NY Design Week 2011, Mapped Out for Your Convenience

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Last week, when our annual NY Design Week guide went live, I hinted that we’d have “another handy feature for those of you who are more geographically-inclined.” I suppose it was a fairly obvious reference to a map, and with events kicking off as early as this evening, we’re pleased to present the final piece of the 2011 guide

map.pngI’ll be the first to admit that it’s not perfect, but considering that it’s our first year with a map, we only have room to improve. (Next year, we’re aiming for Listing + Map integration, sortability by date, perhaps even a printable version—all of the fancy stuff.)

Stay tuned for NY Design Week 2011 coverage over the course of the weekend, and be sure to stop by our “Sweet 16” party at Phaidon on Monday—RSVP to store.soho@phaidon.com to expedite entry.

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Stem Cell Building at UCSFby Rafael Viñoly Architects

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This medical research building at the University of California in San Francisco by Rafael Viñoly Architects projects out from a forest hillside, supported on steel truss stems that fan upwards from the ground.

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Designed to accomodate 125 individual biology laboratories for scientists studying stem-cell treatment, the building has one laboratory floor split into four levels, which step down half a storey at a time as they descend the hill.

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Offices are located above each level, connected by a stepped circulation route on the exterior of the building which also bridges across to the adjacent medical centre.

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The building has south-facing glazing to maximise natural light into the laboratories and offices.

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More from Rafael Viñoly Architects on Dezeen »

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More medical buildings on Dezeen »

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The following is from the architects:


Stem Cell Building at UCSF by Rafael Viñoly Architects:

San Francisco, California: Rafael Viñoly Architects’ design of the Ray and Dagmar Dolby Regeneration Medicine Building at the University of California, San Francisco has been completed.

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The project is targeting LEED Gold certification. DPR Construction served as the design-build contractor and the Smith Group served as executive architect. The University held a grand opening celebration of the building on February 9, 2011.

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Located on a steeply sloping urban hillside, the Dolby regeneration medicine building presented the design team a unique challenge: executing a horizontal structure on an uneven site.

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RVA responded by creating a beautifully sinuous, serpentine building that makes use of every foot of available space.

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The main floor functions as one continuous laboratory divided into four split levels, each stepping down a half-story as the building descends the forested hillside slope, and each level is topped by an office cluster and a grass roof with wildflowers and plants.

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Exterior ramps and stairs, taking advantage of the temperate climate, provide continuous circulation between all levels, and the facility connects to three nearby research buildings and UCSF Medical Center via a pedestrian bridge.

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The building structure is supported by steel space trusses springing from concrete piers, minimizing site excavation and incorporating seismic base isolation to absorb earthquake forces.

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Inside the building, the transitions between the split levels are designed as hubs of activity. Break rooms and stairs located at these interfaces increase the potential for chance interaction – a goal for promoting a cross-pollination of ideas among the scientists –  and interior glazing maximizes visual connectivity between the lower labs and the upper offices.

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To further promote collaboration, the laboratories occupy a horizontal open-floor plan, with a flexible, custom-designed casework system that enables the rapid reconfiguration of the research program.

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Abundant south-facing glazing fills the open laboratories and offices with natural light and views of the wooded slope of Mount Sutro nearby.

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Green roof terraces impart environmental benefits and an outdoor amenity for building occupants and campus community.

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Visible from surrounding campus buildings’ upper floors, the terraces create a welcoming transitional space where the dense campus meets the forest.

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The Ray and Dagmar Dolby Regeneration Medicine Building is the headquarters for The Eli and Edythe Broad Center of Regeneration Medicine and Stem Cell Research at UCSF, which extends across all UCSF campuses.

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The Center encompasses 125 labs made up of scientists exploring the earliest stages of animal and human development.

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The goal of these studies is to understand how disorders and diseases develop and how they could be treated based on the knowledge of, and use of, stem cells and other early-stage cells.

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The Institute’s mission is to translate basic research findings to clinical research and on to patient care.

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Scientists in the Institute will work closely with clinical researchers at UCSF Medical Center, located nearby, to translate discoveries into therapeutic strategies.

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See also:

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United States Senate
by Rafael Viñoly
Cleveland Museum of Art by Rafael ViñolyMedical Centre
by Doblee Architects

Revelate Designs: "Bikes Turned Up to 11"

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Alaska-based Eric Parsons has a passion for adventure cycling, where you go off-road for days at a time and carry everything you need. This entails strapping lots of gear to your bike. In 2007, Parsons made our favorite type of transition, from user to creator:

After years of experimenting with different setups for hauling multi-day loads, it was clear that a frame bag—tailored to fit within otherwise unused space—offered a highly functional way of carrying heavier items, such as foods, tools and water.

With an industrial sewing machine in a basement apartment, Eric began producing burly frame bags for fat-tire snow bike riders, including those racing the Iditarod Trail Invitational in Alaska. Demand for the bags grew, and after a short three months Eric left his engineering day job behind and devoted himself to designing and sewing bags for others who shared his adventure biking drive and needed functional, lightweight gear.

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Fine Furniture That Gives You Waffle Ass

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Do you like nice walnut furniture, but you still desperately want that waffle pattern imprinted on your ass by a cheap nylon-strap lawn chair? Well, now you can have the best of both worlds with Tim Lewis’ Strap Stool and Strap Chair.

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Daily Obsesh – Twisted Mesh Bustier

imageWe keep hearing that it’s all about color and florals and soft feminine materials this season, but there’s nothing wrong with a good ol’ strapless, black mesh bustier that’s chock full of sex appeal!


Let your inner vixen out with this sassy little number that’s surprisingly versatile! Pair it with black skinny jeans and some killer heels and accessories for a head-turning girl’s night out, or tuck it into a high-waisted pencil skirt with a cropped blazer and turn up the heat in the office!


It’s the perfect day to night piece and sexy never goes out of style!



Where to BuyNastyGal



Price – $68.00



Who Found ItIdabone was the first to add the ‘Twisted Mesh Bustier‘ to the Hive

Dezeen Screen: XXXX by Yuya Ushida

XXXX by Yuya Ushida

Dezeen Screen: In this movie filmed at Ventura Lambrate in Milan last month Japanese designer Yuya Ushida talks to Dezeen about the mechanical engineering behind his XXXX furniture range for Dutch brand Ahrend. Watch the movie »

Pure Goodness

Music video diretto da Ned Wenlock per la band Danger Beach e il loro ultimo album Milky Way.

The Milan Review

RADIO-Off ospita questa sera dalle 19 alle 22 The Milan Review, casa editrice indipendente con base a Milano fondata da Tim Small e Riki Trotta. Un ambizioso progetto editoriale italiano rivolto al panorama internazionale. Il primo numero semestrale è intitolato The Milan Review of Ghost, in attesa del prossimo capitolo interamente dedicato allo street-food.

Radio OFF
Via Pestalozzi 4
Milano – ITALY
Opening giovedì 12 maggio | ore 19.00 — 22.00
Musica: Stargate (dj set)

The Milan Review

Ron Arad to create Curtain Call installation at the Roundhouse


Dezeenwire:
designer Ron Arad is to create an installation at London’s Roundhouse in August this year to host performances by designers and musicians including Hussein Chalayan and Javier Mariscal.

Called Curtain Call, the installation with comprise 5,600 silicon rods suspended from an 18-metre ring inside the venue, which was built in 1846 as a steam-engine repair shed.

This shifting cylinder will form a backdrop to videos, live performances and interactive installations from 9-29 August 2011.

See our series of movie interviews with Ron Arad on Dezeen Screen »
More about Ron Arad on Dezeen »

Here are some more details from the venue:


Major installation by Ron Arad at the Roundhouse

As part of Bloomberg Summer at the Roundhouse, internationally renowned artist, architect and designer Ron Arad will create a unique installation for the iconic London building – Curtain Call.

Arad has responded to the Roundhouse’s spectacular Main Space by creating a curtain made of 5,600 silicon rods, suspended from an 18 metre diameter ring – a canvas for films, live performance and audience interaction.

He has invited his favourite artists, musicians and friends to create unique work for the 360° interactive installation. Each day visitors will be able to see work by Babis Alexiadis, Hussein Chalayan, Matt Collishaw, Ori Gersht, Greenaway & Greenaway, Christian Marclay, Javier Mariscal, SDNA, David Shrigley, and students from the Royal College of Art as part of the piece.

Ron Arad says of Curtain Call: “Walk in, penetrate, cross the moving images to get inside the cylinder. You’ll be engulfed by images – a captive, but also a creator. It’s amazing what exciting things happen on both sides of the curtain. I can’t wait.”

Marcus Davey, Roundhouse Artistic Director and Chief Executive: “The Roundhouse Main Space has been the setting for all sorts of brave, influential work over the years. But this is the first time that an installation of such physical scale and creative scope has been staged. Ron’s remarkable project marries experimental design with live performance. It looks set to be an unforgettable experience.”

Bloomberg: “We’re delighted that our collaboration with the Roundhouse and Ron Arad will inspire artists and audiences to engage in new ways through exciting new technology. We’re proud to be part of such a unique and extraordinary event.”

A number of special events will be staged throughout the run, for which tickets range from £12-25, including: acclaimed cellist Stephen Isserlis with a performance of solo suites by Bach and Britten (17 Aug); Berlin-based electronic music label Innervisions with an evening featuring a screening of 1920s classic, The Cabinet of Dr Caligari, accompanied by a live score (19 Aug); and London Contemporary Orchestra performing Vaughan Williams’ Fantasia on a Theme by Thomas Tallis and other modern pieces on ancient themes (23 Aug).

There will also be free events, including a rude oracle delivered by award-winning American author Jonathan Safran Foer, singer/ songwriter Lail Arad, and Call to Create – a chance for emerging artists to collaborate with AV collective, Eyes on the Wall.

Ron Arad’s constant experimentation with materials and his radical approach to form and structure have put him at the forefront of contemporary design. In 1994 he unveiled the Bookworm bookshelf, and in 2005 he designed a chandelier for the Swarovski crystal company, which uses LEDs to display scrolling text messages sent from mobile phones. He was Head of the Design Products Department at the Royal College of Art from 1997 to 2009. Ron Arad Architects designed the Design Museum Holon, which opened in 2010. Recent major shows include the Centre Pomidou, Paris, MoMA in New York and the Barbican in London.

Dezeenwire

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Introduction

Jean Jullien vi sintetizza cosa è capace di fare in questo video.