Put the Internet to work for you with IFTTT

“Weren’t computers supposed to make our lives easier?” How often have you heard that question in a sarcastic or exasperated tone? The answer is simple, but unexpected. First of all, yes, computers are meant to make our lives easier. But, the reason it often seems they don’t is because computers are dumb. That is to say, they are machines and can only do what we tell time to do.

That can be a hindrance, such as when you can’t figure out the steps necessary to accomplish a task. But it’s also out greatest asset, especially when the steps are simple, clear and effective. One of the best examples I can think of is automation, and my favorite automation tool is something called IFTTT.

Automate Tasks with IFTTT

IFTTT stands for If This, Then That. You can use it to build actions, or recipes, to accomplish tasks for you. A recipe consists of two steps. The second step is triggered when — and only when — the first steps happens. To put it plainly:

If [this happens], then [do this other thing].

Creating Recipes

Let’s look at a few examples to get a feel for it. I post lots of photos to Facebook. I also like to maintain an archive of those photos outside of Facebook, for posterity and as a backup. I could do so manually, dragging each one to my desktop and then into an app like Evernote. It’s not a hassle, but I’m likely to forget a step. Instead, I have IFTTT do it for me. After signing up for a free account, I’m ready to make recipes. Here’s how:

  1. Click Create a Recipe.
  2. A new screen appears with “ifthisthenthat” in bold letters. Note that “this” is a link. Click it.
  3. Time to pick step one! This is the “thing” that must happen in order for step two to take place. Click “Facebook,” and give IFTTT permission to access it.
  4. Choose your Trigger. This is the thing Facebook must “do” in order to trigger step two. In this example, I choose “you upload a new photo.” Click Create Trigger to confirm.
  5. We’re back to those bold letters, but now the Facebook logo has replaced “this.” Click “that.”
  6. Choose your action from the grid. In our case, Evernote.
  7. Click “create image note from URL.”
  8. Finally, click “create action,” confirm that you see “if [Facebook] then [Evernote]”, click “create recipe” and you’re done!

Now, every time I post a photo to Facebook, it’s added to my Evernote account. It doesn’t matter if I use my phone, computer or camera. Off the image goes to Evernote, saving me time.

Using an Existing Recipe

If you like the idea of the service but don’t want to make recipes, that’s no problem. There are hundreds of recipes to choose from, all ready to go. Some popular ones include:

  1. Send an email message to Evernote.
  2. Get updates on what’s new on Netflix.
  3. Receive the day’s weather forecast as a text message.
  4. Receive an email if it’s going to rain, reminding you to pack an umbrella.
  5. Send starred RSS items to Evernote or Pocket for later reading.

It goes on and on. There’s so much you can do, from receiving or sending reminders, watching certain feeds for changes or, my favorite, completing mundane and time-consuming tasks automatically. Create an IFTTT account, start cooking recipes and see what you can do.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


The Design of Design Patents, Part 4: Practical Advice for Designers

Apple4.jpg*The views expressed herein are solely those of the author and do not necessarily represent the view of his firm or its clients.

Our articles so far have laid the foundation to repair the broken image of design patents. While this can help you argue for the resources to seek design patent protection, we also need to learn what to do to make sure that the design patents you seek end up meeting the expectations that you set for them.

A big part of the reason for requiring patent lawyers to have a science or technical background is to put a lawyer and inventor-client on the same page from the beginning of the patent drafting process. As illustrated in the graphic below, the knowledge involved in putting together a patent application has three components. First, someone needs to have deep knowledge of the product itself including how it works, how it was designed and what’s unique about it. Clear on the other side of things, there needs to be deep knowledge of patent law, including all of the patent office rules, the legal limits of what you can claim and how and all of the various legal traps that one can fall into when writing a patent application.

Somewhere in the middle, though, there’s a section of knowledge that requires viewing the product itself from a legal perspective. This involves all of the considerations discussed in the other parts of this article, including what to claim as individual inventions, what is the broadest coverage that you should seek and what backup positions should be included. On top of that, it also involves how to describe a product within the context of all the legal rules and requirements to achieve the type of coverage desired.

When a lawyer’s technical background aligns with the area of the product being patented, the lawyer can handle the bulk of the middle section, as illustrated in the graphic below. The lawyer can generally describe the requirements for a patent including the theories of novelty and obviousness to help the client understand what the lawyer is doing. These bits of patent law knowledge can also help the client make decisions that balance potential coverage with real-world considerations such as cost and timing.

Design_of_DP_Part_4_Image_1.jpg

On the other hand, when dealing with design patents, there will likely be much less of a knowledge overlap between designer and lawyer. As illustrated below, there are many instances where there is no overlap at all or even a substantial gap in knowledge that really prevents the lawyer and designer from getting on the same page and developing a good working relationship. This, in turn, can prevent the lawyer from knowing what really needs protection within an overall scheme and can also prevent the designer from fully appreciating that something could be done.

Design_of_DP_Part_4_Image_2.jpg

All of this can really make it seem like an uphill battle for designers seeking a comfortable level of design protection. Do they first have to educate a lawyer on the finer points of design to close the knowledge gap? Do they, instead, have to first learn all there is to know about patents and patent strategy before discussing things with a lawyer? In a perfect world, yes, both sides could do a little extra work to close this gap, but as a more practical solution, I’ve developed a short list of questions that designers can ask themselves as a beginning to the design patent process. These questions are aimed to help designers start to bend their thinking toward the patent side of things. They can help designers put things in terms that a lawyer can use and understand.

(more…)


Yoobi Branding

Yoobi est le premier restaurant spécialisé dans les Temakis à Londres. S’inspirant du Brésil, pays dans lequel les émigrés japonais ont fait de ce mets une spécialité, l’identité graphique très réussie du restaurant a été entièrement pensée par Ico design. A découvrir dans la suite.

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The War Rooms, St. James’s Park by Ned Scott

This series of hand drawings by Bartlett School of Architecture graduate Ned Scott presents a science-fiction world in which London grows a jungle of crops for fuel and food next to Buckingham Palace.

The War Rooms, St. James's Park by Ned Scott

Above: The Mall

The War Rooms, St. James’s Park imagines a future in which the UK’s energy supply has been cut following a war over energy resources in 2050.

The War Rooms, St. James's Park by Ned Scott

Above: The Mall – detail

Scott presents a closed-loop agricultural system where London provides energy and food for itself without relying on imports.

The War Rooms, St. James's Park by Ned Scott

Above: Smart Grid

An anaerobic digester would stand on the outskirts of St. James’s Park, filled with vertiginous crops.

The War Rooms, St. James's Park by Ned Scott

Above: MP’s House

A sky-scraping ‘energy tower’ nearby would have plants growing on every floor, and a smart grid would be installed for efficient energy use.

The War Rooms, St. James's Park by Ned Scott

Above: MP’s House – detail

Scott was inspired by Ebenezer Howard, the late 20th century thinker whose utopian writings led to the creation of several ‘garden cities’ in Britain.

The War Rooms, St. James's Park by Ned Scott

Above: New St. James’s Park

See more work by Bartlett graduates »

The War Rooms, St. James's Park by Ned Scott

Above: Energy Tower

See all our stories about conceptual architecture »

The War Rooms, St. James's Park by Ned Scott

Above: Energy Tower – detail

See all our stories about graduate shows in 2012 »

The War Rooms, St. James's Park by Ned Scott

Above: The Instrument

Here’s some more information from Ned Scott:


The War Rooms, St. James’s Park

The War Rooms takes a science-fictional premise in which the UK’s energy supply networks are terminated following an Energy War in 2050.

The War Rooms, St. James's Park by Ned Scott

Above: Aerial Perspective

The project explores the implications of the decentralisation of the UK’s energy networks and the implementation of a closed-loop agrarian economy.

The War Rooms, St. James's Park by Ned Scott

Above: Aerial Perspective – detail

The science-fictional scenario presented and the subsequent urban strategies proposed address the challenges the UK faces regarding energy security and fuel poverty, and speculates on the hypothetical consequences of a future where the many risks associated with the UK’s long-term energy strategy come to bear

The War Rooms, St. James's Park by Ned Scott

Above: Anaerobic Disaster

The War Rooms, St. James’s Park introduces an institutional framework for agrarian reform, inspired by Ebenezer Howard, which operates on three simultaneous scales representative of the three protagonists of Clifford D. Simak’s ‘City’: Man, Dog and Ant.

The War Rooms, St. James's Park by Ned Scott

Above: Anaerobic Disaster – detail

The War Rooms, St. James's Park by Ned Scott

Above: Energy Warehouse

The War Rooms, St. James's Park by Ned Scott

Above: Energy Warehouse – detail

The War Rooms, St. James's Park by Ned Scott

Above: Howard Boulevard

The War Rooms, St. James's Park by Ned Scott

Above: Howard Boulevard – detail

The post The War Rooms, St. James’s Park
by Ned Scott
appeared first on Dezeen.

Beats by Dr Dre is seeking a Lead UI/UX Architect in Santa Monica, California

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Lead UI/UX Architect
Beats by Dr Dre

Santa Monica, California

Beats By Dr Dre is seeking a UX/UI guru to drive innovative UI/UX initiatives for multiple product categories at our HQ in beautiful Santa Monica, California (USA). The designer will provide hands-on leadership in all aspects of UX architecture and design of core enterprise web and mobile applications, among other responsibilities.

(more…)


Renault Baby Boom

The Renault Circular Economy – 4L Concept is a new age green car with some pretty neat features. It sports an energy interface dashboard that helps distributing and sharing the solar energy that it harnesses. At work you can hook up the car to an energy station while at home it juices up via the solar installation on the car. Superb!

Designer: Charlie Nghiem


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
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(Renault Baby Boom was originally posted on Yanko Design)

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The Graphic Design of the Eames Office

Little Toy box cover, 1952

The furniture design of Charles and Ray Eames needs little introduction. But from its studio in California the Eames Office also produced graphics, film, photography and exhibition design. This lesser known side of the Eames oeuvre forms the basis of a new show which opens in London next month…

Eames Lounge and Ottoman poster, 1956

Addressing the Need: The Graphic Design of the Eames Office opens at the PM Gallery & House at Pitzhanger Manor in Ealing, west London on September 14.

Among the exhibits will be a selection of invites, brochures, posters, packaging designs, print and press advertisements, alongside several examples of Eames-designed toys.

Detail from double sheet of all Computer House of Cards faces, 1970

The complete Computer House of Cards double sheet, 1970

Examples of the duo’s film work will also be on display, notably Powers of Ten which explored the relative size of various elements that make up the universe. Designs for the Eames’ first interactive exhibition, Mathematica (1961), will also be shown.

Powers of Ten brochure cover, 1977

Powers of Ten brochure, page one, 1977

Powers of Ten brochure, page four, 1977

Exhibition Director of the Eames Office, Carla Hartman, says that the Ealing show will provide an “opportunity to showcase another, perhaps less familiar, side of the Eameses. Their graphic design work lured, informed, delighted, inspired, humoured, and, ultimately, addressed the need.”

Installation shot of the timeline from Mathematica: A World of Numbers… and Beyond, Los Angeles, 1961

Close-up of timeline from Mathematica, 1961

Addressing the Need open on September 14 and runs until November 3 at the PM Gallery at Pitzhanger Manor, Walpole Park, Mattock Lane, Ealing, London W5 5EQ. Entry is free.

A special Eames film screening event will take place on October 25. More information at the PM Gallery site at ealing.gov.uk.

Ray and Charles Eames with model of the exhibition, Mathematica: A World of Numbers… and Beyond, 1961

TalkTalk’s new X Factor idents

Yet again, this year’s X Factor TV talent show is being sponsored by TalkTalk and, once again, the British public will have the chance to submit footage of themselves to potentially appear in the show’s ad break indents – thanks to new work created collaboratively by agency CHI, directing duo Legs, MPC, and The App Business

The basic idea from CHI creative duo Neil and Jay for the work, designed to launch TalkTalk TV, is centred around 15 bespoke music videos, all shot by Legs, conceived to visually function as if to promote a TalkTalk branded music channel.

Each of the music promo style films feature dancers and singers with TV screens as heads. These screens can then be filled with content created and submitted by viewers, either using a nifty Facebook app, a dedicated website (screen grab below), or a special (yet to be launched) iPhone and iPad app.

Each week a new track will be unlocked – although at the moment viewers can choose to submit home-taken footage to one of five tracks – Westlife’s Flying Without Wings, Dizee Rascal’s Bonkers, Labrinth’s Earthquake, 1 Thing by Amerie or Higher by The Saturdays.

The idea is that the viewer films their face (preferably mouthing the lyrics to their chosen song) which then appears on the TV on the shoulders of the dancers in their choice of video accompanying their choice of track. Once created, the personalised promos can then be shared via social media platforms such as Facebook and also submitted to potentially appear as idents during X Factor.

Here’s a montage of example films…

To create the work, Ben Cyzer, MPC’s head of creative strategy explains that it was important to get to work on the user experience up-front and from the beginning of the project: “Key to the success of the project was MPC working together with The App Business to develop the technology to enable the compositing of videos to happen in-software, rather than post-production.”

Cyzer goes on to explain that while preview videos are initially created in Flash which are comped quickly in real-time to be viewed by the user online immediately, over on the “server side”, rendered videos are created using a bespoke specially-created compositor with a much higher resolution. From this data TalkTalk has the ability to select videos to be remastered and titled to go on air, if selected.

“We knew that audiences would love the idea of seeing themselves comped into these pop promos,” adds Daniel Joseph of The App Business. “But the experience had to be lightning fast across mobile, social media and PC – and this meant working with the team at MPC to develop a ground breaking technology platform and a set of bespoke apps.”

MPC showed us some ‘making of’ shots with us and we had to share one as they show the dancers on set actually wearing TV screens on their heads. Love the eye-holes:

To have a go at making and sharing a film, visit xfactor.talktalk.co.uk.

Credits:

Agency CHI & Partners
Creative team Neil Clarke, Jay Phillips, Jon Burley (ECD)
TV producer Nicola Ridley
Digital producer Sarah Allen
Production company FRIEND
Director Legs
DoP Denzil Armour-Brown
Producer Tom Berendsen
Editor Ross Hallard, Trim
VFX supervisor Toby Aldridge, Tom Harding, MPC
VFX producer Sophie Gunn, MPC
Grade George Kyriacou, MPC
VFX digital director Chris Vincze, MPC
Online editors Brett Kelsey, Robert Smith, Carbon
Digital production / digital strategy / app engineering / platform engineering / interaction design The App Business

For The Love of Boarding

The MOXTER kitelandboard features latest technical developments of all board sports combined. The deck is crafted out of a cnc-milled ash-core coated with glass- and carbon fabric. Chis explains, ‘This build-up strategy reduces 20% of the weight while giving the potential to design a 3D shaped board that combines two technically disparate requirements of kitelandboarding: flex and stiffness.’ The hole in the middle of the board looks good but is there for a reason, it increases the flex of the board to absorb the energy after a big jump.

More:

  • The side rails give stiffness to have a direct steer feeling.
  • All components are connected to the board by steel inserts.
  • The Constitutive criteria (or design feature) of “peaked rails” can be found on any part of the system and brings this new sport to the level of professional board sports in look and performance.

Designer: Christoph Kuppert


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
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(For The Love of Boarding was originally posted on Yanko Design)

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“The High Line has become a tourist-clogged catwalk”- New York Times

The High Line

Dezeen Wire: ”the High Line has become a tourist-clogged catwalk and a catalyst for some of the most rapid gentrification in New York’s history,” says author Jeremiah Moss in an article published in the New York Times.

Moss claims that the elevated park that opened in 2009 on an abandoned railway track has become an overcrowded attraction that has prompted a surge of luxury development in the west Manhattan neighbourhood, causing rents to rise and local businesses to struggle.

“Within a few years, the ecosystem disrupted by the High Line will find a new equilibrium,” he says, but suggests that local shops, cafes and even galleries will be pushed out to make room for the chain stores and tourist-friendly restaurants favoured by passers-by.

Landscape designers James Corner Field Operations and architects Diller Scofidio + Renfro are currently working on the third proposed section of the High Line, which is due to open in spring 2014. See our earlier stories about section one and section two.

See all our stories about the High Line »

The post “The High Line has become a tourist-clogged
catwalk”- New York Times
appeared first on Dezeen.