“Customers grow old with our shoes, not bored with them” – Tracey Neuls

Footwear designer Tracey Neuls explains why she shies away from “disposable fashion” and reveals that many customers consider her shoes “their best kept secret” in this movie Dezeen filmed at the Designed in Hackney Day PechaKucha, part of a series of talks and discussions we hosted in August.

Tracey Neuls Designed in Hackney Movie

Neuls starts her talk by saying she considers her work to be more akin to design than fashion, before explaining how she tries to create timeless pieces that customers “grow old with” rather than “bored with”.

Tracey Neuls Designed in Hackney Movie

She describes how she begins the design process by moulding the shoes from plasticine  and why she believes that approaching design like a child adds to the timelessness of the pieces.

Tracey Neuls Designed in Hackney Movie

Explaining her approach to manufacturing, she reveals that her shoes are made by families who have passed the trade down through generations, unlike most shoes which she describes as being “designed like a kit car, created by selecting pre-fab components”.

Tracey Neuls Designed in Hackney Movie

Neuls has two shops in London – one on Marylebone Lane, near Bond Street, and one on Rivington Street in Shoreditch – and she describes how a ”no shoes on shelves” policy in her shops provides a different approach to retail, where unique installations “complete the story of the shoes” and make her customers feel special.

Tracey Neuls Designed in Hackney Movie

She concludes the talk by showing images of the collection she designed in collaboration with designer Tord Boontje, which features autumn leaf motifs.

Tracey Neuls Designed in Hackney Movie

Neuls has been designing shoes under her own label Tracey Neuls and TN_29 for almost 12 years – see all our stories about her here.

Tracey Neuls Designed in Hackney Movie

We’ll be publishing movies of the talks over the coming days and you can also watch architects Studio Weave talk about how architects should be wary of “thinking that they know how to do everything” and James Bridle talking how his projects are designed to look like “the internet has escaped out into the streets”.

Tracey Neuls Designed in Hackney Movie

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

Tracey Neuls Designed in Hackney Movie

To find out more about the other discussions from Designed in Hackney Day, see our highlights reported here. See more stories about design and architecture from Hackney here.

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Colour Space by John Short and Praline

Beijing Design Week: British photographer John Short and design studio Praline created these “audio explosions” by scattering colour pigments using different sound frequencies (+ movie).

Colour Space by John Short and Praline

Above: Burnt Sienna - sound frequency 440Hz

Each set of pigments was laid on a white surface above a speaker, through which different sounds were emitted to disperse the colours.

Colour Space by John Short and Praline

Above: Cobalt Yellow Lake – sound frequency 493.88Hz 

“We were exploring the relationship between colour and sound,” David Tanguy from Praline told Dezeen at the exhibition.

Colour Space by John Short and Praline

Above: Old Holland Golden Green – sound frequency 523.25Hz

Seven colour hues were used for the seven musical notes, and each sound moved the particles into different patterns.

Colour Space by John Short and Praline

Above: Cobalt Green – sound frequency 587.33Hz

Short photographed the patterns in motion, which were then blown up and printed onto 14 floor-to-ceiling fabric banners that were conceived as “an homage to traditional Chinese hangings”.

Colour Space by John Short and Praline

Above: Old Delft Blue – sound frequency 659.26Hz

They were exhibited during Beijing Design Week at The Factory, an old bicycle factory in the Dashilar neighbourhood of the city that also hosted an installation of illuminated ceramic yoghurt pots.

Colour Space by John Short and Praline

Above: Ultramarine Red-Pink – sound frequency 698.46Hz

We’ve featured a couple of other stories from Beijing Design Week, including an exhibition about the problems faced by international architects working in China and maps that chart the disappearance of Beijing’s ancient hutongs.

Colour Space by John Short and Praline

Above: Alizarin Crimson Lake Extra - 783.99Hz

See all our stories about photography

Colour Space by John Short and Praline

The text below is from John Short and Praline:


Colour Space, an installation by design studio Praline and photographer John Short explores the relationship between sound, colour and form.

Colour Space by John Short and Praline

The exhibition takes an existing idea, of sound being represented by colour, one step further and shows how various sound frequencies create their own individual patterns.

Colour Space by John Short and Praline

Passing seven frequencies that correspond to the seven musical notes through coloured pigment created unique ‘audio explosions’.

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Movie: Toblerone House by Studio MK27 through the eyes of a cat

Movie: Brazilian architect Marcio Kogan of Studio MK27 used cinematic techniques he picked up in his early career as a movie director to film one of his latest projects through the eyes of the client’s pet cat.

Toblerone House by Studio MK27

Toblerone House is a two-storey residence in São Paulo comprising a glazed ground floor and a timber-clad upper floor, which are separated from one another by an overhanging concrete slab.

Toblerone House by Studio MK27

The movie shows the cat taking a walk along the protruding edges of this slab, as well as through each of the rooms and around the garden.

Toblerone House by Studio MK27

Explaining the decision to film the house in this way, Studio MK27 architect Suzana Glogowski told Dezeen how the team enjoyed making a series of movies for this year’s Venice Architecture Biennale to show “the day by day life of one of our houses, where the architecture is not important” and decided to make another for this house.

Toblerone House by Studio MK27

Studio MK47 also recently unveiled a collection of furniture made by construction workers, as part of the London Design Festival – find out more here.

See all our stories about Studio MK27 »

Photography is by Nelson Kon.

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Movie: Jaguar clay modelling at Clerkenwell Design Week

In this movie we filmed at Clerkenwell Design Week earlier this year, clay modeller for car brand Jaguar Charles Douglas tells Dezeen editor-in-chief Marcus Fairs how he turns a designer’s sketch into a 3D form that can be scanned for manufacture.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Speaking in the Farmiloe Building, Douglas explains how he uses an armature milled to 50 millimetres lower than the intended finished surface of the clay as a guide to sculpt to the correct level.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Above image is by Jim Stevenson

He demonstrates how he uses a slick tool to work the clay in different directions to achieve the perfect shape and thickness.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Above image is by Jim Stevenson

Although there is a certain amount of craft and creativity in his role, Douglas says that he is restricted by “engineering points all around the bonnet and crash points on the bumper,” as well as other control points because “you’ve got to get an engine in there and you’ve got to get in and out”.

Movie: Jaguar clay modelling at Clerkenwell Design Week

Above image is by Mark Cocksedge

See all our stories from Clerkenwell Design Week 2012 »
See all our stories about cars »

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New construction system saves “50 centimetres per floor”

News: Spanish architects Alarcon+Asociados have developed a new construction product that allows a six-storey building to fit into a five-storey volume. (+ movie).

New waffle slab construction makes suspended ceilings redundant

Developed for buildings with large construction spans such as schools and hospitals, Holedeck is a concrete waffle slab system that can accommodate electrical cables, plumbing and ventilation ducts within the floor structure rather than hung below. This prevents the need for suspended ceilings, which are installed to hide these services.

New waffle slab construction makes suspended ceilings redundant

“A total of 30-50 centimetres are saved per floor,” explain the architects on the product website.

New waffle slab construction makes suspended ceilings redundant

The first building to be constructed using the system is an office block for the research and development department of communications company Logytel in central Spain (pictured).

See more stories about concrete »

Here’s a list of the product’s features from Alarcon+Asociados:


The new concrete waffle slab HOLEDECK is a patented system of voided slabs for buildings with big spans between supports and a high level of services. It can be pierced all through its thickness by the building conductions and services.

This means that services in cross-sections occupy the same space as the structure itself and thus no additional suspended ceilings are required to hide them all. HOLEDECK is especially suitable for buildings requiring multiple services as well as big or medium spans, such as office buildings, hospitals, schools or any public, commercial or industrial building.

» HOLEDECK is suitable for big spans ranging from 10 to 18 meter high with a 50-60cm slab edge.

» It is possible to keep the structure with fair-faced concrete by adding dyes to the concrete mass.

» It is set up in a similar way to other voided flat plate slabs.

» It provides greater freedom of design for the plant geometry and pillar placing.

» It is modulated according to a 80cm interaxis so its modules are interchangeable with any voided two-way flat plate slab system.

Air may be distributed through conventional semi-flexible conduits or through a plenum system, which requires a sealed suspended ceiling and removable locks in lateral windows.

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Movie: Wilkinson Eyre Architects on winning World Building of the Year

World Architecture Festival 2012: Dezeen editor-in-chief Marcus Fairs talks to Wilkinson Eyre Architects‘ Paul Baker in this interview filmed just moments after the firm’s Cooled Conservatories for the Gardens by the Bay tropical gardens in Singapore was named World Building of the Year at the World Architecture Festival today.

Wilkinson Eyre Architects on winning World Building of the Year

In the movie, Baker explains that to build cooling greenhouses in the tropics was “an extraordinarily tough thing to do” and required “proper collaboration, not the genius idea”. The two structures are the largest climate-controlled greenhouses in the world and include a 30-metre-high man-made waterfall – read more in our earlier story.

Wilkinson Eyre Architects on winning World Building of the Year

The winners were announced at the Marina Bay Sands hotel and conference centre, which is situated next to the Gardens by the Bay. See category winners from days one and two plus the Landscape of the Year and Future Project of the Year in our special category.

Wilkinson Eyre Architects on winning World Building of the Year

Dezeen is media partner for the festival and we’ll be publishing a series on interviews with selected winners soon.

Wilkinson Eyre Architects on winning World Building of the Year

Photography is by Craig Sheppard.

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Bye Bye Laundry by Lisa Marie Bengtsson

London Design Festival: these clothes hangers by designer and recent graduate Lisa Marie Bengtsson use charcoal to soak up bad smells so clothes need washing less often (+ movie).

Bye Bye Laundry by Lisa Marie Bengtsson

The Bye Bye Laundry clothes hangers are attached to a chamber of activated charcoal, a form of carbon that’s been processed with oxygen to be exceptionally porous and absorbent.

Bye Bye Laundry by Lisa Marie Bengtsson

Odours from hanging clothes are gradually absorbed by the clumps of charcoal through a filter in the base of the chamber.

Bye Bye Laundry by Lisa Marie Bengtsson

“Sometimes we throw half-dirty clothes in the laundry basket because we don’t know where else to put them,” says Bengtsson, explaining that the deodorising hangers can reduce water consumption by refreshing clothes between washes.

Bye Bye Laundry by Lisa Marie Bengtsson

The hangers were shown at 100% Design during London Design Festival, where Dezeen also hosted a series of talks with designers and experts including industrial designer Yves Behar.

Bye Bye Laundry by Lisa Marie Bengtsson

Bengtsson recently graduated from the Product Design course at Kingston University in London.

Bye Bye Laundry by Lisa Marie Bengtsson

Other innovative household projects we’ve featured on Dezeen include a hinged clothes iron by another Kingston graduate and a sewing machine that packs down flat for easy storage.

See all our stories about products »

Here’s some more information from the designer:


Bye Bye Laundry is an object that reflects on our attitude towards dirt with aim to change our washing behavior by using less water. It proposes an alternative solution to freshen up clothes with water, by using activated charcoal to take out smells instead. Today we wash our clothes much more than needed and it harms both the clothes and the planet. I want to raise awareness to this issue and prevent clothes being thrown in the washing machine rapidly.

Bye Bye Laundry by Lisa Marie Bengtsson

There is a moment between clean and unclean clothes that has got very little attention. Sometimes we throw half-dirty clothes in the laundry basket too often because we don’t know where else to put them. I saw an opportunity for a piece including activated charcoal that creates a place for clothes that have been worn but are not necessarily ready to be washed.

Bye Bye Laundry by Lisa Marie Bengtsson

Each hanger has a glass chamber of ultra-porous activated charcoal and through a filter in the wooden base, the charcoal absorbs odours from the clothes and helps keep them fresh. The activated charcoal need not touch the clothes to function and it takes a few days for the charcoal to absorbs the odour from the clothes. The activated charcoal in the glass chamber is carbon that has been treated with oxygen. The treatment results in a highly porous charcoal. These tiny holes give the charcoal a surface area of 300-2,000 m2/g, allowing liquids or gases to pass through the charcoal and interact with the exposed carbon. It has a great ability to absorb noxious gases and therefore act as a deodorant and an odour remover.

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Bird Song with a Found Feather by Martin Smith/Laikingland

London Design Festival: this mechanical contraption by artist Martin Smith and his design company Laikingland will wake you up by chirping like a bird (+ movie).

Bird Song with a Found Feather is a mechanically operated sliding whistle that uses a bellow and levers to mimic birdsong.

Bird Song with a Found Feather by Martin Smith with Laikingland

“The noise is created by two cams rotating and pushing levers up and down,” explained Smith, who is also the artistic director of Laikingland. “One lever pumps the bellows, forcing air into the whistle, and the second lever adjusts the slide in the whistle in order to change the pitch and length of the chirp.”

Bird Song with a Found Feather by Martin Smith with Laikingland

The feather itself offers no clue to the bird imitated by the contraption. “The origins of the feather are unknown, as it was found and donated to the piece – although it is very blue,” Smith told Dezeen.

Bird Song with a Found Feather by Martin Smith with Laikingland

A bespoke analogue timer has been built into the piece so that the chirping sound can be used as an alarm clock.

Bird Song with a Found Feather by Martin Smith with Laikingland

The piece was displayed at Mint in South Kensington during the London Design Festival – see all our stories from the festival here.

Bird Song with a Found Feather by Martin Smith with Laikingland

We’ve featured a few other machines by Laikingland previously, including a gong timer that’s inaccurate on purpose and a cacophonous doorbell made in collaboration with Tord Boontje.

See all our stories about machines »
See all our stories about Laikingland »

Here’s some more information from Laikingland:


The concept came from the notion of waking up to the wonderful sound of birdsong. Rather than a caged living bird, an elaborate mechanically operated sliding whistle has been devised that can be set and activated when required.

I wanted a piece that could be set, as with an alarm clock, and would allow you start the day gently. I am interested in producing mechanical bird sounds and seeing the cause and effect through a mechanism. For me the making is very important and I wanted to craft every part of the machine, to understand how the bellows are constructed and operate and to get the bird whistle sounding just right.

Materials: steel, brass, fabric, motor, custom electrics and a feather
Dimensions: H 1500mm (59”) W 300mm (12”) / D 300mm (12”)
Power: 12v motor
Edition: unique
Price: on request

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“Architecture is a discipline that speaks to all your senses” – Pierre de Meuron

To coincide with the final weeks of the Serpentine Gallery Pavilion, here’s an interview we filmed at the opening in May with Pierre de Meuron of architects Herzog & de Meuron, in which he talks to Dezeen about how the pavilion was realised in cork to appeal to all the senses and “not only your eyes”.

The architects teamed up with artist Ai Weiwei on the project and De Meuron explains how they worked around the problem that Weiwei isn’t permitted to leave China before admitting that the protective acoustics of the space were a stroke of luck, since they weren’t able to test them beforehand.

On the same day, Jacques Herzog also gave us an exclusive, impromptu tour of the pavilion, which you can watch below or view at a larger size here.

The Serpentine Gallery Pavilion closes next weekend with a series of talks and discussions by the architects and a host of other speakers, and Dezeen readers are in with a chance of winning tickets to attend. Find out more here »

See photos of the pavilion and read more about it in our earlier story »

See the initial designs for the pavilion » 
See all our stories about the annual Serpentine Gallery Pavilions »
See all our stories about Herzog & de Meuron »
See all our stories about Ai Weiwei »

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“The internet has escaped out into the street,” says James Bridle at Designed in Hackney Day

In this second movie from our series filmed at the Designed in Hackney Day of talks and discussions we hosted in August, technologist James Bridle talks about his recent projects including a series of animations on top of bus shelters that were designed to look “like the internet has escaped out into the street”.

James Bridle at Designed in Hackney Day

The Bus Tops project displayed animations devised by anyone around the world and submitted via the website to be viewed from the top deck of a double-decker bus.

James Bridle at Designed in Hackney Day

“What I most love about it is that you could be on the night bus at 3am and you’d suddenly get this pulsing animated gif coming at you out of the night,” Bridle says, adding that it’s a great way to “reach weird audiences that are not expecting you”.

James Bridle at Designed in Hackney Day

In the movie he also talks about his Ship Adrift project, where he installed a weather station on top of the Southbank Centre in London and used the data generated, including wind speed and air pressure, to determine the path of an “imaginary mad airship”.

James Bridle at Designed in Hackney Day

The program logs its theoretical position on Google Maps and gathers streams of information from the internet that are tagged with that location, using them to generate tweets and a log that combine a selection of words it picks up.

James Bridle at Designed in Hackney Day

“Occasionally this becomes terrifyingly prescient,” Bridle says, going on to recount how it picked up the names of rivers over the Balkans then started “talking about genocide,” or picked up mentions of “drone attacks and the war on terror” close to the border of Pakistan. “When a robot picks up these kind of weird echoes of stuff that we’re leaving on the network, something odd happens. I’m interested in those intersection points,” he says.

James Bridle at Designed in Hackney Day

Taking place at Hackney House in the heart of Shoreditch during the Olympics, Designed in Hackney Day celebrated the incredible diversity of design talent in the borough as well as providing a platform to discuss both the opportunities and threats to creative businesses in this fast-changing part of London.

Bridle concluded his talk by saying that the cross-disciplinary discussion that east London fosters is key to his work. Talking about the building he shares with internet startups, design companies, book binders and artists, he said: “We have this shared pool of experience and we’re not scared of talking to each other about what interests us in each others work all the time. That’s how, for me, London works.”

James Bridle at Designed in Hackney Day

We’ll be publishing movies of the talks over the coming days and you can watch architects Studio Weave talk about how architects should be wary of “thinking that they know how to do everything” here.

Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

To find out more about the other discussions from Designed in Hackney Day, see our highlights reported here. See more stories about design and architecture from Hackney here.

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