Nipple lights by Naama Arbel

Nipple lights by Naama Arbel

These lamps are turned on when you pull their nipples.

Nipple lights by Naama Arbel

The felt pieces by designer Naama Arbel have silicon covers over the switches and LED light source.

Nipple lights by Naama Arbel

The switches must be pulled outwards to turn the lamps on and pushed inwards to turn them off.

Nipple lights by Naama Arbel

Arbel designed the series while studying at Seminar Hakibbutzim in Israel.

Nipple lights by Naama Arbel

Here’s some more information from the designer:


The series is composed of five different amorphous and geometries creatures.

Nipple lights by Naama Arbel

The objects suggest different approach to the interaction of human with lighting. This new approach emphasises the human touch, the game and the sensual experience to intensify the general experience.

Nipple lights by Naama Arbel

The product is handmade and produced using traditional felt techniques.

Nipple lights by Naama Arbel

Those objects, which are made of felt, take us back to our childhood games and our basic needs. The light creatures awaken by touch. They are activated by stretching the silicon nipple which activates the lighting mechanism. Leaving the nipple will result turning it off.

Nipple lights by Naama Arbel

The lightning mechanism which was developed for this project is built from combining “REVEL” LEDs and an electronic device that controls the lightning volume.

Nipple lights by Naama Arbel

The device is connected by wire to the silicon nipple. When pulling the nipple the wire is stretched and activates the light volume control.

Nipple lights by Naama Arbel


See also:

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Leone Series 01 by
Lanzavecchia + Wai
Rhubarb by Emma Marga BlancheGrowing Vases by
Nendo for Lasvit

MyShell256 by Sharon Golan

MyShell256 by Sharon Golan

For those who can’t ever have too many shoes, these 16 modular components combine to make 256 different pairs. 

Watch this movie on Dezeen Screen »

MyShell256 by Sharon Golan

The MyShell256 shoes by graduate designer Sharon Golan are each assembled from four parts, strapped to the wearer’s foot with silicon bands.

MyShell256 by Sharon Golan

The rigid thermoplastic pieces move independently as the foot flexes with no connecting bridge between the heel and ball of the foot, much like Julian Hakes’ Mojito Shoe.

MyShell256 by Sharon Golan

Golan developed the range while studying at the Bezalel Academy of Arts and Design in Jerusalem – see more work by the academy’s graduates here.

MyShell256 by Sharon Golan

She plans to develop a range or jewellery and bags using the same concept.

MyShell256 by Sharon Golan

Check out all the weird and wonderful shoes on Dezeen here.

MyShell256 by Sharon Golan

Here are some more details from Sharon Golan:


‏My shoe collection originated from a minimalistic design concept, which at the same time allows for great variety.

‏The inspiration came from the terrestrial crust, which is shaped by internal pressure and stress- it cracks, swells, moves,
and responds to any changes, in the same way as the foot.

My set of shoes combines basic shapes, different techniques with industrial materials.

16 modular units are inspired by four models – parts of fruit peel, egg, earth, and shell.

These units are can be assembled using silicon-rubber bands, resulting in 256 different shaped shoes.

‏The project is accompanied by an interactive internet site (coming soon), showing the entire set of shoes.


See also:

.

Invisible Shoe by
Andreia Chaves
Footwear by
Victoria Spruce
Lolice shoes by
Belma Arnautović

PhotoGraphy by ShiKai Tseng

PhotoGraphy by ShiKai Tseng

Show RCA 2011: Royal College of Art graduate ShiKai Tseng has decorated a range of vases by covering them in photo-sensitive solution then exposing them inside pinhole cameras. Watch the movie on Dezeen Screen »

PhotoGraphy by ShiKai Tseng

Left for between five and 15 minutes, the vases are then developed in a darkroom like a normal photograph.

PhotoGraphy by ShiKai Tseng

Each one permanently records imagery from the environment in which it was briefly exposed.

PhotoGraphy by ShiKai Tseng

See all our stories about this year’s RCA graduates here and more stories about cameras here.

PhotoGraphy by ShiKai Tseng

Here are some more details from ShiKai Tseng:


PhotoGraphy – no.1

PhotoGraphy project is the creation of a process in which the environment, time and light react to each other and generate images on three-dimensional objects.

PhotoGraphy by ShiKai Tseng

The 1st series is about coating objects with a “light-sensitive” layer, put in a black box with strategically placed pinholes, and exposed for 5 to 50 minutes depending on the brightness of the environment.

PhotoGraphy by ShiKai Tseng

It is a new way to capture a moment in time, no matter whether the image on the object is focused or losing focus.

PhotoGraphy by ShiKai Tseng

The object will carry the trace of its first moments of experience, its first exposure.

PhotoGraphy by ShiKai Tseng


See also:

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Bucchero by
Siba Sahabi
Rubikon Pinhole Rebel
by Jaroslav Juřica
Photographs by
Hélène Binet

Whackpack Furniture by Brendan Magennis

Whackpack Furniture by Brendan Magennis

New Designers 2011: design graduate Brendan Magennis has made a collection of flat-packed furniture that has no screws or glue and can be assembled with just a few hearty whacks of a mallet.

Whackpack Furniture by Brendan Magennis

Magennis used a Japanese woodworking technique called a hell joint, where wooden wedges are driven into the ends of each dowel to pack them tightly inside the receiving hole.

Whackpack Furniture by Brendan Magennis

Called Whackpack, the series currently comprises a table, bench and side table, with other pieces under development.

Whackpack Furniture by Brendan Magennis

Magennis designed the collection while studying contemporary furniture design at Bucks New University and was shortlisted for the New Designer of the Year Award at the graduate show in London last month. See all our stories about New Designers here.

Whackpack Furniture by Brendan Magennis

The text below is from Brendan Magennis:


My product Whackpack Furniture was shortlisted for the New Designer Award on preview night. It is a range of furniture stimulated by the discovery of the ‘Hell Joint’ through Japanese Joinery.

Whackpack Furniture by Brendan Magennis

Whackpack Furniture is a flatpack inspired creation aimed for today’s nomadic lifestyles and shrinking apartments sizes. It is designed to fashion a new way for the consumer to construct furniture using wooden, a mallet and satisfying strength.

Whackpack Furniture by Brendan Magennis

No allen keys and no glue required. The Whackpack range is made up of three pieces at the minute with other projects underway. I presented the Whackpack Coffee, Whackpack Jardinere and the Whackpack Bench at New Designers.


See also:

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No Screw No Glue
by Joost van Bleiswijk
Stool by Michael Marriott
for Paul Smith
Clamped Stools by
Daniel Glazman

Worth the Weight by Oscar Medley-Whitfield

Worth the Weight by Oscar Medley-Whitfield

New Designers 2011: as the value of copper increases, product design graduate Oscar Medley-Whitfield has minted a range of copper-bullion bowls so investors can display their assets at home.

His Worth the Weight project involved finding a suitable low-tech way to cast copper in the teaching workshops at Kingston University.

Worth the Weight by Oscar Medley-Whitfield

The material tends to absorb oxygen when molten then become aerated and brittle when cooled – not very useful for making ingots.

Worth the Weight by Oscar Medley-Whitfield

He settled on a traditional Japanese technique, shown in the movie above, where molten copper is poured into a cloth inside a pan of boiling water.

Worth the Weight by Oscar Medley-Whitfield

This slows the cooling process and reduces the amount of oxygen incorporated, resulting in a pure and dense casting.

Worth the Weight by Oscar Medley-Whitfield

Medley-Whitfield developed the project in his final year and presented it at graduate show New Designers, which took place in London from 6 to 9 July. He also showed a series of benches that rely on each other for supportSee all our stories about New Designers 2011 here.

Worth the Weight by Oscar Medley-Whitfield

The details below are from Oscar Medley-Whitfield:


Worth the Weight
The un-Final Collection

Worth The Weight is a project driven by an insight into the worth and projected worth of the commodity, copper.

Worth the Weight by Oscar Medley-Whitfield

It is an experimental, material and process lead project that is focused around developing a method of casting which is suitable for copper.

Worth the Weight by Oscar Medley-Whitfield

Copper is a difficult metal to cast with as it has a tendency to absorb up to 100% of is own volume in oxygen when in its molten state.

Worth the Weight by Oscar Medley-Whitfield

This makes it extremely hard to get refined results from the casting processes as the additional oxygen creates air pockets leaving the finished object with an aerated texture and brittle composite. For these reasons copper is little cast within industry.

Worth the Weight by Oscar Medley-Whitfield

The cloth mould water casting process tackles the issues surrounding copper casting in a number of ways. The lack of oxygen in water ensures a more refined surface finish then conventional moulds. It also supplies a slower cooling process, which gives the metal a dense concentration.

Worth the Weight by Oscar Medley-Whitfield

Although the bowls are presented and finished as a final collection they are in no way demonstrations of cloth mould water castings full potential. Each bowl is a show of slight variation on the process and with each variation comes new opportunity for process refinement.


See also:

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Andre Pereira at
New Designers
Ben Fursdon at
New Designers
Orawee Choedamphai at
New Designers

Footwear by Victoria Spruce

Footwear by Victoria Spruce

Show RCA 2011: footwear designer Victoria Spruce presented these sculptural shoes at the Royal College of Art graduate show earlier this month.

Footwear by Victoria Spruce

The collection combines shiny plastic shells with traditional leather soles and matte-leather linings that are revealed as the uppers twist and fold.

Footwear by Victoria Spruce

Dezeen is quite keen on crazy footwear – check out more stories about strange shoes here.

Footwear by Victoria Spruce

See all our stories about Show RCA 2011 here.

Footwear by Victoria Spruce

Here’s some more information from Victoria Spruce:


The collection was originally inspired by organic, flowing sculptures, giving the idea that the object could consist of one flowing continuous line and material.

Footwear by Victoria Spruce

Through using hard materials and new technologies combined with traditional shoemaking materials and techniques an element of contrast is highly visible yet working together as one.

Footwear by Victoria Spruce

Emphasised by the use of tonal matte leathers to line the plastic and traditional leather soles, the contrast between the modern plastic look and the traditional aspects becomes even further evident.

Footwear by Victoria Spruce

The result is a combination of hard and soft, a contrast of matte vs. shine, and an unlikely pairing of modern technology and traditional techniques creating sculptural and fresh new footwear.

Footwear by Victoria Spruce

Fashion Womenswear
Specialism: Footwear

Footwear by Victoria Spruce
Supported by: The Worshipful Company of Leathersellers, Richard Paice and Daniel Rubin (RCA Footwear Scholarship).

Footwear by Victoria Spruce

Footwear by Victoria Spruce

Footwear by Victoria Spruce

Footwear by Victoria Spruce

Footwear by Victoria Spruce


See also:

.

Melissa shoes by
Zaha Hadid Architects
Hakes shoes SS11
by Julian Hakes
United Nude Shoes
by Rem D Koolhaas

London City Farmhouse by Catrina Stewart

London City Farmhouse by Catrina Stewart

Faeces, electric eels and fruit would power conceptual communities designed by Bartlett School of Architecture graduate Catrina Stewart.

London City Farmhouse by Catrina Stewart

The City Farmhouse project proposes housing communities on stilts above clusters of public toilets, where visitors would be required to donate faeces and urine on arrival.

London City Farmhouse by Catrina Stewart

Electricity would be generated from methane gas released when the harvested excrement is broken down.

London City Farmhouse by Catrina Stewart

Faeces and urine could also be used to produce compost and water for community gardens.

London City Farmhouse by Catrina Stewart

Streetlights would be powered by fruit acid and elevators would be powered by electric eels, kept as pets by residents.

London City Farmhouse by Catrina Stewart

In 2009 Dutch designers Tjep designed a series of self-sufficient farms that reuse waste and could be scaled to accommodate a single inhabitant, a small community or an amusement park.

London City Farmhouse by Catrina Stewart

Other recent architecture graduate projects include an upside-down skyscraper and a tower that shoots artificial bees into the air – see all our stories about this years graduate shows here.

London City Farmhouse by Catrina Stewart

Here are some more details from Catrina Stewart:


London City Farmhouse

The City Farmhouse project is a prototype that looks at forming new self-sufficient communities, which integrate agriculture and housing within the city of London.

The Farmhouses and vertical colour gardens will be open to the public, and will rely on its colours and visitors to achieve self-sufficiency.

London City Farmhouse by Catrina Stewart

Visitors and residents will be expected to make a donation of faeces and urine when they visit the building. These will be used to produce water, compost and electricity for the Farmhouses. Methane gas released by the waste produced in biogas digesters can then be used directly or to produce electricity.

London City Farmhouse by Catrina Stewart

Without its public toilets the community would not be able to survive. The more visitors the building can attract the more power, food and water will be produced. New public toilets will be erected across the borough in order to collect human waste to power the Farmhouses. New communities will begin to grow around the more popular public toilets, creating new Farmhouses.

London City Farmhouse by Catrina Stewart

The Farmhouse project explores the use of colour to attract people to the building and entice them into using the public toilets by using the same principles used for colour in marketing and advertising. Colours are therefore used less for their aesthetics and more for their functional properties.

London City Farmhouse by Catrina Stewart

Nothing in the Farmhouse is disposed of, everything is recycled and reused to fuel something else.  Old and new technologies are used to harness energy and food from almost anything, animals are no longer used for their meat but rather as a source of energy.

London City Farmhouse by Catrina Stewart

Cows are farmed for their methane gas, electric eels are kept as pets to power the elevators in the building and fruits are used to to power the street lights.


See also:

.

Oogst
by Tjep.
Public Farm One by
Work Architecture Company
Union Street Urban Orchard
by Heather Ring

DIY Series by Andre Pereira

DIY Series by Andre Pereira

New Designers 2011: Kingston University graduate Andre Pereira has created a series of products to help with tricky DIY tasks, including these paint brushes that clip onto the edge of a tin of paint.

DIY Series by Andre Pereira

The DIY series also includes a brush guard that holds bristles together for neater corners and edges.

DIY Series by Andre Pereira

In addition, Pereira presented colour-coded wire strippers to help with wiring a plug and proposes that a plug’s prongs could be insulated with colour-coded plastic.

DIY Series by Andre Pereira

A heat-sensitive sticker attached to radiators would indicate when they need bleeding.

DIY Series by Andre Pereira

Pereira presented the project at graduate show New Designers 2011, which took place 6-9 July in London.

DIY Series by Andre Pereira

See all our coverage of the event here.

DIY Series by Andre Pereira

Here are some more details from Andre Pereira:


DIY Series: Painting

Brush Guard, Overhang Paint Can, Hanging Brush

The painting series promotes a clean working environment, through permitted conveniences, and reducing the amount of skill needed to carry out a professional job.

The ‘Brush Guard’ restricts the brushes bristles from spanning out when pressure is applied, giving the user greater control when painting straight lines. It also promotes tool longevity to often throw away tools keeping the brushes shape when not in use. Both the ‘Overhang paint can’ and the ‘Hanging Brush’ permit the user to rest wet paint brushes providing the user with a clean working environment. The Overhang paint can’s handle rests on the stopper permitting the user to rest their paint brush on the groove. The ‘Hanging Brush’ has notch which hooks onto paint can edges allowing the paint to drip into the can rather than down its side and the floor.

DIY Series: Maintenance

Plug Strippers, Coloured plug, Radiator Sticker

The maintenance series has been designed to simplify often overlooked tricky household tasks.

The Plug Strippers are designed to cut and strip the wires of a cable to the required lengths making the fiddly task of wiring a UK plug easier. The order the wires are stripped relates to the order in which they are attached to the plug. The strippers would consist of three blades 2 stripping blades and one cutting blade with the housing being compression moulded.

The Coloured plug is simple, by colouring the existing insulated pins with the according colours of the wires that would attach to them, assures the user they are wiring the plug correctly preventing the plug from being accidentally mixed up.

The Radiator sticker is thermochromic, meaning it reacts to a specified temperature; indicating to the user when to bleed their radiator. Air is a poor conductor of heat so when it builds up at the top of radiators it greatly reduces the heating systems efficiency increasing the amount of energy needed to heat a room. This means the bottom half of the radiator would be hot and the top half colder. By putting the sticker at the top of the radiator you are able to tell whether there is air trapped: When the heating system is on a red ring should appear showing that the system is working. When the system is on and the sticker remains completely yellow,then there may be air trapped.


See also:

.

Ben Fursdon
at New Designers
Hannah Niskanen-Benady
at New Designers
Oscar Medley-Whitfield
at New Designers

Alice by Rachel Boxnboim

Alice by Rachel Boxnboim

Israeli designer Rachel Boxnboim has cast a ceramic tea service inside fabric moulds.

Watch this movie on Dezeen Screen »

Called Alice, the pieces retain the texture and seams of the fabric from which they were formed.

Alice by Rachel Boxnboim

Boxnboim pours the liquid clay into stitched moulds and gradually syringes it out again, leaving a thick layer clinging to the inside of the fabric.

Alice by Rachel Boxnboim

The cloth burns away when fired, leaving the delicate ceramic vessels behind.

Alice by Rachel Boxnboim

Boxnboim developed the process while studying at the Bezalel Academy of Arts and Design in Jerusalem.

Alice by Rachel Boxnboim

Photographs are by Oded Antman.

Alice by Rachel Boxnboim

Here are some more details from the designer:


My work started with my decision to saw a kettle. I took the measurements from my mothers old tea kettle and when i was finished – i had a mould.

Alice by Rachel Boxnboim

In this project I made a connection between a soft material (fabric) and a hard material (ceramic), perpetuating and preserving the properties of the fabric. The ceramic takes on the texture of the fabric and the appearance of the seams, and looks like a kind of hardened textile.

Alice by Rachel Boxnboim

The utensils are useful and contain an element of surprise.

Alice by Rachel Boxnboim

The work included trying out different patterns and different fabrics, the form of the utensil being determined by the pattern, or considerably influenced by the fabric, and changing from utensil to utensil.

Alice by Rachel Boxnboim

Materials and technique: porcelain; sewing and casting.


See also:

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Drink Link
by Joon Lee
Teapot/cup
by Louie Rigano
Blaue Blume by
Undergrowth Design

Clamped Stools by Daniel Glazman

Clamped Stools by Daniel Glazman

Furniture designers’ obsession with clamps has taken a new turn with this stool held together with one of the woodworking tools.

Clamped Stools by Daniel Glazman

The legs of the Clamped Stools by Daniel Glazman are held against the seat underside by a single clamp integrated in the third leg.

Clamped Stools by Daniel Glazman

Glazman designed the stool while studying at the Bezalel Academy of Arts and Design in Jerusalem.

Clamped Stools by Daniel Glazman

Check out some more examples of clamps used as furniture components here.

Clamped Stools by Daniel Glazman

Here’s some more information from Glazman:


My name is Daniel Glazman.  I am a young industrial designer recently graduated from the Bezalel arts and design academy in Jerusalem.

The ‘Clamped Stool’ is a three leg knock-down stool, assembled with a single clamp based joint, integrated with one of the stools legs that locks the whole construction together, giving it its strength.

Clamped Stools by Daniel Glazman

The concept of the ‘Clamped Stool’ was born after I looked at some DIY furniture and thought to myself that they are not so simple to assemble and there is more desperation than satisfaction from the process of the assembly.

Clamped Stools by Daniel Glazman

I decided to design a knock down stool that the whole construction will be held on a single joint, familiar from the field of hardware tools and this way will be easy and intuitive to assemble and fun and satisfying at the same time.

Clamped Stools by Daniel Glazman

In a process which included six models, the familiar clamp had integrated with one of the legs, resulting with a stable, contemporary designed stool.


See also:

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Clamp Desk by Coudamy
and Coulondres
A.M.L. Clamp Light by
Andreas Martin-Löf
Ad Hoc by Peter
Schäfer