New 1 Hour Design Challenge Launches TODAY! Theme: Gestural Interfaces

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pIn our newest 1 Hour Design Challenge, Core77 and Seattle-based design firm a href=”http://www.teague.com/”Teague/a ask you to a href=”http://boards.core77.com/viewtopic.php?f=35t=21539″design a provocative gestural interface/a, using an everday object as a starting point. Teague will donate $500 in the name of the first place winner to NPower Seattle and in the name of the second place winner to Project H Design. The first place winner will also be awarded an Arduino Kit, to make those interfaces real./p

pTHEME: br /
Gestural Interfaces /p

pDOORS OPEN:br /
May 5, 2010/p

pDOORS CLOSE:br /
May 31st, 2010br /
11:59 PM PST/p

pBRIEF: br /
Digital interfaces, while compelling and empowering, drive us towards a flatness that’s disorienting and boring. We’re losing the richness that makes the physical world so compelling. Worse yet, we’re replacing intuitive interactions with poor substitutes in our effort to make everything ‘fit’ on screen./p

pThis 1 Hour Design Challenge invites designers to come up with a meaningful counterpoint to the all-in-one interface of the screen. You are tasked with creating a simple but engaging interaction that does not rely on a screen for input or output. You are free to appropriate an everyday object or to create a unique piece of geometry, but your solution must invite the user to interact with information or their surroundings in a way that encourages discovery while delivering an element of performance./p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/1hdc-teague-diag.jpg” width=”468″ height=”362″ alt=”1hdc-teague-diag.jpg”//div

pFor example, in the diagram above, flipping over a chair switches an ‘open’ sign off. What if you could turn off your reading light by simply closing a book? What if your pen became heavier as you wrote larger checks? The best solutions combine object, ritual and context. What will yours be?/p

pTo learn more about the inspiration behind this challenge visit a href=”http://www.teague.com”Teague./a/p

pHOW TO ENTER:br /
Participants must execute their design in only 1 hour, based on an honor system. Upload sketches, diagrams or hi-res photos and a brief text description of your design to the a href=”http://boards.core77.com/viewtopic.php?f=35t=21539″designated submission forum/a. To discuss the challenge and the entries, visit the a href=”http://boards.core77.com/viewtopic.php?f=35t=21538″1HDC discussion forum./a/p

pJURY:br /
Winners will be selected by Core77 along with Ben Collette, Adam Kumpf and Tad Toulis from Teague./p

pCRITERIA:br /
Judging will be based on degree of innovation, strength of concept and ambition of idea./p

pPRIZE:br /
The first place winner will be awarded an Arduino kit and Teague will donate $500 in their name to NPower Seattle. The second Place winner will receive a $500 donation in their name to Project H Design./p

pa href=”http://boards.core77.com/viewtopic.php?f=35t=21539″strongENTER NOW!/strong/a/p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/1hdc-teague-lost.jpg” width=”468″ height=”312″ alt=”1hdc-teague-lost.jpg”//diva href=”http://www.core77.com/blog/featured_items/new_1_hour_design_challenge_launches_today_theme_gestural_interfaces__16511.asp”(more…)/a
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The Best of Spanish Design

As evident at the latest Salone del Mobile, Spanish design is becoming increasingly known for turning simple objects into playfully clean shapes suitable for any environment. Below, check out our favorites from the show.

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With nearly 50 years of design under their belt, Expormim continues to explore multipurpose furniture with two new inspiring collections. Nieves ContrerasOut_line Collection and Javier Pastor’s black and white Nido line work beautifully both indoors and out with their metal framework and airy compositions.

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Celebrating its 10th year on the market, Andreu World revisited the classics with the new padded Nanda Comfort Chair by Lievore Altherr Molina Studio, debuting in both leather and fabric versions in Milan.

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Lievore, Altherr and Molina also designed the beautiful Woody chair, where new proportions come alive in oak wood.

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Once again, the Spanish carpet industry is rich with beautiful surprises. Patricia Urquiola‘s all natural rugs for Gan by Gandia Blasco recently received the Red Dot Design Award for their outstanding quality and innovative design.

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Nanimarquina confirmed its aptitude for innovation with the pixilated Digit rug by Cristian Zuzunaga. The vibrant designs add texture and color with their optical patterns, which change in appearance depending on the lighting or time of day.

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At Sellex, Mario RuÍz designed the sleek Bildu, a seating system made of a steel structure with inserts of wood and padded fabric.

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Jesús Gasca’s Laclásica prototype is remarkable since the concept of the stacking chair is rarely applied to a wooden piece. It’s slated to go into production this September at Stua.

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Madrid’s DesigM presented young and experimental designs, like Embalando Lujo’s furniture for Dapefe. The concept takes different styles of old-fashioned furniture, transforming it into a game where the pieces interact with the user for virtually unlimited possiblities.

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Love Story by Colectivo Empanadilla makes light of romance with its clever heart-shaped base that turns a candle into a table piece.

The Sion District, Belo Horizonte

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The focus on Brazil’s tourist meccas of Rio de Janeiro, São Paulo and Salvador makes Belo Horizonte—the country’s third largest city and where I stayed on my recent visit to art park Inhotim—all the more appealing. Full of hidden gems, the city’s a worthy stopover when traveling to Brazil, exemplifying another angle of the famous Brazilian hospitality.

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The Sion neighborhood stands out as one of my favorite under-the-radar stops. Although located next to the boutique-heavy district of Savassi, its residential, hilly streets give it a quiet, almost pensive side. Architect Patricia Naves, owner of design-objects shop Grampo (whose passion for design is a combination of her Brazilian background and schooling in Europe) introduced me to it.

Featuring Brazil’s best industrial product designers from Estudio Manus and the Campana Brosthers to locals like Anna Cunha (stationery) and Lucia Lou (jewelry), Naves—whose own inventive line Oiti combines elements of design with architecture; Karim Rashid brought home the Toast It cork trivets (pictured) on a visit—makes it a point to also incorporate tees and other assorted items within a wide price range so that everyone can leave with something. To inquire about their collection, part of which can be viewed online, call Grampo at +55 (31) 3327-4674 or email (info [at] grampodesign [dot] com [dot] br).

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A few doors down is the ateliê of Rogerio Fernandes, a blazingly prolific artist who specializes in lithography. His pure pop illustrations burst with color and have a consistently upbeat nature about them. He likes to explore themes of love, which explains why so many of his pieces show people locking lips. Fernandes’ prints and other merchandise sells from his site.

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A charming upstairs chocolatier producing artisan-quality Belgian chocolates, Ernestina Degryse and her Belgian husband Bertrand run Degryse, opening the shop after living in Brussels, where Ernestina learned to make candies like locals.

What most impressed me was not only the quality and taste of the chocolates (most Brazilian-made chocolate tend to load on fillers and fat), but also the incredible variation of shapes. Horse and pharaoh heads, pianos and grapes filled with gooey caramel or mint are all molded from the pre-formed trays the Degryses brought back from Belgium.

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In a Brazilian twist, Degryse stocks bonbons filled with cachaca and caipirinha, which I’ve never encountered in Brazil before. The store takes international orders via e-mail—chocolates [dot] degryse [at] bol [dot] com [dot] br—and phone—+55 (31) 3227-4202.

Belo Horizonte, in the mining state of Minas Gerais, is a few hours by plane and eight hours by bus from Sao Paulo and Rio de Janeiro.


The Artisan and the Automaton: FedEx Office and Hope Bindery

pimg src=”http://s3files.core77.com/blog/images/2010/05/aa-kinkos-inside.jpg” width=”468″ height=”344″ alt=”aa-kinkos-inside.jpg”/br /
img src=”http://s3files.core77.com/blog/images/2010/05/aa-hope3.jpg” width=”468″ height=”351″ alt=”aa-hope3.jpg”//p

pemTop: The instantly recognizable interior of Fed Ex Office. Bottom: Jim DiMarcantonio and Paul O’Conner working at a href=”http://www.hopebindery.com/”Hope Bindery./a /em/p

pMuch like its name, FedEx Office, the store formerly known as Kinko’s and FedEx-Kinko’s, seems to be in a perennial state of reorganization and flux. Much of the very dated but “refurbished” location on Meeting Street in Providence, Rhode Island is unused and no longer houses any viable service. Nearly half of the location’s floor space is occupied by computer workstations behind a glass partition, like a mausoleum from a bygone era when computers were not an everyday commodity. Stacked boxes serve as storage for the location’s new identity as a printing and shipping outletmdash;a combination that always seemed a bit awkward. For a business that prides itself on its organization and punctuality, (“The World on Time”) FedEx Office feels neither global nor of this time. br /
br /
By stark contrast, Hope Bindery, a one-room studio owned and operated by a quirky craftsman, a RISD alum named Jim, is bursting at the seams. Located deep in the heart of a mill-turned-studio in Pawtucket, the location boasts no illuminated sign but instead, a hand scrawled note taped to the stairs reading: “Hope Bindery: Third Floor Fourth Door on Your Left.” Inside the space, there is no division between you (the client) and the craftsman. You are all at once in his workspace, forcing you to become part of the work. And, if you hope to have Jim practice his magic for you, you had better be able to speak the language of bookbinding and design./p

div class=”article_quote”The departure from relying on human capital for skilled processes has clearly streamlined transactions and improved business, but it has been at the sacrifice of what made those experiences worthwhile and “human” to begin with./div

pWhile the two don’t offer identical services, the nature of their business, the production of printed matter, and their significance to my personal development as a designer and thinker offer an opportunity to make a revealing comparison between the automaton and the artisan. /p

pAs more of our experience becomes enmeshed in “designed” environments, the automaton will continue to affect more and more of our service experience. The departure from relying on human capital for skilled processes has clearly streamlined transactions and improved business, but it has been at the sacrifice of what made those experiences worthwhile and “human” to begin with. We are all familiar with the automaton in our daily life–the self checkout at your supermarket, the voice on the other end of an 800 number–and in more sacred situations like our classrooms–No Child Left Behind, internet universities. Here, I am exploring the specific situation of FedEx Office and Hope Bindery, illustrating something of the relationship between the artisan and the automaton and providing a snapshot beyond scripted experiences into a more aware and educated cooperative process./p

pimg src=”http://s3files.core77.com/blog/images/2010/05/aa-fedex1.jpg” width=”468″ height=”351″ alt=”aa-fedex1.jpg”/br /
img src=”http://s3files.core77.com/blog/images/2010/05/aa-hope2.jpg” width=”468″ height=”350″ alt=”aa-hope2.jpg”//p

pBack in the quietly humming, halogen-lit expanse of the FedEx Office, you enter feeling instantly alienated. The black and purple clad employee, who has probably had little training in paper goods (not their fault), follows the guide of a computer system instructing them to enter paper type, quantity, and any other specifications an order may have. The system is effective, standardizes the process, and makes for an efficient and transparent transaction. However, the moment the client attempts to deviate from the preordained path, the shallowness of the protocol is revealed. Essentially all of the “work” autonomy has been transferred from the hands of the transient and unskilled employee, (who remains nameless because each visit to this particular branch seems to yield an entirely new staff), to the machine and its touch screen interface. The photocopiers, just like the computer workstations, sit in mirror positions across the floor, were a revolutionary piece of office equipment at their inception. But now, the entire institution of FedEx Office seems dated and unsure of its position and role in the modern world post-print. /pa href=”http://www.core77.com/blog/featured_items/the_artisan_and_the_automaton_fedex_office_and_hope_bindery__16510.asp”(more…)/a
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Wallpaper* Invites Readers to Design Their Own Cover

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Who’s following in the footsteps of past Wallpaper* cover designers such as Karl Lagerfeld, Philippe Starck, and Anish Kapoor? You. The magazine is offering readers the opportunity to design their own unique cover of the August issue, which will be devoted to the handmade. It’s as easy as registering here before May 17 to gain access (later this month) to the online cover-making application, a virtual buffet of images, graphics, and patterns contributed by the likes of James Joyce, Nigel Robinson, and Anthony Burrill. After you’ve scaled, rotated, colored, and tweaked to your heart’s delight on the front, turn your attention to the back cover, where media partner Rolex is offering nine ad options. Once you’ve finished your stint as guest art director, Wallpaper* will get to work realizing your vision. Subscribers will receive their customized issues in early July. No subscription? No problem. Register to learn how you can order a single bespoke issue. Meanwhile, we’re just as excited about what will be between the covers of the August Wallpaper*: recently commissioned design projects that were exhibited in the Brioni house at last month’s Milan Furniture Fair.

New Career Opportunities Daily: The best jobs in media.

Wear A Cute Mini Dress All Day!

imageWho doesn’t love putting on a cute mini dress and heels and flaunt what their mama gave them? The thing is, mini dresses for night are usually quite tight, skimpy and wildy inappropriate for day wear. Sunny days, however, do call for less fabric on a daily basis and while baring the girls for all to see in broad day light may send a wrong message, showing off your gams is a classier way to show a little sex appeal and stay cool. Mini dresses are totally wearable during the day, all you need to do is make a few minor style changes to make it sunshine ready. Look for a more fluid drape and looser silhouette, sweet (think floral or polka dot) patterns, and brighter, lighter colors. Heels are always hot, but for height, try pairing it with wedges for a more daytime vibe. Or throw on a pair of flats or flat sandals for a stylishly casual feel. Click on the slideshow to see some sexy sweet mini dresses that are perfect for the day!

view slideshow

Best Birth Announcement Ever

Bike Light

Product designer Fraser Mort has produced Bike Light to make cyclists feel more confident. Bike Light is an LED dot matrix, where the cyclist can desi..

Infectious Ideas: Using Antimicrobial Copper Alloys in Hospitals, by Alice Ro

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/CDA-figure-8.jpg” width=”468″ height=”351″ alt=”CDA-figure-8.jpg”//div
img alt=”CDA-figure-6.jpg” src=”http://s3files.core77.com/blog/images/CDA-figure-6.jpg” width=”468″ height=”351″ class=”mt-image-none” style=”” /

pemTop: Hospital room with sani-station and touch-point hardware: grab bar, faucet, and light switch. Bottom: Sani-station in hospital lobby. /em/p

pemCopper Touch/em is a system of antimicrobial touch-point hardware and sani-stations (alcohol gel dispensers) designed to be deployed in hospitals to reduce infection. The system kills germs in areas people are most likely to touch while addressing some of the behavioral challenges of infection control: hand-washing and cleaning surfaces. The products also showcase the newly-proven antimicrobial properties of copper alloys; the sani-stations act as communication points to brand the material at the place where germs are top of mind. /p

pThe project began when the Copper Alloy Association (CDA) approached us at a href=”http://www.pensanyc.com”Pensa/a with the problem of encouraging hospitals, CDA’s target market, to adopt copper alloys. Studies proving that these materials kill microbes faster and more effectively than any other antimicrobial material on the market and an EPA registration permitting health claims about these properties were not enough, so the CDA asked that we identify and design compelling hospital products that would inspire designers and manufacturers to use copper alloys wherever there was a need to fight infection./p

div class=”article_quote”Consistency, patient compliance, and error avoidance are all crucial factors in effective delivery of a therapy. This is the space where we excel: applying an understanding of human behavior to create solutions that work within our imperfect world./div

pTo develop a solution, we first had to understand the challenges of infection control in hospitals and the experiences of a range of hospital stakeholders, including infection control officers, cleaning staff, administrators, doctors, nurses, patients, architects, and facility managers./p

pimg src=”http://s3files.core77.com/blog/images/2010/05/CDA-figure-1.jpg” width=”468″ height=”323″ alt=”CDA-figure-1.jpg”//p

pemAntimicrobial effectiveness: copper vs. the competition. Copper alloys have also been proven to kill Staphylococcus aureus, Enterobacter aerogenes, Pseudomonas aeruginosa, and E. coli, in under two hours. /em/p

pbr /
bDesign and medical science/bbr /
The number of Americans who die every day from hospital-aquired infections (HAIs) is equivalent to one jumbo jet plane crashing every day, according to Donald Wright, MD, MPH, of the US Dept. of Health and Human Services. Surely, there would be an uproar if our society allowed for such continuing aviation disasters, but HAIs just don’t have the same prominence in public awareness. Hospitals are under a lot of pressure to rectify the situationmdash;pressure that includes the cessation of Medicare payments in cases of HAIs and several state laws mandating transparency or reporting of HAIsmdash;but fixing the problem is a struggle. The problem of the quantity of infections is compounded by antibiotic resistant “super bugs,” created by the overuse of antibiotics./p

pimg src=”http://s3files.core77.com/blog/images/2010/05/CDA-figure-2.jpg” width=”468″ height=”314″ alt=”CDA-figure-2.jpg”//p

pemIn a real hospital room, it’s quickly obvious that microbes on surfaces aren’t the only issue. How many people touched this table? How does it get cleaned?/em/p

p”The tasks of medical science fall into three buckets. One is understanding disease biology. One is finding effective therapies. And one is insuring those therapies are delivered effectively. That third bucket has been almost totally ignored.” mdash;Peter Pronovost, pioneer of medical checklists/p

pThrough the work of Peter Pronovost, we came to understand that infection control is largely an issue of effective implementation. The medical establishment already knows how to prevent infection in an ideal world (hand-washing, for example), but they struggle to implement that knowledge effectively in the real world. Even beyond infection control, the issue of effective delivery is one of the major challenges in healthcare today. Consistency, patient compliance, and error avoidance are all crucial factors in effective delivery of a therapy. Fortunately for designers, this is the space where we excel: applying an understanding of human behavior to create solutions that work within our imperfect world. This is what we needed to achieve with copper: the CDA has already shown it kills microbes (effective therapy), but the key issue for us was effective implementation. /pa href=”http://www.core77.com/blog/featured_items/infectious_ideas_using_antimicrobial_copper_alloys_in_hospitals_by_alice_ro__16508.asp”(more…)/a
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SVA MFA Designer As Author Carnival

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pThe first year students of the School of Visual Arts a href=”http://design.sva.edu/site/home”MFA Designer As Author Program/a are putting on a “Candy-Coated Carnival of Controversy” opening on May 10th in New York City. Oh my! The spectacle will include “games of skill and chance, feats of strength and design marvels!” /p

pWe’re in it for the prizes./p

pSVA Gallery Visual Arts Museum, 29 E. 23 St., New York, N.Y., thru May 31st. All info is a href=”http://design.sva.edu/carnival/”at the site/a./pa href=”http://www.core77.com/blog/events/sva_mfa_designer_as_author_carnival_16512.asp”(more…)/a
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