Gun enthusiasts release open-source kits for 3D-printed Wiki Weapons

3D-printed guns

News: a group of libertarian activists in the U.S. plans to distribute open-source blueprints for homemade 3D-printed guns, provoking questions about the potential uses of the increasingly affordable technology.

Defense Distributed, the activist group led by Texas law student Cody Wilson, has just received $20,000 in funding for its Wiki Weapon project to create instruction kits for working guns. Individuals would be able to download the kits and use them to 3D-print their own weapons at home, sidestepping the need for a gun license.

News of the project comes just weeks after another American hobbyist became the first person to successfully build and fire a 3D-printed gun. Michael Guslick claimed to have fired 200 rounds from his .22 calibre pistol, which he made by fitting a 3D-printed plastic receiver – the only part of a gun that requires a license in the U.S. – to the other gun components, which don’t have to be registered. Guslick said he then adapted the components to make a semiautomatic rifle (below).

3D-printed guns

Anab Jain, founder of the collaborative design practice Superflux, drew attention to Guslick’s homemade gun and the legal and ethical questions it posed at last week’s Global Design Forum in London. Making guns with 3D-printing technology might seem “unsettling”, she told the audience, but it points to the dramatic changes that lie ahead as design expertise, technology and equipment become more accessible to individuals.

“The old rules and regulations about who is the designer, who is the manufacturer and who is the distributor change when people have the tools and opportunities to become the designer, manufacturer and distributor themselves,” Jain told Dezeen today.

“The problem is that sometimes we get so scared about new technology and just think about the worst case scenario, which is what happened with GM [genetically modified food],” she added. “It’s about making sure there is a possibility to debate these things instead of just becoming passive consumers and saying, ‘tomorrow I can order a 3D-printed gun if I want’.”

3D printing technology has become significantly more accessible recently, with retailers now offering the printers for as little as $600, but the legality of homemade guns remains an unresolved issue.

On its website, Defense Distributed states: “It is legal to produce any category of weapon you could ordinarily legally own, so long as you are not providing it for sale or are not prohibited from possessing firearms in the first place.” These rules would only be relevant to U.S. citizens, however. ”If you are in another country, proceed with the expectation that every bit of this is illegal,” the website adds.

Today the group made public a letter it had received from StrataSys, a company that makes 3D printers, cancelling their lease of a printer and stating that it was company policy “not to knowingly allow [its] printers to be used for illegal purposes.” Meanwhile, the group has announced that computer files for its ‘WikiWep’ prototype plastic handguns will be made available for download in the coming weeks.

Digital manufacturing and open-source design have dominated the debate at this year’s design fairs. Following Milan’s furniture fair in April, Dezeen’s editor-in-chief Marcus Fairs explored the new era of digitally driven production in a post for our series on technology and design. You can see all our stories on open-source design here.

We also recently reported on a robotic 3D printer that makes architectural structures from sand or soil – see all our stories about 3D printing here.

See all our stories about technology »
See all our stories about the Global Design Forum »

The post Gun enthusiasts release open-source kits
for 3D-printed Wiki Weapons
appeared first on Dezeen.

Online retailer Made.com opens physical showroom

MADE.com launches experimental showroom

News: online homeware retailer Made.com has opened a physical showroom on the ninth floor of a west London office tower, featuring QR codes and miniature 3D-printed models of furniture.

The 400 square metre Ninth Floor Showroom, located next to the company’s offices in Notting Hill, presents a changing selection of the site’s most popular furniture and lighting products arranged “like a studio shoot”.

Visitors can scan QR codes to find out more about products, play with miniature furniture models and take home postcards and fabric samples.

MADE.com launches experimental showroom

“Furniture and design is a special category in the sense that the products take up a lot of space,” said Made.com CEO and founder Ning Li. “Our business model tries to eliminate every unnecessary cost, like agents, importers, brands and warehousing, including the physical stores. Whenever you have a lot of costs, you can’t pass on the savings.”

Li says the future for Made.com is a “convergence of online and offline”, using the showroom to improve the online retail experience. “It’s very experimental. It’s not something that can replace physical retail, but it’s a good step to bridge the gap,” he said.

MADE.com launches experimental showroom

Made.com isn’t the only company to attempt to move from online into offline retail recently. ”We’ve seen over the last year, especially at Christmas, companies like eBay doing pop-up stores or experiential stores in a physical space,” Li said. “We hope to see more [companies] doing similar things, because it makes a lot of sense for consumers.”

Former investment banker Li launched Made.com in 2010 with backing from Brent Hoberman, founder of furniture and homeware website MyDeco and holiday shop Lastminute.com. Made.com now employs 70 people and ships several containers of goods to UK customers every day.

MADE.com launches experimental showroom

The showroom opened last week during the London Design Festival and is open to the public from Wednesday to Sunday at Newcombe House, 45 Notting Hill Gate, W11 3LQ.

Earlier today we reported that online design retailer Fab.com is to merge its UK and German sites into a single European store.

See all our stories about retail »
See all our stories about QR codes »
See all our stories about 3D printing »

The post Online retailer Made.com opens
physical showroom
appeared first on Dezeen.

Paralympic design: 3D-printed seats for wheelchair basketball

Paralympic design: 3D printed seats for wheelchair basketball

The first tailor-made 3D printed seats for wheelchair basketball are being used by competitors at the London 2012 Paralympics.

Paralympic design: 3D printed seats for wheelchair basketball

Developed by Loughborough University’s Sports Technology Institute alongside UK Sport, the seats are individually moulded each player’s body.

Paralympic design: 3D printed seats for wheelchair basketball

The customised seats consist of foam interiors and plastic shells, and are a kilogram lighter than conventional wheelchair basketball seats.

Paralympic design: 3D printed seats for wheelchair basketball

Participating athletes had 3D body scans to capture their movements and positions in their existing wheelchairs, then CAD technology was used to shape the outer layer of the seat to suit each individual player and help position the seat onto the frame. The seats were then built up layer by layer using selective laser sintering to accurately replicate the computer models. Four men and four women will use the seats at this year’s Paralympic Games.

The wheelchair basketball finals take place on Friday 7 and Saturday 8 September at the Basketball Arena and the North Greenwich Arena.

We’ve also featured wheelchairs designed to withstand heavy impacts for rugby and to be fast and lightweight for racingSee all our stories about design for Paralympic athletes »

Here is some more information from the Engineering and Physical Sciences Research Council:


Innovative tailor-made seats will be used for the first time by Paralympics GB for the wheelchair basketball events this summer.

Using cutting-edge research the seats are individually moulded for each player to provide the best possible support. They will help the athletes to improve their speed, acceleration and manoeuvrability around the court.

The seats have been developed with UK Sport funding at Loughborough University’s Sports Technology Institute, which is supported by the Engineering and Physical Sciences Research Council (EPSRC).

The new seats are revolutionary because they take the individual’s size, shape and particular disability into account. For example, a player with a spinal cord injury will have a seat that provides additional support around their lower back.

Harnessing a range of cutting-edge design and manufacturing techniques and developed in close consultation with the British men’s and women’s wheelchair basketball teams, these customised seats consist of a foam interior and a plastic shell. They are simply clamped onto the current wheelchair design in which the frames are already made to measure for the players.

You can find out more about the research from the team involved in an audio slide show.

“Within any wheelchair basketball team, both the nature and the extent of the players’ physical abilities vary considerably,” says Dr Gavin Williams, who has led the project.

“Traditionally players have had a very limited choice of seat designs and a tailor-made approach was not possible. The new seats, which include part of the back rest, are made specifically to accommodate each individual’s needs”.

Team members initially underwent 3D scans to capture their bodies’ biomechanical movements and their positions in their existing wheelchairs.

The seats are made up using cutting-edge design and manufacturing techniques
A moulding bag containing small polystyrene balls (similar to a bean bag style seat), was used to capture the shape of the player when seated. The seat was then made up by hand.

Computer-aided design (CAD) capabilities were then used to refine the shape of the outer layer of the seat to suit each individual player and help position the seat onto the frame.

Using this prototype the next stage involved quickly producing copies of each individual seat so that they could be further tested and amended if necessary following feedback. For this speedy production an additive manufacturing technique called selective laser sintering (otherwise known as 3D printing) was used to build up each seat layer by layer. This resulted in a final product that exactly replicated what was on the computer screen.

This is the first time anywhere in the world that these existing techniques have been harnessed together to produce a sports wheelchair seat.

Improvements in speed, acceleration and manoeuvrability for the players were achieved.

“The sprint tests, for instance, showed that the new seats enabled the athletes to shave tenths of a second off their best times,” says Dr Williams. “That represents a huge improvement in a player’s ability to reach the ball and move around the court.

The seats save a kilo of weight with the overall chair being two kilos lighter than the chairs that were used in Beijing because of other modifications to the chair itself.

“The advances we’ve made also have the potential to feed into improved seat design for wheelchair users in general,” says Dr Williams. “In particular, bespoke seats could reduce the problems with pressure sores currently experienced by a great number of wheelchair users.”

In total 8 players, four men and four women will be using the new seats at the Paralympics this year.

The post Paralympic design: 3D-printed seats
for wheelchair basketball
appeared first on Dezeen.

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

Students from Barcelona’s Institute for Advanced Architecture of Catalonia have built a robotic 3D printer that creates architectural structures from sand or soil (+ movie).

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

Above: visualisation is by the designers

Anna Kulik, Inder Shergill and Petr Novikov suggest that the technology could be used to build temporary canopies or bridges, as pictured.

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

Above: visualisation is by the designers

The Stone Spray robot sprays the grains of sand or soil out of one nozzle and glue out of another to make a mixture that solidifies as it hits a surface.

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

Unlike other 3D printers, the robot’s arm moves multi-directionally and can also print onto vertical surfaces.

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

Novikov will present the project at the 3D Printing Event in Eindhoven on 23 October 2012.

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

You can also enter our competition to win a weekend pass to the 3D Print Show in London, which takes place between 19 and 21 October 2012.

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

See all our stories about 3D printing »
See all our stories about robots »

Stone Spray Robot by Anna Kulik, Inder Shergill and Petr Novikov

Here’s some more information from the designers:


Stone Spray is a research project by Anna Kulik, Inder Shergill and Petr Novikov, under the supervision of Marta Malé-Alemany, Jordi Portell and Miquel Lloveras of IAAC.

Stone Spray is a robotic 3D printer that produces architecture out of soil. The team’s research was focused on the field of additive manufacturing in architecture, finding means of proposing new eco-friendly, efficient and innovative systems to print architecture in 3D.

The mechanised device collects dirt/sand on site and then sprays it from a nozzle in combination with a binder component. When this mixture hits the surface it solidifies to create sculptural forms.

Because the movements of the robot are digitally controlled by computer, the designer has direct input on the resulting shape. Unlike other 3D printers, the Stone Spray robot can print multi-directionally, even on vertical surfaces.

The post Stone Spray Robot by Anna Kulik,
Inder Shergill and Petr Novikov
appeared first on Dezeen.

Competition: ten tickets to 3D Print Show to be won

A Wrong Mongrel Collection by Ross Barber

Competition: we are giving our readers the chance to win one of ten weekend passes to the 3D Print Show, taking place from 19 to 21 October 2012 in London.

Voxel Posse by Universal Everything

Above: Voxel Posse by Universal Everything.
Top: A Wrong Mongrel Collection by Ross Barber.

London’s first live 3D print event will showcase a range of uses for the technology from architecture, medicine and archaeology to design in transport, homeware and fashion.

Dominick by Sophie Kahn

Above: Dominick by Sophie Kahn.

The event will feature demonstrations and activities such as live designing and printing, with workshops, seminars and talks running across the three days.

Kafka by Neri Oxman

Above: Kafka by Neri Oxman.

Selected works on display will include sculpture, jewellery design, animation and interactive art.

Stonecollar by Sofia Bjorkman

Above: Stonecollar by Sofia Bjorkman.

The exhibition will be held at The Brewery, 52 Chiswell Street, London EC1Y 4SD and tickets are available here if you are not lucky enough to win.

Groomer by Eric van Straaten

Above: Groomer by Eric van Straaten.

To enter this competition email your name, age, gender, occupation, and delivery address and telephone number to competitions@dezeen.com with “3D Print Show” in the subject line. We won’t pass your information on to anyone else; we just want to know a little about our readers.

Intersecting Arches by Joshua DeMonte

Above: Intersecting Arches by Joshua DeMonte.

Read our privacy policy here.

Random Growth Series by Jonathan Keep

Above: Random Growth Series by Jonathan Keep.

Competition closes 11 September 2012. Ten winners will be selected at random and notified by email. Winners’ names will be published in a future edition of our Dezeenmail newsletter and at the top of this page. Dezeen competitions are international and entries are accepted from readers in any country.

The post Competition: ten tickets to 3D Print Show
to be won
appeared first on Dezeen.

No Pause by Gio Tirotto

No Pause by Gio Tirotto

This cutlery by Italian designer Gio Tirotto looks more like a set of workshop tools.

No Pause by Gio Tirotto

Called No Pause, the 3D-printed prototypes have handles modelled on screwdrivers and chisels.

No Pause by Gio Tirotto

The set also includes a knife shaped like a hacksaw.

No Pause by Gio Tirotto

“The tools are mixed with the table set, as if both these different objects wanted to change room, as if they wanted to describe something else,” says Tirotto. “The shape increases the thinness between irony and etiquette, like a ritual that harmonizes imagination and function.”

No Pause by Gio Tirotto

See more stories about cutlery on Dezeen »

No Pause by Gio Tirotto

The post No Pause by Gio Tirotto appeared first on Dezeen.

Biomimicry Shoe by Marieka Ratsma and Kostika Spaho

A bird’s skull inspired the hollow heel of these 3D-printed shoes by Dutch fashion designer Marieka Ratsma and American architect Kostika Spaho.

Biomimicry shoe by Marieka Ratsma

Ratsma and Spaho used the shape of a bird’s cranium for the front of the shoe, with the tapered beak as the spike of the heel.

Biomimicry shoe by Marieka Ratsma

The lightweight and efficient structure of the hollow skull allowed the shoe to be 3D-printed using less material.

Biomimicry shoe by Marieka Ratsma

Other 3D-printed shoes we’ve featured on Dezeen include ‘invisible’ and mirrored designs by Andreia Chaves and a bespoke pair by Marloes ten Bhömer.

Biomimicry shoe by Marieka Ratsma

See all our stories about shoes »
See all our stories about 3D printing »

Biomimicry shoe by Marieka Ratsma

Photography by Thomas van Schaik.

Here’s some more information from the designer:


The Biomimicry shoe is the result of a unique collaboration between Dutch fashion designer Marieka Ratsma and American architect Kostika Spaho. The idea for this shoe highlights the aesthetics and the shape of the bird skull, along with the characteristics of the lightweight and highly differentiated bone structure within the cranium. Such structure requires less support material, resulting in optimal efficiency, strength and elegance. Nature has been the main source of inspiration for the making and shaping of this shoe.

By looking at nature in a different way, she can open our eyes to ingenious systems and ways of life. Nature can inspire us towards inventive designs and productive, successful collaborations. Also for fashion, nature can be a great inspiration, especially for the use of materials and smarter constructions. Fast developing techniques such as 3D printing can help us by giving the possibility to approach nature’s shapes even more closely. Nature functions as no other in the use of sources, collaborations and bundling forces. The insight that nature gives us can be used for a new way of approaching design.

The post Biomimicry Shoe by Marieka Ratsma
and Kostika Spaho
appeared first on Dezeen.

Nóize chairs by Estudio Guto Requena

Brazilian designers Estudio Guto Requena used audio recorded on the streets of São Paulo to distort the shapes of these 3D-printed chairs (+ movie).

Nóize Chairs by Estudio Guto Requena

The Nóize chairs combine three iconic Brazilian chair designs with the sounds of the Grajau, Tiradentes and Santa Ifigenia areas of the city.

Nóize Chairs by Estudio Guto Requena

The designers distorted computer models of the chairs with the data from the audio recordings. The resulting designs were then sent to Belgium to be 3D-printed.

Nóize Chairs by Estudio Guto Requena

The original chairs were the Oscar by Sergio Rodrigues, the São Paulo by Carlos Motta and the Giraffe by Lina Bo Bardi, Marcelo Ferraz and Marcelo Suzuki.

Nóize Chairs by Estudio Guto Requena

The movie is by Na Laje Filmes.

Nóize Chairs by Estudio Guto Requena

See all our stories about chairs »

Here’s some more information from the designers:


Cadeiras Nóize – Estudio Guto Requena

Desenvolvidas à convite da Galeria + Coletivo Amor de Madre, para a
exposição #FUIPARASPELEMBREIDEVC

Local: Rua Estados Unidos 2186 – São Paulo – SP
Exposição de 27/06/12 à 31/07/12

Série: Peça única
Dimensões: 40cm x 44cm x 79 cm (h)
Descriçã o técnica: Impressão 3d em abs

Nóize Chairs by Estudio Guto Requena

Above: Oscar chair by Sérgio Rodrigues

As cadeiras Nóize, desenvolvidas pelo Estudio Guto Requena, foram concebidas digitalmente a partir da mescla do som captado nas ruas de São Paulo com ícones do design brasileiro.

A cadeira Girafa, de autoria da Lina Bo Bardi, Marcelo Ferraz e Marcelo Suzuki, a cadeira Oscar, do Sérgio Rodrigues e a cadeira São Paulo, do Carlos Motta foram modeladas em plataforma digital 3D reproduzindo fielmente seu modelo físico. A partir de uma programação computacional feita pelo Estudio Guto Requena, com uso da linguagem Processing, deformou-se esse modelo digital através da sua fusão com o arquivo de áudio coletado em três locais diferentes em São Paulo: Grajaú, Cidade Tiradentes e Santa Ifigênia. O resultado é uma cadeira-manifesto, que para além do ato de sentar, instiga à reflexão.

Nóize chairs by Estudio Guto Requena

Above: São Paulo chair by Carlos Motta

O arquivo digital resultante desse processo foi enviado via internet para a Bélgica, diretamente para uma máquina de impressão 3D. Após a impressão das três cadeiras, elas foram enviadas para o Brasil.

Vozes da cidade, ruídos da periferia e ressonâncias do concreto, desconstroem clássicos do mobiliário brasileiro, onde o que importa não é o resultado estético das peças, mas o seu processo de design.

São Paulo é uma cidade linda. Não-obvia, complexa e diversa, se faz interessante ao receber diferentes povos, credos e culturas sem preconceito, miscigenada, improvisada, surpreendente, irônica, colcha de retalhos repleta de belezas escondidas. Apaixonar-se por ela é uma questão de sobrevivência.

Nóize chairs by Estudio Guto Requena

Above: Giraffe chair by Lina Bo Bardi, Marcelo Ferraz e Marcelo Suzuki

As 3 peças desenvolvidas pelo Estudio Guto Requena para esta exposição buscam assimilar as belezas de São Paulo, especialmente aquelas fora do eixo, numa experimentação numérica com ruídos, desconstrução e mixagem, a partir das novas possibilidades trazidas com as tecnologias digitais.

Design: Estudio Guto Requena
Desenvolvimento: Henrique Stabile
Engenheiro de Programação: Thiago Hersan
Fabricação: Materialise
Equipe Estudio Guto Requena: Tatiana Sakurai, Paulo de Camargo, Lucas Ciciliato, Ricardo de Oliveira Lima, Lucas Miller, Marina Grassi, Vitor Reis, Marcos Alexandre da Silva.

The post Nóize chairs by
Estudio Guto Requena
appeared first on Dezeen.

Inside Out Furniture by Minale-Maeda

Inside Out Furniture by Minale-Maeda

Dutch Design Week 2011: components for this furniture by Rotterdam designers Minale-Maeda can be downloaded, 3D-printed and assembled locally. 

Inside Out Furniture by Minale-Maeda

Consumers can download the blueprints for each piece and alter the dimensions to suit.

Inside Out Furniture by Minale-Maeda

The required connecting components could be 3D-printed locally and the sheet materials cut to size at a hardware store.

Inside Out Furniture by Minale-Maeda

Each piece is designed for simple assembly and to explicitly display its construction.

Inside Out Furniture by Minale-Maeda

Minale-Maeda aim to give consumers more control and reduce energy expended in transporting whole items of furniture.

Inside Out Furniture by Minale-Maeda

The project is on show at After the Bit-rush: Design in a Post Digital Age curated by Eindhoven cultural institute MU, who also commissioned the Temporary Trees in our earlier story.

Inside Out Furniture by Minale-Maeda

Dutch Design Week continues until 30 October. See all our stories about the event in our special category.

Here are some more details from the designers:


Designed specifically to be downloadable in order to reduce environmental issues related to transport, costs of stock keeping and explore collaborative design and distribution, this furniture can be edited in size and materials, is made on location or can be self-made by downloading the blueprints. The concept was to turn the pieces inside out to make construction simple, while brackets and structural details become distinctive and attractive features. The connections are 3d printed to suit various sizes of wood, and the crafting is minimal requiring only cutting to length and drilling.

Material: wood, polyamide


See also:

.

Temporary Trees at
Dutch Design Week
City Music at
Dutch Design Week
Kids’ Furniture
at Dutch Design Week

Dezeen Screen: The Solar Sinter by Markus Kayser

The Solar Sinter by Markus Kayser

Dezeen Screen: this movie by Royal College of Art graduate Markus Kayser shows his Solar Sinter 3D-printing machine at work in the desert, making glass objects by melting sand with sunlight. Watch the movie »