Hasta La Ideas

Milan 2014: futurist and writer Bruce Sterling was among this week’s visitors to the FOMObile in Milan – the first mobile press room for an algorithmic publishing experiment led by Joseph Grima (+ download).

Sterling’s comment on events being “the new magazines” became one of the guiding principles for the Fear of Missing Out (FOMO) project, which centres around a piece of software that combines voice recognition and data from social media to produce an instant newspaper.

“The project was born from the idea of publishing not being compatible with such a timeframe [as Milan design week]; asking how it can embrace this notion of the event, as Bruce Sterling stated,” said Grima, whose design research collaborative Space Caviar developed FOMO.

“If events are the thing that now drives contemporary production, we need to find a way for publishing to adapt to that condition, to explore a way to create an instant record,” he said.

FOMO had its debut in Milan this with a series of evening talks from leading designers called On The Fly. Taking place underneath Nike’s Aero-static dome at Palazzo Clerici, the presentations tackled themes including weightlessness and sustainability in design. Speakers included Atelier Bow Wow, Clemens Weisshaar, Martino Gamper and Formafantasma.

Their words were combined with social activity trawled from the #ontheflymilan hashtag, including Instagram pictures and Tweets, which were put together by the algorithmic publishing machine into a PDF, printed and bound, and handed out for free to visitors at Palazzo Clerici.

You can now download issues four to eight of FOMO from day two of the experiment, with contributions from Italo Rota, Ianthe Roach and Pier Nucelo on the theme seamlessness.

» Olympia Zagnoli – download here
» Italo Rota – download here
» Pier Nucleo – download here
» Marco Raino – download here
» Ianthe Roach – download here

Download the previous issues of FOMO featuring Atelier Bow Wow, Clemens Wiesshaar, Studio Folder, Marco Ferrari and Elisa Pasqual here.

The final issues of FOMO from Milan will be available on Dezeen next week.

The post Download issues four to eight of experimental
Milan newspaper FOMO appeared first on Dezeen.

Milan 2014: Dezeen has teamed up with design research collaborative Space Caviar to distribute a free publication generated by an algorithmic journalism machine which will trawl content from social media and talks in Milan this week.

Led by former Domus editor Joseph Grima, Space Caviar has developed a real-time publishing algorithm called Fear of Missing Out (FOMO) a piece of software that will automatically create written articles from live speech and social media streams during a three-day programme of talks held in the Nike Aero-static Dome at Palazzo Clerici this week.

The FOMO publications will be printed and handed out for free from a travelling press room, but will be available to download from Dezeen.

“Inspired by the idea – as Bruce Sterling said – that “events are the new magazines”, FOMO asks whether there is a remedy for the syndrome of missing out,” said Space Caviar co-founder Joseph Grima. “Can the seemingly dead medium of print publishing adapt to the electronic age’s demand for instant gratification by embracing the speed of Twitter streams, Storify and various other social media?”

“The Salone is a very brief event unlike other exhibitions that last for months, everything here is compressed,” added Grima. “If events are the thing that now drives contemporary production, we need to find a way for publishing to adapt to that condition, to explore a way to create an instant record.”

Five speakers a day will participate in the On The Fly series of talks, including Atelier Bow Wow, Linda Fregni, Clemens Weisshaar, Formafantasma and Italo Rota.

They will explore contemporary design practice using a set of proscribed themes as a starting point – sustainability, weightlessness and seamlessness. Each speaker will also present a minimum of two images to accompany their talk.

FOMO will use voice recognition software, combined with information scraped from online data including tweets and instagram activity using the hashtag #OnTheFlyMilan, to automatically generate a PDF document.

This is will then be published on the FOMObile – a roving publishing press with its own built-in power generator and solar-powered wi-fi hotspot. The press will print each PDF, which will be saddle stitched on the spot before being distributed for free. The PDF will also be available to download from Dezeen.

“FOMO is a commentary on the ever-accelerating automation of many professions, including journalism,” said Grima. “It tests the conceptual boundaries of publishing technology, questioning what the systemic and aesthetic consequences of a future of automated everything will be.”

The On The Fly project will be FOMO’s first test in a real-world environment. Anyone, anywhere will be able to take part by using the #OnTheFlyMilan hashtag on social media on Wednesday 9, Thursday 10, and Friday 11 April between 5.00 and 7.30pm CET.

The post Algorithmic journalism machine generates
free newspaper for Milan design week appeared first on Dezeen.

Given time and the proper tools, it’s not difficult to learn how to make an exceptional cup of coffee—but to do it consistently, time after time? That’s the real trick. In this instance, the Breville Oracle…

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London designers Studio Swine built a mobile foundry and used it to cast aluminium stools from drinks cans they collected on the streets of São Paulo (+ movie).

Over 80 percent of the city’s recycling is collected informally on carts pulled by independent waste collectors known as catadores. Studio Swine wanted to create a system that would help them recycle the rubbish they collect into products they can sell.

The pair collected discarded cans from a street vendor and used cooking oil for fuel to smelt the aluminium on site, turning the street into an improvised manufacturing line. They made moulds by pressing objects they found locally into sand collected from construction sites in the area.

The resulting stools have tops that bear the impressions of ventilation bricks, a palm leaf, the base of a basket, a hub cap and plastic tubing.

“Unlike the conventional aluminum furniture, they’re each unique and expressive,” said the designers. “Manufactured on the spot, they transform ephemeral street materials into metal objects, providing a portrait of the street.”

The resulting stools were donated to the vendor who provided the cooking oil and the furnace remains in São Paulo, where the project will continue with a new series of products and furniture made in a favela.

“Mining the city for materials, the perception of the city changes,” said the designers. “Where once you saw rubbish, now you can see resources to be transformed into new products.”

The project was commissioned by Coletivo Amor de Madre Gallery in São Paulo and involved working with several catadore co-operatives to find both the materials to make the furnace, and the oil and cans to use it.

“Each stool takes around 60 cans, but catadores collecting cans around a football stadium on a match day bring in many thousands of cans,” Studio Swine told us. “The idea is that catadores will share a furnace and greatly increase the amount of money they can get for the materials they collect.”

They suggest that the furnace can be used to cast anything to sell, including small items like souvenirs for the 2014 World Cup or 2016 Olympic Games. “However, the potential of open sand casting lends itself very well to larger pieces and we are interested in how this can be incorporated into small scale architecture,” they added.

Finding ways to enhance local industries by making products from waste on-site is familiar ground for Studio Swine, who graduated from the Royal College of Art in 2011 with a project that proposed making stools from waste plastic picked up by fishing trawlers, melting the material down and moulding it into furniture onboard the boat.

They’re also no strangers to making and selling in the streets, having designed a mobile food stall for cooking and selling pig heads the year before.

Here’s some more information from Studio Swine:

In nature, everything is interconnected and there is no concept of waste, but in cities there are lots of loose connections.
The city has so much potential, there’s a strong culture of improvisation here. The streets are busy with people looking to make a living in ingenious ways, ever flexible to emerging opportunities.

In a city with some 20 million residents the waste is on a massive scale, however over 80% of the recycling is collected by an informal system of independent Catadores, pulling their handmade carts around the streets.

We looked at the way they worked, the materials they collected, and how we could learn from them to create a new model of manufacturing – taking waste materials that could be readily found, to manufacture goods on the street, with the potential to make livelihoods extend beyond rubbish collection.

The world is becoming increasingly more globalised, something that we are interested in is how design can help retain a strong regional identity.

We wanted to tap into this existing street culture – to turn a public space into a manufacturing line. We went around the streets collecting things we can cast. Mining the city for materials, the perception of the city changes, where once you saw rubbish, now you can see resources to be transformed into new products. The city consumes a lot of fried food so we collected used cooking oil for free and plentiful fuel.

Then we needed to make moulds which are cheap and adaptable. As Sao Paulo is under constant development, construction sand can be found all over the city.

What is the future of manufacturing? Where the industrial revolution was built on the concept of making the same thing thousands of times, will future manufacturing incorporate individual characteristics or even chance?

There is something magical about the moment cold hard metal becomes a hot liquid – the moment it’s quickened and given life. We wanted the surface to reverberate with the texture of the sand and the metal’s molten state, to bear clearly the impression left by the objects we found that day.

We made stools for the food vendor that provided the waste cans & oil. Unlike the conventional aluminum furniture they’re each unique and expressive. Manufactured on the spot, they transform ephemeral street materials into metal objects, providing a portrait of the street.

Where the majority of carbon cost is in the transportation of goods rather than their production – we could see manufacturing returning to our cities, adaptable to customisations and able to ‘cast on demand’.

The potential of mobile sand casting is endless, offering another way to produce. From small items to architectural elements, it can change the face of the city.

The project was made possible with the generous support of Heineken.

The post Can City mobile aluminium furnace
by Studio Swine appeared first on Dezeen.

Named after the fiercest predator of the animal kingdom, La Marzocco—which translates to lion in Italian—is aptly known for their roaring, state of the art espresso machines. But at the factory in Tuscany, things are anything…

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