Field Architects references local vernacular for Gulzar's Residence in India

Gulzar's Residence by Field Architects

Adobe walls, textured plaster and wooden window frames bring “a unique artisanal charm” to this Indian house overlooking the Himalayas in Ladakh, completed by Indian studio Field Architects.

Named Gulzar’s Residence after its client, a prominent naturalist and conservationist, the home is located on a tree-filled site in the village of Chuchot with views towards Stok Range.

To create a close connection to these surroundings, Ahmedabad-based Field Architects drew on elements of vernacular Ladakh architecture for the home’s design, using locally-sourced materials and incorporating a traditional shelkhanga timber-framed sun room.

Gulzar's Residence by Field Architects
Field Architects has completed Gulzar’s Residence in India

“Considering Gulzar’s affection for outdoors, the design responds with visual connectivity and a fluid extension of the spaces into the landscape, adapting his vision of modern living into a functional Ladakhi home,” said Field Architects co-founder Faiza Khan.

“This approach has allowed us to deconstruct the vernacular architecture and create a contemporary home that is truly rooted in its place,” she told Dezeen.

Gulzar’s Residence is organised as a cluster of blocky volumes coated in textured plaster, centred around a double-height living area and a staircase tower. These both face south with large expanses of glazing that help passively heat the home in winter.

Gulzar's Residence by Field Architects
Its design references local vernacular

The blocky volumes sit on dry stone foundations and have load-bearing adobe walls and timber-framed ceilings, which are left exposed throughout the home’s interiors. Adobe is a construction material made from a mixture of earth, water and organic matter such as straw.

“Adobe construction is deeply rooted in local tradition, so combining it with our experience in passive solar heating and contemporary planning along with vernacular knowledge we were able to create a home with a unique artisanal charm,” Khan said.

To the east, a large dining and kitchen area opens onto a small terrace on the ground floor, while above the fully-glazed and multipurpose shelkhang offers panoramic views of the surroundings.

Gulzar Residence’s two bedrooms are positioned to the west, each featuring a dedicated bathroom and walk-in wardrobe, large windows and a lining of rough plaster. To the south is the living area and ground-floor bedroom, which leads to a stone-paved terrace and plunge pool.

shelkhang inside Gulzar's Residence
The home incorporates a traditional shelkhang

Avoiding the use of corridors, Gulzar’s Residence’s spaces are connected either directly or via the glazed central stair.

“The layout of the house is done in such a way that makes even the modest-sized spaces interconnected and the house feels expansive with minimum circulation spaces,” explained co-founder Suril Patel.

“The jewel of the house is the glass room, traditionally called shelkhang, which has 180-degree views eastward and can be either used as an additional bedroom or a social space, as it is attached to the study on the first floor,” he added.

Other Indian homes recently featured on Dezeen include a residence with a wave-like roof by VY Architecture Studio and a dwelling by A01 Architects that cantilevers above a stone-clad plinth.

The photography is by Pia Sodhi.

The post Field Architects references local vernacular for Gulzar’s Residence in India appeared first on Dezeen.

Battery-powered Roku security cameras give owners more flexible installation options

You probably don’t hear much about them on the news, but smart cameras have almost become a staple in many homes. Whether they’re keeping an eye on babies, seeing who’s at the door, or acting like an unseen security guard, these Internet-connected cameras try to give us peace of mind that our homes and loved ones are safe, even when we’re not home. Or at least that’s the case after the initial hurdle of installing them.

Outdoor smart security cameras are a bit trickier to set up because of current technology requirements. In addition to being weatherproof, these 24/7 cameras need to always have power to guard your home. The most straightforward way is, of course, using a power cable, but Roku, a brand better known for streaming set-top boxes, is joining the growing number of smart security cameras carrying their own batteries inside.

Designer: Roku

Although a direct power connection sounds simple, the considerations for an outdoor camera are actually the opposite. You might need to splice wires to route a power line outdoors and then make sure they’re protected from rain and snow. Given how many devices we have today that run on batteries without being plugged in, it’s really only reasonable to expect smart cameras to do the same.

The Roku Battery Camera and Battery Camera Plus take those well-earned rechargeable battery lessons and put them to use in this product category. These cameras are advertised to last six and 12 months, respectively, and, of course, they can be recharged as needed. That opens the doors to better installation options, especially in places where power cords would normally be unable to reach. Being weather-resistant, you don’t even have to worry about installing them somewhere they’ll always be exposed to the elements.

These are not the world’s first battery-powered security cameras, but they do come with one unique extra feature. They can be powered by a Roku Solar Panel, making sure that the cameras never go down. It also ties into households trying to move toward greener power solutions.

Both Battery Camera and Battery Camera Plus are capable of taking 1080p Full HD pictures and videos, as well as detailed images with color night vision. Of course, remote control and monitoring are made possible using Roku’s mobile and browser apps, and can even be accessed on Roku Smart TVs. Availability details are still slim at the moment, but just by cutting the power cord, these two new devices can help Roku push its smart home product line forward.

The post Battery-powered Roku security cameras give owners more flexible installation options first appeared on Yanko Design.

Ma Yansong and Annabelle Selldorf named world's most influential architects

Ma Yansong and Annabelle Selldorf named world's most influential architects

Architects Annabelle Selldorf and Ma Yansong have been named on the Time 100 list of most influential people for 2025 by Time magazine.

The pair of architects were included alongside world leaders Donald Trump and Keir Starmer, Tesla founder Elon Musk, Facebook founder Mark Zuckerberg and tennis player Serena Williams on the US magazine’s annual list of the world’s most influential people.

Yansong, who is the founder of MAD Architects, was selected by director George Lucas, while Selldorf, who is the founder of Selldorf Architects was picked by photographer Annie Leibovitz.

YueCheng Courtyard Kindergarten in Beijing by MAD
Top: Annabelle Selldorf and Ma Yansong were named on the Time 100 list. Above: MAD designed the YueCheng Courtyard Kindergarten

Chinese architect Yansong, a Dezeen Awards judge in 2018, has designed numerous significant buildings in China, including the Harbin Opera House, Jiaxing train station, YueCheng Courtyard Kindergarten, Wormhole Library and the Baiziwan social housing.

Outside of China, his studio has designed projects including One River North in Denver and the UNIC residential tower in Paris.

The Fenix museum in Rotterdam is set to open next month, while MAD Architects is also designing the Lucas Museum of Narrative Art for Lucas.

Lucas Museum of Narrative Art by MAD under construction
Yansong’s Lucas Museum of Narrative Art is nearing completion

“I have been a fan of architect Ma Yansong from his earliest works,” wrote Lucas in Time.

“His designs never cease to amaze and inspire me. This year, he has unveiled projects that include a striking building in Denver that takes inspiration from canyons, and Fenix, a spiralling new art museum in the Netherlands that explores human migration,” he continued.

“Like his mentor, the great Zaha Hadid, he has been at the forefront of a massive change in architecture that will transform our structures for generations.”

Pearl claddding
Selldorf designed a pair of porcelain-clad skyscrapers in New York

German architect Selldorf, who was a Dezeen Awards judge in 2020, leads New York-based studio Selldorf Architects. Her studio recently completed a pair of porcelain-clad skyscrapers and designed an outpost for international art gallery Hauser & Wirth in the city.

Among her other significant projects are the revamps of the Frick gallery in New York and the Sainsbury Wing of the National Gallery, which reopens next month.

Visual of revamped Sainsbury Wing at National Gallery
She is renovating the Sainsbury Wing of the National Gallery

Leibovitz praised her ability to create sensitive spaces that a large number of people can navigate easily.

“Annabelle’s mission is to make art accessible to the widest range of visitors possible,” wrote Leibovitz.

“The spaces she creates are meant to accommodate large numbers of people, but they are not overpowering. They are sensitively and deftly restrained,” she continued.

“The entrance to the Frick is no longer hard to find. Everyone can walk in through the same front door. Visitors can explore the museum at their own pace. Her work embodies the values she holds dear. Art and life are not separate.”

Last year, architects Lesley Lokko and Marina Tabassum were named on the Time 100, while in previous years American architects Jeanne Gang and Elizabeth Diller and Japanese architect Kengo Kuma have been included.

The post Ma Yansong and Annabelle Selldorf named world’s most influential architects appeared first on Dezeen.

World's largest wooden structure encircles Expo 2025 Osaka

Inside The Grand Ring

A gridded wooden structure formed using traditional joinery makes up The Grand Ring, which Japanese studio Sou Fujimoto Architects has used to encircle the Expo 2025 Osaka in Japan.

At 61,035 square metres, it is the largest wooden architectural structure in the world, according to Guinness World Records.

Outside of The Grand Ring by Sou Fujimoto Architects at Expo 2025 Osaka
The Grand Ring has opened at Expo 2025 Osaka

The Grand Ring was designed by Sou Fujimoto Architects as Expo 2025 Osaka’s main circulation route, but also to provide spaces for visitors to take shelter from rain, wind and sun.

Its circular design, which has a circumference of two kilometres and a diameter of 700 metres, is intended to symbolise unity between the 150 participating countries.

Inside of The Grand Ring by Sou Fujimoto Architects at Expo 2025 Osaka
It is the world’s largest wooden architectural structure

“Expos bring all the wonder of each different country and then stay there for six months,” architect Sou Fujimoto told Dezeen.

“And this format, I thought, is very precious, especially in this crisis of the global situation.”

High-level view of Expo 2025 Osaka
It provides views over the Expo as well as Osaka Bay

The Expo 2025 Osaka takes place on the artificial island of Yumeshima in Osaka Bay.

It was masterplanned by Sou Fujimoto Architects in collaboration with fellow Japanese studios Tohata Architects & Engineers and Azusa Sekkei.

The Grand Ring has a modular, dismantlable wooden structure that marries modern and traditional construction techniques, such as Nuki joints – a Japanese connection in which a horizontal beam is slotted through a vertical post, often seen in traditional temples and shrines.

Approximately 70 per cent of the timber used for the structure was sourced in Japan, including cedar and cypress, while the remaining 30 per cent is foreign Scots pine.

Wooden structure by Sou Fujimoto Architects
It was constructed partly using traditional Japanese joinery techniques

The circulation route, named The Ring Skywalk, is elevated 12 metres on top of the structure and accessed by escalators and lifts.

There is a lower and upper level, providing views out over Osaka and Osaka Bay, and back into the Expo site.

Walkways on The Grand Ring by Sou Fujimoto Architects at Expo 2025 Osaka
It acts as the site’s main circulation route

As with the majority of structures at the Expo 2025 Osaka, The Grand Ring was designed to be dismantled.

However, a final decision is yet to be made about whether or not it will be taken down and repurposed or preserved in part or in full.

Fountains at Expo 2025 Osaka
It has a two-kilometre circumference

Among the national pavilions contained within The Grand Ring are the boat-like Bahrain Pavilion by Lina Ghotmeh and the theatrical France Pavilion by Coldefy and Carlo Ratti Associati.

These featured in our roundup of 10 stand-out pavilions at Expo 2025 Osaka, which also included The Ocean Dome by Shigeru Ban, which sits just outside of The Grand Ring.

The video is by Expo 2025 Osaka and the photography is by Lizzie Crook.

Expo 2025 Osaka takes place in Osaka until 13 October 2025. For more fairs, events and talks in architecture and design visit Dezeen Events Guide.

The post World’s largest wooden structure encircles Expo 2025 Osaka appeared first on Dezeen.

Neri&Hu designs bao restaurant to evoke Shanghai's street life

Interior of Gros Bao restaurant in Marseille by Neri&Hu

A full-height void creates a passageway through the middle of the Gros Bao restaurant in Marseille, France, designed by architects Neri&Hu to reference Shanghai’s traditional alleyways.

The eatery occupies a landmark building in the city’s historic Canebière port district, which Shanghai-based Neri&Hu was asked to repurpose by the Bao Family restaurant group.

Exterior of Gros Bao restaurant in Marseille by Neri&Hu
Neri&Hu has designed the interiors for Gros Bao in Marseille

Set across three floors of the stone-clad structure, the restaurant connects a public square on Cours Saint Louis with the Rue des Récolettes on the opposite side of the building.

Responding to the public nature of the square and the more secluded character of the Rue des Récolettes, Neri&Hu created a thoroughfare that recalls the alleyways in Shanghai that are known as longtangs.

Entrance of restaurant in Marseille by Neri&Hu
The restaurant connects Cours Saint Louis and Rue des Récolettes

As well as evoking the spatial typology of the alleys, the design offers a contemporary reinterpretation of these familiar spaces that complements the restaurant’s modern Chinese cuisine.

“The interiors create a new connection that blurs public and private boundaries, cooking and dining scenes, and captures the spirit and vibrant street life that can be typically found in these traditional alleyways,” said Neri&Hu.

Central stairwell of Gros Bao
Entrances on either side of the building open into a full-height void

Entrances on either side of the building open into a full-height void flanked by a reception counter and seating area on one side, with the kitchen and a merchandise display on the other.

The main entrance provides a modern contrast to the classical stone-clad facade, with galvanised steel panelling and windows framing views into the restaurant and the kitchen.

A metal staircase behind the reception desk leads to the upper floors, which both contain seating and serving areas. Simple metal-framed chairs and tables with Formica tops evoke the furniture found at typical Shanghai street food stalls.

Elements of the existing building are left exposed internally and are complemented by a range of basic materials that contribute to the restaurant’s modern, urban aesthetic.

Seating area of restaurant in Marseille by Neri&Hu
White square tiles and red linoleum floors create an industrial feel

“The materiality reflects the rawness and authenticity of Gros Bao’s cuisine offering, ranging from natural steel to white square tiles, galvanised steel, red linoleum and existing stone walls,” the studio said.

Red details, including the ceilings and signage, echo the linoleum flooring and nod to the colour palette used in many traditional Chinese restaurants.

Seating area of Gros Bau
The structure of the building was exposed throughout

Some of the canteen’s dishes are displayed on colourful posters, while elsewhere the glossy white walls provide a backdrop for shelves displaying bottles of Gros Bao-branded sauces.

Gros Bao Marseille is the first regional branch of the Bao Family restaurant group, which was founded by entrepreneur Céline Chung and includes Petit Bao, Gros Bao and Bleu Bao in Paris.

Stairwell and seating of restaurant in Marseille by Neri&Hu
Metal stairs lead to the upper floors

Neri&Hu Design and Research Office was established by Lyndon Neri and Rossana Hu in 2006. The interdisciplinary studio is known for projects that respond to the context and heritage of their settings.

The practice’s previous projects include an arts centre featuring rows of arches and barrel vaults that also references Shanghai’s alleyways and a coffee shop housed in a stainless-steel shed built inside a traditional Shanghainese mansion.

The photography is by Pedro Pegenaute.

The post Neri&Hu designs bao restaurant to evoke Shanghai’s street life appeared first on Dezeen.

"I seem to see the world in 3D" says Tatjana von Stein

Tatjana von Stein

French-German interior designer Tatjana von Stein, who recently joined the Dezeen Awards jury, aims to create a sense of harmony driven by local heritage and craft in her work.

Von Stein, whose work spans luxury hospitality and retail projects alongside bespoke furniture collections, describes herself as an “intuitive designer.”

“I imagine worlds, create furniture and spaces, and weave stories that shape experiences, sometimes subtly, sometimes boldly,” she told Dezeen.

The designer combines contemporary and classical elements, sourcing materials from local artisans at each project location.

“My work is deeply rooted in how people feel within a space and excellence in craftsmanship,” she said. “I seem to see the world in 3D, obsessing over the finest architectural and joinery details.”

“I’m passionate about what I do, constantly learning, and evolving – not just as a designer, but in the broader sense of what design means,” she continued.

Von Stein is currently working on a large hotel in Munich, set to be revealed in early 2026, a house in Menorca and a restaurant in Mallorca, among other projects.

Read on to find Von Stein’s pick of projects that best represent her work:


Tatjana von Stein

Làlia Members’ Club, Mallorca, Spain

“Làlia was a deeply passionate and sustainability-driven project – one that also sparked my love affair with Mallorca, now a significant focus for our studio.

“Working on an island comes with its challenges, but it was an incredible opportunity to immerse myself in local materials and craftsmanship, reinterpreting them with a touch of indulgence in the more typical Balearic style.

“For me, hospitality spaces are all about tempo, and Làlia provided the perfect canvas – multiple floors and rooms designed to subtly guide movement and behaviour, leading guests seamlessly from one space to the next.

“The most rewarding part was collaborating with local artisans and materials, relationships we continue to nurture and build upon today.”

Read more about Làlia Members’ Club ›


Tatjana von Stein

60 Curzon, London, UK

“This project was an opportunity to echo the building’s art deco language – something I resonate with deeply, not just in terms of style and design principles but also in my passion for creating a sense of drama within a space.

“I’ve always loved residential design. There’s something incredibly special about shaping the way someone lives in their most personal space. It’s about more than just aesthetics; it’s about creating a feeling, a rhythm to everyday life.

“With this project, it was a privilege to bring that level of thoughtfulness and artistry to a home within such an iconic building.

“From the moment you step into the building’s entrance, you’re transported to another era – an atmosphere that sets the perfect tone for our design concept and, of course, it satisfied my ongoing desire to infuse a touch of theatrical flair into the space we designed.”

Read more about 60 Curzon ›


Tatjana von Stein

Locke hotel, Zurich, Switzerland

“Locke Zurich was our first hotel project and a defining moment for our studio. Zurich is a city rich in layers, and our design concept embraced exactly that.

“I love creating spaces that unfold over time, where narratives are woven into the design so that people continuously notice and feel something new with each visit. This modernist building, along with Zurich’s deep-rooted Swiss modernist influences – from the Corbusier Pavilion to other architectural icons – was our starting point.

“This juxtaposition of modernism and classical refinement was echoed throughout the space. A perfect example is our stainless steel-clad staircase, standing in contrast to the neoclassical statues, merging elegance and modernism at every turn.

“We also introduced modernist apertures and other architectural interventions between the hospitality spaces, fostering both intimacy and a sense of connection, allowing guests to feel part of a larger experience while finding moments of privacy.

“Again, how do we move people within a space is always the question I ask myself.”

Read more about Locke hotel ›


Tatjana von Stein

London Abode, London, UK

“Working within a new build is always a challenge, but with our Spanish creative client’s blessing, we were able to transform it into an indulgent pocket in time – richly layered with influences from different eras.

“Seventies sunken carpeted beds, modernist stainless steel apertures, art deco lamps, and chinoiserie all coexist in harmony, creating a space that feels both timeless and immersive.

“It’s a home designed for a young couple in love, a place for entertaining, moving freely, and surrendering to the romance of the space.

“Throughout, we designed bespoke furniture to maximise space, all crafted by British makers, ensuring every detail was as intentional as it was beautifully executed.”


Tatjana von Stein

Mise-en-Scène

“My first furniture collection is the culmination of years spent learning about materials and form from artisans and craftsmen around the world.

“It marks the moment I was able to bring my passion for furniture design and excellence in craftsmanship into something tangible – something that withstands the passage of time.

“The collection’s form and materiality are deeply inspired by my love of dance and the human form, making it a highly personal creative expression. Bringing its narrative to life through film and photography was equally inspiring and fun.”

Enter by 29 May!

To put your work in front of this year’s Dezeen Awards judges, log in or create an account via our new entry platform to begin your entries. Find out about this year’s categories here. Make sure you submit your projects by 23:59 London time on 29 May.

Click here for more information about Dezeen Awards and subscribe to our newsletter for the latest news. Plus, you can always drop us a line at awards@dezeen.com if you have any questions.

Dezeen Awards 2025 in partnership with Bentley

Dezeen Awards is the ultimate accolade for architects and designers across the globe. The eighth edition of the annual awards programme is in partnership with Bentley as part of a wider collaboration to inspire, support and champion design excellence and showcase innovation that creates a better and more sustainable world. This ambition complements Bentley’s architecture and design business initiatives, including the Bentley Home range of furnishings and real estate projects around the world.

The post “I seem to see the world in 3D” says Tatjana von Stein appeared first on Dezeen.

Taipei restaurant features lights resembling bamboo stalks

Waiter at Logy restaurant in Taipei

Warm and earthy tones and materials were used to create Taiwanese fine-dining restaurant Logy, which architect Keiji Ashizawa designed for “intimate dining experiences”.

Located in Neihu, Taipei’s business district, Logy‘s interior was designed in reference to the Taiwanese and Japanese ingredients that its chef, Ryogo Tahara, uses in his cooking.

Brick-clad entrance area in Taipei restaurant
Teapots decorate the entrance area

Visitors enter the space via a brick-clad waiting area, where downlit teapots decorate the terracotta-hued wall.

This leads into the main dining space, where Ashizawa combined brick and plaster walls with walnut wood panelling and reddish-brown curtains to give the high-ceilinged room a more intimate feel.

High ceilings in Logy restaurant
The dining room has high ceilings and wooden furniture

“This restaurant is devoted to culinary innovation, using only the finest ingredients sourced from Taiwan, Japan, and across Asia,” Ashizawa told Dezeen.

“We believed that the space needed to harmonise with the indigenous ingredients he carefully selects,” he continued.

“The plastered walls, brick elements, and lighting fixtures inspired by bamboo all reflect this concept. Designed for intimate dining experiences that unfold over two to three hours, the restaurant creates a sense of privacy within the elegant, high-ceilinged space.”

Wooden walls at Logy in Taiwan
Walnut-wood panelling clads some of the walls

Groups of wood-and-leather chairs were clustered around round wooden tables, in reference to the traditional round-table dining in Taiwan.

The tables were especially designed for the Logy restaurant, Ashizawa said.

“For the furniture, we partnered with Karimoku Furniture, a long-time collaborator, to design chairs that embody fine dining elegance – now part of the Karimoku Case collection,” he explained.

“The fully cushioned backrests ensure comfort while providing space for guests from placing handbags behind them. Its lightweight construction allows for effortless movement by both guests and staff.”

Waiter in dining room in Taipei
The lighting and chairs were custom-made for the space

The studio chose to use indirect light in the restaurant to create a “home-like atmosphere,” and added custom-made lights in different designs.

These also nod to the restaurant’s geographic location – though they are made from steel pipes, the lights resemble cut-off bamboo stalks. Over smaller tables, Ashizawa added lamps made of just two “stalks”, while larger tables have lighting made from four.

“The lighting draws inspiration from bamboo, a key material in both Taiwan and Japan,” he said. “Fixtures mimic the angled cut of bamboo stalks, enhancing warmth and intimacy.”

Bamboo-like lamp by Keiji Ashizawa
Larger tables have lamps made of four “stalks”

The designer created both hanging and wall-mounted lighting for Logy.

“Wall-mounted lights provide ambient illumination, while pendant lamps – varying in number by table size – create a personal dining experience and a rhythmic flow,” Ashizawa added.

Other recent projects by Ashizawa include the minimalist renovation of a 1990s concrete building and a Tokyo home where wooden louvres create “subtle seclusion”.

The photography is by Tomooki Kengaku.

The post Taipei restaurant features lights resembling bamboo stalks appeared first on Dezeen.

These AI-Powered Smart Glasses Destroy the Meta Ray-Bans with 5-Hour Video Recording

We’ve come a long way since the failures of Google Glass. Now, smart glasses are all the rage, ever since Meta managed to nail the product brief with their Ray-Bans collaboration. Up until Meta’s breakthrough, smart glasses have been solutions searching for problems – but now the tides have turned as AI and camera-enabled glasses are actually hitting mainstream. I bought the Meta Ray-Bans 2 the first chance I got because I instantly saw the value proposition – a dashcam of sorts for when I rode my e-scooter. While that problem statement may not apply to everyone, the folks at BleeqUp decided to take things a step further – by making sports-focused AI smart glasses. In short, protective glasses, a GoPro, a walkie-talkie, and open-ear earphones – all in one stellar, slick product.

BleeqUp’s new AI sports glasses seem less concerned with fancy AR features or social-media integration like other smart glasses, and more focused on bundling genuinely useful tech into a form factor cyclists already wear. It feels like a natural convergence, streamlining the gear many athletes already carry separately. The core appeal lies in its integration, aiming to be a practical tool built from understanding what cyclists might actually use out there on the road or trail.

Designer: Simon Lin

Click Here to Buy Now: $299 $449 ($150 off) Hurry, only 23/140 left! Raised over $200,00.

The glasses themselves hold about an hour’s worth of continuous recording power – something even Meta’s glasses can’t hold a candle to. However, Bleequp smartly offers an optional helmet-mounted battery pack that extends the total recording time up to five hours, completely leaving the competition in the dust. This modular approach addresses the power demands of continuous filming without making the glasses themselves overly bulky – that dashcam requirement I had? The continuous recording ability of the BleeqUp basically ticks that box without compromise.

There’s AI woven into the BleeqUp too, mainly in the form of video processing by way of automatic clip processing, highlight detection, and the ability to go from one long recorded video to social-media-ready video snippets of your greatest moments. However, if you want to grab moments manually (rather than relying on the AI), a simple tap of the touchpad on the temple activates BleeqUp’s recording mode. Meanwhile, the AI can automatically detect crashes or falls and begin recording, acting like a built-in dashcam to document incidents as they happen. While it doesn’t prevent accidents, having a recorded account can be invaluable for reviewing what happened or sharing footage if needed.

BleeqUp incorporates open-ear headphones, absolutely vital for maintaining situational awareness – blocking traffic noise is a non-starter for safe cycling. Dual-driver speakers strategically placed in the temple stems guide audio directly into your ear, providing clear full-range audio that doesn’t impair your ability to hear other noises around you (traffic, horns, etc.). Use it to listen to energetic music while engaging in outdoor sports, or even integrate your BleeqUp with Strava or Google Maps to give you stats or navigation while you ride.

The headphones, aside from just being for music and navigation, also have a walkie-talkie mode that lets you chat with other nearby riders even at speeds of 30km/h. A 5-mic array helps cut noise (especially wind) while you’re riding. Audio control is handled via hands-free voice commands or a Bluetooth remote that mounts conveniently on your handlebars. Fiddling with buttons on your face mid-ride isn’t practical, so these options are essential.

Ultimately, the BleeqUp are safety glasses first. To that end, the glasses themselves feature a wind-resistant design and UV400 lenses, and are designed to wrap around the face to protect against dust and debris while riding. Meanwhile, the internal tech is rated IP54 for dust and splash resistance, so you could easily wear these in a light drizzle or work up a sweat without any worry. For wearers with prescription lenses, the folks behind BleeqUp provide a free lens clip for attaching RX lenses.

What’s so remarkable about the BleeqUp is that it isn’t being the best version of one product – it’s being the best version of three separate product categories. It’s first and foremost a pair of safety glasses, designed to be durable, protective, and stylish. Next comes the AI-empowered built-in camera that performs better than most smart glasses, while also simultaneously eliminating the need for action cameras. Thirdly, the audio setup within the eyewear gives you a holy trifecta of music, navigation, and communication with the walkie-talkie feature… all that for a $299 price tag, or $399 if you want that extra power-pack and the Bluetooth remote controller.

If you’re still wondering whether the BleeqUp are for you, here’s what I’ve learnt in the 8 months I’ve owned a pair of smart glasses. Even though these are built for sports, the very idea of being able to record your PoV is absolutely life-altering. I’ve recorded scenic videos of myself riding an e-scooter, filmed traffic violations (and accidents), captured moments in a split second when I couldn’t take out my phone, recorded festivals like Lollapalooza, and even filmed a PoV of myself holding my friend’s newborn son. These are things you really can’t put a price on – and even if you did, $299 for essentially a 4-in-1 device (glasses, camera, earphones, walkie-talkie) is pretty compelling, no??

Click Here to Buy Now: $299 $449 ($150 off) Hurry, only 23/140 left! Raised over $200,00.

The post These AI-Powered Smart Glasses Destroy the Meta Ray-Bans with 5-Hour Video Recording first appeared on Yanko Design.

Humanscale grows its work-from-home offering with a new comfort-focused collection

Diffrient Lounge Chair from Humanscale

Promotion: US work furniture brand Humanscale premiered its comfort-focused Humanscale Living collection at Salone del Mobile last week.

At the Milan design week trade fair – the world’s largest of its kind – Humanscale presented its Living collection, including six products, incorporating a preview of the soon-to-be-released Diffrient Lounge chair.

Humanscale Diffrient Lounge chair
The Diffrient Lounge chair features an integrated work surface

The curated selection was chosen to highlight Humanscale’s growing work-from-home offering.

Designed by industrial designer Niels Diffrient, the Diffrient Lounge is Humanscale’s first lounge chair in over 40 years of trading.

Humanscale Diffrient Lounge chair
Humanscale’s first lounge chair, the Diffrient Lounge is set to launch in June

Featuring a small integrated work surface and articulating back and headrest, it facilitates working away from a desk.

The preview in Milan precedes the Diffrient Lounge’s official launch at Fulton Market Design Days in Chicago this June.

Humanscale eFloat Quattro table
With its slender profile, the eFloat Quattro is a sit/stand table intended for use in the home

Also on show at the Salone was the soon-to-be-released eFloat Quattro, an electric sit/stand table.

An addition to the Float family, the Quattro’s four rounded legs afford a light profile that helps it fit more naturally into a home environment.

Humanscale Sedeo Stool
The Sedeo Stool is among the more established products showcased in the Humanscale Living Collection

As well as these new designs, the Humanscale Living display also featured more established products in the brand’s seating portfolio.

Among them was the ergonomic Sedeo stool. Created by industrial designer Don Chadwick, the Sedeo’s contoured seat shell encourages good posture and spine health, and is available in both bar and counter height.

Humanscale Freedom chair
The self-adjusting Freedom chair is one of Humanscale’s best-known products

The Freedom chair, designed by Diffrient, is a Humanscale product well-known for its self-adjusting recline and dynamic support system, which uses the sitter’s weight and movement to adjust without the need for knobs and levers.

The luxurious Summa – which doubles as a task chair or an occasional chair – has a weight-compensating recline mechanism and integrated armrests.

Humanscale Summa chair
Products like the Summa chair and eFloat Quattro are part of Humanscale’s growing range of products designed for home-working

Finally, the customisable and certified climate-positive Trea Task Lite was designed by Todd Bracher to mimic the body’s natural recline. It combines a supportive shell back with a waterfall edge to soften pressure on the back of the knees.

To find out more about Humanscale, visit its website.

Partnership content

This article was written by Dezeen for Humanscale as part of a partnership. Find out more about Dezeen partnership content here.

The post Humanscale grows its work-from-home offering with a new comfort-focused collection appeared first on Dezeen.

This Tiny House Offers Enhanced Living For Two & Affordable Luxury On Wheels

In January, Dragon Tiny Homes made a mark in the tiny house market by introducing the Aria, a compact and affordable towable home designed for convenience and mobility. The original Aria quickly gained attention for its smart use of space and budget-friendly appeal. Building on the strengths of its predecessor, Dragon Tiny Homes has now launched the Aria 24, an upgraded model that offers even more comfort and functionality. The Aria 24’s best improvement is its increased length, measuring 24 feet (7.3 meters), compared to the original model’s 20 feet (6 meters).

Although the difference is only four feet, this extra space boosts the interior living area, creating a much more comfortable and versatile environment, especially for two people. The Aria 24 sits on a sturdy double-axle trailer, making it easy to tow and relocate as needed. Its exterior is clad in durable engineered wood, mirroring the original Aria’s look while ensuring long-lasting protection against the elements. Inside, the home features tasteful shiplap paneling, lending a cozy and inviting atmosphere.

Designer: Dragon Tiny Homes

The tiny home can be accessed through a glass door that leads directly into the kitchen, where you’ll find a compact but functional space designed for convenience. The kitchen features a small breakfast bar suitable for two people, a two-burner induction stove, a modern sink, a fridge/freezer, and ample cabinetry for storage. There is also additional space available, offering the option to install more appliances if desired, making the kitchen both practical and adaptable.

Adjacent to the kitchen is the living room, which is more spacious than that of the original Aria model. This area comfortably accommodates a sofa and a small coffee table, creating a cozy spot for relaxation or entertaining guests. The living room benefits from generous glazing, which allows plenty of natural light to flood the space, giving it an open and airy feel. The thoughtful layout and well-lit interior make the Aria 24 welcoming and comfortable.

The bathroom in the Aria 24 is located on the opposite end of the home from the living room, maximizing privacy and efficient use of space. It is accessed via a stylish sliding barn-style door, which saves room and adds a rustic touch. Despite its compact size, the bathroom is well-equipped with a modern sink, a standard flushing toilet, and a shower, providing all the essentials for comfortable daily living.

The Aria 24 features a single bedroom, which is accessed through a staircase cleverly integrated with storage compartments, offering extra space for belongings. The bedroom itself is a loft-style area with a low ceiling, typical of many tiny houses, and it accommodates a comfortable double bed along with a small storage nook for personal items. While specific pricing for the Aria 24 has not been released, homes in the Aria series typically start at around US$50,000, making it an appealing option for affordable tiny living.

The post This Tiny House Offers Enhanced Living For Two & Affordable Luxury On Wheels first appeared on Yanko Design.