A New Bus for London by Heatherwick Studios

A New Bus for London by Heatherwick Studios

Here are some more photos of the prototype of Thomas Heatherwick‘s redesign of the iconic routemaster bus for London, unveiled last week as reported on Dezeen Wire

A New Bus for London by Heatherwick Studios

The design incorporates two staircases and three doors, including a hop-on-hop-off platform at the back of the bus.

A New Bus for London by Heatherwick Studios

Seven more of the double-deckers will be put into service on route 38 in February 2012.

A New Bus for London by Heatherwick Studios

Read more about the launch in our story on Dezeen Wire, see renders of Heatherwick’s design that were unveiled in May 2010 in our earlier story here and check out designs for the competition back in 2008 here.

A New Bus for London by Heatherwick Studios

Photographs are copyright Heatherwick Studio unless otherwise stated.

A New Bus for London by Heatherwick Studios

Here are some more details from Heatherwick Studio:


New Bus for London

In January 2010, Heatherwick Studio joined the team leading the design of a New Bus for London. The project marks the first time in more than 50 years that TFL has commissioned and overseen the development of a bus built specifically for the capital.

A New Bus for London by Heatherwick Studios

Above photo is by Iwan Baan

Working alongside specialist bus manufacturer, Wrightbus, the external design has been developed to reflect the functional requirements of the vehicle. A long asymmetric front window provides the driver with clear kerbside views, while a wrapped glazing panel reflects passenger circulation – bringing more daylight into the bus and offering views out over London.

A New Bus for London by Heatherwick Studios

By incorporating an open platform at its rear, the bus reinstates one of the much-loved features of the 1950s Routemaster which offered a ‘hop-on hop-off’ service. The new design will also have three doors and two staircases, making it quicker and easier for passengers to board. In engineering terms, the New Bus for London will be 15 per cent more fuel efficient than the existing hybrid buses and 40 per cent more efficient than conventional diesel double-deckers.

A New Bus for London by Heatherwick Studios

Thomas Heatherwick said: “It has been 50 years since a bus was last designed and commissioned specifically for London.  This has been a once-in-a-lifetime opportunity for a team to look again at the opportunities for a new open-platform bus.  It has been an honour to be asked by London’s transport authority to take an integrated approach and design everything that you see and experience from the outside down to the tiniest details of the interior.”

A New Bus for London by Heatherwick Studios

Designs for the new bus were unveiled by the Mayor of London, Boris Johnson, in May 2010. The full-size mock up of the new Bus for London has now been relocated to the London Transport Museum, Covent Garden and will be on display until June 2011. A prototype, developed and manufactured by Wrightbus, has just been delivered in November 2011 and the first five buses are due to enter passenger service in early 2012.

Dubious London Town by Vic Lee at The Temporium

Dubious London Town by Vic Lee at The Temporium

The Temporium: illustrator Vic Lee‘s intricate prints documenting London streets are on show at our Christmas shop The Temporium, open until 24 December at 65 Monmouth Street, Seven Dials, Covent Garden, London WC2H 9DG.

Dubious London Town by Vic Lee at The Temporium

Depicting Portobello Road, Columbia Road, Upper Street and a mixture of London stories, the designs are hand-printed in an open edition on 100% cotton paper.

Dubious London Town by Vic Lee at The Temporium

Each one is signed, numbered and embossed with the artist’s mark.

Dubious London Town by Vic Lee at The Temporium

Other prints at The Temporium include Woop Studios – see our earlier Advent Calendar story here.

Dubious London Town by Vic Lee at The Temporium

The Temporium 2011

Dezeen presents The Temporium

65 Monmouth Street
Seven Dials, Covent Garden
London WC2H 9DG

Map

Telephone:
020 7503 7319

Dates:
1-24 December 2011

Opening times:
Monday – Saturday: 11:00 – 19:00
Late-night shopping Thursday until 20:00
Sunday: 12:00 – 17:00

More info: www.thetemporium.com

Google London Office

La société Google a installé de nouveaux bureaux à Londres. En s’inspirant de l’univers d’une station spatiale, les designers et architectes de Penson ont pensé un réel décor de science-fiction. Un rendu intéressant à découvrir en visuels dans la suite de l’article.



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New Bus for London by Heatherwick Studio


Dezeen Wire:
a prototype of Thomas Heatherwick‘s redesign for the iconic Routemaster bus was unveiled in London this morning.

New Bus for London by Heatherwick Studio

Realised in collaboration with bus manufacturer The Wright Group, the design sees the return of a hop-on-hop-off platform at the back of the bus, which will be in use only when a conductor is on board, plus window strips that wrap around the corners and up to the top deck.

New Bus for London by Heatherwick Studio

Eight of the new busses are due to be in service by the end of February 2012.

Photographs are by Iwan Baan – we’ll show more as soon as we get them.

Meanwhile you can see renders of Heatherwick’s design that were unveiled in May 2010 in our earlier story here and the winners of the design competition from 2008 here.

Here are some more details from Transport for London:


Prototype seen for first time in the Capital. Seven more buses to follow early next year and enter service on 20 February, 2012. Buses to serve the busy route 38 between Victoria and Hackney. New bus will be the most environmentally friendly of its kind.

The first bus designed specifically for London in more than 50 years arrived in the Capital today.

The Mayor of London, Boris Johnson, committed to build the bus in his election manifesto and he was one of the first to jump on board today when the bus was driven from City Hall to Trafalgar Square to be unveiled in front of Christmas shoppers, tourists and Londoners.

In just under two years the new bus has gone from the drawing board to a fully functioning prototype.

Today the Mayor announced that the first prototype buses will be operated by Arriva and will enter passenger service on 20 February next year on one of the Capital’s busiest routes, the 38, which runs from Victoria station to Hackney.

The new bus has been designed, engineered and built by Wrightbus in Northern Ireland with aesthetic design by the London-based Heatherwick Studio.

It incorporates the most innovative and cutting-edge hybrid technology and will be the most environmentally friendly bus of its kind when it enters passenger service.

A team of 25 engineers and a 40-strong production team at Wrightbus have worked on the first prototypes.

But the manufacture of the bus has stimulated industries across the UK and, in a difficult economic climate, the Mayor is confident that when the bus goes into full production it will create many more jobs around the country.

Cutting-edge technology

The Mayor of London, Boris Johnson, said: ‘Christmas has arrived early in the form of this revolutionary new bus whose gleaming coat of red paint and sinuous curves will brighten the day of all who see it humming along our great city’s streets.

‘It is the latest, greatest masterpiece of British engineering and design, and I am certain it will become a much-loved and iconic vehicle akin to the legendary Routemaster from which it draws so much inspiration.’

The new bus received the thumbs up today when it hosted its first event – as a London radio station broadcasted its breakfast show live from the bus – before it was driven through the streets of the Capital to be unveiled at Trafalgar Square.

Children from Kew Riverside Primary School, that won a prize in the original design competition, were also at Trafalgar Square to see the bus arrive.

Transport for London Commissioner Peter Hendy said: ‘It is a phenomenal achievement to get a bus of this calibre from the drawing board to the streets of London in just two years and my congratulations goes to all who have worked tirelessly to make this happen.

‘This bus has been designed from the wheels up with the complex needs of Londoners in mind; it truly is a 21st century bus.

‘It’s stylish and comfortable, and will ensure a smooth ride for all on board as well as an eye catching spectacle for those who will see it glide through the streets of London.’

Passenger trials

Over the next few weeks the bus will undergo testing for certification purposes and will be put through its paces by the Arriva staff who will be responsible for driving and crewing them when they enter service early next year.

In total eight prototype buses will enter passenger service in the first half of next year.

The prototype buses will be trialled in passenger service and the performance and passenger feedback will be evaluated.

If the trial is deemed successful there could be hundreds of these buses operating across London in the coming years.

This new bus will be the most environmentally friendly bus of its kind when it enters passenger service.

In tests at Millbrook Proving Ground, the engineering test vehicle emitted only 640 grams per kilometre (g/km) of carbon dioxide and 3.96 g/km of oxides of nitrogen (NOx) – less than half of the carbon dioxide emitted by a current diesel bus (1295g/km) and under half of the NOx emitted by a current diesel bus (9.3g/km).

In testing, fuel economy was also better than twice that of a standard diesel bus at 11.6mpg

Wrightbus was awarded the contract for engineering design and to build the New Bus for London in January 2010.

London-based designers Heatherwick Studio provided the exterior and interior design and the result is a vehicle that not only has an iconic look but every aspect of its design has at its heart the complex needs of London’s bus passengers.

Designed for London

Critical design features include three entrances and two staircases to deliver speedy boarding, a new seat and moquette design, innovative use of new materials and an open platform at the rear, in common with the iconic Routemaster.

The rear platform will be open when there is a conductor on board allowing passengers to hop on and off at bus stops.

The three sets of doors will ensure easy access on and off the bus and quick access up to the upper deck via the two staircases.

Thomas Heatherwick, of Heatherwick Studio, said: ‘It has been 50 years since a bus was last designed and commissioned specifically for London.

This has been a once-in-a-lifetime opportunity for a team to look again at the opportunities for a new open-platform bus.

It has been an honour to be asked by London’s transport authority to take an integrated approach and design everything that you see and experience from the outside down to the tiniest details of the interior.’

Bob Scowen, Managing Director for Arriva London said: ‘Everyone involved with the running of route 38 is looking forward to testing the new bus and putting it through its paces.’

New Works of Banksy

Le célèbre artiste Banksy a très récemment placé de nouvelles œuvres dans la capitale anglaise. Toujours en jouant avec les éléments de la ville, et avec son style si particulier, les dernières installations sont à découvrir dans la suite de l’article.



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Shonibare’s Ship in a Bottle

The long-lasting engineering behind the Fourth Plinth project
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For centuries model-makers and artists have played with the challenge of building a ship in a bottle, and in May 2010, British-Nigerian artist Yinka Shonibare MBE erected the largest to date for the Fourth Plinth commission in Trafalgar Square. On view for the past 18 months, the five-meter-long bottle is not only a historical tribute to the location it serves, but it is also a significant engineering feat, packing 37 large sails inside and featuring a beautifully robust glass exterior that has held up to the blustery London weather.

Looking back on the amount of time in which the 1:30-scale model spent on resting on the fourth plinth in Trafalgar Square, David Segall, an engineer at Max Fordham LLP in London, explained some of the project’s challenges. The engineering firm, which usually works on large building projects like the expansion of the Tate Modern, treated Shonibare’s work no differently. Segall explained that engineering is about problem-solving, and the Shonibare project had some unique conditions to overcome. The team had to make sure that condensation wouldn’t form inside the bottle, the cork wouldn’t shout out, pressure wouldn’t break the bottle and that wood on the ship wouldn’t crack or grow mold. Plus, they had to design a special lighting system for proper nighttime viewing.

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Segall showed us the mathematical equation that determined the “cork pressure” and a whole set of drawings outlining the mechanical systems managing the air temperature inside the bottle. The scaled-down sales on the HMS Victory appear to be flapping in the ocean breeze, but it’s actually from fans circulating air, and the portholes in the base of the structure serve as functional air vents.

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A preprogrammed SIM card inside the base of the statue sends a message to a slew of mechanics and project managers if something does malfunction, but Segall said he didn’t think any problems had actually arisen over the last year and a half. When repairs or maintenance do have to be performed, the base opens to access the mechanics of the system, so you probably won’t ever see someone inside the bottle.

A trademark of Shonibare’s work has been his exploration of the colonial relationship between Europe and Africa, especially through the use of “African” fabric, which was introduced to Europe by Dutch sailors. Shonibare placed the batik fabric on his miniature version of the naval ship, perhaps the most important vehicle of Britain’s imperial expansion.

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The Max Fordham team will relocate the structure to a permanent location in January—if the funds can be raised, it will go to the National Maritime Museum in London. “The whole brief changes,” says Segall. “We have more freedoms because we are working on locating the structure in a permanent location, but every location has its own problems that we’ll have to solve.” When asked if Shonibare knew about all of the engineering considerations that went into the project, Segall laughed. “He must have some idea of the challenges of his ideas, but he never worked directly with our team.” After all, why bother an artist with technicalities of the real world?

Photos by Aaron Kohn


London landmarks’ heritage status threatened by rising skyline


Dezeen Wire:
 the ongoing construction of skyscrapers in central London has caused the United Nations Educational, Scientific and Cultural Organization (UNESCO) to reconsider the status of the Tower of London and the Palace of Westminster as recognised sites of historical significance – Evening Standard

UNESCO are concerned that The Shard by architect Renzo Piano near the Tower of London and the 43-storey Doon Street tower on the opposite side of the river Thames from Westminster are having a negative impact on the views and historical integrity of the landmarks. It could place them on its “at risk” register, which would damage their appeal to international tourists.

See our previous story in which Renzo Piano says The Shard “will be loved” by the public and UNESCO’s announcement of 25 new additions to the World Heritage List from earlier this year.

Plans for East London tower by Amanda Levete Architects withdrawn


Dezeen Wire:
the developer behind plans for a tower designed by architecture practice AL_A in Shoreditch, East London has withdrawn its planning application – BDonline

The design for a twisted tower on a former industrial estate attracted over a thousand letters from local residents. Developers Londonewcastle say they will adapt the proposal before submitting a new planning application early next year.

See our previous story on the original design for the Huntingdon Estate here, another AL_A project in London that was scrapped recently here and more projects by AL_A here.

Semblance: Collector’s Edition Box Set Giveaway

Exclusive Twitter giveaway of a collection of works by one of London’s most remarkable contemporary artists
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Even at first glance it’s apparent that London-based artist Von has reason to keep his works in short supply. The level of detail that goes into his original works continues in the production of his limited edition prints, which are masterfully executed by one of England’s oldest printmakers, a family-run studio that dates back to 1880. Since commingling his commercial success with the fine art world a half-decade ago, Von has been producing remarkable reproductions of his work and selling them in small runs—but the latest offering is arguably the most impressive yet.

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Semblance” is a box set of five of Von’s striking prints, restricted to just 50 editions. While the packaging and material provide reason enough to purchase the collection, fans and discerning buyers have another cause for excitement: Von has randomly placed five original works within the lot.

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Officially on sale tomorrow, those with quick fingers can still pre-order the set online, but one lucky CH reader could also win one in our Twitter-based giveaway. The five pieces included in the “Semblance” box set are quintessential Von works, slightly ambiguous in composition but ultimately invigorating. The way he challenges the eye intrinsically draws the viewer in, creating a heightened experience with this powerful contradiction of balance.

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Those in London will have a chance to see the Semblance Collector’s Edition Box Set in person tomorrow at Protein’s 18 Hewett Street Gallery, where the works will be on display for the evening. Be sure to arrive early, a signed print will be given to the first 100 people through the door.

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Semblance: Collector’s Edition Box Set is available for pre-order from ShopVon for £225. For a chance to win the set, follow Cool Hunting on Twitter and simply retweet the link to this story. Winners will be chosen at random on 25 November 2011 at 10am EST.


The Shard “will be loved” – Renzo Piano


Dezeen Wire:
Italian architect Renzo Piano says his London skyscraper, The Shard, will be loved by the public, because “it will be accessible, because it is transparent, understandable and not mysterious” – The Telegraph

The public will be able to access restaurants and a viewing gallery at the top of Europe’s tallest building, which fellow architect and friend of Piano, Richard Rogers suggests “will be one of Renzo’s major works [and] one of his major successes.”

Piano believes that skyscrapers such as The Shard represent the most responsible approach to tackling the issue of urban sprawl, stating: “It is more socially correct to intensify the city and free up space on the ground. The city is fragile and vulnerable, so we have to be careful.”