Hasta La Ideas

A fresh way to shop for great design online

Fab.com, the latest entry to the online curated sale and design space, offers daily design inspiration and up to 70% off retail prices on a wide range of design products including furniture, home accessories, technology, entertainment, lighting, art, toys, and jewelry from more than 175 leading designers and manufacturers. Operating seven days a week, each sale runs 72 hours, giving you just enough time to stress over want vs. need.

Every object featured on Fab.com is selected by leading design industry experts like Monica Khemsurov, the co-founder of Sight Unseen. Alongside the rotating daily sales you will find the Inspiration Wall, a communal portion of the site where members can share images of any aspect of design that inspires them, giving the site a more personal touch.

Founded and lead by design industry veterans and self-proclaimed “serial entrepreneurs” Jason Goldberg and Bradford Shane Shellhammer, you can guarantee both an impeccable eye and customer-focused service. We find the site clean and easy to use, and so far their selections are spot-on.

Knoll introduces an online hub for Generation chair fans to express their personal work-style

In today’s digital workspace, a good chair has become essential for those without in-office masseurs to soothe the cricks and cramps that come from prolonged periods at a desk. To really understand how people use their chairs at work, Knoll launched myGeneration, an online hub where people can share their individual work styles and experiences using Knoll’s ergonomic Generation chair.

Users begin by creating a Knoll profile, giving basic info, then explaining their workstyle and inspiration, and finally creating a personal tagline. They can also upload up to five action shots of how they use their chair, showing whether they’re a fan of swiveling, feet on the desk or a hardcore, hunched-over typist.

An entertaining and informative way to see people in their working environments, check out myGeneration online, where you can also click to purchase a customized Generation chair for $776.

Famed Beatles photographer Tom Murray on the debut of the ultimate online gallery of pop culture images

Last week online photography gallery Rock Paper Photo launched, ambitiously making thousands of the most sought-after images in pop culture history available to the general public. Shot by top photographers, all images are carefully selected, available in limited editions and hand-signed by the lensmen themselves. Connoisseurs can snap up Richard E Aaron’s archival pigment print of Jerry Garcia peering over his glasses for thousands or, if you’re just an endearing fan, a few hundred will get you a Richard Beland print of the Beastie Boys.

To learn more about the new site and its featured photographers we were lucky enough to chat with Tom Murray, the award-winning photographer who shot the series of Beatles photographs now known as “The Mad Day: Summer of ’68,” which are widely considered some of the most important color photographs of the group ever taken. We caught up with Murray here in NYC just minutes after he signed the first editions to be sold on RPP and hours before hopping on a flight back to England.

How did you find yourself involved in Rock Paper Photo?

For a long while we have only been showing through art galleries, and the really great galleries are booked up for two or three years in advance, so when RPP told us what was happening and asked would we like to be involved I said sure. Now, any fan can shop online and they can see some great rock-and-roll photography by quite famous photographers, including my Beatles work.

Aside from the accessibility, what about Rock Paper Photo really piqued your interest?

First of all is, it is very well designed. They also explain what the different types of prints are—the platinum prints, the chromogenic color prints, which I produce, and also giclée (Archival Pigment) prints. And a lot of people don’t know the difference between them. I think they’ve been very clever with the pricing. If you’re a Beatles fan you can a giclée image at a good price. If you’re a photographic collector and also a Beatles fan then you’ll go for the chromogenic print. I love black and white and they’ve got some wonderful platinum prints there, which are great.

How do you feel about the quality of images sold on the site?

I think they showcase it all very well—such high standards. I’ve spent three days just going through different proofs, till we got it perfectly right. I am very fussy. When people now see the prints they will realize why I am so fussy. The whole website is very high quality, limited-editions, fabulous prints, fabulous giclées. I’ve had many offers before to release my work in different ways, and I’ve not liked it. Some of the digital quality that people are settling for now is not very good. But [RPP] really does bring my work alive and they seem to understand what i want as a photographer.

Was getting the Beatles photos available to the public your biggest driving factor in working with Rock Paper Photo?

Well, yes. To be quite honest I’ve had Beatles fans nagging that they frankly couldn’t afford the limited-edition chromogenics, and for a fan they’re quite expensive. I don’t produce tiny little prints, I grew up the old-fashion way with chemicals and papers. So when Rock Paper Photo said they were going to do a giclée edition. I said fine, that will be great for fans.

Tell us a bit about the progression of your lengthy career.

I’m very lucky, I’ve been a photographer since I was 15. I’ve just been snapping my way around the world and it is just very fortunate for me that I’ve frequently been in the right place at the right time and skilled enough to produce some work. I started in newspapers in the ’60s, I worked there for years, then I went to Africa and worked there for years. And I came back and became the staff photographer for the Sunday Times Magazine. Then opened my own studio and started getting American clients and moved to New York, then to Los Angeles. Then I went back to England about 10 years ago. and we started seriously thinking about putting these images out for people to purchase in around the year 2000.

Now back in England, what takes up most of your time nowadays?

I’m actually semi-retired so now I’m going through fifty years of my photography. And its amazing, I’m coming across work that I’ve forgot I’ve did, found pictures of Norman Mailer, Richard Burt. I found a whole set of pictures of Eli Wallach, and some more of John Huston the film director. And some of that starts to become historically valuable now, so that may end up also on this website.

So you intend on showcasing more long-lost images on the site as well?

Anything that they’re interested in, I’m going to showcase. So much of the stuff is in slide form, transparencies, negatives, and the rest of it I’m actually just scanning it so that my agent in NY can see it. Once it’s scanned, I got to go back into it and caption everything and put little story in so people know the reason I got to photograph it. It’s the old stories that are interesting to people.

Why is it important to have all of this available online?

A lot of photographic collectors will be buying the rock-and-roll prints, whereas rock and roll fans will be buying the giclée edition. Because they’re fans of the singers, they’re not necessarily collectors of photography. That’s the way it works. And a lot of galleries won’t sell both together. With the way things are going, more and more people buy stuff online. I know I do and I’m 68 years old. My mother is 92 and she occasionally buys things online, so it is the way of the future.

All images by Tom Murray

Online visualizer reveals the intricacies of music mashups in real-time

What started as an early-aughts gimmick led by 2manydjs has since morphed into a full-blown pop-culture phenomenon with party animals like Girl Talk disseminating their name-that-sample form of music far and wide. For multilayered tracks where the original samples become indistinguishable, Web Technologist Cameron Adams developed the Anatomy of a Mashup, breaking down his own creation “Definitive Daft Punk” as an example to “reveal its entire structure: the cutting, layering, levels, and equalization of 23 different songs.”

The online visualization tool breaks down and analyzes the complicated construction, demonstrating how individual sounds work together to form the whole in a diagram of rainbow-colored concentric rings. The beautiful animation lends a unique understanding of the intricacies of the particular mashup, joining the audio and visual for experiences not unlike “little slices of synchronous art, designed to please all of your senses.”

To make that direct connection between what unfolds on the screen with the art of the mashup, Adams built the site using the latest HTML5 and CSS3 technology so that the browser renders the song as it plays and evolves for a visual that performs in real-time. To learn more about the inventor and his Anatomy of a Mashup, check out his site, The Man in Blue.

via Information Aesthetics

Fixtures that put light first and other revelations from Finland’s design pioneers

In 2010 Artek celebrated its 75th anniversary. This past week as part of Milan’s design festivities, the Finnish company made a strong statement positioning themselves with a confident eye toward the future, grounded by their design heritage as they head into their 76th year. Along with a new forward-thinking line of lighting fixtures called White (pictured above), Artek announced Open Archives, an online repository of images of Artek interiors, as well as the acquisition of the rights to produce Ilmari Tapiovaara’s furniture collection, a true icon of Northern European design. (See more images of the White collection in the gallery below.

In a private showcase at Galleria Giò Marconi, we asked Ville Kokkonen, Design Director of Artek, who also heads up White about the new series of lighting solutions. Consisting of four models, the line is the upshot of in-depth research on the use of light fixtures in domestic, office and public settings. “We have studied the effects of lack of lighting in the Northern Countries,” Kokkonen shared, “and this was the starting point for the achievement of the right intensity and quality of light that we wanted. We have also interviewed creative people in order to understand how light should correctly fill working environments.”

As a result, the White light collection is utterly essential; the strict standards and quality requirements of the light determine the design of each object. Composed solely of wood and matte plexiglas, each box-like lamp has a pure, simplistic character. “We chose not to use LEDs, because they don’t produce the diffused and uniform light we were thinking about,” Kokkonen explained. “At the end, each one of our new lamps obtained a medical certification, since they meet all the necessary characteristics required by the Finnish health associations.”

Another clever new project, Open Archives showcases past and present Artek interiors from around the world, from 1935 to modern-day. The site also functions as a community for Artek’s fans; images can be shared, tagged and freely used in blogs.