater than their sum parts. The backrest is perched on top of the armrests and seems to be unsupported. The connection is in fact very strong and this innovation adds to the visual playfulness of the chairs. The Crown armchair and easy chair are upholstered in a heavy duty woollen stretch textile, which allows us to keep seems to a minimum, further enhancing their beautiful forms.

In just two years Massproductions has established itself as one of the most exciting furniture companies in Europe. Their first collection included the “Tio” chair, which is generally considered to be a new modern classic. This is their 3rd presentation at the Stockholm Furniture Fair and sees the collection expanding into upholstered products, under the creative direction of designer Chris Martin – an Englishman who has made his home in Stockholm. Together with fellow designer and co-owner Magnus Elebäck, Massproductions continues to deliver elegant, rational and functional furniture pieces to grace our built environments.


See also:

.

Jig by
Massproductions
Harry stool by
Massproductions
Tio by
Massproductions

Rhubarb by Emma Marga Blanche at 20 Designers at Biologiska

Rhubarb by Emma Marga Blanche at 20 Designers at Biologiska

Stockholm 2011: French designer Emma Marga Blanche presented these pleated lamps as part of 20 Designers at Biologiska (see our earlier story), which she co-curated with Fredrik Färg during Stockholm Design Week.

Rhubarb by Emma Marga Blanche at 20 Designers at Biologiska

Called Rhubarb, the lamps are made from folded polypropylene and fan outwards from their bases, creating a cluster of precise but organic forms when positioned together.

Rhubarb by Emma Marga Blanche at 20 Designers at Biologiska

The lamps were displayed on circular landings at the Biologiska museum in stockholm, surrounded by a 360 degree diorama of stuffed animals and sea birds.

Rhubarb by Emma Marga Blanche at 20 Designers at Biologiska

More about 20 Designers at Biologiska in our earlier story.

Rhubarb by Emma Marga Blanche at 20 Designers at Biologiska

Stockholm Design Week took place 7-13 February. See all our coverage of the event here »

Rhubarb by Emma Marga Blanche at 20 Designers at Biologiska

Here’s a little text from Emma Marga Blanche:


Rhubarb

A pleated armature, like an elegant rhubarb, that grows directly out of the earth.

20 Designers at Biologiska

It is a series of lamps made of folded polypropylene which created a light atmosphere of vegetation.Symmetric and organic at the same time.


See also:

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Fredrik Färg at
Biologiska
David Taylor
at Biologiska
More about
the exhibition

Oasis by Claesson Koivisto Rune, Luca Nichetto Jean-Marie Massaud and Front for Offecct

Oasis by Offecct

Stockholm 2011: designers including Claesson Koivisto Rune, FrontJean-Marie Massaud and Luca Nichetto presented furniture for incorporating plants into office spaces for Swedish brand Offecct at Stockholm Furniture Fair this month.

Oasis by Offecct

Top: Green Trays by Claesson Koivisto Rune
Above: Green Pedestals by Front

Called Oasis, the collection of planters, troughs and tables provide a system to facilitate planning vegetation for interior environments.

Oasis by Offecct

Above: Green Islands by Jean-Marie Massaud

Front’s design creates a pedestal for greenery with slim metal legs, while Claesson Koivisto Rune created galvanised steel trays elevated on legs.

Oasis by Offecct

Above: Green Pads by Luca Nichetto

Jean-Marie Massaud’s Green Islands incorporate plants into seating, and Luca Nichetto created a plant stand from interconnected dishes.

Oasis by Offecct

Above: Grip Vase by Satyendra Pakhale

More design for  plants »

Oasis by Offecct

Above: Window Planter by Claesson Koivisto Rune

Stockholm Furniture Fair took place 8-12 February. See all our coverage of the event »

The information below is from Offect:


OFFECCT launches a new concept called OASIS at the Stockholm Furniture Fair 2011. OASIS is an assortment of design products, which together with flowers and plants enhances and adds value to the work environment, not least through an improved indoor air quality. OASIS also offers possibilities to architects who are interested in adding green elements into their projects.

The focus of OASIS is to add value through a planned use of vegetation in public interiors, and not on the plants themselves. Research has shown that a deliberate use of vegetation in interiors will bring a number of advantages, including an improved indoor environment, an improved air quality, less noise and reduced stress. Green interiors also improve motivation and efficiency at the workplace, resulting in employees and customers feeling more at ease.

“OASIS is one of OFFECCT’s strategically most important investments in recent years. It’s not about the vegetation in itself, but on the added value that green environments creates. In line with our longstanding commitment to creating sustainable design, it was an obvious step to take creating conditions for better indoor climate and a creative work environment, says Kurt Tingdal, CEO, OFFECCT.

The first products coming out of the OASIS concept are designed by four of OFFECCT’s renowned designers.

“We are delighted that the first products resulting from our investment in the OASIS concept was designed by Front, Luca Nichetto, Claesson Koivisto Rune and Jean-Marie Massaud, says Kurt Tingdal.

Green Trays. Designer: Claesson Koivisto Rune.

Claesson Koivisto Rune’s contribution to the concept is Green Trays. Green Trays can be described as a large tray of galvanized steel for the placement of vegetation, and is manufactured in three different sizes.

“In our efforts to develop Green Trays it became clear that there are too few aesthetic and practical pieces of furniture that presents plants in an attractive manner in public interiors, says Eero Koivisto, Claesson Koivisto Rune.

“Our ambition was to design a product that provides space for vegetation in a way so that it becomes possible to integrate greenery in interiors, Eero Koivisto

Green Pedestals. Designer: Front

Green Pedestals enhances the plants with its elegant legs. Green Pedestals can be used as a room element, that for example functions as a room divider or creates a sort of an oasis. Some variants have dimensions that fits perfectly at the side of a desk, other fits in height next to a seat or a window. It is possible to add a seat or a table top to the round models, and by placing them in a row or in a group they form a sort of a bench that is surrounded by greenery.“We were inspired by traditional pedestals. We think that the pedestal is a fantastic piece of furniture that needs a revival. With slim legs that are slightly irregular Green Pedestals receives a kind of a personality” says Sofia Lagerkvist, Front.

Green Islands. Designer: Jean-Marie Massaud.

French designer Jean-Marie Massaud’s contribution the concept is Green Islands. Green Islands can be described as kind of a divan with space for vegetation, and by integrating a higher plant inside Green Islands, a relaxing feeling of sitting as under a tree is created. The key is that the vegetation is part of the furniture. Green Islands can be described as an island – or a kind of a refuge – that when placed in a public interior invite you to a moment of contemplation or a quiet conversation. Green Islands comes in two variants – one circular
and one square.

Green Pads. Designer: Luca Nichetto.

Luca Nichetto – one of Italy’s most promising designers – was inspired by the architecture in the 1950s when he took on the task of producing a product for the OASIS project. In the 1950s, vegetation was an integral part of architecture. As Luca began the development work he put a number of flowers in flowerpots on flowerpot saucers of different sizes next to each other. Then he removed the flowers and the flowerpots but kept the flowerpot saucers on the floor. These flowerpot saucers of various sizes formed a sort of pattern which was then reworked by Luca resulting in the piece of green furniture that has been named Green Pads.

“When I saw the pattern formed by the flowerpot saucers, I thought of Monet’s paintings in Giverny, and I find it hard to imagine a better starting point when designing a product for the OASIS project, says Luca Nichetto.

By combining a number of Green Pads next to each other, a feeling of a single object of greenery is created.


See also:

.

Crystal Collection by
Pour les Alpes
Harvest by
Asif Khan
Rainforest by
Patrick Nadeau

Handmade Mass Production by Folkform

Handmade Mass Production by FolkForm

Stockholm 2011: Swedish design studio Folkform presented their collection of brass and bronze pieces for Swedish fashion brand Whyred during Stockholm Design Week earlier this month.

Handmade Mass Production by FolkForm

The collection features candle holders cast in brass, bronze or aluminium made to hold tea lights and pillar candles side by side.

Handmade Mass Production by FolkForm

All the pieces, including a range of metal cabinets, were produced in the Rosengrens brass foundry just outside Malmö, Sweden.

Handmade Mass Production by FolkForm

Stockholm Design Week took place 7-13 February. See all our coverage of the event here »

Handmade Mass Production by FolkForm

All our stories on Folkform »

Handmade Mass Production by FolkForm

More candle holders on Dezeen »
More metal products on Dezeen »

Handmade Mass Production by FolkForm

Here’s some more information from the designers:


Handmade Mass Production by Folkform

Stockholm-based art and design duo Folkform were invited to create an exclusive collection for fashion brand Whyred.

Handmade Mass Production by FolkForm

The duo describes the new work as a celebration of old industrial processes and traditional manufacturing techniques.

Handmade Mass Production by FolkForm

This exhibition will show limited edition pieces, including lighting, in brass and bronze as well as a new collection of cabinets.

Handmade Mass Production by FolkForm

For their new collection Folkform collaborated with Rosengrens, a brass foundry in Limhamn, situated about 5 kilometers outside of Malmö on the south coast of Sweden. Folkform is committed to working with local manufacturers.

Handmade Mass Production by FolkForm

They want their products to reflect the spirit and history of the place they were produced. How the product was made, and by whom is key to the narrative of the piece; it is from this that they develop a product’s aesthetic.

Handmade Mass Production by FolkForm

Candle Collage

The new collection is available in brass, bronze and aluminium. Each piece comprises a candelabra, simple tea lights, pillar candles and hand-crafted votives to create a landscape of candle typologies.

Handmade Mass Production by FolkForm


See also:

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Hanukkah menorah by
Richard Meier
Ventura Lambrate exhibition space winnersHidden Layers by
Folkform