Primitive knife by Michele Daneluzzo for Del Ben

Product news: Italian designer Michele Daneluzzo took inspiration from tools used by early humans when designing this stainless steel knife.

Primitive knife by Michele Daneluzzo for Del Ben

The implement is formed from one petal-shaped piece of steel, reminiscent of flint cutting utensils from the Stone Age.

Primitive knife by Michele Daneluzzo for Del Ben

“The project analyses the different aspects of the intrinsic relationship between mankind and design, proposing to the modern culture a forgotten tool,” Daneluzzo told Dezeen.

Primitive knife by Michele Daneluzzo for Del Ben

Instead of a handle found on contemporary knives, a subtle ridge runs along the thicker top of the blade to aid grip.

Primitive knife by Michele Daneluzzo for Del Ben

The shape slims towards the front and bottom to create the sharp cutting edge.

Primitive knife by Michele Daneluzzo for Del Ben

The knife is available in polished or blasted steel and is stored upright on a pebble-like stand that comes included.

Primitive knife by Michele Daneluzzo for Del Ben

Daneluzzo developed the product while studying at the University of Applied Arts in Vienna, and it is currently in production with Italian cutlery brand Del Ben.

Primitive knife by Michele Daneluzzo for Del Ben

It was launched at the Ambiente trade fair in Frankfurt earlier the year, where pans with hooks instead of handles by Karim Rashid were also unveiled.

Primitive knife by Michele Daneluzzo for Del Ben

We’ve featured quite a few stories about unusual cutlery, such as a set designed to stimulate all five senses and a range modelled on workshop tools.

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Tables by Zaha Hadid for Citco

Product news: London architect Zaha Hadid has designed a limited edition of marble tables.

Tables by Zaha Hadid for Citco

Created by Zaha Hadid for Italian natural stone company Citco, the tables come in three shapes and are available in Black Marquina or Bianco di Covelano with a gold vein.

Tables by Zaha Hadid for Citco

The collection will be presented at the Salone Internazionale del Mobile in Milan next month from 9 to 14 April.

Tables by Zaha Hadid for Citco

Hadid will also present a design for auditorium seats in Milan as part of an exhibition of her work called Multiplicities.

Tables by Zaha Hadid for Citco

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Newcastle sofas by Giulio Iacchetti for Meritalia

Product news: the covers of these sofas by Italian industrial designer Giulio Iacchetti look like they’re made of crumpled paper (+ slideshow).

Newcastle by Giulio Iacchetti for Meritalia

Designed for Italian furniture brand Meritalia, the seats by Iacchetti are wrapped DuraForm – a washable cellulose-based material more commonly used for book covers or jeans labels.

Newcastle by Giulio Iacchetti for Meritalia

Covers can also be ordered in fabric or leather in a selection of earthy shades.

Newcastle by Giulio Iacchetti for Meritalia

Four simple blocky shapes form the single cushion, two armrests and angled backrest, which are supported by black metal feet at each corner.

Newcastle by Giulio Iacchetti for Meritalia

The sofas will be shown in Milan next month, where Zaha Hadid will present twisting auditorium seats and Werner Aisslinger will unveil brightly coloured chairs.

Newcastle by Giulio Iacchetti for Meritalia

Nendo’s modular furniture with tall backrests and a swinging sofa designed for the office may also be of interest.

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Les Ailes Noires by +tongtong

Product news: what appear to be black lines drawn on a wall are in fact 3D clothes rails designed by Canadian studio +tongtong.

Les Ailes Noires by +tongtong

Seemingly two-dimensional when viewed straight on, the horizontal clothes rails are supported by bars angled out from the wall.

Les Ailes Noires by +tongtong

The black welded-steel bars cast geometric shadows onto nearby surfaces, creating the illusion of more volumes.

Les Ailes Noires by +tongtong

The collection by +tongtong contains eleven pieces including a full-length mirror, a wall-mounted sideboard with glass shelf and a ceiling-hung rack.

Les Ailes Noires by +tongtong

Eight freestanding units have rubber feet and wall bumpers so they rest against the wall and require no screws.

Les Ailes Noires by +tongtong

Pieces are available to order in matte black, white powder coating or polished chrome versions.

Les Ailes Noires by +tongtong

We featured similar graphic shapes that pull out from the wall to form a table or clothes rail last month.

Les Ailes Noires by +tongtong

Photography is by Colin Faulkner.

Les Ailes Noires by +tongtong

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Hood by Form Us With Love for Ateljé Lyktan

Product news: these large, modular, compressed-felt lamp shades by Stockholm studio Form Us With Love are designed to create a cosy environment around a table (+ slideshow).

Hood by Form Us With Love for Atelje Lyktan

Seams folded outward around the edge of each panel are connected with small pegs to form the Hood modular lamp shades, which Form Us With Love designed for Swedish lighting company Ateljé Lyktan.

Hood by Form Us With Love for Atelje Lyktan

Three different sections are used to create the shades: four corner panels are attached to create a dome, then the shape can be extended by adding curved side or flat top sections.

Hood by Form Us With Love for Atelje Lyktan

These formations create vautled coverings that are circular, oblong or chamfered-square shapes in plan.

Hood by Form Us With Love for Atelje Lyktan

The light sources covered in acrylic domes hang from thin wires connected to the ceiling wherever four sections meet.

Hood by Form Us With Love for Atelje Lyktan

Hood was launched at the Form Us With Love market at Stockholm Design Week last month, during which the studio also presented spun metal lamps for One Nordic.

Hood by Form Us With Love for Atelje Lyktan

They’ve also designed a menswear store where accessories are displayed like tools and vases comprised of quartz compound slabs.

See more stories about lighting design »
See more design by Form Us With Love »

Here is some more text from the designers:


Hood is a sheltering lamp that creates both room and light. Designed by Form Us With Love as a voluminous illumination shield as well as a modular LED pendant light, the pendant is addressing a modern atmosphere issue.

Hood by Form Us With Love for Atelje Lyktan

Much like the recent Plug lamp, Hood is built on necessity. Once again bringing a dual function light, Hood meets the basic desire of shutting things out and concentrating light on secluded areas like work-, conference- or dining tables. At the same time, the three-piece modular function lets you build the Hood to whatever size you need. Starting with basic corner units, one can add the compressed industrial felt sheets to scale the pendant for an extensive illuminating form.

“The Hood lamp is more than a lamp. Itʼs a piece of furniture – the size and material has an interesting effect on the atmosphere, making the piece feel so much more than just a pendant lamp”, says Form Us With Love.

Hood by Form Us With Love for Atelje Lyktan

The work on the Hood lamp began three years ago at the Form Us With Love studio. The challenge was to confront the awkwardness of today’s overly undressed communal areas. The solution was found when trying to absorb the focus around the conference table in the design studio. “Open areas become the ultimate flexibility, but emotionally it is not always preferred. In Scandinavia, most offices are too bare and you only have your laptop screen as your protective shield. Hood is built around the emotional value of a shelter, where the intimate room is protected, letting you keep the landscape view”, says Form Us With Love.

“The desire to enable people to improve their quality time by creating a room in a larger room, is much more than merely illuminating things. Comfort should be for everyone. When you sit under the hood you relax and start to think differently, protected by the form and provided with the warm light you feel at ease”, Form Us With Love concludes.

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Tram Chair by Thomas Feichtner for TON

Tram Chair by Thomas Feichtner for TON

Product news: Austrian designer Thomas Feichtner has steam-bent and laminated wood to create a chair for Czech furniture brand TON.

The legs and back rest are steam-bent into shape by clamping cylindrical wooden poles in metal moulds at the same factory that Thonet‘s iconic bent-wood chairs were made.

Tram Chair by Thomas Feichtner for TON

The laminated-wood seat shells are supported underneath by two braces, which also connect the legs.

Tram Chair by Thomas Feichtner for TON

Three bent poles form the legs and back support for the seat, with the option of adding a fourth rod with six kinks that wraps round the chair to form armrests.

Tram Chair by Thomas Feichtner for TON

Feichtner‘s chairs were named for their likeness to the plastic seats on the trams in Prague.

Tram Chair by Thomas Feichtner for TON

Colours available include dark, natural or white in a range of woods, with potential to add cloth or leather upholstery.

Tram Chair by Thomas Feichtner for TON

TON will present the chairs in Milan this April, where Zaha Hadid will debut auditorium seats and Werner Aisslinger’s gradated chairs will also be on show.

Tram Chair by Thomas Feichtner for TON

Thomas Feichtner has also designed a chair with the seat suspended in a cubic oak frame and a chandelier with a single crystal, which he describes in this movie we filmed.

Tram Chair by Thomas Feichtner for TON

See all our stories about chair design »
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Thomas Feichtner sent us the following information:


Tram Chair

Furniture producer TON is a piece of Czech-Austrian industrial and design history—as well as one of the world’s oldest furniture producers. It was back in 1861 that the Viennese entrepreneur Michael Thonet established a factory to produce his synonymous bentwood furniture in Bistritz am Hostein (today’s Bystřice pod Hostýnem), in what is now the Czech Republic. This was to be Thonet’s largest furniture production site. The company was nationalized one year after the conclusion of the Second World War. During the socialist era that ensued, it was called “Továrna ohýbaného nábytku.” The initials of this name, which translates as “Factory for Bentwood Furniture,” still appear today in the brand’s logo. TON was established as a design brand as part of the company’s restructuring after the fall of the Iron Curtain. Despite having numerous political upheavals and changing ownership structures, bentwood furniture production has continued right up to the present day—without interruption and even still using some of the original machines and molds. Except for felling the trees, the entire production process—from raw timber to finished product—takes place in-house.

TON today is producing contemporary (and frequently award-winning) furniture in collaboration with established Czech and foreign designers. This way TON is giving the place of 150 years of bentwood production its honour back.

The Tram Chair arose from the TON’s most recent collaboration with the established Vienna-based product designer Prof. Thomas Feichtner. Feichtner’s concept is strongly inspired by the company’s time-honored production processes: first by the company’s own plant for the production of seat shells from moulded wood, and second by its longstanding factory for the production of classic bentwood. The intention was to unite the methods used to produce bentwood and moulded wood for the first time in a single product, thus building a bridge between traditional and contemporary furniture design. Even just the way in which the bentwood braces are connected indicates the finished product’s origin. On the other hand, the Tram Chair also features a few constructional innovations. The support for the seat shell, for instance, does double-duty as a connection between the legs. The chair thus needs no further bracing, in contrast to classic bentwood models. Though this chair’s design is quite deliberate, its name came about as more of an accident. Employees of TON were quick to jokingly dub this model the “tram chair” due to its similarity to the plastic seats on the trams in Prague. Feichtner then decided to keep this charming working title as the product’s name.

The Tram Chair will see its first public presentation at the 2013 Milan Furniture Fair. It will be offered for sale with and without armrests, with cloth or leather upholstery, and in various colors and types of wood.

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Bikini Island collection by Werner Aisslinger for Moroso

Product news: Berlin-based designer Werner Aisslinger will unveil brightly coloured chairs and a set of modular furniture for Italian brand Moroso in Milan next month (+ slideshow).

Bikini Wood by Werner Aisslinger for Moroso

Werner Aisslinger’s Bikini Wood dining chair and swivel chair for Moroso come in a variety of bold colour gradients. The backs of the wooden chairs are covered by a slim piece of leather or fabric.

Bikini Wood by Werner Aisslinger for Moroso

The Bikini Island collection comprises a range of modular units, including tables, poufs, cabinets and sofas in various fabrics.

Bikini Wood by Werner Aisslinger for Moroso

The angular sofas can also be matched with round tables, bookshelves, clothes rails and plant pots.

Bikini Island by Werner Aisslinger for Moroso

The furniture will be presented at Salone Internazionale del Mobile in Milan between from 9 to 14 April.

Bikini Island by Werner Aisslinger for Moroso

Aisslinger recently presented a storage system for German brand Flötotto that’s held together by plastic clips as well as a swinging sofa for the office – see all design by Werner Aisslinger.

Bikini Island by Werner Aisslinger for Moroso

Other products created for the brand include a Le Corbusier-inspired armchair and sofa by London designers Doshi Levien and Tord Boontje’s plywood furniture held together by thread – see all design from Moroso.

Bikini Island by Werner Aisslinger for Moroso

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Hook pans by Karim Rashid for TVS

Product news: the lids of these pans by New York designer Karim Rashid have large, brightly coloured hooks for handles.

Hook pans by Karim Rashid for TVS

The lid handles fold over so they can be grasped easily and latch onto a rail system mounted on the kitchen wall.

Hook pans by Karim Rashid for TVS

The handles of the black aluminium pans have holes in and sit under the lids when stored away, allowing them to hang together from the same rail.

Hook pans by Karim Rashid for TVS

Unveiled by Italian cookware brand TVS at Ambiente 2013 in Frankfurt last month, the cooking set includes a frying pan, sauté pan and sauce pan, all with a choice of handle colours.

Hook pans by Karim Rashid for TVS

New York designer Karim Rashid has also designed a sofa with modular arms and headrest and renovated the metro station for the University of Naples.

Hook pans by Karim Rashid for TVS

See all our stories about designs by Karim Rashid »
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Here’s some more information from TVS:


Hook by Karim Rashid

“The kitchen is the busiest room in any house and contemporary architecture is increasingly making it a feature point, a reception area in the home. This is why the cookware range needs to and can be integrated as a part of the design progress, going on to become the true focus of the room as well as representing the heart and soul of the person who uses it every day.”

He has travelled the highly imaginative universe of “the pan that isn’t there” on a mission for TVS. Karim Rashid, legendary design star with ambitions to change the world (one of the most prolific minds of our time, with over 2000 industrialised designs for interiors, fashions, furnishings, lighting, art and music) that go straight to the heart of our emotions.

Hook pans by Karim Rashid for TVS

And moving on from the simple axiom above, in which today’s new humanism sets the home at the centre of our personal universe – and makes the kitchen the pulsing heart of the home – the result is a curious, irresistible Captain Hook.

Yes, Hook. That is the name of the brilliant new invention by TVS, which has transformed high-gauge aluminium into a complete range of exclusive cookware, with a rich communication potential.

Hook pans by Karim Rashid for TVS

A jaw-dropping effect, created by hanging the pans from the wall using the patented hanging rail and hooks plus eccentric handles in a mix of colours to contrast with the body of the pans. A range that is young at heart, built to be at the centre of any dj – sorry, cooking – set.

Essential, young looking and handy. With its magnetic feel, Hook connects to our lifestyle, bringing with it a large dose of good humour. Space problems are solved and really, all it is missing is a “share” button. TVS fans, modern Peter Pans flying over their lives with the gift of ubiquity, mp3 player in their ears and a wooden spoon in place of a sword, will be thanking Karim as they go.

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Strike Matchboxes by Shane Schneck and Clara von Zweigbergk for Hay

Product news: these matchboxes from Danish design brand Hay are decorated only with the red phosphorus ink that’s used for striking matches.

Designed by American product designer Shane Schneck and Swedish graphic designer Clara von Zweigbergk, the Strike Matchbox gives prime position to the striking surface, which is normally squeezed onto one side. “We simply flipped the space devoted to the activity of creating a flame,” says Schneck. “99% of matchboxes are used only for advertising.”

Strike Matchbox by Shane Schneck and Clara von Zweigbergk for Hay

There are seven different sizes in a variety of bright colours, with patterns in varying scales. Hay presented the product in Paris and Stockholm.

Husband and wife Schneck and von Zweigbergk also worked together on the art direction for Hay’s catalogue featuring blocks of bold, bright colour, and Schneck was the designer behind the wooden chair with a cantilevered seat that Hay presented in 2010.

See more products by Hay here, including glassware by Scholten & Baijings that was also shown in Paris and Stockholm.

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Geta furniture range by Arik Levy for Modus

Product news: items in this furniture range by Paris-based designer Arik Levy have wooden bases inspired by traditional Japanese footwear.

Geta furniture range by Arik Levy for Modus

Arik Levy modelled the elevated solid oak bases of the sideboards and sofas on geta sandals, which are made of flat planks raised on wooden teeth.

Geta furniture range by Arik Levy for Modus

Modular sideboards come in different configurations of cupboards, shelves and drawers and can be customised with a range of timbers, veneers and painted lacquers.

Geta furniture range by Arik Levy for Modus

Geta seating systems are also modular, available as an armchair or sofa with foam and fibre cushions plus optional storage arms or tables.

Geta furniture range by Arik Levy for Modus

The furniture range is currently in production with British brand Modus and will be shown at Edit by designjunction in Milan next month.

Geta furniture range by Arik Levy for Modus

Other designs to be released in Milan include twisting auditorium seats by Zaha Hadid and PearsonLloyd’s stacking chairs with colourful legs.

Arik Levy has also designed an installation that uses body movements to mutate computer-generated crystals and a pebble-shaped device for opening water bottles.

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