Inhabitat’s Spring Greening Competition – Voting Ends Tonight!

pimg alt=”inhabitat_spring_greening.jpg” src=”http://s3files.core77.com/blog/images/inhabitat_spring_greening.jpg” width=”468″ height=”702″ class=”mt-image-none” style=”” //p

pThere’s still time to cast your vote for the best entry in Inhabitat’s second annual a href=”http://inhabitat.com/springgreening/category/finalists/”Spring Greening DIY Design Competition/a. The challenge was put out to repurpose obsolete appliances and find new uses for unused furnishings. Online voting ends tonight and while we’re not biased, we couldn’t help but notice a couple of the finalists are a href=”http://www.coroflot.com/public/project_home.asp”Coroflot/a members!/p

pPictured left to right; emIluminata Lamp/em made out of yogurt bottles by Basurata Chan, emChop-Flops/em made from recycled chopsticks by Joseph Palmer, emELASTICSHELF/em, a shelving system made out of used bike tires by SystemDesignStudio, emPotus Pot/em made from a recycled lightbulb by Natalia Hojman and Angeles Estrada Vigil, emCone Light/em recycled from used traffic cones by Loreta Haaker, and emDazzling Lamps/em made out of soda bottles by Sarah Turner./p

pa href=”http://inhabitat.com/springgreening/category/finalists/”Vote Now!/a/pa href=”http://www.core77.com/blog/materials/inhabitats_spring_greening_competition_-_voting_ends_tonight_16659.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/-KZATWkZbQjWhLWjt8F1iR8lBGM/0/da”img src=”http://feedads.g.doubleclick.net/~a/-KZATWkZbQjWhLWjt8F1iR8lBGM/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/-KZATWkZbQjWhLWjt8F1iR8lBGM/1/da”img src=”http://feedads.g.doubleclick.net/~a/-KZATWkZbQjWhLWjt8F1iR8lBGM/1/di” border=”0″ ismap=”true”/img/a/p

Pack Up Poolside With A Stylish Straw Tote!

imageNothing says beach day like the perfect new swimsuit, a hot pair of shades, and of course, a summery straw tote! I don’t know what it is about the material, but straw bags just totally give off that carefree vacation vibe that I’m so ready to embrace! You may find it hard to justify spending big bucks on such a casual bag, but you’ll be surprised to see just how chic this season’s straw is. From cutesie polka dots to metallic details, some of these picks hardly look like the classic totes you’re probably picturing! Sure, they tend to be a bit of a bottomless pit when it comes to tossing in all your necessities, but then again, who really needs a bunch of fancy compartments when all you’re luggin’ around is a towel, some sunscreen, and the latest issue of In Style? Check out the slideshow for my 10 favorite straw bags for summer!

view slideshow

Gravilux, Bubble Harp and Antograph

Of the millions of apps out there, none quite capitalize on the sheer fun and beauty of interactivity the way that Scott Snibbe‘s do. Combining “painting, animation, art, science, and gaming,” the San Francisco, CA-based digital artist originally developed the gorgeously elegant interfaces (all part of his “Dynamic Systems Series”) in the late ’90s and showed them in galleries until the iPad and iPhone came about.

Recently top-rated in iTunes, Gravilux starts with a field of tiny evenly-spaced stars that dance and swirl around fingertips in a simulation of gravity. With the ability to “tease and twist the particles into galaxies, or explode them like a supernova,” using it feels a little like playing God.

Bubble Harp draws cells on the screen to create fragmented images in the same way that bubbles or cells develop in nature. Settings allow for recording movements or for streaming of bubbles from your fingertips.

Bringing Snibbe’s concepts to a slightly more earthy level, Antograph uses ant behavior as the framework for this app. Touching the screen conjures a stream of ants and leaves an invisible chemical trail, which tells ants where to go and creates a pattern—from which the ants also lose their way.

Check out the video above to see all Snibbe’s apps in action. They sell from iTunes for $2 each.


Nature Intérieure by Matali Crasset

French designer Matali Crasset has designed a set of carafes and glasses for tasting olive oil at an exhibition inside a former olive oil-mill in La Valette-du-Var, France. (more…)

For Sale: Design Revolution Road Show Airstream!

pimg alt=”roadshow9.jpg” src=”http://s3files.core77.com/blog/images/roadshow9.jpg” width=”468″ class=”mt-image-none” style=”” //p

pWhether you’re an Americana collector, a trailer junkie, or just a design aficionado, here’s an auction for you: a href=”http://www.projecthdesign.org/”Project H/a’s infamous a href=”http://www.designrevolutionroadshow.com/”Design Revolution Road Show/a Airstream trailer is up for auction on eBay! The hard-to-miss silver bullet rig just finished its 9,500-mile, 36-city trek across the country promoting humanitarian product design with an exhibition, lecture series, and workshops, and will now go to the highest bidder. The 1972 27-foot-long travel trailer comes fully equipped with its bright pink stripe and 30 of the 40 products featured in the exhibition, with a refurbished interior open plan and bedroom. Bidding ends June 11th, 8am PDT, delivery available within the continental US./p

pstronga href=”http://cgi.ebay.com/ebaymotors/ws/eBayISAPI.dll?ViewItemamp;item=180514431846″BID ON IT HERE and help spread the word! gt;gt; /a/strong/pa href=”http://www.core77.com/blog/object_culture/for_sale_design_revolution_road_show_airstream_16657.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/gfrJM4WPdn4t1kLDuhtnaXvZfSw/0/da”img src=”http://feedads.g.doubleclick.net/~a/gfrJM4WPdn4t1kLDuhtnaXvZfSw/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/gfrJM4WPdn4t1kLDuhtnaXvZfSw/1/da”img src=”http://feedads.g.doubleclick.net/~a/gfrJM4WPdn4t1kLDuhtnaXvZfSw/1/di” border=”0″ ismap=”true”/img/a/p

Design99’s Neighborhood Machine

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/06/d99-hoodcatcamo.jpg” width=”468″ height=”712″ alt=”d99-hoodcatcamo.jpg”//div

pemDesign99’s camoflauged Neighborhood Machine pictured next to the Power House. Image by Design99./em/p

pMitch Cope and Gina Reichert run a href=”Design99’s Neighborhood Machine”Design99/a, the Detroit-based, husband-and-wife collaborative bent on improving their neighborhood and engaging their community through art and design. In the past, they operated a retail storefront space in Hamtramck, MI, offering affordable architectural and design services and artist-produced objects. Now, the emA href=”http://www.powerhouseproject.com/index.php?/research/inspiration/”Power House/a/em, a community space and sculpture made from one of the neighborhood’s previously empty houses, is one of their primary ongoing projects. /p

pOver the past few months, they’ve developed the emNeighborhood Machine/em, a repurposed, freshly-painted Bobcat, extending the concept of the Power House. Part-sculpture, part-community tool, the vehicle can be hooked to a series of “project trailers,” each specific to a task performed in the neighborhood: collecting found material, gardening (Design99 maintain a tree nursery in an empty lot), power generation with photovoltaics, and, of course, moving stuff around. /p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/06/d99-harvester.jpg” width=”468″ height=”313″ alt=”d99-harvester.jpg”//div
div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/06/d99-power.jpg” width=”468″ height=”313″ alt=”d99-power.jpg”//div
div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/06/d99-garden.jpg” width=”468″ height=”313″ alt=”d99-garden.jpg”//div
div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/06/d99-collecting1.jpg” width=”468″ height=”313″ alt=”d99-collecting1.jpg”//div

pemThe HoodCat’s project trailers: from the top: GMC Harvest Trailer (named after Gordon Matta-Clark), Light Box Trailer, Garden Trailer, and Collecting Trailer./em/p

pSecuring empty houses to prevent them from being vandalized, burnt or abused is a problem common to many Detroit neighborhoods. Boarding them up not only preserves them for future use (many go up for sale at a yearly foreclosure auction) but also offers a feeling of security in neighborhoods that are only partially occupied. In addition to the traditional plywood, nail and bolt method, Design99 have devised a sculptural security device to fill voids in windows and walls. In an attempt to discourage squatting, Razzle Dazzle, a hinged, brightly painted plywood assembly, creates a pointy obstacle at easy access points and signifies that someone is interested in looking after the property. Garden Wall Blockades, made from piles of found material and vegetation work the same way./pa href=”http://www.core77.com/blog/object_culture/design99s_neighborhood_machine__16658.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/quH4kw5ZVc1Ew4F8LouhcATI55E/0/da”img src=”http://feedads.g.doubleclick.net/~a/quH4kw5ZVc1Ew4F8LouhcATI55E/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/quH4kw5ZVc1Ew4F8LouhcATI55E/1/da”img src=”http://feedads.g.doubleclick.net/~a/quH4kw5ZVc1Ew4F8LouhcATI55E/1/di” border=”0″ ismap=”true”/img/a/p

Deeply in Debt, Fayetteville Museum of Art Forced to Close

0601faymuseum.jpg

While it seems like, in financial news, we’ve been on a slow but upward trajectory, things are still on shaky ground within the museum industry. Following a very rough ’08 and ’09, and this past March’s news that the Smithsonian-affiliated Fresno Metropolitan Museum had run out of money and was closing, the Fayetteville Museum of Art in North Carolina is the latest casualty of the economic collapse. After 38 years of operation, have closed their doors. Just three years ago, reports the local Fayetteville Observer, the museum was flying high, even planning a $15 million project to construct a new building for itself. But then that planning got too pricey and a large chunk of their government funding evaporated, both of which damaged the museum’s apparently already troubled method in which it was handling its finances. Although the paper reports that things had gotten slightly better over time, and it looked like the museum might be able to survive, the news that they were $500,000 in debt was enough to force the trustees to shut it all down. Although the museum has released a statement (pdf) saying it hopes to reopen some time in the future, it seems difficult that that would be an option in the foreseeable future. Here’s from the president of the museum’s trustees, Meredith Player Stiehl:

“The trustees for the Museum have agonized over the decision to close the Museum after two years of steady focus on improving financial operations. Many factors have made our decision for us. Everyone is concerned about their future in the present economy, but it is an especially difficult economy for non-profits. Museums for art and culture around the country are finding themselves in the same position. Economics does play a part in the decision, but there are other factors. Museums with faithful operational grants, a more established donor base or large endowments are in a stronger position to survive.”

A sad loss for the residents of Fayetteville and, sadly, likely not the last museum closure we’ll see this year, despite signs of recovery.

New Career Opportunities Daily: The best jobs in media.

Chambre d’enfants by Ciel Architectes

French architect Sandra Courtine of Ciel Architectes has designed a bed unit for a child with circular perforations that form a ladder. (more…)

After a breakup: Handling sentimental clutter

My friend and professional organizer D. Allison Lee sent me an amazing unitasker that I’ve been laughing about ever since: The Wedding Ring Coffin. It’s a burial coffin for your wedding ring if you get divorced.

Although this is an entertaining idea, it started me thinking about how objects like engagement rings, wedding bands, love letters, jewelry and sentimental trinkets can instantly turn into clutter after a breakup. What was once extremely valued can become worthless in a matter of minutes.

There are laws in each state that determine who is legally entitled to owning engagement and wedding rings when these contracts end, so always start by following the laws of your state regarding these items. If you turn out to be the owner of the engagement and/or wedding rings after a breakup, and the owner of the other sentimental gifts, you’ll have to decide what to do with these objects. You might want to keep them, sell them, donate them, trade them, give them back to the person who gave them to you, have the materials turned into another piece of jewelry, or even bury them.

I thought it might be interesting to start a conversation in the comments talking about what people have done with sentimental items after a breakup. People rarely talk about these objects, so a robust discussion could be really helpful for someone in this situation. Personally, after one college romance ended, I found that I really liked a necklace I’d been given and actually didn’t associate it with the guy who gave it to me. I still wear it because it really is a cool piece of jewelry. Another piece of jewelry, however, had a lot of emotions attached to it so I returned it to the store where the boyfriend had purchased it and traded it in for a new piece. Have you done anything creative with breakup items? Share your stories in the comments!


Why Design Now? Thoughts on the 4th National Design Triennial

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/sign.jpg” width=”468″ height=”328″ alt=”sign.jpg”//div

pa href=”http://exhibitions.cooperhewitt.org/Why-Design-Now/”Why Design Now?/a, the Cooper-Hewitt’s fourth installment of the National Design Triennial, zeroes in on the segment of design that attempts to solve our biggest social and environmental problems. To best exemplify the international cooperation that lies at the heart of this outlook on design, the curatorial team extended their scope from domestic to global. Consequently, this show is the biggest yet. One hundred and thirty-four projects run the gamut from water-based eyeglasses to self-propelled high-speed rail./p

pAn interest in environmentally- and socially-responsible design is not a prerequisite for visiting and enjoying the show. There’s something for everyone. If you’re not so taken with giant infrastructural proposals, fashion, new materials, and furniture are just around the corner. For me, the impressive a href=”http://exhibitions.cooperhewitt.org/Why-Design-Now/project/z-10-concentrated-solar-power-system”Z-10 Concentrated Solar-Power System/a designed by Tarazi Studio, the demonstration of the a href=” http://exhibitions.cooperhewitt.org/Why-Design-Now/project/the-new-york-times-visualization-and-interaction-projects”New York Times Visualization and Interaction projects/a, and the a href=”http://exhibitions.cooperhewitt.org/Why-Design-Now/project/the-verticalvillage”Vertical Village/a by MVRDV were among the show’s highlights./p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/solar2.jpg” width=”468″ height=”328″ alt=”solar2.jpg”//div
div style=”align: right;”img alt=”mvrdv-verticalvillage.jpg” src=”http://s3files.core77.com/blog/images/mvrdv-verticalvillage.jpg” width=”468″ height=”313″ class=”mt-image-none” style=”” //div

pemTop: Z-10 Concentrated Solar-Power System by Tarazi Studio. Bottom: a scene from MVRDV’s Vertical Village./em/p

pBut, why design now? /p

pThe exhibition catalog suggests, “designers around the world are answering this question by creating products, proposals, buildings, landscapes, and messages that address social and environmental issues and opportunities,” but there’s a disconnect here: the designers haven’t answered this question, they’ve only responded to problems and opportunities specific to their practices and contexts. The one hundred and thirty-four chosen projects represent just as many attitudes about design, and it’s up to the Cooper-Hewitt to digest these and offer larger answers to the big, broad question they’ve posed. Unfortunately, the quote mirrors the stance of the Triennial: that the projects say enough on their own. They’re left to fend for themselves in the sea of the exhibition, and, without sufficient explanation from the museum, it’s difficult to understand them beyond face value. /p

pIf the Cooper-Hewitt’s role is to clarify and present design to the general public, it’s not a good sign that even a designer had difficulty parsing the message. This is not a problem of content, but one of form; the situating of the projects should be as important as their selection./pa href=”http://www.core77.com/blog/ny_design_week_10/why_design_now_thoughts_on_the_4th_national_design_triennial_16628.asp”(more…)/a
pa href=”http://feedads.g.doubleclick.net/~a/oYQMAO9894GM5A7S_fbbz_AsN2g/0/da”img src=”http://feedads.g.doubleclick.net/~a/oYQMAO9894GM5A7S_fbbz_AsN2g/0/di” border=”0″ ismap=”true”/img/abr/
a href=”http://feedads.g.doubleclick.net/~a/oYQMAO9894GM5A7S_fbbz_AsN2g/1/da”img src=”http://feedads.g.doubleclick.net/~a/oYQMAO9894GM5A7S_fbbz_AsN2g/1/di” border=”0″ ismap=”true”/img/a/p