Preventing migrant deaths at Qatar stadium site “not my duty as an architect” says Zaha Hadid

Zaha Hadid

News: architects have “nothing to do with the workers” who have died on construction sites in Qatar, according to Zaha Hadid, whose Al Wakrah stadium for the FIFA World Cup 2022 is under construction in the gulf state.

Over 500 Indian migrants and 382 Nepalese nationals have died in the country since it won the right to host the football tournament, according to an investigation into conditions in the Qatari construction industry by British newspaper The Guardian, prompting an outcry from human rights groups across the world.

“It’s not my duty as an architect to look at it,” Hadid said yesterday at the reopening for her Olympic aquatics centre in London. “I cannot do anything about it because I have no power to do anything about it. I think it’s a problem anywhere in the world. But, as I said, I think there are discrepancies all over the world.”

Hadid‘s Al Wakrah stadium is one of five new venues under construction for the tournament but the architect says it is the responsibility of the Qatari government not architects to address issues relating to worker deaths.

“I have nothing to do with the workers,” she said. “I think that’s an issue the government – if there’s a problem – should pick up. Hopefully, these things will be resolved.”

Qatar 2022 World Cup Zaha Hadid
Al Wakrah stadium by Zaha Hadid

Asked if she was concerned about the deaths, Hadid commented: “Yes, but I’m more concerned about the deaths in Iraq as well, so what do I do about that? I’m not taking it lightly but I think it’s for the government to look to take care of.”

The 40,000-seat stadium is currently under construction in Al Wakrah. Its curvaceous form was based on a type of Arabian fishing boat, but the design came under fire shortly after release when critics compared it to a vagina.

Other well-known architects have previously spoken out over conditions for workers in foreign nations. Richard Rogers says that “architects have a responsibility to society”, while Daniel Libeskind called on architects to consider whether their projects are “legitimate“.

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“not my duty as an architect” says Zaha Hadid
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Zaha Hadid dismisses “ridiculous” claims that Qatar stadium resembles a vagina

News: architect Zaha Hadid has hit back at critics who have compared the design of her Al Wakrah stadium in Qatar to a vagina, describing the comments as “embarrassing” and “ridiculous”.

Speaking to TIME magazine, Hadid said: “It’s really embarrassing that they come up with nonsense like this. What are they saying? Everything with a hole in it is a vagina? That’s ridiculous.”

She suggested that the comments would not have been made had the architect been male:  “Honestly, if a guy had done this project…”

Earlier this week Zaha Hadid Architects unveiled the design for the stadium, which is one of several new structures that will be built to host soccer matches during the Qatar 2022 FIFA World Cup.

Al Wakrah stadium by Zaha Hadid Architects looks like a vagina

Critics immediately compared the 40,000-seater stadium, which its architects claim is based on the curving lines of an Arab dhow fishing boat, to female genitalia.

“I’m no expert, but I think those are labia,” Cosmopolitan.com’s sex and relationships editor Anna Breslaw told Equire.com.

“Any discerning human will be quick to recognize that the building looks exactly like an enormous vagina,” wrote women’s website Jezebel.com.

Comments from Dezeen readers included “One vagina in a sea of penis towers” and “It looks like a baboon’s bum“.

The Al Wakrah stadium has been co-designed by AECOM and features a flowing roof designed to protect spectators from the worst of Qatar’s extreme heat.

“With its shiny, pinkish tinge, its labia-like side appendages and its large opening in the middle, the supposedly innocent building (“based upon the design of a traditional Qatari dhow boat”) was just asking for trouble,” wrote The Guardian’s Holly Baxter on the ensuing furore.

It is unusual for an architectural structure to be compared to a vagina; comparisons with the male organ are far more common.

A manipulated image of Foster + Partners' Gherkin skyscraper was used to advertise erectile dysfunction treatment
A manipulated image of Foster + Partners’ Gherkin skyscraper was used to advertise erectile dysfunction treatment

A flaccid image of Foster + Partner’s Gherkin skyscraper was recently used to advertise a treatment for erectile dysfunction.

The new headquarters for Chinese newspaper People's Daily has been compared to a giant penis
The new headquarters for Chinese newspaper People’s Daily has been compared to a giant penis

A building nearing completion in China has been compared to a “giant penis” while comparisons have been made between a Jean Nouvel tower in Doha – also in Qatar – and a dildo.

Jean Nouvel's Doha tower has been compared to a dildo
Jean Nouvel’s Doha tower has been compared to a dildo

See five more buildings with unfortunate likenesses.

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that Qatar stadium resembles a vagina
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Qatar National Convention Centre by Arata Isozaki

Gigantic tree-like columns support the overhanging roof of the Qatar National Convention Centre by Japanese architect Arata Isozaki, captured in these new shots by Portuguese photographer Nelson Garrido.

Qatar National Convention Centre by Arata Isozaki

The building was designed by Arata Isozaki to reference the Sidrat al-Muntaha, a holy Islamic tree that is believed to symbolise the end of the seventh heaven.

Qatar National Convention Centre by Arata Isozaki

A pair of sprawling steel columns create the illusion of two trees in front of the large rectangular glass facade, supporting a roof canopy that extends out to offer shelter to a public plaza in front of the building.

Qatar National Convention Centre by Arata Isozaki

“The tree is a beacon of learning and comfort in the desert and a haven for poets and scholars who gathered beneath its branches to share knowledge,” said the architects.

Qatar National Convention Centre by Arata Isozaki

Located on the 1000-hectare campus of the Qatar Foundation in Doha, the Qatar National Convention Centre opened to the public in December 2011. It is the largest exhibition centre in the Middle East and can accommodate up to 7000 people in its three main halls.

Qatar National Convention Centre by Arata Isozaki

Visitors enter the building through a large reception hall that spans both the full width and height of the building. Steel-clad staircases beyond lead to floors both above and below ground, and are flanked by a wall of colourful tessellated shapes.

Qatar National Convention Centre by Arata Isozaki

Other spaces include a 4000-seat conference hall, a 2300-seat theatre, nine exhibition halls and a series of 52 meetings rooms that can be used for various events and activities.

Qatar National Convention Centre by Arata Isozaki

Japanese architect Arata Isozaki was awarded the RIBA Gold Medal in 1986. His best-known works include the Oita Prefectural Library and Kamioka Town Hall, while more recent projects include the Maranello library in Italy and a modular office block in Spain. See more architecture by Arata Isozaki »

Qatar National Convention Centre by Arata Isozaki

See more photography by Nelson Garrido on Dezeen, or on the photographer’s website.

Read on for more information from the design team:


Qatar National Convention Centre

QNCC was designed by the renowned Japanese architect Arata Isozaki. Officially opened on 4 December 2011, the Qatar National Convention Centre (QNCC) is one of the most sophisticated convention and exhibition centres built to date, boasting iconic design bearing the ‘Sidra Tree’.

Qatar National Convention Centre by Arata Isozaki

The spectacular façade resembles two intertwined trees reaching up to support the exterior canopy. The tree is a beacon of learning and comfort in the desert and a haven for poets and scholars who gathered beneath its branches to share knowledge.

Qatar National Convention Centre by Arata Isozaki

QNCC was conceived with a focus on sustainability. The Centre was successfully built according to U.S. Green Building Council’s Leadership in Energy and Environment Design (LEED) gold certification standards. The building is designed to operate efficiently with innovations such as water conservation and energy-efficient fixtures.

QNCC was designed by the renowned Japanese architect Arata Isozaki.

A member of the Qatar Foundation, QNCC features a conference hall of 4,000-seat theatre style, a 2,300-seat theatre, three auditoria and a total of 52 flexible meetings rooms to accommodate a wide range of events. It also houses 40,000 square metres of exhibition space over nine halls, and is adaptable to seat 10,000 for a conference or banquet. The Centre’s stunning architecture and cutting edge facilities are ideal for hosting local, regional and international conventions and exhibitions, gala events, theatrical productions and banquet functions.

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by Arata Isozaki
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Zaha Hadid Architects to design stadium for Qatar World Cup

Zaha Hadid Architects to design stadium for Qatar World Cup

News: Zaha Hadid Architects has been appointed to design a new stadium in Qatar that will host matches during the 2022 FIFA World Cup.

The studio will work with engineering and construction specialist AECOM to deliver the scheme in the city of Al Wakrah, which is 12 miles from Doha.

During the tournament the Al Wakrah stadium will seat 45,000 spectators, with the capacity reduced to 20,000 as part of the legacy plan.

Last year, sports architecture firm Populous scrapped plans to air condition a stadium it is designing for the tournament, saying these systems are too expensive and “notoriously unsustainable” when used in desert environments.

Zaha Hadid Architects has also been selected to design the new national stadium for Japan and was the firm behind the Aquatics Centre for the London 2012 Olympics, which recently had two temporary spectator stands removed from its sides.

The Aquatics Centre was criticised for providing some spectators with a restricted view, although the studio claimed that this was not their fault.

See all stories about stadium design »
See all architecture and design by Zaha Hadid »

Here is some more information from AECOM:


AECOM wins Al Wakrah 2022 FIFA World Cup stadium contract in Qatar
03-Jun-2013

AECOM announced today that it has been selected to provide design consultancy and construction supervision services for the Al Wakrah Stadium and Precinct for the 2022 FIFA World Cup Qatar.

The Qatar 2022 Supreme Committee has appointed AECOM, in association with Zaha Hadid Architects, as the design consultant for the project.

Al Wakrah will serve as a host city for a 2022 FIFA World Cup stadium and precinct, and is located approximately 12 miles south of Doha. It is one of the oldest inhabited areas in Qatar, with a rich cultural heritage evidenced by its traditional Islamic architecture, historical buildings, distinctive mosques and archaeological sites.

The stadium will have a tournament capacity of 45,000 spectators during the games and, by using modular best practice design, the number will be reduced to 20,000 spectators for the legacy program in Qatar. Another important element of the design project will be the integration of cooling-technology systems with climate-control requirements for renewable energy production.

“We are delighted to be involved with the 2022 FIFA World Cup program and to support the Qatar 2022 Supreme Committee,” said AECOM Chairman and Chief Executive Officer John M. Dionisio. “This is an exciting time for Qatar, and our global team of forward-thinking sports experts is well equipped to meet the challenges that a project of this caliber demands.”

The vision set by the Qatar 2022 Supreme Committee is one that embraces the cultural heritage of the host city and the adjacent historical Qatari settlement of Al Wukair. Incorporating this identity will be a crucial part of the stadium design and enhancing the fan experience.

Work on the project is set to begin immediately.

About AECOM

AECOM is a global provider of professional technical and management support services to a broad range of markets, including transportation, facilities, environmental, energy, water and government. With approximately 45,000 employees around the world, AECOM is a leader in all of the key markets that it serves. AECOM provides a blend of global reach, local knowledge, innovation and technical excellence in delivering solutions that create, enhance and sustain the world’s built, natural, and social environments. A Fortune 500 company, AECOM serves clients in more than 140 countries and had revenue of $8.2 billion during the 12 months ended March 31, 2013. More information on AECOM and its services can be found at www.aecom.com.

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stadium for Qatar World Cup
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OMA chosen to masterplan Airport City in Qatar

News: Rem Koolhaas’ studio OMA has been selected to masterplan a business and residential development linking the city of Doha in Qatar with the new Hamad International Airport.

Called Airport City, OMA’s 10-square-kilometre masterplan comprises four districts along a “green spine” running parallel with the airport’s runways.

OMA chosen to masterplan Airport City in Doha

The spine of public spaces, gardens and plazas will connect the business and logistics districts with an aviation district and a residential area adjacent to the new Doha Bay Marina.

The first phase of the 30-year masterplan is expected to be complete by 2022, when Qatar will host the FIFA World Cup.

OMA chosen to masterplan Airport City in Doha

OMA co-founder Rem Koolhaas said: “[The project] is perhaps the first serious effort anywhere in the world to interface between an international airport and the city it serves.”

The competition team was led by OMA partners Iyad Alsaka, Reinier de Graaf, Rem Koolhaas and OMA associate Katrin Betschinger in collaboration with engineering consultants WSP.

OMA recently revealed designs for a department store in Kuwait City inspired by the galleries of a traditional Arab market – see all architecture by OMA.

Dezeen filmed a series of interviews with Koolhaas during the OMA/Progress show at London’s Barbican centre in 2011 and an introduction to the Garage Center for Contemporary Culture he’s working on in Moscow.

Other masterplans we’ve reported on lately include SHoP Architects’ cluster of hollow skyscrapers for New York City and a complex of residential towers in Bratislava by Zaha Hadid – see all masterplans.

Here’s more information from OMA:


OMA masterplans Airport City for HIA Airport in Doha, Qatar

After winning an international competition, OMA has been announced as masterplanners for Airport City, a new 10 sq km development where 200,000 people will live and work, linking the new Hamad International Airport with the city of Doha, Qatar. OMA’s masterplan is a series of four circular districts along a spine parallel to the HIA runways, intended to create a strong visual identity and districts with unique identities. Phase One of the 30-year masterplan, which links airside and landside developments for business, logistics, retail, hotels, and residences, will be mostly complete in time for the 2022 World Cup, hosted by Qatar.

Rem Koolhaas commented: “We are delighted and honored to participate in the exciting growth of Doha, in a project that is perhaps the first serious effort anywhere in the world to interface between an international airport and the city it serves.”

Partner-in-charge Iyad Alsaka commented: “Doha’s Airport City is an important addition to the realisation of OMA’s work in urbanism and will incorporate unprecedented transport planning opportunities; we look forward to collaborating with the HIA to meet the objectives of this ambitious project.”

Each district of Airport City will be unique within the masterplan’s overall identity. The Business District will centre on a major new transport hub linking with greater Doha; the Aviation Campus will accommodate office headquarters and educational facilities for aviation authorities; the Logistics District will provide cargo and warehousing facilities; and the Residential District, adjacent to the new Doha Bay Marina, will accommodate future employees. A Green Spine connects the districts, echoing their individual identities as it runs north-south. The landscaping scheme, developed by Michel Desvigne, is a new public space for Doha that will be used by residents and tourists. A network of public spaces, gardens and plazas will stretch across the site, surrounded by a “Desert Park”.

The competition team was led by OMA partners Iyad Alsaka, Reinier de Graaf, Rem Koolhaas and OMA Associate Katrin Betschinger in collaboration with engineering consultants, WSP. The Airport City masterplan and development of its individual elements is being led by Partner-in-charge Iyad Alsaka, Project Director Slavis Poczebutas and Associate Katrin Betschinger. Before the 2022 World Cup, Airport City infrastructure and utilities will be completed along with the Western Taxiway and Aircraft Parking System adjacent to the HIA 2nd runway, the HIA Visa Building, and the visual concept planning of the future transport hub.

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Airport City in Qatar
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Qatar accused of “counterfeiting 1000 street lamps”

Qatar accused of ripping off Barcelona street lighting

Dezeen Wire: Spanish lighting brand Santa & Cole has launched a lawsuit accusing the state of Qatar of copying street lighting devised for Barcelona by Catalan designer Beth Galí in 1996.

Qatar accused of ripping off Barcelona street lighting

920 lights have been installed by the Ashghal public authority along Al Waab Street in Doha (top and above), which Santa & Cole claim are counterfeits of their Latina street lamps designed by Galí (below). They also claim the designs incude low-quality light sources that dazzle drivers and thin steel that represents a structural safety hazard.

Qatar accused of ripping off Barcelona street lighting

Read more on the campaign website, Facebook page or Twitter.

See more stories about street lighting on Dezeen »

Here are some more details from Santa & Cole:


Lawsuit against Qatar due to counterfeiting 1,000 streetlamps and threatening the intellectual property of their designer

The public company Ashghal from Qatar forged the “Latina” streetlamp, designed by the architect Beth Galí, and manufactured and marketed by the company Santa & Cole. Nearly 1,000 forged units were installed on Al Waab Street, the main street in Doha.

Beth Galí has lodged a lawsuit in the Courts of Barcelona to report the case, in which she expressed her “full confidence in justice to resolve a large-scale forgery case that is threatening the creativity of professionals and European companies”.

BCD and Santa & Cole, as well as several personalities working in architecture and design in Barcelona, went to the courts to show their support and to make the facts public.

Javier Nieto, Chairman of Santa & Cole: “It is unbelievable that a country such as Qatar could commit such a serious case of forgery”
Pau Herrera, Chairman of BCD: “Protecting design as a factor of innovation is essential to create economic and social value in Europe”

One of the biggest cases of public counterfeiting in the history of Design

The architect Beth Galí, the Chairman of Santa & Cole, Javier Nieto Santa, and the Chairman of BCD (Barcelona Design Centre), Pau Herrera, invited the media to Courts of Law in Barcelona to publicly announce the large-scale forgery committed by Qatar.

The meeting, carried out at the doors of the Courts of Law in Barcelona, was held due to the lawsuit for pain and suffering lodged on June 29 by Beth Galí against Qatar, which forged the “Latina” streetlamp via the public company Ashghal in 2006, designed by her and manufactured and marketed by the company Santa & Cole.

This case of large-scale forgery is especially relevant as the offender is a sovereign state, in addition to the case being particularly large and the development of events.
The crime committed by Qatar can be seen along the 10 kilometres of Al Waab Street, the main street in the capital of Qatar, Doha, where the public company Ashghal installed approximately 900 forgeries of the “Latina” streetlamp.

Although the case is being made public now, the facts go back to April 2005, when Ashghal requested Santa & Cole to complete an entire lighting project for Al Waab Street for the 14th Asian Games (Doha, 2006). After the Qatari authorities chose the “Latina” streetlamp, which was adapted beforehand to meet the needs of the project, and having submitted five different projects with models and technical specifications, Ashghal requested a local company to make nearly 1,000 copies of the “Latina” streetlamp in 2006.

After six years of trying to reach an amicable agreement, and after the Qatari government refused the arbitration of the World Intellectual Property Organization (WIPO), the case is now in the hands of the Courts of Barcelona and one of the largest acts of piracy in the history of design committed by a sovereign state is now being made public.

In this context, the claimant, Beth Galí, expressed her “full confidence in the Spanish legal system to resolve a blatant case of large-scale forgery” at the courts.
Supporting the business sector and design BCD (Barcelona Design Centre) and Santa & Cole, as well as other personalities working in the design and architecture sector in Barcelona, were with Beth Galí during the submission of the first lawsuit to show their support and to make the facts public.

Javier Nieto Santa, the Chairman of Santa & Cole, stated to the media that the “Latina” streetlamp case perplexed him, ensuring that “it is unbelievable that Qatar, a sovereign nation and member of the WIPO and the WTO, bound by the Paris Convention and the TRIPS Agreement, could commit such a large case of forgery, which undoubtedly shows a complete disregard for copyright”.

In this regard, Pau Herrera, Chairman of BCD, ensured that “protecting design as a factor of innovation is essential to create economic and social value, and represents one of the most important assets of professionals and European companies”. Herrera added that cases such as this one “do not only damage our business, but also the city model Barcelona wants to project”.

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1000 street lamps”
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TED – The Power of X

Une superbe création et arabesque humaine par le réalisateur Körner Union et l’agence We are Pi pour l’ouverture du TEDxSUMMIT à Doha au Qatar. Un kaléidoscope humain grandeur nature grâce à un prisme en miroir de 18 mètres sur un sol en mouvement. Le tout sur une bande son de Yasmine Hamdan.

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Volkswagen Formula XL1

Présenté dans le cadre du Qatar Motor Show par le constructeur Volkswagen, voici les 1ères images de la voiture Formula XL1. Un prototype hybride diesel et électrique ne consommant qu’un 1l par 100km et doté d’un design futuriste aux lignes fluides en fibre de carbone.



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National Museum of Qatar by Jean Nouvel

French architect Jean Nouvel has unveiled his design for the new National Museum of Qatar. (more…)