These Transparent Headphones with ENC and a $144 price tag pair perfectly with the Nothing Phone

No, they aren’t the Nothing Headphones we’ve been waiting for all this while… but they are pretty spectacular-looking. Meet the Mondo Headphones by Defunc, a pair of over-ear cans with wireless audio and beefy sound that boast a gorgeous transparent body design. Equipped with clear covers on the left and right, the Mondo Headphones are yet another example of the rise in transparency in design. Whether it’s Nothing launching transparent phones and TWS earbuds, or even Beats making a see-through version of their StudioBuds +, it seems like there’s a rise in companies being more transparent with their consumers… literally. The Mondo Headphones come with a design that bares all, allowing you to see the circuitry, drivers, microphones, and batteries underneath the hood. The headphones come with dual-drivers and dual-mics, Bluetooth 5.2, and Environmental Noise Canceling. Plus, a highly affordable price tag of sub-$150 makes them almost a no-brainer to add to your tech gear collection.

Designer: Defunc Store

Click Here to Buy Now

The Mondo’s design language feels very reminiscent of Nothing x Apple. The headphones themselves are styled with the air of the AirPods Max, boasting metal stems, and comfortably rounded earpieces that cushion you in your own audiosphere. The headphones fold flat too, making them ideal for traveling with, but don’t expect an Apple-style carrying case with these. (Which may as well be a good thing given how unappealing the AirPods Max case is)

The over-ear headphones come with a dual-driver design, delivering balanced full-range audio. Each earpiece is equipped with a 1.6″ and a 0.4″ driver, delivering a respectable frequency range of 20 Hz – 20 kHz for punchy lows, rich mids, and crisp highs. Dual mic arrays also ensure the headphones have great ENC or environmental noise cancellation, allowing you to listen to music, make calls, or even record voice notes with minimal interference from the world around you.

The headphones boast Bluetooth 5.2, offering quick and reliable pairing, and come with a battery that offers 45 hours of constant playback on a full charge – a feature that’s further enhanced by how comfortable the over-ear plus earcups are to wear for long periods of time. The Mondo has 430 hours of standby time, so your battery doesn’t drain too much when not in use (take that, AirPods Max), and a USB-C port lets you charge your headphones from 0-100 in 2 hours.

The Mondo headphones weigh just 9 ounces, undercutting most brands like Microsoft, Sony, Sonos, and Apple which range anywhere from 11 to 13 ounces. The price is a pretty compelling factor too, with a $144.9 tag for a pair of plush headphones with ENC. On the other hand, you do have controls for volume on the Mondo, and there’s a palpable lack of a dedicated button for your phone’s Voice AI like Siri on the AirPods Max. That shouldn’t be a deterrent though, for the budget range. The Mondo Headphones also ship with a USB-C charging cable and a coiled 1/8-inch audio cord for versatile listening options.

Click Here to Buy Now

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Raspberry Pi Foundation Launches $70 AI Kit for Pi 5

A rising tide lifts all boats, they say… and it seems like the AI tide is finally coming to help smaller creators harness the power of new technologies. The Raspberry Pi Foundation just unveiled their latest AI Kit that works with the Pi 5, bringing AI capabilities to hundreds of thousands of creators using the tiny computers to build their own hobby projects or even retail products. The versatile single-board computer has seen seismic growth since it was first introduced in 2012, more than a decade ago. As trends go, Raspberry Pi has also ensured its computers stay relevant, introducing features, capabilities, and modules that keep it on the cutting-edge of budget computer-building.

Developed in collaboration with Hailo, a leader in AI acceleration technology, the Raspberry Pi AI Kit is all about empowering users to build intelligent applications directly on their Raspberry Pi. Imagine creating real-time AI vision applications – object detection, facial recognition, pose estimation, and more – without relying on cloud processing.

Designer: Raspberry Pi Foundation

At the heart of the AI Kit lies the Hailo-8L AI accelerator module. This tiny powerhouse boasts a whopping 13 tera-operations per second (TOPS) of inferencing performance. That translates to real-time processing of complex AI tasks, with minimal power consumption – perfect for battery-powered projects or those seeking eco-friendly solutions.

One of the biggest challenges in AI development can be the complex software integration between cameras and AI frameworks. The Raspberry Pi team has addressed this head-on by simplifying the process. Their rpicam-apps suite now features a post-processing template specifically designed for integrating AI inferencing within the camera pipeline. With the pre-installed Hailo Tappas libraries, crafting advanced AI applications becomes achievable with just a few hundred lines of C++ code.

The Raspberry Pi AI Kit isn’t limited to rpicam-apps. The kit also includes an API that integrates with the GStreamer framework, allowing you to run inference on pre-recorded videos or build custom Python or C/C++ applications. This opens doors for a wider range of AI projects beyond camera-based solutions.

Installing the AI Kit software is a breeze. With just a few package installations through apt and a reboot, you’ll be ready to explore the exciting world of on-device AI within minutes. Their comprehensive getting started guide walks you through the entire process. The Raspberry Pi AI Kit is priced at $70, allowing all creators to tinker with artificial intelligence, building new products and helping grow the small creator community in lock-step with global innovation.

The post Raspberry Pi Foundation Launches $70 AI Kit for Pi 5 first appeared on Yanko Design.

Olson Kundig uses glass bridge to connect office buildings near Atlanta's BeltLine

Fourth Ward by Olson Kundig Architects

US studio Olson Kundig Architects has shaded a boxy, glass office complex with aluminium screens near Atlanta’s BeltLine and included a glass-clad volume to connect to buildings and frame the pedestrian paths.

The 1,100,000-square-foot (102,193-square metre) two-building structure was completed in 2023 by Seattle-based studio Olson Kundig on a significant historical site from the Civil War.

Office complex by Olson Kundig Architects
Olson Kundig Architects shaded a boxy, glass office complex with aluminium screens

The pair of buildings create a centrally located civic plaza and frame portals toward Downtown Atlanta and Historic Fourth Ward Park.

The complex connects via an outdoor staircase to the city’s BeltLine, a 22-mile (35 kilometres) urban trail and light rail system that reconnects communities that have been divided over the course of Atlanta’s history.

Interior view of the complex by Olson Kundig
The complex connects to Atlanta’s BeltLine

“The Old Fourth Ward neighborhood is now re-emerging, thanks in part to new development along the BeltLine Eastside Trail,” said Olson Kundig principal Tom Kundig.

“This project doesn’t just sit beside the BeltLine, it invites that pathway into. The design was heavily influenced by the BeltLine and the desire to weave those ground-level pedestrian pathways into the experience of the architecture.”

Street-level retail space
Mail Chimp’s new headquarters are contained above a street-level retail space

The expansive office building houses Mail Chimp’s new headquarters above the street-level retail space. A planted central plaza contains a set of stepped terraces that negotiate the site’s grade change and connect parking, multi-modal transit, retail and amenity zones.

Operable glass walls are operated via a steel pulley-and-cable system, which can be found in many of Olsen Kundig’s past designs.

“We wanted to make the building porous, which in turn helped to drive the form,” said design principal Kirsten Ring Murray.

Stepped terraces
A planted central plaza contains a set of stepped terraces

“Though it’s a large building, we wanted to introduce an experience of passing through multiple, smaller-scaled components, to complement rather than overwhelm the adjacent buildings.

“It’s intended to be an inviting, welcoming building that integrates with the surrounding community. Articulating the tower form also increases the interior users’ access to natural daylight and fresh air, creating healthy and humane workspaces,” Murray continued.

Concrete interior of office building by Olson Kundig
Flexibility was prioritised in the floorplates

Constructed with concrete and structural steel, the office spaces rise out of underground parking into two towers, divided into stacked, three-storey horizontal bands.

The sixth through eighth levels create a bridge that spans the central plaza, creating a vaguely H-shaped longitudinal elevation. That bridge is topped with a planted terrace on the ninth level.

Speculative office space
The spaces can be rented individually or combined

Designed to be offices, the floorplates prioritise flexibility and allow spaces to be rented individually or combined for larger tenants.

The curtain wall glazing is shaded by a black-coloured aluminium screen that is durable and lightweight. Each fin is shaped to minimize wind profile and snow and ice accumulation.

Aluminium screens
The aluminium screens are optimised to reduce glare

Meanwhile, the screens are optimised to reduce glare and preserve views of the surrounding city and the high floor-to-floor heights allow light to reach deep into the interiors.

“The deep architectural sunscreens allow for the maximum number of building users to enjoy optimal conditions, even in a warm climate like Atlanta,” Murray said, noting the equitable access to daylight.

Underground parking
There is also underground parking

“Instead of lowering blinds to block the sun and stay comfortable – which also block the views – the shading components balance solar heat gain without intruding on the view.”

On the interior, the lobby of the northern tower references the red clay and bedrock of the Georgian hill country with a rusted steel panel wall in the reception area and oversized lanterns.

Alternatively, the lobby of the southern tower recalls the muted blue tones and natural textures of the Blue Ridge mountains with a local Georgia gum wood-panelled wall and custom glass lighting.

Targeting LEED Gold certification, the team selected systems that would reduce energy consumption and address stormwater runoff. The project encourages alternate forms of transportation with a connection to the BeltLine Bicycle Trail and a future light rail station.

Aluminium screens
The complex was designed to be an inviting, welcoming building

“Both inside and outside of the building, there’s a lot of opportunity for natural movement and a richness to how you explore and experience the circulation,” Murray said.

“The area is extremely walkable and bikeable, and easy access to the BeltLine allows building tenants and visitors to connect to the larger city beyond.”

Recently, Olson Kundig completed its self-designed New York studio with an expansive timber table that rises into an abstraction of a cityscape in the center.

The studio also teamed up with Canadian designer Erica Colpitts to renovate a mid-century house outside of Vancouver and collaborated with Mexican furniture brand ATRA to outfit a Los Angeles home.

The photography is by Nic Lehoux.


Project credits:

Project Team: Tom Kundig, Kirsten Ring Murray, Steven Rainville, Kimberly Shoemake-Medlock, John Hallock, Christopher Hall, Kailin Wang, Ana Brainerd, Betty Huang, Evan Harlan, Erik Gunderson, Amir Ghazanfari, Laura Sinn and Alexis Burson Nichol, Vikram Sami, Sarah Muchow, Margaret Undine, Kinsey Johnson, Jane Devine,
Developer: New City
Executive architect: HKS
General contractor: Brasfield & Gorrie
Design landscape architect: Future Green Studio
Landscape architect, civil engineer and parking & traffic engineer: Kimley Horn
Structural engineer: Uzon + Case
Sustainability, LEED and commissioning: Working Buildings
MEP engineer: ENGR3 Consulting Engineers
Façade consultants: Front and Green Facades
Lighting design: Niteo
Estimator: Arc Cost Group
Accessibility: Studio Pacifica

The post Olson Kundig uses glass bridge to connect office buildings near Atlanta’s BeltLine appeared first on Dezeen.

Audemars Piguet [RE]MASTER02: A Modern Homage to a 1960s Classic

In this week’s Wristwatch Wednesday, I know you’re expecting part two of the watches I’ve regretted selling, which happens to be the AP 1998 Nagano Olympic Special edition. However, this [RE]MASTER02, a contemporary reinterpretation, is equally interesting, so I apologize; you’ll need to wait until next week for that piece while we explore the [RE]MASTER02.

Designer: Audemars Piguet

Since 1875, Audemars Piguet has followed its own path, combining watchmaking tradition with cutting-edge technology and pioneering new materials and designs. Over the years, the manufacturer has used a wide variety of materials, colors, and case forms, ranging from traditional geometries such as the circle, square, and rectangle to more unexpected trapezoidal or octagonal shapes.

Historical Context and Design Evolution

This exploration of form culminated in the early 1960s with a series of asymmetrical watches, all produced in less than ten pieces. During this period, Audemars Piguet also created several models with angular geometric shapes that were ahead of their time. The boundless creativity of these timepieces continues to inspire Audemars Piguet’s watchmakers today.

Model 5159

One of the remarkable pieces from this era is the Model 5159BA, launched in 1960 and produced in just seven pieces. This model is characterized by its asymmetrical 27.5 mm rectangular case crafted from 18-carat yellow gold. The design broke away from traditional watchmaking codes with its unconventional case shape and minimalist dial layout. The 5159BA’s dial features a series of intersecting lines, creating a sense of dynamic tension and movement. This model is currently on display in the Musée Atelier Audemars

Audemars Piguet 5159BA Model, launched in 1960

The asymmetry of the 5159BA laid the groundwork for daring and unconventional designs in subsequent Audemars Piguet creations. Its bold deviation from traditional symmetry in watchmaking challenged the norms and set a precedent for the brand’s willingness to experiment with form and function. The intersecting lines on the dial, creating a dynamic and almost architectural feel, directly influence the modern reinterpretation seen in the [RE]MASTER02’s dial design, which employs geometric patterns to play with light and shadow.

Furthermore, the 5159BA’s minimalist approach, with its lack of extra detail, allowed the quality of materials and the purity of form to take center stage. This philosophy is carried forward in the [RE]MASTER02, where the design remains clean and uncluttered, allowing the unique properties of the sand gold alloy and the intricate parted dial to shine. The emphasis on material and form over decorative elements is a clear throughline from the 5159BA to the modern reinterpretation.

Model 5182

Another notable model from this period is the 5182, which showcases a more conventional round shape but retains the avant-garde spirit with its minimalistic dial and bold use of gold. The luxurious materials contrast the design simplicity, emphasizing the watch’s elegance and the era’s design ethos.

The 5182’s round case, while more traditional in shape compared to the 5159BA, still pushed boundaries through its minimalistic approach and luxurious execution. This model highlighted Audemars Piguet’s ability to balance traditional forms with contemporary design principles, a balance that is pivotal in the [RE]MASTER02. Using a parted dial with a unique brushing finish in the new model echoes the simplicity and elegance of the 5182’s design ethos.

By integrating high-quality materials like gold and focusing on the dial’s aesthetic purity, the 5182 set a standard for the brand’s future designs. The [RE]MASTER02 continues this tradition using the innovative sand gold alloy and a meticulously crafted dial. The modern piece reflects the historical model’s commitment to understated luxury and precision in craftsmanship, ensuring each design element serves a purpose while maintaining an elegant overall appearance.

The restrained use of design elements in the 5182 also influenced the [RE]MASTER02’s approach to watchmaking, where less is more. This philosophy is evident in the clean lines and thoughtful use of space in the new model’s dial and case, ensuring that each detail enhances rather than overwhelms the overall design.

Model 5167

The 5167 further pushes the boundaries with its triangular case, a bold departure from traditional watchmaking forms. This design exemplifies the influence of geometric experimentation with its sharp angles and unadorned surfaces. The dial is straightforward, focusing on functionality and readability, devoid of unnecessary ornamentation.

The 5167’s triangular case is a adherence to avant-garde design and experimentation with unconventional shapes. This bold approach is a direct precursor to the asymmetrical design of the [RE]MASTER02. The willingness to explore and incorporate sharp angles and geometric forms from the 5167’s design is evident in the modern reinterpretation’s case and dial.

The influence seen in the 5167’s unadorned surfaces and functional design translates into the [RE]MASTER02’s aesthetic. The new model’s parted dial and geometric partitions echo the sharp, clean lines of the 5167, emphasizing functionality while creating a visually striking piece. This inspired simplicity allows the watch to make a statement without excessive decoration.

The straightforward dial of the 5167, designed for readability and functionality, set a precedent for the [RE]MASTER02’s approach to its dial design. The modern piece incorporates clear, easy-to-read markers and a layout that prioritizes functionality, ensuring that the aesthetic serves the practical purpose of telling time while delivering a bold visual impact.

[RE]MASTER02: A Contemporary Reinterpretation

The [RE]MASTER02 Selfwinding pays tribute to a unique watch created in 1960 (Model 5159BA). Following in the footsteps of the [RE]Master01, launched in 2020 to reinterpret a rare chronograph from 1943, this new limited edition of 250 pieces features an asymmetrical 41 mm rectangular case in the new 18-carat sand gold alloy launched earlier this year and a “Bleu Nuit, Nuage 50” parted dial creating unique effects of light and texture.

Combining vintage aesthetics with cutting-edge performance, this new reference is equipped with the Calibre 7129, an extra-thin hour-and-minute movement without date indication, based on the Calibre 7121. The interplay of historical inspiration and modern innovation in the [RE]MASTER02 showcases Audemars Piguet’s dedication to preserving its legacy while pushing the boundaries of contemporary watchmaking.

The asymmetrical case design of the [RE]MASTER02 directly draws from the 5159BA’s unconventional form, highlighting Audemars Piguet’s continued exploration of non-traditional shapes. The new sand gold alloy used in the case introduces a modern twist, with its variable hue adding depth and intrigue to the watch’s appearance. This innovative material pays homage to the past and sets a new standard for luxury watchmaking.

Case and Materials

The [RE]MASTER02 case is entirely crafted in sand gold, a new 18-carat gold alloy whose hue varies between white and pink gold depending on the light and the wrist’s movement. Launched earlier this year on a Royal Oak Selfwinding Flying Tourbillon Openworked reference, this new material, which takes its name from sand dunes, is composed of gold, copper, and palladium for a warm appearance. The case measures 41 mm in diameter and 9.7 mm in thickness, providing a modern, substantial presence on the wrist while maintaining an elegant profile.

Audemars Piguet [RE]MASTER02

This innovative sand gold alloy embodies the blend of tradition and modernity that Audemars Piguet is known for. The material’s unique properties, reflecting different hues under varying lighting conditions, add a dynamic element to the watch, ensuring it catches the eye from every angle. The choice of material also highlights the brand’s attentiveness to pioneering new technologies and materials in their designs.

Inspired by historical models, modern craftsmanship techniques bring the case’s asymmetrical design to life. The clean lines and precise angles of the sand gold case enhance its aesthetic appeal and ensure it commands attention as a contemporary piece rooted in the brand’s rich history. The interplay of light on the sand gold surface creates a visually captivating effect reminiscent of the dynamic dial designs of the past.

Dial Design

The [RE]MASTER02 is enriched by a “Bleu Nuit, Nuage 50” dial that combines different geometries. It’s subdivided into twelve individually machined brass triangles decorated with a linear satin finish before being placed on a brass plate with minuscule feet. The triangles are separated by sand gold partitions that facilitate the reading of the time, creating a striking visual effect that changes with the light. The dial design pays homage to the geometric experimentation of the original 5159BA while introducing modern elements and materials.

With its intricate geometry and meticulous craftsmanship, the parted dial design reflects the brand’s dedication to blending artistic design with functional precision. Using sand gold partitions enhances the dial’s readability and adds a touch of luxury and sophistication. This combination of form and function is a hallmark of Audemars Piguet’s design philosophy.

The “Bleu Nuit, Nuage 50” dial color is a nod to the historical palette used in past models, while the modern execution ensures it fits seamlessly into contemporary aesthetics. The interplay of light and texture on the dial creates a dynamic and ever-changing visual experience, much like the historical models it draw inspiration from. This blend of historical reference and modern innovation ensures that the [RE]MASTER02 is unique and timeless.

Movement and Technical Specifications

The heart of the [RE]MASTER02 is the Calibre 7129, an extra-thin self-winding movement that focuses on the essentials: hours and minutes. This movement evolves the Calibre 7121, known for its reliability and precision. The lack of a date function preserves the dial’s clean aesthetic, allowing the unique design elements to take center stage.

The Calibre 7129, with its extra-thin profile, ensures the watch maintains an elegant and slim form factor, making it comfortable to wear while retaining a sophisticated look. The focus on essential functions highlights Audemars Piguet’s commitment to precision and reliability, ensuring that the [RE]MASTER02 is a beautiful and highly functional timepiece.

By forgoing a date function, the [RE]MASTER02 stays true to the minimalist design ethos of its historical predecessors. This decision allows the watch’s unique design elements, such as the parted dial and sand gold case, to be the focal points, ensuring the overall aesthetic remains clean and uncluttered. This approach underscores the brand’s philosophy of harmonizing form and function.

Bracelet and Finishing

Complementing the sophisticated case and dial is a blue contrasted alligator strap with an 18-carat sand gold pin buckle. The strap’s rich color and texture add to the watch’s overall luxurious feel, making it an eye-catching addition to any wrist. The choice of an alligator strap enhances the watch’s elegance and provides durability and comfort.

The blue color of the strap complements the “Bleu Nuit, Nuage 50” dial, creating a cohesive and visually pleasing look. The contrast between the blue strap and the sand gold case further highlights the watch’s unique design elements, ensuring it attracts attention from every angle. This attention to detail in the choice of materials and colors reflects Audemars Piguet’s dedication to craftsmanship.

The finishing touches, such as the 18-carat sand gold pin buckle, ensure that every aspect of the [RE]MASTER02 exudes luxury and sophistication. This meticulous attention to detail in both design and execution ensures that the watch looks stunning and feels exceptional on the wrist, providing a genuinely luxurious wearing experience.

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Tesco's Laser-Etched Avocados to Save on Packaging Waste

“Laser avocado” sounds like a Doritos flavor, but it’s actually a packaging technique being trialed by Tesco. In a bid to reduce packaging waste, the UK supermarket chain is laser-etching avocados rather than using barcode stickers. And for their avocado products that come in twin packs, they’re ditching the plastic tray in favor of cardboard.

Tesco supplier Westfalia fruit, who possess the laser-etching equipment, say they’ve “conducted extensive trials to ensure the quality, shelf life and taste of the fruit is not affected.”

Tesco is rolling the laser-etched avocados out in a 270-store trial. If customers are happy with it, the practice will go Tesco-wide. The results of that would be substantial:

If rolled out across all stores, the moves, made jointly with the UK’s main avocado supplier, Westfalia Fruit, based in Spalding, Lincolnshire, could save:

– More than 20 million pieces of plastic tray packaging from the twin pack avocado alone, increasing up to 25 million pieces across the pre-packed range

– Nearly a million plastic stickers on its loose extra large avocados (information based on current sales information, provided by Westfalia Fruit)

Tesco sells some 70 million avocados a year, and they report that last year

Cute modular robot is designed to keep your pets happy and fed

Robots are slowly but surely invading our homes, but most of them come in the form of cleaners or toys for our amusement. We might not be the only intelligent lifeforms in the house, however, and the small members of our family also deserve their due, especially when we have to leave them alone for the day. Smart home security cameras are fine if you just want to watch or talk to your pets while you’re away, but that still leaves your furry friends to their own devices. And you still have to figure out ways to get them fed on time and with the right amount without having to call in favors. Unlike others of its kind, this rolling robot is made specifically for your cats or dogs (or both) to keep them entertained, healthy, fed, and even comforted when you’re not at home.

Designer: Enabot

Parents warn their kids that raising pets isn’t an easy job, but even grownups have a difficult time considering their own busy schedules. It isn’t enough to just keep them well-fed either, as pets need to be interacted with, talked to, and entertained for both their physical as well as mental health. The Enabot ROLA PetPal robot tries to take a load off your shoulders, especially when you’re not around to give what your pets need, and you can change what it does simply by switching out the load it carries on its back.

Unlike Enabot’s ball-like smart home robots for humans, the ROLA PetPal looks a bit more like the popular disc-shaped robot vacuum cleaners in the market, except it has two large wheels on its side and a discernible “face” on its front. The rolling robot alone can already be a source of curiosity for pets, but its real value comes from its modular design. It can switch from providing entertainment and even exercise to providing nourishment just by switching between the Interactive Toys module or the Treat Dispenser module.

As the name suggests, Interactive Toys keep your furry friends preoccupied with a playful stick, laser games, or rolling balls. The more interesting module, however, is the Treat Dispenser which uses AI to identify your pet’s face and drop the small treats in its wake when it’s time for food. It can also capture all these moments while your pets play or eat and send you photos or video clips for posterity’s sake.

More than just standing in for you when you’re away, the Enabot ROLA PetPal also tries to deepen your relationship with your pets in absentia. Not only can you talk to your pets remotely, you can also train them to put their paw on a specific part of the robot to send a “Hello” message to your phone. And, of course, the robot’s 5MP 2.5K camera “eye” not only keeps an eye on your pet but also makes sure you’ll never miss a precious moment when you’re not around. It’s not easy being a furry parent, but the cute robot helps lighten up the load and care for your pets in a unique and advanced way.

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Isometric Views of Gamers' Dream Rooms

So there’s this visualization service called SetUpIsLife. They work with you to produce a 3D model of “your dream room” using Blender. While they can do conventional spaces and offices…

…the bulk of their portfolio speaks of their largest customer base:

There really is a consistent gamer aesthetic, isn’t there? Neon magenta, teal, purple. I’m a bit surprised there’s no neon green depicted; perhaps that color gets hard to live with, day-in day-out.

If this is your thing, there’s plenty more to see here.

"Unlimited height" approved for proposed tallest skyscraper in the US

Legends Tower

Oklahoma City Council has approved a rezoning application for Legends Tower, a supertall skyscraper designed by California architecture studio AO that, if completed, will be the tallest in the United States.

Yesterday, the Oklahoma City Council approved an “unlimited” height for the skyscraper, part of the Boardwalk at Bricktown development, which includes three smaller structures.

Legends tower
Oklahoma City Council has put through the rezoning

The decision comes after the initial approval for the height came in April from the city’s planning commission. Yesterday’s decision was the final approval hurdle for the tower.

The proposed plans for the skyscraper put forth by AO and developer Matteson Capital put the skyscraper as 1,907 feet tall (581 metres), significantly taller than the current tallest structure – the Freedom Tower in New York, which stands at 1776 feet tall (541 metres).

Project aims to “transform the city into a global destination”

If built, the tower will be the tallest in the US and the fifth tallest in the world.

“AO is delighted that the Oklahoma City Council has approved the development team’s request for unlimited height for the Boardwalk at Bricktown,” said AO.

“We are grateful that the City Council has embraced the vision of Matteson Capital and the entire design team to transform the city into a global destination.”

The original proposal was put forward earlier this year, with a height of 1,750 feet (533 metres) for the skyscraper. Shortly afterwards, the developer announced that they had changed the plans and were asking permission from the city to build at the currently approved height.

In March, the owner of Matteson Capital Scot Matteson told a local newspaper that “the entire project” had been financed already, and that construction could begin as early as June.

Construction planned for fall 2024

In the recent approval announcement, AO stated that construction is planned for fall 2024.

“AO and Matteson Capital eagerly anticipate the commencement of construction on the first buildings this Fall, and subsequent groundbreaking on the Legends Tower, poised to be the tallest building in the U.S. Once completed, the impact of the Boardwalk at Bricktown will be significant, felt locally in Oklahoma City and resonating across the globe,” said the studio.

The skyscraper will dwarf all others in the area and has raised questions about the reasons for such a large structure in a city with a population less than one million.

“Mid-size cities like OKC are in a better position than ever before to create an attractive environment for those who are either priced out or burned out of life in yesterday’s metropolis,” wrote Ryan Scavnicky for Dezeen, who questioned the implementation of the tower to address this trend away from the country’s traditional urban cores.

The post “Unlimited height” approved for proposed tallest skyscraper in the US appeared first on Dezeen.

Nine fashion design projects from students at Virginia Commonwealth University in Qatar

A person walking on a white runway floor with people in chairs around them. They are wearing a silver dress.

Dezeen School Shows: a fashion design project that contrasts delicate fabrics with unfinished seams is included in Dezeen’s latest school show by students at Virginia Commonwealth University in Qatar.

Also included is a project honouring Qatari heritage alongside modern styling and another taking inspiration from ancient statues and Qatar’s deserts.


Virginia Commonwealth University

Institution: Virginia Commonwealth University
School: School of Arts
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink, Chair and Federica Visani

School statement:

“Behind the Seen was an immersive fashion show organised by VCUarts Qatar’s Fashion Design Class of 2024.

“The clever play on words signalled an exploration of what lay beyond the surface.

“In a twist to the traditional ramp-based presentation, attendees were whisked off into a creative studio transformed into an enchanting atelier, giving them a glimpse of the individual inspirations and meticulous processes of the senior students.

“Mood boards, intricate sketches, meticulous pattern-making and graceful drapes made for an immersive journey that told the story of the evolution of every collection.

“Each designer’s unique approach, innovation and originality were revealed in a celebration of talent, dedication and the artistry of fashion.”


A person walking on a white runway floor with a black backdrop, wearing a red skirt and a yellow top with blue sleeves.

Omani Punk by Alfutoon Al Said

“While advocating for change, the collection is deeply rooted in traditional and historical values, explicitly drawing inspiration from the rich cultural heritage of Oman.

“Each piece is a delicate balance between rebellion and reverence, fusing contemporary aesthetics with a mindful acknowledgement of the unique cultural values that shape Omani identity.

“The collection is a testament to the belief that embracing change does not necessitate the abandonment of tradition – instead, it encourages a harmonious coexistence of modernity and the cherished cultural heritage of Oman.”

Student: Alfutoon Al Said
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: alsaida[at]vcu.edu


A person walking on a white runway floor with a blue dress on.

Jazz Era Arabified by Emman Alsahouti

“My thesis explores the fusion of Arab graphic art and jazz era allure, honouring tradition while infusing it with modernity.

“Drawing inspiration from Qatari garments and Arab motifs, I blend Art Deco, Samurai and flapper influences to breathe new life into age-old symbols.

“Through storytelling and experimentation, I invite viewers to journey into a realm of theatricality, celebrating the transformative power of imagination in fashion.

“My work is a celebration of tradition meeting innovation, where fantasy intertwines with reality to push the boundaries of design and storytelling.”

Student: Emman Alsahouti
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: alsahotie[at]vcu.edu


A person walking through a group of people sat on chairs, wearing black clothing.

Ambiguity Unfolded: Fluidity Meets Structure by Fatima Al-Siddiqi

“This senior year collection celebrates creativity and breaks stereotypes by exploring the relationship between fluidity and structure.

“A monochromatic palette serves as a background for this exploration, with textures and weights as the focus.

“Inspired by gender fluidity, the garments showcase motion and are designed to honour natural contours.

“By manipulating fabrics in semi-origami shapes, the collection seamlessly combines fabric flow and structure.

“It is designed to be modern, functional and appealing to those who value individuality and self-expression.”

Student: Fatima Al-Siddiqi
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: ffalsiddiqi[at]gmail.com


A person walking on a white floor with people in chairs sat around them, wearing black and white clothing.

Active Undercover by Amna Al-balam

“Archive Undercover is a collection of modest, contemporary wear for modern women like me, women who have potential and talent and whose life’s journey is a reflection of their inner self.

“Each garment holds references to special moments from my life.

“For instance, pictures of a book page, a Swarovski staircase, an artwork of a self-portrait, rocks from museums and nature landscapes from all around the world.

“Each piece tells a story of a profound moment that made me who I am today and defined my style.”

Student: Amna Al-balam
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: albalama2[at]vcu.edu


A person walking on a white runway floor in a red dress.

Ceylonese by Aanji Speldewinde

“In crafting the Ceylonese collection, I drew inspiration from my multicultural upbringing and the vibrant tapestry of influences that have shaped my identity.

“Social media and street style served as constant sources of inspiration.

“From the intricate Kandyan pleats of traditional sarees to the bold silhouettes of the 90s, each garment in the collection is a testament to this cross-cultural dialogue.

“This collection honours the spirit of Sri Lanka and offers a unique perspective on the intersection of tradition and modernity in today’s fashion landscape.”

Student: Aanji Speldewinde
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: speldewindea[at]vcu.edu


A person walking on a white floor with people sat in chairs either side, wearing a beige coloured dress.

Draped Dunes by Maha Al-Rabaan

“The collection blends the timeless elegance of Roman sculptures with the rich hues of Qatar’s desert landscapes.

“Drawing inspiration from the intricate drapery of ancient statues and infused with the warm hues of Qatar’s desert landscapes, the collection captures the natural beauty of the region.

“With a focus on simplicity and sophistication, the collection’s vision and purpose are to transcend the ordinary and embrace a reality that feels almost otherworldly.

“Immerse yourself in this world and experience timeless elegance reimagined for the modern woman.”

Student: Maha Al-Rabaan
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink, Chair and Federica Visani
Email: alrabaanmj[at]vcu.edu


Two people walking in different directions, next to one another. Both are in red dresses and walking on a white floor with a black backdrop, with people in chairs either side of them.

Babylon by Aatikah Al-Thani

“My collection is an ode to women – it encapsulates the allure, grace and fiery essence of femininity.

“Each piece was meticulously designed and crafted to tap into the graceful spirit that every woman possesses.

“With a dark and romantic vibe, the garments feature intricate lacework, embellishments and masterful embroidery that depicts the essential elegance of bold femininity.

“My designs are a fusion of surrealism, jazz and class, in evocative red, to reflect the timeless beauty of femininity that transcends passing trends and fads.”

Student: Aatikah Al-Thani
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: althania2[at]vcu.edu


A person walking on a white runway floor with people in chairs around them. They are wearing a silver dress.

Serenity by Wadha Al Attiya

“Serenity offers a delightful contrast of bold silhouettes and delicate fabrics.

“The dresses are designed to highlight the beauty of unfinished seams and exquisite tailoring, emphasising both the perfection and imperfection of beauty and its subjective nature.

“By embracing the beauty of the unfinished, each piece pays homage to the ‘work in progress’ nature of the craft of fashion.

“The raw edges are unexpectedly allowed to take centre stage in the elegant and sophisticated world of formal evening wear, thus adding the unique touch of the designer to each garment.”

Student: Wadha Al Attiya
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: alatiayawh[at]vcu.edu


A person walking on a white runway floor with people in chairs sat around them. They are wearing a red dress and a gold garmet over their face.

Desert Rose by Asma Alkubaisi

“I opted to fuse ancient Qatari heritage with modern sophistication, constructing a manifestation of the enduring elegance found in the heart of Arabia.

“I used traditional Middle Eastern attire as the foundation of this project and modernised it to create timeless beauty inspired by Qatari heritage.

“The colour palette was inspired by the warmth of the desert sands, radiant golds and earthy tones.

“Each piece testifies to the stories of our Arab ancestors, engulfing the viewer in the spirit of Qatari heritage.”

Student: Asma Alkubaisi
Course: Bachelor of Fine Arts in Fashion Design
Tutors: Christopher Fink and Federica Visani
Email: alkubaisia[at]vcu.edu

Partnership content

This school show is a partnership between Dezeen and Virginia Commonwealth University. Find out more about Dezeen partnership content here.

The post Nine fashion design projects from students at Virginia Commonwealth University in Qatar appeared first on Dezeen.

The Powerful Hedgehog Dryer for Gloves and Boots

After moving his family from Brooklyn to Norway, entrepreneur Bjørn Holte ran into a regular problem: Having dry pairs of gloves and boots on-hand for his three little girls. Hemsedal, Norway gets plenty of snow in the winter and rain during the other seasons.

When Holte asked local parents what they used for dryers, no one seemed to have a good solution.

Holte then worked with engineers to invent the Hedgehog Dryer, a family of glove/boot dryers that use a patented turbine technology. It’s something like the Dyson of glove dryers, using a brushless motor and a special impeller to create a powerful airflow. Australian industrial designer Lachlan Dunn handled the product design.

The line includes the Octopus model, designed for shoes and heavy boots:

The Wall model for shoes and gloves:

A Hanger variant of the Wall model:

And the Family model, for shoes and gloves.

All models feature a 10-hour timer and allow you to dial in the heat and airflow. There’s also a “Tornado” mode, for when you need your stuff dried in a jiffy.

Prices run from €149 to €199 (USD $162 to $217).