Chilean architect Smiljan Radic designs Serpentine Gallery Pavilion 2014

News: Chilean architect Smiljan Radic has been named as the designer of this year’s Serpentine Gallery Pavilion and is proposing a translucent domed structure of white fibreglass.

The shell-like pavilion will rest on a bed of huge rocks, based on the Castle of the Selfish Giant imagined by nineteenth-century author Oscar Wilde.

Serpentine Gallery Pavilion 2014 by Smiljan Radic

“Externally, the visitor will see a fragile shell suspended on large quarry stones,” said Radic. “This shell – white, translucent and made of fibreglass – will house an interior organised around an empty patio, from where the natural setting will appear lower, giving the sensation that the entire volume is floating.”

The translucent fibreglass will allow the structure to glow after dark. “At night, thanks to the semi-transparency of the shell, the amber tinted light will attract the attention of passers-by, like lamps attracting moths,” said the architect.

Smiljan Radic – a 48-year-old architect who before now has built little outside of his native Chile – will be one of the youngest and least-known architects selected by the Serpentine Gallery in the 14-year history of the programme.

Serpentine Gallery Pavilion 2014 by Smiljan Radic

“We have been intrigued by his work ever since our first encounter with him at the Venice Architecture Biennale 2011,” said Serpentine Gallery directors Julia Peyton-Jones and Hans Ulrich Obrist.

“Radic is a key protagonist of an amazing architectural explosion in Chile. While enigmatically archaic, in the tradition of romantic follies, Radic’s designs for the Pavilion also look excitingly futuristic, appearing like an alien space pod that has come to rest on a Neolithic site. We cannot wait to see his Pavilion installed on the Serpentine Gallery’s lawn this summer.”

The pavilion will open to the public on 26 June and will remain in Kensington Gardens until 19 October.

Smiljan Radic
Smiljan Radic – photograph by Hisao Suzuki

Last year’s pavilion was designed by Japanese architect Sou Fujimoto and comprised a cloud-like structure made from a lattice of steel poles. Other past commissions include Herzog & de Meuron, SANAA and Peter Zumthor.

Here’s the full press release from the Serpentine Gallery:


Chilean architect Smiljan Radic to design Serpentine Galleries Pavilion 2014

The Serpentine has commissioned Chilean architect Smiljan Radic to design the Serpentine Galleries Pavilion 2014. Radic is the fourteenth architect to accept the invitation to design a temporary Pavilion outside the entrance to the Serpentine Gallery in Kensington Gardens. The commission is one of the most anticipated events in the cultural calendar, and has become one of London’s leading summer attractions since launching in 2000.

Smiljan Radic’s design follows Sou Fujimoto’s cloud-like structure, which was visited by almost 200,000 people in 2013 and was one of the most visited Herzog & de Meuron and Ai Weiwei, 2012; Peter Zumthor, 2011; Jean Nouvel, 2010; Kazuyo Sejima and Ryue Nishizawa, SANAA, 2009; Frank Gehry, 2008; Olafur Eliasson and Kjetil Thorsen, 2007; Rem Koolhaas and Cecil Balmond, with Arup, 2006; Álvaro Siza and Eduardo Souto de Moura with Cecil Balmond, Arup, 2005; MVRDV with Arup, 2004 (un-realised); Oscar Niemeyer, 2003; Toyo Ito and Cecil Balmond – with Arup, 2002; Daniel Libeskind with Arup, 2001; and Zaha Hadid, who designed the inaugural Pavillion in 2000.

Occupying a footprint of some 350 square metres on the lawn of the Serpentine Gallery, plans depict a semi-translucent, cylindrical structure, designed to resemble a shell, resting on large quarry stones. Radic’s Pavilion has its roots in his earlier work, particularly The Castle of the Selfish Giant, inspired by the Oscar Wilde story, and the Restaurant Mestizo, part of which is supported by large boulders. Design as a flexible, multi-purpose social space with a café sited inside, the Pavilion will entice visitors to enter and interact with it in different ways throughout its four-month tenure in the Park. On selected Friday nights, between July and September, the Pavilion will become the stage for the Serpentine’s Park Nights series, sponsored by COS: eight site-specific events bring together art, poetry, music, film, literature and theory and include three new commissions by emerging artists Lina Lapelyte, Hannah Perry and Heather Phillipson. Serpentine Galleries Pavilion 2014 launces during the London Festival of Architecture 2014,

Smiljan Radic has completed the majority of his structures in Chile. His commissions range from public buildings, such as the Civic Neighbourhoods, Concepción, Museo Chileno de Arte Precolombino, Santiago, Restaurant Mestizo, Santiago, and the Vik Winery, Millahue, and domestic buildings, such as Copper House 2, Talca, Pite House, Papudo, and the House for the Poem of the Right Angle, Vilches, to small and seemingly fragile buildings, such as the Extension to Charcoal Burner’s House, Santa Rosa, The Wardrobe and the Mattress, Tokyo, Japan, and The Bus Stop Commission, Kumbranch, Austria. Considerate of social conditions, environments and materials, Smiljan Radic moves freely across boundaries with his work, avoiding any specific categorisation within one field of architecture. This versatility enables him to respond to the demands of each setting, whether spatial constraints of an urban site or extreme challenges presented by a remote rural setting, mountainous terrain or the rocky coastline of his native Chile.

AECOM will again provide engineering and technical design services, as it did for the first time in 2013. In addition, AECOM will also be acting as cost and project manager for the 2014 Pavilion. While this is the second Serpentine Pavilion for AECOM, its global chief executive for building engineering, David Glover, has worked on the designs for a majority of the Pavilions to date. The Serpentine is delighted that J.P. Morgan Private Bank is the co-headline sponsor of this year’s Pavilion.

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“I tried to create something melting into the green”- Sou Fujimoto

In this movie by film studio Stephenson/Bishop, Japanese architect Sou Fujimoto explains how he tried to combine nature and architecture when designing this year’s Serpentine Gallery Pavilion, which is open for three more weeks in London’s Kensington Gardens.

Serpentine Gallery Pavilion by Sou Fujimoto

Built on the lawn outside the Serpentine Gallery, Sou Fujimoto‘s cloud-like pavilion comprises a grid of white poles that ascend upwards to form layered terraces with circles of transparent polycarbonate inserted to shelter from rain and reflect sunlight.

Serpentine Pavilion movie

“From the beginning I didn’t think ‘I’d like to make a cloud’,” says Fujimoto, explaining how he tried to design a structure that would fit in with its surroundings. “I was impressed by the beautiful surroundings of Kensington Garden, the beautiful green, so I tried to create something that was melting into the green.”

Serpentine Pavilion movie

“Of course the structure should be artificial so I tried to create something between architecture and nature; that kind of concept has been a big interest in my career so it is really natural to push forward with that concept for the future,” he adds.

Serpentine Pavilion movie

Fujimoto also speaks about how he wanted to combine inside and outside space within the structure. “The transparency is quite important for me because you can feel the nature, the weather and the different climates, even from inside the pavilion,” he says.

Serpentine Pavilion movie

Fujimoto is the youngest architect to design a Serpentine Gallery Pavilion. “It is kind of a dream for younger architects to be selected so I was excited, but at the same time it was kind of a big pressure ,” he said. “But I started to enjoy the whole situation and the whole challenge and for me, it was was a nice experience for the project to be abroad in a different situation than Japan.”

Serpentine Pavilion movie

The Serpentine Gallery Pavilion opened in June and will remain in place until 20 October. Dezeen also filmed an interview with Sou Fujimoto at the opening, when he told us he was “fascinated by such a beautiful contrast [between] the really sharp, artificial white grids and the organic, formless experience”.

Serpentine Pavilion movie

See all our stories about Serpentine Gallery pavilions »
See more architecture by Sou Fujimoto »

Serpentine Pavilion movie

Photography is by Jim Stephenson.

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Serpentine Pavilion Intervention by United Visual Artists

British studio United Visual Artists created an “electrical storm” inside Sou Fujimoto’s cloud-like Serpentine Gallery Pavilion using LED lights during a performance at the temporary structure last month (+ movie).

United Visual Artists (UVA) inverted the pavilion’s similarity to a white fluffy cloud by using flashing lights to imitate lightning, making it look like a thunderstorm was taking place inside it.

Serpentine Pavilion Intervention by United Visual Artists

“This piece specifically aimed to energise Sou Fujimoto’s architecture, which is representative of a somewhat serene cumulus cloud,” said the studio during a question and answer session last week. “Our intervention aimed to evoke a terrific and comparatively overwhelming electric storm in the architecture, kind of simply aiming to bring it to life.”

Serpentine Pavilion Intervention by United Visual Artists

To create the effect, LED strips encased in clear plastic tubes were attached to the temporary pavilion’s steel grid with magnets. Lighting effects were accompanied with thunderous noises, created by a combination of audio samples of the hums and buzzes from electric power stations and synthesised sounds.

The performance took place on the evening of 26 June in collaboration with creative agency My Beautiful City.

Serpentine Pavilion Intervention by United Visual Artists

Fujimoto’s design is the latest in a series of pavilions redesigned each year by a different prominent architect, on the same site in London’s Kensington Gardens next to the Serpentine Gallerysee our guide to previous Serpentine Gallery Pavilions here.

Other movies about lighting installations we’ve published show a wooden cabin filled with coloured light and smoke and Troika’s large-scale immersive light pieces.

See more stories about Serpentine Gallery Pavilions »
See more installation design »

UVA sent us the following information:


United Visual Artists Serpentine Pavilion Intervention

On the evening of 26th June, UVA, in collaboration with My Beautiful City, transformed Sou Fujimoto’s Pavilion, bringing the cloud-like structure to life with an electrical storm.

UVA take inspiration from the transparent, undefined attributes of the pavilion, which changes form depending on perspective, shifting as your eyes travel across it.

Serpentine Pavilion Intervention by United Visual Artists

Their performative installation aims to make the architecture “breathe”, awakening a character and energy, seemingly from within. For this piece UVA reference their past works which, similar to Fujimoto’s, rely on geometric foundations and interests.

One reference could be J.M.W. Turner’s paintings, which rather than being representative evoke the sensation of an overwhelming natural phenomenon. UVA’s transformation aims to capture the essence of being inside an electrical storm, exploring the similarities between what is digital: electronic and the awe-inspiring natural world.

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“I tried to create something between nature and architecture”

In this movie filmed by Dezeen at the unveiling of this year’s Serpentine Gallery Pavilion in London today, Japanese architect Sou Fujimoto explains how he used a rigid geometric grid to create a soft and natural atmosphere. 

"I tried to create something between nature and architecture"
Photograph by Iwan Baan

“The inspiration started from the beautiful surroundings,” Fujimoto says. “I was so impressed by the beautiful green surroundings, so I tried to create in this green environment something between nature and architecture, tried to create a transparent sturcture that melts into the background.”

"I tried to create something between nature and architecture"
Photograph by Iwan Baan

To achieve this, Fujimoto created his pavilion from a white lattice of steel poles, with variations in density creating a structure that appears more or less transparent depending on where you stand.

“The grid itself is quite straight, rigid and quite artificial,” he says. “But when you have such a huge amount, it becomes more like an organic cloud-like or forest-like [structure].

"I tried to create something between nature and architecture"
Photograph by Iwan Baan

“I was fascinated by such a beautiful contrast [beween] the really sharp, artificial white grids and the organic, formless experience.”

"I tried to create something between nature and architecture"
Image copyright Dezeen

Fujimoto goes on to reveal that it took him a while to work out how protect visitors to the pavilion from the rain. “We couldn’t put a roof on [it] because it would spoil this beautiful structure,” he says. “Finally we had the idea to use polycarbonate transparent discs,” which slot in between the gaps in the lattice.

"I tried to create something between nature and architecture"
Image copyright Dezeen

The polycarbonate tiles are not just to provide shelter, Fujimoto says. “Sometimes, if the wind is coming, [the roof] starts to swing and [creates] a more soft atmosphere, and a beautiful contrast with the grid.”

See our earlier story for more images of Sou Fujimoto’s pavilion »

"I tried to create something between nature and architecture"
Sou Fujimoto

See all our stories about the Serpentine Gallery Pavilions »
See more architecture by Sou Fujimoto »

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Photos of Sou Fujimoto’s Serpentine Gallery Pavilion

Here’s a full set of images from this year’s Serpentine Gallery Pavilion by Japanese architect Sou Fujimoto (+ slideshow).

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

Unveiled this morning, Sou Fujimoto‘s design features a cloud-shaped grid of steel poles with varying density.

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

The sticks part to form two doorways and visitors can climb up onto transparent ledges within the structure.

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

They can also sit at cafe tables and chairs underneath, sheltered from above by a layer of transparent plastic discs.

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

The pavilion will open to the public from Saturday and remain in front of the Serpentine Gallery in Kensington Gardens until 20 October 2013.

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

Dezeen published the first photos of the Serpentine Gallery Pavilion 2013 from the press preview this morning, where Fujimoto explained how he wanted to “create a nice mixture of nature and architecture,” adding “that has been the great interest for me these last ten years.”

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

See more architecture by Sou Fujimoto on Dezeen, including a house that looks like scaffolding and a library with shelves on the outside.

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

The annual unpaid Serpentine Gallery Pavilion commission is one of the highlights in world architecture and goes to a high-profile architect who has not yet built in the UK. At 41, Fujimoto is the youngest to have accepted the invitation.

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

Past commissions include Herzog & de Meuron and Ai Weiwei, Peter Zumthor, Jean Nouvel, SANAA and Frank Gehry.

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

See our handy guide to all the Serpentine Gallery Pavilions »
Watch our interviews with Herzog & de Meuron at last year’s opening »
Watch our interview with Peter Zumthor in 2011 »

Photos of the Serpentine Gallery Pavilion 2013 by Sou Fujimoto

Photographs are by Jim Stephenson.

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Serpentine Gallery Pavilion 2013 by Sou Fujimoto

News: here are the first images of this year’s Serpentine Gallery Pavilion by Japanese architect Sou Fujimoto, which was unveiled in London this morning (+ slideshow).

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Image copyright Dezeen

The cloud-like structure on the lawn outside the Serpentine Gallery in Kensington Gardens is made from a white lattice of steel poles.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Image copyright Dezeen

The grid varies in density, framing or obscuring the surrounding park by different degrees as visitors move around it. Circles of transparent polycarbonate amongst the poles afford shelter from the rain but also create a layer that reflects sunlight from within.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Image copyright Dezeen

“I tried to create something – of course really artificial – but nicely melding together with these surroundings, to create a nice mixture of nature and architecture,” said Sou Fujimoto at the press conference this morning.

“This grid is really artificial, sharp, transparent order, but the whole atmosphere made by grids is more blurring and ambiguous, like trees or a forest or clouds. So we can have the beautiful duality of the artificial order and natural order,” he added.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Image copyright Dezeen

The lattice parts in the middle to house seating for a cafe. It will open to the public on Saturday and remain in place until 20 October.

The annual unpaid Serpentine Gallery Pavilion commission is one of the most highly sought-after small projects in world architecture and goes to a major architect who hasn’t yet built in the UK.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Image copyright Dezeen

Last year’s pavilion was a cork-lined archaeological dig created by Herzog & de Meuron with Ai Weiwei. Dezeen filmed interviews with Herzog & de Meuron at the opening, where Jacques Herzog told us how they sidestepped the regulations to be allowed to participate and Pierre de Meuron explained how cork was used to appeal to “all the senses, not just your eyes”.

In 2011 it was a walled garden by Peter Zumthor, who told us at the opening: “I’m a passionate architect… I do not work for money”. Watch that movie here.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Image copyright Dezeen

Past projects by Sou Fujimoto include a house that has hardly any walls, another with three layers of windows and a library with shelves on the exterior. See our slideshow of Sou Fujimoto’s key projects or check out all our stories about his work.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Image copyright Dezeen

See all our stories about the Serpentine Gallery Pavilions »
See more architecture by Sou Fujimoto »

Here’s some more information from the Serpentine Gallery:


The Serpentine Gallery Pavilion 2013 is designed by multi award-winning Japanese architect Sou Fujimoto. He is the thirteenth and, at 41, the youngest architect to accept the invitation to design a temporary structure for the Serpentine Gallery. The most ambitious architectural programme of its kind worldwide, the Serpentine’s annual Pavilion commission is one of the most anticipated events on the cultural calendar. Past Pavilions have included designs by Herzog & de Meuron and Ai Weiwei (2012), Frank Gehry (2008), Oscar Niemeyer (2003) and Zaha Hadid, who designed the inaugural structure in 2000.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Photograph by Iwan Baan

Widely acknowledged as one of the most important architects coming to prominence worldwide, Sou Fujimoto is the leading light of an exciting generation of architects who are re-inventing our relationship with the built environment. Inspired by organic structures, such as the forest,Fujimoto’s signature buildings inhabit a space between nature and artificiality.

Fujimoto has completed the majority of his buildings in Japan, with commissions ranging from the domestic, such as Final Wooden House, T House and House N, to the institutional, such as the Musashino Art Museum and Library at Musashino Art University.

Serpentine-Gallery-Pavilion-2013-by-Sou-Fujimoto
Photograph by Iwan Baan

Occupying some 357 square-metres of lawn in front of the Serpentine Gallery, Sou Fujimoto’s delicate, latticed structure of 20mm steel poles has a lightweight and semi-transparent appearance that allows it to blend, cloud-like, into the landscape against the classical backdrop of the Gallery’s colonnaded East wing. Designed as a flexible, multi-purpose social space – with a café run for the first time by Fortnum and Mason inside – visitors will be encouraged to enter and interact with the Pavilion in different ways throughout its four-month tenure in London’s Kensington Gardens.

Serpentine Gallery Pavilion 2013 by Sou Fujimoto
Photograph by Iwan Baan

Fujimoto is the third Japanese architect to accept the invitation to design the Serpentine Gallery Pavilion, following Pritzker Prize winners Toyo Ito in 2002 and Kazuyo Sejima & Ryue Nishizawa of SANAA in 2009.

AECOM have provided engineering and technical design services for the Pavilion for 2013. David Glover, AECOM’s global chief executive for building engineering, has worked on the designs of many previous Pavilions.

Sponsored by: HP
With: Hiscox
Advisors: AECOM
Platinum Sponsors: Rise, Viabizzuno progettiamo la luce

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New Pinterest board: Serpentine Gallery Pavilions

Serpentine Gallery Pavilions

Sou Fujimoto’s Serpentine Gallery Pavilion opens in London next week, so our latest Pinterest board brings together all twelve of the temporary pavilions from over the years by architects including SANAA, Jean Nouvel and Frank Gehry.

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Sou Fujimoto designs Serpentine Gallery Pavilion 2013

News: Japanese architect Sou Fujimoto has been named as the designer of this year’s Serpentine Gallery Pavilion, which will be a cloud-like structure made from a lattice of steel poles.

The semi-transparent pavilion will occupy 350 square-metres of lawn outside the London gallery. Two entrances will lead inside the structure, where staggered terraces will provide seating for a central cafe.

Sou Fujimoto to design Serpentine Gallery Pavilion 2013

Sou Fujimoto describes his design as “an architectural landscape” where “the vivid greenery of the surrounding plant life [is] woven together with a constructed geometry”.

“The delicate quality of the structure, enhanced by its semi-transparency, will create a geometric, cloud-like form, as if it were mist rising from the undulations of the park,” said Fujimoto. “From certain vantage points, the pavilion will appear to merge with the classical structure of the Serpentine Gallery, with visitors suspended in space.”

The temporary pavilion will open to the public on 8 June and will remain in Kensington Gardens until 20 October.

Sou Fujimoto is the third Japanese architect to accept the annual unpaid commission, which is one of the most highly sought-after small projects in world architecture and goes to a major architect who hasn’t yet built in the UK. Toyo Ito designed the pavilion in 2002, while SANAA followed in 2009. Past projects by Sou Fujimoto include a house that has hardly any walls, another with three layers of windows and a library with shelves on the exterior.

Last year’s pavilion was a cork-lined archaeological dig created by Herzog & de Meuron with Ai Weiwei, who was forbidden to leave China at the time. Dezeen filmed interviews with Herzog & de Meuron at the opening, where Jacques Herzog told us how they sidestepped the regulations to be allowed to participate and Pierre de Meuron explained how cork was used to appeal to “all the senses, not just your eyes”. Before that it was a walled garden by Peter Zumthor, who told us at the opening in 2011: “I’m a passionate architect… I do not work for money”. Watch that movie here.

Other past commissions include Jean Nouvel and Frank Gehry – see our handy guide to all the Serpentine Gallery Pavilions here.

See all our stories about the Serpentine Gallery Pavilions »
See more architecture by Sou Fujimoto »

Here’s the full statement from Sou Fujimoto:


For the 2013 Pavilion I propose an architectural landscape: a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of Kensington Gardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two.

The Pavilion will be a delicate, three-dimensional structure, each unit of which will be composed of fine steel bars. It will form a semi-transparent, irregular ring, simultaneously protecting visitors from the elements while allowing them to remain part of the landscape. The overall footprint will be 350 square-metres and the Pavilion will have two entrances. A series of stepped terraces will provide seating areas that will allow the Pavilion to be used as a flexible, multi-purpose social space.

The delicate quality of the structure, enhanced by its semi-transparency, will create a geometric, cloud-like form, as if it were mist rising from the undulations of the park. From certain vantage points, the Pavilion will appear to merge with the classical structure of the Serpentine Gallery, with visitors suspended in space.

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“Architecture is a discipline that speaks to all your senses” – Pierre de Meuron

To coincide with the final weeks of the Serpentine Gallery Pavilion, here’s an interview we filmed at the opening in May with Pierre de Meuron of architects Herzog & de Meuron, in which he talks to Dezeen about how the pavilion was realised in cork to appeal to all the senses and “not only your eyes”.

The architects teamed up with artist Ai Weiwei on the project and De Meuron explains how they worked around the problem that Weiwei isn’t permitted to leave China before admitting that the protective acoustics of the space were a stroke of luck, since they weren’t able to test them beforehand.

On the same day, Jacques Herzog also gave us an exclusive, impromptu tour of the pavilion, which you can watch below or view at a larger size here.

The Serpentine Gallery Pavilion closes next weekend with a series of talks and discussions by the architects and a host of other speakers, and Dezeen readers are in with a chance of winning tickets to attend. Find out more here »

See photos of the pavilion and read more about it in our earlier story »

See the initial designs for the pavilion » 
See all our stories about the annual Serpentine Gallery Pavilions »
See all our stories about Herzog & de Meuron »
See all our stories about Ai Weiwei »

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Competition: tickets for the Memory Marathon at the Serpentine Gallery Pavilion to be won

Competition: tickets for the Memory Marathon to be won

Competition: we’re giving readers a chance to win one of two pairs of tickets to the Memory Marathon, a series of talks and discussions taking place from 12 to 14 October close to the Serpentine Gallery Pavilion (above) in London’s Kensington Gardens.

Competition: tickets for the Memory Marathon to be won

Above: image is by John Offenbach
Top: image is by Iwan Baan

The event is the seventh ideas exchange inspired by the annual Pavilion commission and coincides with the Frieze Art Fair in London.

Competition: tickets for the Memory Marathon to be won

Above: temporary spaces that will host the event.

Tickets will cover the three sessions taking place each day that will feature leading artists and design professionals in a continuous programme of performances, screenings, discussions and experiments.

Competition: tickets for the Memory Marathon to be won

Above: image is by Marco Grob

Participants will include the designers of the Pavilion Jacques Herzog and Pierre De Meuron (above), director David Lynch and artists Gilbert & George (below).

Competition: tickets for the Memory Marathon to be won

Above: image is by Mark Blower

The launch on Friday 12 October will feature a performance by sound artist Tarek Atoui.

Competition: tickets for the Memory Marathon to be won

Above: image is by Iwan Baan

The event will take place at the following times:

Friday 12 October (6pm – 11pm)
Saturday 13 October (12 noon – 10pm)
Sunday 14 October (11am – 9pm)

Competition: tickets for the Memory Marathon to be won

Above: image is by Luke Hayes

For more information about the event visit the Serpentine Gallery website.

Competition: tickets for the Memory Marathon to be won

Above: image is by Iwan Baan

To enter this competition email your name, age, gender, occupation, and delivery address and telephone number to competitions@dezeen.com with “Memory Marathon” in the subject line. We won’t pass your information on to anyone else; we just want to know a little about our readers.

Read our privacy policy here.

Competition: tickets for the Memory Marathon to be won

Above: image is by Iwan Baan

Competition closes 9 October 2012. Five winners will be selected at random and notified by email. Winners’ names will be published in a future edition of our Dezeenmail newsletter and at the top of this page. Dezeen competitions are international and entries are accepted from readers in any country.

Read more about this year’s pavilion in our story here and watch a movie of our exclusive tour of the pavilion with Jacques Herzog here.

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