Professional Storage Doesn’t Have to be Impersonal

The Mia Ped is a container that goes beyond the traditional concept of office drawer systems, combining multiple functions in a single object! It’s truly a personal container, totally configurable by the user. What’s more is that it doubles as a stool for quick meetings at your desk. Take a peek inside —>

Designer: Dieffebi


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Professional Storage Doesn’t Have to be Impersonal was originally posted on Yanko Design)

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Docks for Ophelis by Grosch + Meier

Product news: German designers Till Grosch and Björn Meier have created a modular office furniture system that can be arranged in a variety of groups and islands (+ slideshow).

Docks by Grosch and Meier

Interior designers Ophelis asked Till Grosch and Björn Meier to develop pieces of furniture to occupy areas between workstations in an office.

Docks by Grosch and Meier

The Docks collection includes chairs, tables, shelves and cabinets that can fit together to form open-plan meeting spaces, small pods for individual work and areas for rest and relaxation.

Docks by Grosch and Meier

The pieces are made from aluminium with an oak veneer and high-pressure laminate, while seating is upholstered in a range of pastel-coloured fabrics.

Docks by Grosch and Meier

The Berlin-based designers said with an unlimited amount of possible combinations, they focused on designing the individual parts so that each configuration is perceived as self contained furniture.

Docks by Grosch and Meier

“We see Docks as a flexible ingredient in the constantly changing world of work and due to its modular nature it is designed to continuously keep evolving in line with the needs of a transforming work culture,” they said.

Docks by Grosch and Meier

“Lamps and side tables can also be docked by slotted panels and by simple indentation they become an integral part of the furniture islands,” they added.

Docks by Grosch and Meier

Other modular furniture collections on Dezeen include a series of angular lounge chairs and ottomans and a range of office furniture with tall backrests.

Docks by Grosch and Meier

See more modular furniture »
See more furniture design »

Docks by Grosch and Meier

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by Grosch + Meier
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Charles Pollock 1930-2013

Charles Pollock dies aged 83

News: furniture designer Charles Pollock has died in a house fire in New York, aged 83.

A fire ripped through the house on Tuesday morning and Pollock died at the scene, according to reports from NY Daily NewsABC News visited the house and spoke to friends of the designer about his life and work.

Executive Office Chair by Charles Pollock for Knoll
Executive Chair by Charles Pollock for Knoll

Pollock’s Executive Chair, which he designed for Knoll in 1963, has become an iconic symbol of mid-20th century workplaces. The swivel chair, set on a five-star base with rolling wheels, features buttoned upholstery and “rim technology” – the use of a single aluminium band around the edge of the seat.

Fifty years after its original design, Pollock’s chair is still in production and has been exhibited around the world, including at Metropolitan Museum of Art in New York and the Louvre in Paris.

CP Lounge Chairs by Charles Pollock for Benhardt
CP Lounge Chairs by Charles Pollock for Benhardt

Pollock, who studied design at New York’s Pratt Institute, went on to work with designers such as George Nelson at Herman Miller.

Charles Pollock was born in Philadelphia, Pennsylvania, in 1930. He moved to Toledo, Ohio, before settling in Detroit, Michigan. Pratt Institute in New York, where the designer studied, awarded Pollock with its 1991 Excellence by Design Award.

In 2012, Bernhardt Design commissioned Pollock to design a new collection of lounge chairs, which he sits on in the main image.

Photographs from Knoll and Bernhardt design.

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1930-2013
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Locale Office Furniture by Industrial Facility for Herman Miller

Product news: London studio Industrial Facility has designed an office furniture system for American manufacturer Herman Miller that promotes interaction in the workplace (+ slideshow).

dezeen_Locale Office Furniture by Industrial Facility_1sq

Industrial Facility created cantilevered tables with rounded edges to encourage movement and provide space for users to gather round work stations as they would around a meeting table.

dezeen_Locale Office Furniture by Industrial Facility_3

Low, linear units covered in vertical planking combine to create a unifying spine along which modules acting as desks, social areas, meeting tables and a library can be arranged.

dezeen_Locale Office Furniture by Industrial Facility_4

Screens wrap around the desks to provide privacy, while the height of tables, screens, easels and storage can be adjusted to create a more personal and less rigid arrangement.

dezeen_Locale Office Furniture by Industrial Facility_6

“One could argue that collaboration is a buzzword right now, that somehow it might go away, but we think this is unimaginable,” says Sam Hecht of Industrial Facility. “People are collaborating globally, empowered by digital networks, but the most ambitious businesses still need productive, collaborative physical environments.”

dezeen_Locale Office Furniture by Industrial Facility_7

The system was presented as part of Herman Miller’s Living Office project at the Neocon trade fair in Chicago last week, alongside modular office furniture by Yves Behar’s San Francisco studio Fuseproject.

dezeen_Locale Office Furniture by Industrial Facility_8

Sam Hecht and Kim Colin of Industrial Facility previously collaborated with Herman Miller on a two-tier work table with a sliding surface, and launched new products in Milan this year including a lamp that projects light onto the tabletop and a three-legged wooden stool.

More design by Industrial Facility »
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Here’s some more information from Industrial Facility:


Locale Office Furniture

What is work today? It is as much about the individual as it is about the company. It is the individual who brings an organization to life. An organisation benefits from creating an office environment that connects people in a more natural way. The reason to come to work is to work together, to collaborate. Herman Miller, Living Office.

dezeen_Locale Office Furniture by Industrial Facility_2

Locale is an intelligent office furniture system that previewed at NeoCon 2013 as part of Herman Miller’s Living Office. Locale promotes collaboration at work by creating dynamic, high-performance neighborhoods that allow for free movement, variety and adjustability. Locale makes working together simpler and more pleasurable by promoting interaction around large, adjustable tables, and by fostering easy transition between focussed work and collaboration. Cantilevered, rounded work surfaces give individuals more space to change position throughout the day and can easily accommodate multiple colleagues to sit or stand together without the clutter of legs at floor level. Locale simplifies the usual chaos of collaborative work and cleverly balances individual and group needs within an open plan office.

dezeen_Locale Office Furniture by Industrial Facility_5

Background

Locale has been in development for more than two years. During this time, the conditions of work in terms of atmosphere and attitude have shifted, so it was important that Industrial Facility leapfrog any old preconceptions of the modern office and propose a new place based on deeper social and cultural changes. Herman Miller research noted early in the project that the office now should become ‘a place you want to be’ rather than ‘a place you need to be’. However, Hecht and Colin remained suspicious of recent efforts to evoke a kind of forced playfulness in the office to achieve this. Locale addresses a significant paradigm shift that sees in-person communication as increasingly relevant to productivity, effectiveness and enjoyment at work.

Design

“We often talk about how social networks behave given current technology, where close relationships are not based on physical proximity, but instead on similarity of purpose or interest. You might make an alliance in a social network with someone who is very far away but very close to you in other ways. They are great spatial condensers in this respect. Locale is a physical manifestation of this principle, where the most relevant participants are kept close and communication is fast and frequent.” Kim Colin

Locale organizes the office into clusters of activity along a Workbase, a linear, low, architectonic element that helps give definition and organisation to the open-plan office. Distinct clusters are composed out of different functional modules; the result is that seemingly disparate functions of the office reside comfortably together along one line of the Workbase, which organizes the plan orthogonally. The library, the social setting, the working desk, and the meeting table are all close by and visually coherent along the Workbase. Useful mobile pieces (height-adjustable tables, screens, easels, storage, a refreshment unit) can be ‘pulled up’ to customize the group and individual settings off the Workbase, making an even richer neighborhood. Clusters can be wider or narrower, with adjacencies nearer or further, depending on need.

Spontaneous interaction or unplanned communication increases productivity at work and Locale encourages this in the open plan office without relying on broader architectural-scale social devices like open stairs and community eating areas. Screens attached to the Workbase or parallel and perpendicular desks allow a balance of visual separation and porisity in the cluster. A lot of engineering effort was spent getting rid of legs on the desks and in creating a mobile table and accessories program so that work can occur easily, sitting or standing in a variety of settings.

Locale brings different parts of the office together in proximity so you shouldn’t have to go away to talk to a colleague in a more conducive manner. Instead, you can raise a table, stand, and discuss. You don’t have to move to completely separate spaces to accommodate varied work styles. Locale is planned for availability in the Winter of 2013.

Facts

A third of working people are now mobile, up from a quarter since 2006. The world’s top companies spend 40% of their time collaborating, compared with 21% on focussed work. A healthy work life is one that lets you adjust. To sit, to stand and to walk will let you work better and live longer.

Kim Colin – “We find a lot of value in our own office, which is small, highly productive and considerate. We are all from different parts of the world, which says a lot about how the free movement of people has created a multi-dimensional condition. We collaborate constantly about ideas, methods and opinions. We travel a lot. Our work is never created in cultural isolation, and therefore our office itself behaves like a good, condensed international neighborhood, which is efficient, energetic and pleasurable.”

Sam Hecht – “One could argue that collaboration is a buzzword right now, that somehow it might go away, but we think this is unimaginable. People are collaborating globally, empowered by digital networks, but the most ambitious businesses still need productive, collaborative physical environments. The offices we visited during our research—places where people want to work—are open-plan, transparent, and energetic.”

Client: Herman Miller Inc.
Design: Sam Hecht & Kim Colin, Industrial Facility
Award: NeoCon 2013 Silver Award

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for Herman Miller
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Public Office Landscape by Fuseproject for Herman Miller

Product news: Yves Behar’s San Francisco studio Fuseproject launches an office furniture system for American design brand Herman Miller at the Neocon trade fair in Chicago this week (+ slideshow).

Public Office Landscape by Fuseproject for Herman Miller

Called Public Office Landscape, the modular design by Fuseproject for Herman Miller aims to encourage spontaneous conversations and continuous collaboration between employees.

Rather than design desks for individuals interspersed with pockets of collaborative meeting areas, Behar wanted to spread collaboration evenly throughout the office.

The designers came up with three main concepts: social desks for individuals to work in configurations that encourage interaction, group spaces for focussed collaboration and spaces in between that facilitate casual interactions and community.

Public Office Landscape by Fuseproject for Herman Miller

The resulting modular system features seating elements that flow into desks and soft fabrics that flow into hard surfaces.

Fuseproject used the prototypes at their own office in San Francisco, testing and evolving the various elements in-situ over the course of 18 months.

Neocon continues until 12 June.

Public Office Landscape by Fuseproject for Herman Miller

Yves Behar previously designed the Sayl office chair based on suspension bridges for Herman Miller. Other recent product launches by Behar include a lock with no keys and a remote control with no butons.

Herman Miller recently acquired New York-based textile manufacturer Maharam in a deal worth about £101 million and will also present work by Industrial Facility this week, who the brand previously worked with on the Enchord two-tier work desk in 2008.

In a recent Opinion column on Dezeen Sam Jacob called for an end to the “tyranny of fun” in office design, while Jean Nouvel told us than “apartments make better places to work than offices” in an interview about his office design installation at the Salone Internazionale del Mobile.

More design by Fuseproject »
More design by Herman Miller »
More office furniture design »

The statement below is from Yves Behar:


Public Office Landscape brings fluidity, variety, ergonomics to social seating in order to help people feel engaged, focused, and collaborative

I began thinking about the need for casual, collaborative office seating three years ago, when I was in Cologne for the Orgatec furniture show. I was walking with Don Goeman — Herman Miller’s Executive Vice President of Research, Development, and Design — when he stopped to point out a couch with sectionals made from large blocks of foam. It seemed like the designer of the couch had thought to himself, “big chunks of foam say comfort!”.

A year later, when Herman Miller asked me and my team at fuseproject to develop a more effective office environment for collaboration, I saw an opportunity to go beyond the superficial approach to social seating design I had observed a year earlier. I wanted to create a design that would support a more flexible, fluid way of working while addressing the very human need for interaction.

Public Office Landscape by Fuseproject for Herman Miller

With research showing that 70 percent of collaboration happens at a workstation, I saw a clear need for desks that support interaction. This led to our concept for Social Desking for individuals, Group spaces to allow collaboration in proximity, and Interstitial spaces which are solutions which convert spaces in between into community space for casual interactions — a set of ideas that would ultimately become Public Office Landscape.

This system of shared surfaces would be inviting to guests, have no implied hierarchy, and offer collaborative zones spread evenly throughout the floor plan. The idea of integrated spaces for casual meetings went against the traditional thinking that individual and social work habits need to be separated. We believe collaboration doesn’t just happen in conference rooms— it happens everywhere. Public proposes collaborative areas in close proximity to individual workstations and addresses this disconnect and encourages the type of productive interaction that drives organizations forward.

As we worked with Herman Miller to bring our vision for Public Office Landscape to life, we were able to test our ideas and prototypes at our new office in San Francisco. We injected ourselves into the design process and inhabited evolving versions of the furniture for 18 months — literally growing every part of the vast system, while researching and evaluating variations, and refining the design.

Public Office Landscape by Fuseproject for Herman Miller

The result of our work is a system that achieves an ideal state of flow in the office. Public Office Landscape encourages fluid interactions and spontaneous conversations with seating elements that flow into desks, and with soft fabrics that flow into hard surfaces. These designs culminate in a choice of focused and collaborative places to work. All of this variety helps people feel engaged, focused, and free to move between tasks without interruption. With the support of elements like the Social Chair — the first of its kind to introduce ergonomics into collaborative seating — people can feel good while doing some of their best work.

There is no technical reason why offices are needed today. In theory, we could all be working from home, remotely checking in when needed. The reason why people still want to go to an office, is to collaborate with others. Public Office Landscape offers a better way of working together with solutions that we believe will be increasingly relevant. Public addresses collaboration not in moments, but as movement. It is designed with collaboration spread evenly throughout the space, while the system’s modular components can evolve with the needs of groups and individuals. And with a variety of ergonomic and collaborative elements to enhance fluidity in the workplace, the system will continue to support the ways people want to work.

Herman Miller’s Living Office

Living Office is a different approach to managing people and their work, the tools and products that enable that work, and the places where people come together to do it. Together with Yves Behar’s fuseproject, Sam Hecht and Kim Colin, and Studio 7.5, Herman Miller is expanding its offering of human-centered elements to create a total work experience that is more natural and desirable, and within it the opportunity for individuals and organisations to achieve a new dynamic of shared prosperity. Built on what is fundamental to all humans, Living Office will help both people and their organizations to update their places, tools, and the management of the workplace, to uniquely express and enable shared character and purpose.

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for Herman Miller
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Riya office chair by PearsonLloyd for Bene

Milan 2013: London studio PearsonLloyd is presenting a chair with orange adjustment controls for office brand Bene at the Austrian Design Details exhibition in Milan today.

Riya office chair by PearsonLloyd for Bene

Buttons and levers used to adjust the height, tilt and armrest positions are picked out in orange to make them easier to find, though there is the option to keep them a more subtle grey tone.

Riya office chair by PearsonLloyd for Bene

The seat and back are available in a variety of colour and textile combinations, while the plastic frame comes in a choice of black or white and the base can be ordered in a metallic finish.

Riya office chair by PearsonLloyd for Bene

Optional extras include a high back for shielding noise in open-plan workspaces and a weight-sensitive mechanism for automatic adjustment.

Riya office chair by PearsonLloyd for Bene

The chairs will be on display as part of the Austrian Design Details exhibition in the Salone dei Tessuti, located at Via San Gregorio 29.

PearsonLloyd will also unveil a range of plastic stacking chairs in Milan this week. The studio’s previous designs for Bene include the Docklands range of workstations and PARCS modular office furniture.

See all our stories about designs by PearsonLloyd »
See all our coverage of Milan 2013 »
See our Milan 2013 map »

Here’s the press release from PearsonLloyd:


Riya chair for Bene

London based studio PearsonLloyd will launch its new task chair Riya at Milan furniture fair this April.

Riya office chair by PearsonLloyd for Bene

Riya is the latest project to emerge from the studio’s ongoing relationship with Austrian furniture brand Bene. Like previous products designed by PearsonLloyd for Bene, which include the ground breaking Parcs range and the recently launched Docklands and Bay Chair, Riya is designed to work across the modern office landscape: in touch-down spaces and open plan zones for collaborative tasks, as well as in quiet areas for focussed individual work.

To achieve this, the task chair had to be flexible, and thanks to its new approach to adjustment controls, it is particularly easy to adapt. Instead of rooting around under the seat for hidden levers, the chair boasts visible orange controls that enable workers to change the chair’s ergonomic settings, and effortlessly glide into a comfortable position. While the task chair has all the comfort and support features you’d want from a seat you spend everyday in, its ease of use, coupled with the option for a weight sensitive synchro mechanism, make it a great choice for shared usage spaces.

Riya office chair by PearsonLloyd for Bene

Working in open plan spaces comes with a set of difficulties though, such as unwanted noise and visual distraction. So PearsonLloyd incorporated a high back option for the chair. Far from an indication of status, the high back acts as an acoustic shield, enclosing workers from noise behind them and creating a sense of privacy.

The task chair’s simple form and clean lines provide a great platform for bringing colour and textiles into the office space. Riya is an example of PearsonLloyd’s continued efforts to rid office furniture of the traditional tech aesthetic, and bring some human touches into the workspace.

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for Bene
appeared first on Dezeen.

Brackets by Nendo for Kokuyo

Product news: Japanese design studio Nendo has come up with a modular office furniture system with tall backrests for extra privacy (+ movie).

Above: movie shows various configurations of the modules

Created for Japanese office furniture and supplies brand Kokuyo, the Brackets sofa and table units by Nendo are intended to surround their users “like parentheses.”

Brackets by Nendo for Kokuyo

The seven sofa types and four table types can be combined into numerous combinations, from rows of alternately facing single seats to compact meeting booths.

Brackets by Nendo for Kokuyo

At 140 centimetres tall, the backrests screen the occupants and provide privacy as well as dampening surrounding noise.

Brackets by Nendo for Kokuyo

Other products launched by Nendo recently include bent wood chairs that flick out as if they’re wearing capes and a series of 30 lamps made from a modular set of parts – see all design by Nendo.

Brackets by Nendo for Kokuyo

Earlier this month we reported on the studio’s mountain range of laser-cut foamboard installed at Stockholm Design Week, where Nendo was guest of honour – see all news and products from Stockholm 2013.

Brackets by Nendo for Kokuyo

Photographs by Akihiro Yoshida.

Here’s some more information from the designers:


Brackets

An office-use unit sofa designed to create a communication space by ‘bracketing’ its inhabitants like parentheses.

Brackets by Nendo for Kokuyo

Users can freely combine the seven sofa types and four table types into a variety of spaces with a finely tuned balance of openness and privacy, concentration and relaxation and individuals and groups.

Brackets by Nendo for Kokuyo

The sofas are composed of sharp outer lines and softer inner curves, so that they respect the mood of the office environment while providing for user comfort.

Brackets by Nendo for Kokuyo

The height of the backrests, relatively tall at 1400mm, provides visual privacy and dampens the surrounding noise, allowing for focussed conversations.

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for Kokuyo
appeared first on Dezeen.

18 Feet & Rising by Studio Octopi

18 Feet & Rising by Studio Octopi

These desks by London architects Studio Octopi were designed to look like miniature basketball courts.

18 Feet & Rising by Studio Octopi

The steel frame of each desk emerges up through the plywood surface at one end to provide sockets, switches and a lamp, which the architects claim looks a bit like a basketball hoop.

18 Feet & Rising by Studio Octopi

The furniture was designed for the offices of London advertising agency 18 Feet & Rising.

18 Feet & Rising by Studio Octopi

We’ve also featured a couple of houses by Studio Octopi – see them here.

18 Feet & Rising by Studio Octopi

Here’s some more text from Studio Octopi:


Advertising agency 18 Feet & Rising appointed Studio Octopi to design desks and a board room table for their new office. The agency wanted the furniture to reflect their work ethos and hands-on creativity. Their love of basketball provided a design metaphor for the brief.

18 Feet & Rising by Studio Octopi

The tables were developed working closely with a scenery company, the component parts sized to ease future relocation.

18 Feet & Rising by Studio Octopi

Click above for larger image

A desk seats two across a plywood surface. A black steel frame forms the foot and mast of each desk, referencing a basketball ‘hoop’. Data and power is distributed through the frame to desktop sockets and a lamp above acts as a beacon to call a meeting. In 2012 the agency will host a basketball game raising funds to upgrade a local schools court. The old court will then become worktops for their desks.

18 Feet & Rising by Studio Octopi

Click above for larger image

The basketball tops symbolise the open playing surface of the agency: the crossing of boundaries and exchange of ideas.

Smith Pro by Jonathan Olivares for Danese

smith-pro-by-jonathan-olivares-for-danese-222.jpg

American designer Jonathan Olivares has designed a mobile, metal storage unit for Italian brand Danese. (more…)