Wrong Colour Furniture System by Minale-Maeda

Dutch Design Week 2013: the aluminium structures of these cabinets by Rotterdam studio Minale-Maeda poke through their plywood skins to create a coloured grid on the inside and dashed patterns on the outside.

Wrong Colour Furniture System by Studio Minale-Maeda_dezeen_6sq

The Wrong Colour Furniture System by Minale-Maeda has a structure made of anodised aluminium, with teeth in the bars that bite into the plywood panels and secure them in place once slotted together.

Wrong Colour Furniture System by Studio Minale-Maeda_dezeen_6sq

Each bar is colour-coded in cyan, magenta and yellow according to its orientation. The ends of the bars pierce the plywood panels where they are attached, creating a distinctive grid pattern on the outside with vertical cyan dashes and horizontal magenta ones.

The yellow components are only visible behind the legs and inside the cabinets, framing each module with a yellow square.

Wrong Colour Furniture System by Studio Minale-Maeda

“The name Wrong Colour comes from the idea that it is like an X-ray of a piece of furniture, processed with imaging technologies like in baggage scanners to highlight differences in densities between materials and better separate them when they overlap,” Minale-Maeda told Dezeen. “It follows the idea that the project is about transparency in production and construction, and the colours are crucial in highlighting the separate elements.”

Wrong Colour Furniture System by Studio Minale-Maeda_dezeen_6sq

“The other reason to have three different colours is that they serve as a guide in the assembly of the piece, because each plane has a separate colour so it aids in picking the right parts for each panel and later in assembling the panels into a box,” they added.

Wrong Colour Furniture System by Studio Minale-Maeda_dezeen_6sq

The modular units can be stacked in different configurations and can be ordered with or without doors direct from the designers. “There is great flexibility in materials and colours that we are experimenting with, so custom schemes is one direction we are developing and the other is having a greater variety of module sizes,” they said.

Wrong Colour Furniture System by Studio Minale-Maeda_dezeen_6sq

Wrong Colour Furniture System was nominated for the Dutch Design Awards and is on show alongside the other shortlisted projects as part of Dutch Design Week in Eindhoven until Sunday.

“Many influences converge in this piece of furniture, including those of Rietveld, Mondriaan and Japanese culture,” commented the selection committee. “It is a modular system turned inside out in an interesting way.”

Wrong Colour Furniture System by Studio Minale-Maeda_dezeen_6sq

Naples-born Mario Minale and Tokyo-born Kuniko Maeda founded their studio in 2006 after graduating together from the Design Academy Eindhoven. They often highlight the method of construction a key aesthetic component in their work and past projects include plywood furniture joined with 3D-printed connectors and a collection that can be downloaded and produced locally.

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by Minale-Maeda
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Keystones by Minale-Maeda

Istanbul Design BiennialRotterdam design studio Minale-Maeda has devised a set of 3D printed plastic connectors that combine with standard wooden parts so that anyone can make these four items of furniture.

Keystones by Minale-Maeda

Building on the Inside-Out Furniture project presented at last year’s Dutch Design Week, the Keystones collection is intended to be printed at a local manufacturing centre and assembled by the user with no need for joinery skills or instruction booklets.

Keystones by Minale-Maeda

Schematic drawings are etched on the surfaces of the plastic, providing instructions on how to build the side table, dining table, coat stand and trestle.

Keystones by Minale-Maeda

Although the project was self-initiated, the designers set down strict rules about what the final product could include. “There should be a single connector with no additional fasteners and no screws,” they told Dezeen.

Keystones by Minale-Maeda

“The other guideline was that it should be as compact as possible while being as strong as possible, since the material is comparatively weak,” they added. The wood is clamped into the 3D printed connector in a way that relieves stress from the connectors themselves.

Keystones by Minale-Maeda

End users can either follow the drawings and use the same size pieces, or customise the data files to alter measurements and insert elements of their own design.

Keystones by Minale-Maeda

“The sizes of the connectors were chosen to fit with commonly available materials that can be glued on top of each other to achieve the thickness desired for strength,” they explained. “The clamping screw provides a tolerance to catch any slack.”

Keystones by Minale-Maeda

Minale-Maeda was founded in 2006 by former Design Academy Eindhoven students Kuniko Maeda and Mario Minale.

Keystones by Minale-Maeda

Keystone was presented at the Istanbul Design Biennial, which continues until 12th December. We recently featured another 3D printing project presented at the biennial which explored how digitally produced objects can be as individual as handmade ones.

Keystones by Minale-Maeda

See all our stories about Minale-Maeda »
See all our stories from Istanbul Design Biennial »
See all our stories about 3D printing »

Here’s some more information from the designers:


The work of Studio Minale-Maeda investigates the potentials of multi-directional material translations (digital to analogue to building-block construction), open-source schematics (from Gerrit Rietveld drawings to the online Lego community), and novel forms of distribution (such as downloadable design).

Keystones reduce the design of a piece of furniture to a single connector – a compact piece that can be 3D printed on-location. The keystone holds together the various components of a table or chair, which can be fabricated using basic workshop tools or a 2D CNC router, without the need for joinery skills. With Keystones, only the most essential part of the furniture needs to be shipped; the rest can be made from the materials at hand.

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Minale-Maeda
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Inside Out Furniture by Minale-Maeda

Inside Out Furniture by Minale-Maeda

Dutch Design Week 2011: components for this furniture by Rotterdam designers Minale-Maeda can be downloaded, 3D-printed and assembled locally. 

Inside Out Furniture by Minale-Maeda

Consumers can download the blueprints for each piece and alter the dimensions to suit.

Inside Out Furniture by Minale-Maeda

The required connecting components could be 3D-printed locally and the sheet materials cut to size at a hardware store.

Inside Out Furniture by Minale-Maeda

Each piece is designed for simple assembly and to explicitly display its construction.

Inside Out Furniture by Minale-Maeda

Minale-Maeda aim to give consumers more control and reduce energy expended in transporting whole items of furniture.

Inside Out Furniture by Minale-Maeda

The project is on show at After the Bit-rush: Design in a Post Digital Age curated by Eindhoven cultural institute MU, who also commissioned the Temporary Trees in our earlier story.

Inside Out Furniture by Minale-Maeda

Dutch Design Week continues until 30 October. See all our stories about the event in our special category.

Here are some more details from the designers:


Designed specifically to be downloadable in order to reduce environmental issues related to transport, costs of stock keeping and explore collaborative design and distribution, this furniture can be edited in size and materials, is made on location or can be self-made by downloading the blueprints. The concept was to turn the pieces inside out to make construction simple, while brackets and structural details become distinctive and attractive features. The connections are 3d printed to suit various sizes of wood, and the crafting is minimal requiring only cutting to length and drilling.

Material: wood, polyamide


See also:

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Temporary Trees at
Dutch Design Week
City Music at
Dutch Design Week
Kids’ Furniture
at Dutch Design Week