Nubilo sofa by Constance Guisset for Petite Friture offers pebble-shaped cushions for comfort

Milan 2014: cushions scattered on the Nubilo sofa by French designer Constance Guisset look like a collection of giant pebbles (+ slideshow).

Nubilo sofa by Constance Guisset for Petite Friture

Constance Guisset designed the Nubilo sofa for French brand Petite Friture, with round cushions in different sizes and colours that can be rearranged to optimise comfort.

Nubilo sofa by Constance Guisset for Petite Friture

“Nubilo is a sofa made of several round and organic cushions that can be arranged to maximise cosiness,” said Guisset.

Nubilo sofa by Constance Guisset for Petite Friture

The cushions rest against a gently curving back of upholstered foam, which surrounds one side of the elliptical seat.

Nubilo sofa by Constance Guisset for Petite Friture

Coloured fabric covers and the imagination of the sitter can transform the grey pebble-shaped cushions into other objects and create different settings.

Nubilo sofa by Constance Guisset for Petite Friture

“It becomes the place where dreams take the occupant, a springboard to imagination and musing,” said the designer. “Either a cloud, balloons, a sea, anemone, an algae, pebbles…”

Nubilo sofa by Constance Guisset for Petite Friture

The sofa is fully upholstered, with the back and seat available in different shades. It was exhibited on Petite Friture’s stand at the Salone Internazionale del Mobile in Milan, which concluded on Sunday.

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Fattorini+Rizzini+Partners’ MEET sofa combines “sound absorption” with versatility

Milan 2014: what started as a conversation between Swedish furniture brand Offecct and Milan-based Fattorini+Rizzini+Partners at the Salone Internazionale del Mobile in 2013 has come full circle with the launch of the MEET sofa (+ slideshow).

Meet sofa by Fattorini+Rizzini+Partners for Offecct

“Our very first meeting during Salone del Mobile in 2013 quickly turned into a fascinating philosophical discussion about what informal meetings mean, and from there Fattorini+Rizzini+Partners have carried out this project perfectly,” said Offecct design manager Anders Englund.

Meet sofa by Fattorini+Rizzini+Partners for Offecct

Design studio Fattorini+Rizzini+Partners‘ brief for MEET was for a sofa fit for different types of activity, from work and informal meetings to casual time.

Meet sofa by Fattorini+Rizzini+Partners for Offecct

“When we work on projects aimed at the environment between office and residential space, we always want to see and feel how this product will actually work in a space so it can be of full service to the people who will use it,” said chief designer Robin Rizzini.

Meet sofa by Fattorini+Rizzini+Partners for Offecct

“We wanted to create a sofa that gives you the feeling of being virtually anywhere,” he continued. “Offecct’s new sofa system MEET is designed for this purpose. Its functions address Offecct’s main areas: the sustainability and sound absorbing qualities of their products, the importance of injecting life through plants in indoor environments and Offecct’s craftsmanship in working with wood and fabrics.”

Meet sofa by Fattorini+Rizzini+Partners for Offecct

MEET was shown on the Offecct stand at the Salone Internazionale del Mobile last week.

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Milan Design Week 2014: Six Colorful Sofas : Vibrantly hued settees poking out from the mass of furniture found at this year’s fair

Milan Design Week 2014: Six Colorful Sofas


Delicate, subtly hued earth tones pervaded seemingly every facet of design in almost every pocket of Milan last week. But the Salone Internazionale del Mobile and its numerous offshoots weren’t wholly packed with rich pastels and copper-congruent colors; like Americans’ favorite (and impossible to find in Italy) gelato topping, bright…

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Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

Milan 2014: Spanish designer Patricia Urquiola has created a modular sofa system covered in jersey material for Italian brand Moroso (+ slideshow).

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

Patricia Urquiola‘s aluminium-framed sofa system for Moroso is called (love me) Tender.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

The design features thin wooden legs, which appear to rest against the sides of the seats.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

Longer elements hold the back rests and optional integrated side tables, in a range of heights and sizes.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

“The legs that appear to have little to do with the frame are actually the pillars that can be anchored to it and grouped in multiple compositions,” said a statement from Moroso.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

Standard two and three-seater sofas can be combined into different arrangements.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

Flat and corner back cushions can be added or removed to encompass or separate sections.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

A single exaggerated seam runs around the edges of the upright cushions, which are upholstered in wool jersey along with the seats.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

The sofas are available in a range of colours with matching throw cushions.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

Moroso is showing the designs at the Salone Internazionale del Mobile, Hall 16 Stand 22/29, in Milan until 13 April.

Patricia Urquiola upholsters modular sofa for Moroso in jersey fabric

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Coquille Sofa by Markus Johansson resembles the curved form of a shell

Milan 2014: this sofa by Swedish designer Markus Johansson echoes the curves and ripples of a shell and will launch at this year’s Salone Satellite in Milan (+ slideshow).

Coquille sofa by Markus Johansson

Markus Johansson named the Coquille Sofa after the French word for “shell”, which is often associated with a scallop shape.

Coquille sofa by Markus Johansson

“I toyed with inspiration found among mussels and shells, and I’ve been working with different levels of softness and hardness to render Coquille as comfortable as possible,” he explained.

Coquille sofa by Markus Johansson

The designer attached curved pieces of polyether foam to the wooden frame to make the ribs around the base and back.

Coquille sofa by Markus Johansson

Layers of soft padding were added on top, creating gently rippled contours like the exterior of a shell.

Coquille sofa by Markus Johansson

The sofa is upholstered in a light grey fabric and patterned by the shadows that fall across the surface of the undulating form.

It will be displayed at Salone Satellite, part of the Salone Internazionale del Mobile taking place next week from 8 to 13 April.

Coquille sofa by Markus Johansson
Sketches of shells during the design process

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3D-printed chaise longue by Neri Oxman forms a multi-coloured cocoon

This 3D-printed chaise longue by architect, designer and MIT professor Neri Oxman features 44 different composite materials inside a wooden enclosure, creating a multi-coloured recliner.

The first of two designs to be released by Neri Oxman, Gemini Alpha features a series of synthetic rubber-like nodules in various shades of magenta, yellow and orange in a swooping wooden frame.

3D-printed chaise longue by Neri Oxman forms a multi-coloured cocoon

“Gemini is about the complex and contradictory relationship between twins,” explained Oxman.

“This is mirrored in the geometrical forms of the two-part chaise and the dualities that drive their formation, such as the combination of natural and synthetic materials.”

The inside of Gemini Alpha is made up of a 3D-printed skin that uses three synthetic rubber-like plastics, combined to create 44 different composites.

This inner skin was produced on Stratasys‘ new Objet400 3D printer, which allows materials and colours to be combined simultaneously.

3D-printed chaise longue by Neri Oxman forms a multi-coloured cocoon

Each of the materials has a different rigidity and colour, and is arranged to cushion the user. The choice of shapes is also informed by their noise-cancelling properties.

“The chaise is designed to use curved surfaces that tend to reflect the sound inwards,” said Oxman. “The surface structure scatters the sound and reflects it into the 3D-printed skin that absorbs that sound, and creates a quiet and calm environment.”

The outer layer is made from a solid wood shell milled using a CNC machine at Le Laboratoire art and design centre in Paris. It follows the contours of the body, with a deep seat, back rest, and a curving head piece that immerses the user and helps block out sound.

Gemini Alpha was designed in collaboration with W. Craig Carter, professor at MIT‘s Department of Materials Science and Engineering.

It is currently on display at Le Laboratoire and the second piece, Gemini Beta, will be unveiled in September.

Photography is by Michel Figuet.

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Ancient volcanic rock and carbon fibre spliced together in Onyx sofa by Peugeot Design Lab

Milan 2014: a three-metre-long sofa created by Peugeot Design Lab splices together a piece of volcanic stone and carbon fibre to create a mix of the old and new (+ slideshow).

Onyx sofa by Peugeot Design Lab

The design arm of the French car manufacturer mined a single block of volcanic stone from the Auvergne region in France. The material is known for its ability to filter water and was created by volcanic eruption 11,000 years ago.

Onyx sofa by Peugeot Design Lab

The team worked with stone cutters who created a flat surface to allow the other half of the sofa to be connected. A seat section was then carefully chiseled out of the stone and polished to a shiny finish, in contrast to the rough, dulled edges of the surrounding rock.

Onyx sofa by Peugeot Design Lab

The latitude and longitude coordinates marking the origin of the stone have been chiselled into the material.

Onyx sofa by Peugeot Design Lab

“The Onyx sofa is an illustration of a new concept that we intend to explore,” said Cathal Loughnane, the head of Peugeot Design Lab.

Onyx sofa by Peugeot Design Lab

“Unique pieces of furniture, made to measure, to suit the choice, origin and personality of the customer, but which always respects a common idea.”

Onyx sofa by Peugeot Design Lab

The Carbon Fibre section makes up the larger proportion of the sofa. The material was wrapped around a wooden frame before being attached to the stone. This section also has the coordinates of where the piece was made engraved onto the surface. The whole process took 70 days to complete.

Onyx sofa by Peugeot Design Lab

“By means of a sharp straight cut, this contrast is powerful, voluntary and assumed in the way we look at the materials and how they are used,” said Gilles Vidal, Peugeot’s styling director.

Onyx sofa by Peugeot Design Lab

According to the team, the sofa weighs more than 400 kilograms and is available in other materials.

Onyx sofa by Peugeot Design Lab

Onyx will be showcased alongside seven other sculptures in Milan next week. The series will include lamps, shelves, armchairs and tables and contain a mix of materials including quartz crystal and aluminium, black palm and basalt.

Onyx sofa by Peugeot Design Lab

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Cutting Edge sofa by Martijn Rigters cut from block of foam using hot wires

Dutch designer Martijn Rigters created this rippled sofa by forcing a long block of foam through the gap between four hot wires.

Cutting Edge sofa by Martijn Rigters cut from huge block of foam using hot wires

The Cutting Edge sofa by Martijn Rigters is a playful take on the methods used by design studios to prototype objects.

Hot wire foam cutting usually involves heating a thin piece of wire to cut through polystyrene quickly. In design studios, this is process is normally controlled very carefully, but Rigters wanted to make the process more random.

Cutting Edge sofa by Martijn Rigters cut from huge block of foam using hot wires

“This technique offered the opportunity to explore a new process and experiment with the great three dimensional potential it has,” Rigters said.

The designer created a series of unique shapes out of wire representing the seat and backrest, underside, back and front, then attached them to a wooden frame big enough for a block of polystyrene to pass through.

Cutting Edge sofa by Martijn Rigters cut from huge block of foam using hot wires

The wires were connected to batteries, which provided the heat necessary for the polystyrene to be cut cleanly.

Setting the wires in differing profiles to begin with would alter the overall shape of the piece, but the final form and rippling effect was controlled by how the foam was pushed through the gap in the middle.

Cutting Edge sofa by Martijn Rigters cut from huge block of foam using hot wires

“All movement of the user guiding the block through the machine is directly translated into a form,” explained Rigters. “This is a very intuitive way to work, because one can react to the form that is created at that exact moment.”

Cutting Edge sofa by Martijn Rigters cut from huge block of foam using hot wires

When completed, the couch was covered in a tough polyurea coating, making it suitable for use indoors or outdoors.

The process could be replicated on any scale, with the only limitation being the size of the foam available.

Cutting Edge sofa by Martijn Rigters cut from huge block of foam using hot wires

Rigter will display the piece at Spazio Rossana Orlandi during the Salone Internazionale del Mobile next month.

Cutting Edge sofa by Martijn Rigters cut from huge block of foam using hot wires

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Origami Sofa by Yumi Yoshida unfolds to become a floor mat

A mat that can be folded into a two-seat sofa by California designer Yumi Yoshida was inspired by the ancient Japanese art of paper-folding (+ slideshow).

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

The Origami Sofa by Yumi Yoshida comprises a series of upholstery panels sandwiched between two layers of fabric. Each piece is separated by a fold allowing the segments to be manipulated into a self-supporting seat.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

The concept uses different colours to highlight the duality of the Origami Sofa’s function as a mat and sofa, and also to mimic the traditional origami paper that lends the concept its name.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

“The two different colours resemble the sides on a sheet of origami paper and emphasise the change in both function and form as it folds from a flat rug into a couch,” said the Austrian-born furniture designer.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

To convert the mat into a sofa, one end is folded into a pair of right-angled triangular boxes while the other is pinched into the beginnings of a box shape that will become the seat section.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

The triangular boxes are then folded inward to create the back and armrests that will form the upper section.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

The seat is then rolled into the centre to create a supporting structure shaped like a trapezium.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

To complete the sofa, the back section is stacked on top of the seat. The completed piece of furniture retains a few flashes of orange to serve as a reminder of the seat’s dual use.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

We’ve recently reported on a number of designers and architects inspired by the ancient Japanese art of paper folding.

Origami Sofa by Yumi Yoshida unfolds to become a floor mat

Last month, Paris-based accessories designer Qi Hu created paper headdresses based on Chinese mythological creatures for the Printemps department store, and in January German designer Jule Waibel created 25 folded-paper dresses for fashion brand Bershka’s shop windows around the world.

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Cantilevered sofas by Paulo Kobylka fit together like stacked concrete slabs

Brazilian architect Paulo Kobylka has designed sofas with cantilevered cushions that look like long concrete slabs stacked on top of one another (+ slideshow).

Cantilevered sofa by Paulo Kobylka

Paulo Kobylka created two sofa, PK1 and PK2, which have offset cushions and bases respectively that slot together to form an L-shaped design.

Cantilevered sofa by Paulo Kobylka

Both designs are upholstered in grey canvas and are separated it into three main sections: a horizontal base and seat, plus a low vertical back.

Cantilevered sofa by Paulo Kobylka

The two sofas are arranged so the cushion of the PK2 model fits over the corner of the PK1 so they form a continuous seat.

Cantilevered sofa by Paulo Kobylka

“The two parts can be used together when jointed at their ends, coming up with an L-shaped single unit,” Kobylka explained. “The sofas received a grey canvas finishing that refers to structural parts of exposed concrete of buildings.”

Cantilevered sofa by Paulo Kobylka
PK1 sofa

“The mismatches between the pieces generate small spaces to house furnishings,” he added.

Cantilevered sofa by Paulo Kobylka
PK2 sofa

The sofa cushions are rigid enough to support a person’s weight when they sit on the overhanging sections.

Photography is by Renan Klippel.

Here’s a short description from Paulo Kobylka:


PK1 and PK2 sofa

The PK1 and PK2 sofas were designed by Brazilian architect Paulo Kobylka.

The inspiration comes from structural elements in concrete, found in architecture of buildings. The sofas are designed with simple lines, purely structural: the structure is exactly what shapes it.

Cantilevered sofa by Paulo Kobylka
Diagram showing the two sofas fitted together

As well as a suspended slab of a building, the PK1 sofa has part of its seat cantilevered. The sofas are basically assembled by three main volumes: base, seat and back. The “mismatches” between the pieces generate small spaces to house furnishings.

The two parts can be used together when jointed at their ends, coming up with an “L” shaped single unit. The sofas received a grey canvas finishing that refers to structural parts of exposed concrete of buildings.

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