Silestone Slab Vases by Form Us With Love for Cosentino

Silestone Slab Vases by Form Us With Love for Cosentino

Stockholm 2012: Swedish designers Form Us With Love presented vases comprising slabs of quartz compound slotted onto a metal frame in Stockholm last week. Watch the movie »

Silestone Slab Vases by Form Us With Love for Cosentino

The Silestone Slab Vases were created for Spanish brand Cosentino to show off their Silestone material, normally used for kitchen and bathroom surfaces.

Silestone Slab Vases by Form Us With Love for Cosentino

The vases can be reconfigured and made waterproof by the addition of a plastic insert.

Silestone Slab Vases by Form Us With Love for Cosentino

The designers presented five new collaborations at their annual Form Use With Friends showcase, this time at Swedish Museum of Architecture, including the Bento chair we’ve already featured. See photos of the show here.

Silestone Slab Vases by Form Us With Love for Cosentino

Stockholm Design Week took place from 6-12 February and you can see all our stories about it here.

Silestone Slab Vases by Form Us With Love for Cosentino

Photographs are by Jonas Lindström.

Silestone Slab Vases by Form Us With Love for Cosentino

Here are some more details from Form Us With Love:


Silestone Slab Vases

Form Us With Love and Cosentino present a project exploring the quartz surface Silestone. Silestone Slab Vases were showed at the exhibition Form Us With Friends at the Swedish Museum of Architecture during Stockholm Design Week. The project aims to break away from the familiar Silestone slab form and explore the material’s tactile dimension.

The Slab Vases consist of rings of Silestone, which have been slipped over a metal bracket to create a sculptural vase. The rings vary in size and are cut so the shape of the vase changes with each assembly. The material is of Iberian origin, but Scandinavian sensibilities run through the Slab Vases project.

Watch this movie on Dezeen Screen »

Form Us With Friends by Form Us With Love

Form Us With Friends by Form Us With Love

Stockholm 2012: Swedish designers Form Us With Love present five new projects at the Swedish Museum of Architecture as part of Stockholm Design Week this week.

Form Us With Friends by Form Us With Love

The work on show includes their Bento chair for new brand One Nordic Furniture Company (see our story here) pendant lamps for Design House Stockholm, dividers for Swedish brand Abstracta, a lamp for Swedish firm Ateljé Lyktan and vases for Spanish company Cosentino Silestone.

Form Us With Friends by Form Us With Love

Stockholm Design Week continues until 12 February. See all our coverage here.

Form Us With Friends by Form Us With Love

Photos are by Jonas Lindström.

Form Us With Friends by Form Us With Love

Here are some more details from Form Us With Love:


Form Us With Friends 2012

For the third year in a row, Form Us With Love presents the exhibition concept Form Us With Friends during Stockholm Design Week. This year, Form Us With Love has teamed up with the centre for architecture, form and design, The Swedish Museum of Architecture and created a unique exhibition on the scenic island of Skeppsholmen in central Stockholm.

With the exhibition, Form Us With Love wants to highlight the creative collaborations behind their new work.

A year of intense work has resulted in five projects adding new dimensions to each specific area: lighting, furniture and objects. The exhibition focuses on the story and process behind the projects.

Form Us With Love presents new design for five friends: the Plaid dividers for Abstracta (Sweden), the Plug Lamp for Ateljé Lyktan (Sweden), the Form Pendants for Design House Stockholm (Sweden), the Bento chair & table for One Nordic Furniture Company (Finland) and the Slab Vases for Cosentino Silestone (Spain).

Dezeen Screen: Faceture by Phil Cuttance

Faceture by Phil Cuttance

London designer Phil Cuttance has built a machine to cast faceted vases that are unique every time. Watch the movie »

Faceture by Phil Cuttance

The Faceture series is made of water-based resin, rotated inside a folded mould as it hardens.

Faceture by Phil Cuttance

The mould can be altered before each casting by pushing and pulling parts of the folded plastic net inwards and outwards.

Faceture by Phil Cuttance

Royal College of Art graduate Julian Bond developed a similar process in 2010 by pushing plaster rods back and forth to continuously alter the cast form. See his work here.

Faceture by Phil Cuttance

Other projects by Cuttance on Dezeen include vases made by welding plastic offcuts together and coat hooks made from toy animals.

Faceture by Phil Cuttance

Images are by Petr Krejčí and Phil Cuttance.

Faceture by Phil Cuttance

Here’s some more information from Cuttance:


FACETURE vases

The FACETURE series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould. The mould is then manually manipulated to create the each object’s form before each casting, making every piece utterly unique.

The FACETURE process

First the mould of the object is hand-made by scoring and cutting a sheet of 0.5mm plastic sheet. This sheet is then folded, cut and taped into the overall shape of the product that is to be cast. The mould’s final shape, and strength, is dictated by which triangular facets I pop in and out. I do this each time I ready the mould for the next object, meaning that no two castings are the same. I then mix a water-based casting resin that is cast in the mould where it sets solid.

The resin is poured into the hollow mould and rolled around to coat and encase the sides, controlled by me on the casting jig on the machine. The material soon sets creating a hollow solid object. Then another, different coloured measure of resin is poured into the same mould, and swirled around inside, over the first. When it has set, the mould is removed to reveal the solid set cast piece. The casting appears with sharp accurate lines and a digital quality to its aesthetic, a visual ‘surprise’ considering the ‘lo-fi’, hand-made process from which it came. The mould is then cleaned and ready for re-use.

Each vase is handmade, unique, and numbered on the base.

Available in two sizes:

Tall – 45 x 12 cm approx
Small – 34 x 8 cm approx

Standard colours – Charcoal, blue, yellow, pink, white. Custom colours available.

The FACETURE project was created with the support of Creative New Zealand.

Watch this movie on Dezeen Screen »

Binic by Ionna Vautrin

A desk lamp inspired by sailboats in Brittany

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Exactly one year ago, Foscarini launched the Binic, a charming little lamp by French designer Ionna Vautrin. With an overarching nautical theme, the name comes from a small lighthouse on the coast of Vautrin’s hometown of Brittany, France and the shape is inspired by the wind sock of a ship.

With its diminutive stature and quirky aesthetic, the Binic still commands a distinct presence on the desktop. The base is in satin aluminum, while the projector is made of glossy polycarbonate, enclosed in a simple inclined screen that gently spreads the light. Made in Italy, the lamp has been a bestseller over the course of the year, not to mention an award-winner—Binic was named “Best Table Light 2011” at the Wallpaper Design Awards.

We caught up with Vautrin to talk about her instantly beloved piece.

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Binic is a object that almost becomes a character—was that intentional?

I like the idea of an object that is incarnated, nearly personified. Binic was originally inspired by wind socks but in the process it became more alive. But anyone can find his own personal reference.

You have a very special sensibility for colors, how did that come about?

I don’t know if it’s a special sensibility, but I always had fun working on it. The color is fundamental for a project, it’s not something I would ignore. To me it’s important as the definition of the shape or the choice of materials and finishings.

What other projects are you are working on?

The Cyclope Mirror and the collection of vases have recently been produced by Moustache. Actually I’m working on a few different projects: a collection of bags for Nava Design, some big fabric animals for Kvadrat and a personal exhibition at the Tools Galerie in Paris.

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Binic is available in 2,800 design shops and distributed in 88 countries across the world. For more information head to Foscarini online.


Discover Gifts Worth Giving: Mom

From leopard handbags to reconstructed vases, gifts fit for a matriarch
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With the holiday season well underway, your mom just might have all her holiday shopping finished. Now, it’s your turn to treat her—these won’t make up for all she’s done for you, but you can make a valiant effort.

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Yves Saint Laurent clutch

This ultra-luxe leopard-printed calfskin clutch is a true investment piece for Mom’s closet. Both timeless and on-trend, she’ll be able to carry it now and treasure forever—and, perhaps, eventually bequeath to you. The YSL evening bag is available online at YSL for $1,295.

Organic SPA Robe

This 100% organic cotton robe makes a failsafe gift item for a mother who could always use some relaxation and luxury in her life. We may recommend getting a pair so that dad doesn’t get jealous. Available at Pottery Barn for around $100.

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Vase of Phases

With a name to match, the “Vase of Phases” embodies the beauty of experience in porcelain. Designed by Studio Dror, the vase has been smashed three different ways and then pieced back together to reinforce Dror’s ideas on purity, damage and transformation. The vase comes in black or white in three different sizes. Available at Studio Dror for $120-$135.

The Interiors Now! Vol.2

Whether your Mom is into minimalism, baroque or romantic home decor, she’s sure to find something for her dream house in this new Taschen book. Going inside homes all over the world, the book explores a range of different styles to inspire fresh ideas or simply dress up a coffee table. Available from Amazon for $27.

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Local Collection by Maxim Velčovský

Local Collection by Maxim Velčovský

London Design Festival 2011: Czech designer Maxim Velčovský presents a series of containers made from semi-finished iron piping at Mint in London.

Local Collection by Maxim Velčovský

The Local Collection comprises pieces of piping that have been diverted from their intended life as part of the city’s plumbing network and joined together to make vases.

Local Collection by Maxim Velčovský

The series was on show as part of and exhibition called Mint Explorers at the west London shop as part of the London Design Festival and the exhibition continues until 30 September. See all our stories about the London Design Festival here.

Local Collection by Maxim Velčovský

This time last year Velčovský showed a series of objects covered in mineral deposits at Mint – check them out in our earlier story and watch an interview we recorded at his Prague studio here.

Local Collection by Maxim Velčovský

Parisian studio Ciguë recently furnished a cosmetics shop with pieces of diverted plumbing – take a look at it here.

Local Collection by Maxim Velčovský

Photographs are by Jara Moravec.

Here’s some more information from Maxim Velčovský:


Local Collection

The Local collection is inspired by local identities. Quite recently the oldest porcelain workshop in the Czech Republic got closed.

I reacted by going to the local ironmonger’s shop. In the global era I started working with the stuff you can find in your neighbourhood. The material and the subsequent process in the context of place and time is what make the design really authentic.

The semi-finished products for the production of piping became my building material for the new collection. In the ironmonger’s I have always been fascinated by the parts whose morphology anticipated a function of the object.

The Local Collection makes use of the morphology of parts displayed in anonymous wholesale metal shops. I see these warehouses as boxes with Lego bricks without the original instructions that got lost. Now we can only use our own imagination.


See also:

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Story cabinet by Maxim Velčovský Underground Souvenirs
by Maxim Velčovský
Interview with
Maxim Velčovský

Stacking Vessels by Pia Wüstenberg

Stacking Vessels by Pia Wüstenberg

Each of these vases by London designer Pia Wüstenberg combines turned wood, blown glass and thrown pottery.

Stacking Vessels by Pia Wüstenberg

The Stacking Vessels comprise three separate containers that stack to form one vase.

Stacking Vessels by Pia Wüstenberg

Wüstenberg is one of 30 designers selected for Dezeen Platform at Dezeen Space, which opens during the London Design Festival later this month. See the full lineup here and find out more about Dezeen Space here.

Stacking Vessels by Pia Wüstenberg

You can see more stories about vases here.

The text below is from Wüstenberg:


Stacking Vessels is a series of functional sculptures for the home. The Vessel consists of three individual containers in ceramic, glass and wood. The materials combine to form an overall shape.


See also:

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Ai Weiwei at
Lisson Gallery
Natura Jars by Héctor Serrano
for La Mediterránea
Weight Vases by
Decha Archjananun

Natura Jars by Héctor Serrano for La Mediterránea

Natura Jars by Héctor Serrano for La Mediterránea

London designer Héctor Serrano presents this series of jars with cork lids at Maison&Objet, which opens today in Paris.

Natura Jars by Héctor Serrano for La Mediterránea

The project is an extension to his Natura collection of vases for La Mediterránea, launched in January.

Natura Jars by Héctor Serrano for La Mediterránea

The jars come in three sizes and three colours.

Natura Jars by Héctor Serrano for La Mediterránea

Maison&Objet continues until 13 September.

Natura Jars by Héctor Serrano for La Mediterránea

See all our stories about Héctor Serrano here.

The text below is from Serrano:


Natura Jars by Héctor Serrano para La Mediterránea

Natura jars are inspired by the world of vases. A collection of jars that not only store but also decorate. Its translucent colors let you see their content, screening them and creating a balanced range of tones.

A continuation and extension of the natural collection. This why we use the cork in the same way, similar formal language and same color code that resembles ancient glass, giving it a vintage flavour.

The collection is made of 100% recycled glass and is composed of three jars of 1000cc, 2000cc and 2400cc, available in three colors green, amber and red.


See also:

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Plug by
Tomas Kral
Wine & Bar by Aurélien Barbry
for Normann Copenhagen
Cru by
Sebastian Bergne

Sand by Yukihiro Kaneuchi

Sand by Yukihiro Kaneuchi

These vases made of sand are shaped according to the principles of an old Japanese game.

Sand by Yukihiro Kaneuchi

The game, called Bou-Toshi, begins as a mound of sand with a pole jammed in the centre. Players take turns removing sand until the pole eventually loses stability and collapses.

Sand by Yukihiro Kaneuchi

Designer Yukihiro Kaneuchi swaps the traditional pole for a glass tube and embalms the heap in resin to prevent the grains of sand from scattering away, so that the vases appear to be on the brink of disintegration.

Sand by Yukihiro Kaneuchi

Here is some more information from the designer:


Sand

Taking inspiration from the game ‘Bou-Toshi’, I’ve created a series of vases made of sand and resin.

Sand by Yukihiro Kaneuchi

The game is simple. First, players make a heap of sand and place a pole in the centre.Then each player takes turns removing sand, the one who causes the pole to fall loses.

Sand by Yukihiro Kaneuchi

With its primitive element of creation and destruction, this game has been played for centuries. Here, the pole is transformed to a glass tube – time stopped with resin. The shape nears collapse, bringing a tension and delicate beauty to the flower.


See also:

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Tu-Tu by Rock
Paper Scissors
Weight Vases by
Decha Archjananun
Kami pots by
Ett La Benn

PhotoGraphy by ShiKai Tseng

PhotoGraphy by ShiKai Tseng

Show RCA 2011: Royal College of Art graduate ShiKai Tseng has decorated a range of vases by covering them in photo-sensitive solution then exposing them inside pinhole cameras. Watch the movie on Dezeen Screen »

PhotoGraphy by ShiKai Tseng

Left for between five and 15 minutes, the vases are then developed in a darkroom like a normal photograph.

PhotoGraphy by ShiKai Tseng

Each one permanently records imagery from the environment in which it was briefly exposed.

PhotoGraphy by ShiKai Tseng

See all our stories about this year’s RCA graduates here and more stories about cameras here.

PhotoGraphy by ShiKai Tseng

Here are some more details from ShiKai Tseng:


PhotoGraphy – no.1

PhotoGraphy project is the creation of a process in which the environment, time and light react to each other and generate images on three-dimensional objects.

PhotoGraphy by ShiKai Tseng

The 1st series is about coating objects with a “light-sensitive” layer, put in a black box with strategically placed pinholes, and exposed for 5 to 50 minutes depending on the brightness of the environment.

PhotoGraphy by ShiKai Tseng

It is a new way to capture a moment in time, no matter whether the image on the object is focused or losing focus.

PhotoGraphy by ShiKai Tseng

The object will carry the trace of its first moments of experience, its first exposure.

PhotoGraphy by ShiKai Tseng


See also:

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Bucchero by
Siba Sahabi
Rubikon Pinhole Rebel
by Jaroslav Juřica
Photographs by
Hélène Binet