Heatherwick unveils gallery inside grain silos for Cape Town’s V&A Waterfront

News: British designer Thomas Heatherwick has unveiled plans to create a new art gallery at the V&A Waterfront museum in Cape Town by hollowing out sections of a grain silo complex.

Presented at the Design Indaba 2014 conference this week, Heatherwick Studio‘s proposal is to give the V&A Waterfront a building dedicated to contemporary African art within the cluster of 42 concrete tubes that make up a historic grain silo structure.

“How do you turn 42 vertical concrete tubes into a place to experience contemporary culture? Our thoughts wrestled with the extraordinary physical facts of the building,” explained Thomas Heatherwick.

“There is no large open space within the densely packed tubes and it is not possible to experience these volumes from inside,” he continued. “Rather than strip out the evidence of the building’s industrial heritage, we wanted to find a way to enjoy and celebrate it. We could either fight a building made of concrete tubes or enjoy its tube-iness.”

Heatherwick unveils gallery inside grain silo complex for Cape Town's V&A Waterfront

A elliptical section will be hollowed out from the centre of the nine-storey building to create a grand atrium that will be filled with light from a glass roof overhead. Some silo chambers will be carved open at ground level to accommodate exhibition galleries, while others will accommodate elevators.

Heatherwick added: “Unlike many conversions of historic buildings that have grand spaces ready to be repurposed, this building has none. The project has become about imagining an interior carved from within an infrastructural object whilst celebrating the building’s character.”

Layers of render and paint will be removed from the existing facades to reveal the raw concrete of the silos, while windows will be created from bulging transparent pillows.

“Thomas Heatherwick understood how to interpret the industrial narrative of the building, and this was the major breakthrough,” said V&A Waterfront CEO David Green. “His design respects the heritage of the building while bringing iconic design and purpose to the building.”

Heatherwick unveils gallery inside grain silo complex for Cape Town's V&A Waterfront
Proposed section – click for larger image

Named Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), the building will be a partnership between V&A Waterfront and entrepreneur Jochen Zeitz, whose art collection will provide the museum’s permanent exhibition within some of the 80 proposed galleries.

Education facilities and sit-specific exhibition areas will be provided within the existing underground tunnels. Other features will include a rooftop sculpture garden, an art conservation facility, bookshops, and cafe and restaurant areas.

Heatherwick will partner with local firms Van Der Merwe Miszewski, Rick Brown Associates and Jacobs Parker on the delivery and fit out of the museum.

Read on for the press release from V&A Waterfront:


V&A Waterfront unveils architectural plans by Heatherwick Studio for the historic Grain Silo Complex

Imagine forty‐two 33-metre high concrete tubes each with a diameter of 5.5 metres, with no open space to experience the volume from within. Imagine redesigning this into a functional space that will not only pay tribute to its original industrial design and soul, but will become a major, not-for-profit cultural institution housing the most significant collection of contemporary art from Africa and its Diaspora.

The brief given to Heatherwick Studio was to reimagine the Grain Silo Complex at the V&A Waterfront with an architectural intervention inspired by its own historic character. The project called for a solution that would be unique for Africa and create the highest possible quality of exhibition space for the work displayed inside.

The V&A Waterfront’s challenge to repurpose what was once the tallest building on the Cape Town skyline caught the imagination of internationally acclaimed designer Thomas Heatherwick and his innovative team of architects.

This was a chance to do more than just appropriate a former industrial building to display art, but to imagine a new kind of museum in an African context.

The R500‐million redevelopment project, announced in November 2013 as a partnership between the V&A Waterfront and Jochen Zeitz will retain and honour the historic fabric and soul of the building while transforming the interior into a unique, cutting‐edge space to house the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA). Considered the most extensive and representative collection of contemporary art from Africa, the Zeitz Collection has been gifted in perpetuity to this non‐profit institution by ex‐Puma CEO and Chairman, Jochen Zeitz. The collection will be showcased in 9,500m2 of custom‐designed space spread over nine floors, of which 6,000 m2 will be dedicated exhibition space.

Heatherwick Studio, based in London, is recognised internationally for projects including the UK Pavilion at the 2010 Shanghai World Expo, The London 2012 Olympic Cauldron, the New Bus for London and the redevelopment of Pacific Place, a 640,000m2 complex in the centre of Hong Kong.

For the Zeitz MOCAA project, Heatherwick Studio will partner with three local delivery partners; Van Der Merwe Miszewski (VDMMA), Rick Brown Associates (RBA) and Jacobs Parker. Jacobs Parker will be the lead designer for the Museum fit out.

The key challenge has been to preserve the original industrial identity of the building, which is heritage listed, and to retain choice pieces of machinery to illustrate and maintain its early working character. Heatherwick Studio has met the brief with characteristic boldness and creative flair. The final design reveals a harmonious union of concrete and metal with crisp white spaces enveloped in light.

The solution developed by Heatherwick Studio was to carve galleries and a central circulation space from the silos’ cellular concrete structure to create an exceptionally spacious, cathedral‐like central atrium filled with light from an overhead glass roof. The architects have cut a cross‐section through eight of the central concrete tubes. The result will be an oval atrium surrounded by concrete shafts overhead and to the sides. Light streaming through the new glass roof will accentuate the roundness of the tubes. The chemistry of these intersecting geometries creates an extraordinary display of edges, achieved with advanced concrete cutting techniques. This atrium space will be used for monumental art commissions not seen in Africa until this construction.

The other silo bins will be carved away above ground level leaving the rounded exterior walls intact. Inside pristine white cubes will provide gallery spaces not only for the Zeitz MOCAA permanent collection, but also for international travelling exhibitions. Zeitz MOCAA will have 80 galleries, 18 education areas, a rooftop sculpture garden, a state of the art storage and conservation area, and Centres for Performative Practice, the Moving Image, Curatorial Excellence and Education. Heatherwick Studios have designed all the necessary amenities for a public institution of this scale including bookstores, a restaurant and bar, coffee shop, orientation rooms, a donors’ room, fellows’ room and various reading rooms. The extraordinary collection of old underground tunnels will be re‐engineered to create unusual education and site specific spaces for artists to dialogue with the original structure.

Cylindrical lifts rise inside bisected tubes and stairs spiral upwards like giant drill bits. The shafts are capped with strengthened glass that can be walked over, drawing light down into the building.

The monumental facades of the silos and the lower section of the tower are maintained without inserting new windows. The thick layers of render and paint are removed to reveal the raw beauty of the original concrete.

From the outside, the greatest visible change is the creation of special pillowed glazing panels, inserted into the existing geometry of the grain elevator’s upper floors, which bulge outward as if gently inflated. By night, this transforms the building’s upper storeys into a glowing lantern or beacon in the harbour.

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Foster and Heatherwick team up on Shanghai finance centre

News: architecture firm Foster + Partners and designer Thomas Heatherwick have unveiled images of a finance centre they are collaborating on, which is currently under construction in Shanghai.

The 420,000 square-metre Bund Finance Centre will feature two 180 metre-high office towers, alongside a mix of shops and restaurants, a boutique hotel, and an art and culture centre.

Foster and Heatherwick team up on Shanghai Bund cultural complex

Located at the end of Shanghai’s popular waterside street The Bund, the complex is intended by Foster + Partners and Heatherwick Studio to connect the Chinese city’s old town with its financial district.

“Sitting at the gateway to Shanghai’s old town, on the river bank where boats would arrive from the rest of the world, this is an extraordinary site which stood unoccupied for many years,” said Thomas Heatherwick.

“In filling this last empty site on Shanghai’s famous Bund, the concept is inspired by China’s ambition not to duplicate what exists in the rest of the world but to look instead for new ways to connect with China’s phenomenal architectural and landscape heritage,” he added.

Foster and Heatherwick team up on Shanghai Bund cultural complex

The art and culture centre will be located at the centre of the masterplan and will feature exhibition galleries and a performance venue based on traditional Chinese theatres. According to the designers, this structure will be “encircled by a moving veil” that can be adapted to suit changing activities inside.

Foster + Partners’ head of design David Nelson commented: “The project has given us an exciting opportunity to create a glamorous new destination, as well as a new series of spaces that create a major addition to the public realm, right in the heart of historic Shanghai.”

The glazed facades of the buildings will be complemented with bronze details, while the edges will be finished with strips of granite that taper as they rise.

Images are by DBOX.

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New images released showing Heatherwick’s Garden Bridge across the Thames

News: British designer Thomas Heatherwick has revealed new images of his proposed Garden Bridge across London’s River Thames, which is now scheduled for completion in 2017 (+ slideshow).

Heatherwick Studio is working alongside engineers Arup and landscape designer Dan Pearson on the £150 million plans, proposing a pedestrian bridge covered in trees and shrubs to span the river between South Bank and Covent Garden. A public consultation on the latest designs was launched on Friday, ahead of an expected planning application in early 2014.

The 367-metre bridge will feature two fluted piers, supporting a promenade that splits into two and is interspersed with benches and indigenous plants.

Garden Bridge by Thomas Heatherwick
View from the north bank showing entrance to Temple station

“London is where it is because of the river Thames. But over many years the human experience of this amazing piece of nature has been marginalised by successive transport moves,” said Heatherwick, who also redesigned the city’s iconic routemaster bus.

“The city on the north bank and the historic district of Temple is almost completely isolated from the river by the dual carriageway of the Victoria Embankment that slices it’s way along the north bank and other than its wonderful view, Waterloo Bridge is surprisingly unfriendly for pedestrians.”

“There is now an opportunity to connect London together better, to give Londoners a huge improvement in the quality of pedestrian river crossing in this area, to allow us all to get closer to the river and at the same time to stimulate new regeneration possibilities at both ends where it lands,” he added.

Garden Bridge by Thomas Heatherwick

A charitable organisation named The Garden Bridge Trust has been created to drive forward the project and organise fundraising. It is chaired by Mervyn Davies, the former government minister who oversaw Heatherwick’s UK pavilion at the Shanghai Expo.

“This is the first major milestone for the project and marks a very clear intent to create a new landmark for London,” said Davies. “The scheme has been shaped and developed into a proposal that will contribute significantly to the future of London’s development and we are committed to ensuring The Garden Bridge will be something that London can be proud of.”

Garden Bridge by Thomas Heatherwick

Heatherwick was awarded a tender by government body Transport for London earlier this year to develop ideas for improving pedestrian links across the river. The design derives from a concept by actress Joanna Lumley for a new park in central London.

“I believe that the combination of Transport for London’s brief for a new river crossing and Joanna Lumley’s inspiration for a new kind of garden will offer Londoners an extraordinary new experience in the heart of this incredible city,” said Heatherwick.

Construction of the bridge is anticipated to begin in 2015.

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Heatherwick to design Beijing Subway stations and bid for work on London Underground

Thomas Heatherwick

News: British designer Thomas Heatherwick has been commissioned to design a string of metro stations for Beijing and is also bidding to develop two new stations on the London Underground.

Thomas Heatherwick, who is currently travelling with London Mayor Boris Johnson on a trade mission to China, has so far been appointed to work on two stations for the Chinese capital, which plans to add 125 miles to its underground rail network, but could develop an entire line with as many as 20 stations, according to a report in the Evening Standard.

“There will be a chance to think about the whole line as an entity, as a character and my interest would be how you could make that feel more distinctively Beijing,” he told the paper.

Heatherwick has also made an informal bid to work on the extension to the Northern Line in London, which if approved would see new stations constructed in Nine Elms and Battersea.

The designer, who previously worked with government organisation Transport For London on the redesign of the city’s iconic red double-decker bus, describes the London Underground’s heritage as being of “phenomenal character and idiosyncrasy”.

The extension is yet to be approved by the UK government, although official procurement is unlikely to take place for several years.

Earlier in the trade mission, Johnson urged Chinese students to apply to London’s design schools, claiming they will be welcomed “with open arms”.

Other projects Heatherwick has completed in China include the UK Pavilion at the Shanghai Expo 2010 and a shopping centre in Hong Kong. In London, he is currently working on a garden bridging the River Thames. See more design by Thomas Heatherwick »

Photograph by Elena Heatherwick.

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Learning Hub at Nanyang Technology University by Thomas Heatherwick

UK designer Thomas Heatherwick has released images of a technology education building under construction at Nanyang Technology University in Singapore.

Learning Hub by Heatherwick

Resembling a cluster of elongated bee hives, the Learning Hub at Nanyang Technology University explores new ways of teaching at a time when computers and the internet are challenging the rationale of learning institutions.

Learning Hub by Heatherwick

“Before, the university was the place you would come to because it had the computers, or the university was the place that you would come to because it had the books,” said Heatherwick, explaining the concept of the building in a keynote speech at World Architecture Festival in Singapore last year. “And now, you can just stay in your bedroom with your [iPhone] and get your PhD and deal with the different professors – and so what is the purpose of a university building anymore?”

In response, the university wanted to dissolve the traditional relationship between the tutor and the student, to encourage a new kind of collaborative studying. “They no longer want the model of a master at the front of the class,” said Heatherwick in his lecture. “[That] is something that they want to move away from completely.”

The building consists of several 8-storey towers containing stacks of tutorial rooms, but avoids using traditional circulation and room layouts. The rooms are corner-less, to dissolve the standard classroom hierarchy where the tutor is at the front and the students all face towards him or her.

Instead of corridors, each level features open galleries where students can circulate and meet. And instead of a conventional entrance, the building is porous at ground level, meaning people can approach and enter from any direction.

“So the building has no one door, it’s all porous,” said Heatherwick. “You can just walk into one big shared space that links the whole thing together.”

Nanyang Technology University was masterplanned by Japanese architect Kenzo Tange in the 1980s and features buildings set in lush gardens. Heatherwick’s design reflects this by placing plants and trees on the roof and on some of the circulation levels.

Images are courtesy of Heatherwick Studio. Here’s more information from the studio:


Heatherwick studio has won a competition to design a Learning Hub for a university in Singapore. The hub will be part of a £360 million scheme which Nanyang Technological University is undertaking, and is the first redevelopment of its campus’ in twenty years.

It was clear to us that since the advent of the internet and low cost computers that there has been a distinct shift in how students approach educational facilities. University buildings have ceased to be the only site where students are able to source educational texts, and have become unappealing spaces with endless corridors, no natural daylight and only hints of other people’s presence.

The studio’s approach was to redefine the aspiration of a university building, and to once again make it an essential part of the tertiary education experience. Within this new context the purpose of a university is to foster togetherness and sociability, so that students can meet their fellow entrepreneurs, scientists or colleagues in a space that encourages collaboration.

The hub’s form is dictated by its function, and brings together 55 tutorial rooms into a structure without conventional corridors, which have traditionally created social separation and isolation. The learning hub has no one door, it is porous. Students can enter from 360 degrees around into a large central space which links all the separate towers together. Each tower is made up of a stack of classrooms which build up gradually, with gardens on selected floors.

Another inspiration for the hub was a wish to break down the traditional square forward-facing classrooms with a clear front and hierarchy, and move to a corner-less space, where teachers and students mix on a more equal basis.

In this model, students work together around shared tables, with teacher as facilitator and partner in the voyage of learning, rather than ‘master’ executing a top-down model of pedagogy.

Each of these tutorial rooms faces the large shared central space, allowing students to continually feel connected to all the other activities going on in the building.

In 2013 the learning hub was awarded the BCA Green Mark Platinum Award for sustainability by the Singaporean government. The award is a benchmarking scheme which incorporates internationally recognised best practices in environmental design and performance.

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“We never claimed to be designers of the cauldron” says Atopia

One Planet proposal by Atopia

News: New York design studio Atopia has moved to defuse the row over the authorship of the 2012 Olympic cauldron, saying: “we have never accused Thomas Heatherwick of plagiarism”.

Atopia, which presented a concept for a pavilion (top image and below) at the London games to organisers LOCOG in 2007, has published a statement on its website distancing itself from media reports that UK designer Heatherwick copied its design.

One Planet proposal by Atopia

“We have never accused Thomas Heatherwick of plagiarism,” says the statement. “We have never claimed to be designers of the cauldron in spite of claims in the press.”

Instead, Atopia says it believes its “narrative scenario” for the pavilion inspired LOCOG. “All we have sought from LOCOG since July 2012 is a formal acknowledgement of this.”

One Planet proposal by Atopia

“We are entirely focused on the issue of how ideas transmit through large organizations, often organically and unconsciously,” the statement says.

The firm adds: “The issue for us is not about the object nor is it about Heatherwick’s design. It does bear a striking resemblance to our project work and sketchbook from 2008 and as such this has been the point of focus of the press.”

One Planet proposal by Atopia

Atopia has also published its sketchbook of ideas for the London 2012 Olympics, showing how the proposed One Planet pavilion would be constructed from “umbrellas” that would be carried into the stadium by representatives of the competing nations as part of the opening ceremony and assembled into “a lightweight canopy for events”. This canopy would be made from “a large number of umbrellas like flowers”. The images shown in this story come from Atopia’s sketchbook.

One Planet proposal by Atopia

The presentation continues: “After the games the umbrellas are removed in another ceremony launching a new journey for each of them… returning to the participating nations.”

Row over Thomas Heatherwick's cauldron in the Guardian

The row over the design of the cauldron emerged earlier this week when UK newspaper the Guardian published a story highlighting the similarities between Atopia’s proposal and the Heatherwick’s cauldron (above and below), which became one of the most enduring and popular symbols of the games.

Row over Thomas Heatherwick's Olympic cauldron in the Guardian

Heatherwick’s design featured 204 copper “petals”, each representing one of the competing nations. The petals were carried into the stadium by representatives of each team during the opening ceremony and then assembled into a flaming cluster. At the end of the games the petals were sent as gifts to each nation.

Heatherwick, who was awarded a CBE earlier this month for his work on the cauldron, has emphatically rejected claims of plagiarism, saying; “This claim is spurious nonsense. The ludicrous accusation that LOCOG briefed us to work with, develop or implement a pre-existing idea and that we acted in accordance with this briefing is completely and entirely untrue.”

See a movie about the design and testing of Heatherwick’s Cauldron. See all our stories about Thomas Heatherwick.

Below is the full statement from Atopia’s website:


Atopia London 2012 Press Statement

“We have never accused Thomas Heatherwick of plagiarism. We have never claimed to be designers of the cauldron in spite of claims in the press. We are entirely focused on the issue of how ideas transmit through large organizations, often organically and unconsciously. This becomes an even more complex issue when work and material submitted by small organizations is subject to stringent Confidentiality Agreements.

The issue for us is not about the object nor is it about Heatherwick’s design. It does bear a striking resemblance to our project work and sketchbook from 2008 and as such this has been the point of focus of the press. But for us this is not the point. It is the written narrative that we are concerned with as this is key component in the way we work, developing scenarios for clients that allow them to imagine possibilities years ahead of time and catalyze thinking within their organizations to deliver socially engaged innovation­­­­. It is the narrative scenario along with our other tender content that we believe proved inspirational at LOCOG and this is what it was intended to do. All we have sought from LOCOG since July 2012 is a formal acknowledgement of this.”

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Thomas Heatherwick rejects claims that Olympic cauldron is a copy as “spurious nonsense”

Thomas Heatherwick rejects claims that Olympic cauldron is a copy as "spurious nonsens"

News: Thomas Heatherwick has denied any knowledge of a design presented to the London Olympic committee in 2007 by an American firm, which bears a strong resemblance to his cauldron used at the climax of last summer’s Olympic opening ceremony.

Images of a proposal for a pavilion shown to LOCOG in 2007 by New York design studio Atopia were published by The Guardian newspaper this morning and show a cluster of petals atop long slender poles that looks strikingly like the design by Heatherwick Studio, which consisted of 204 copper petals that came together to create a single flame.

Heatherwick, who was awarded a CBE on the Queen’s 2013 Birthday Honours list last week for services to the design industry, says the idea that his studio’s design was influenced by Atopia’s project or by LOCOG is false. “This claim is spurious nonsense. The ludicrous accusation that LOCOG briefed us to work with, develop or implement a pre-existing idea and that we acted in accordance with this briefing is completely and entirely untrue.”

Thomas Heatherwick rejects claims that Olympic cauldron is a copy as "spurious nonsense"
The two designs featured on the front page of the Guardian today

The designer added: “Before this week, I – and the entire team I was working with – knew absolutely nothing about this proposal, or the ideas it is claimed it contained. None of us saw or were shown the illustrations published in The Guardian on 19 June 2013 until two days ago.”

“Danny [Boyle, artistic director of the opening ceremony] and I evolved the idea for the cauldron over many months, in iterative rounds of discussions and I am appalled at the suggestion that either of us would let ourselves be influenced by any previous work. We were most definitely not steered by LOCOG towards this or any other idea. Any suggestion to the contrary is an affront to our creative integrity.”

Danny Boyle has also dismissed the claims, stating: “As Artistic Director of the London 2012 Olympic Ceremony, I asked Thomas Heatherwick to take on the design of the Olympic Cauldron because of the integrity and originality of his ideas.”

“I also absolutely and categorically reject any suggestion, whatever its motive, that Thomas or I were influenced by anything other than our obligation to create a ceremonial work of art that celebrated British originality, creativity and engineering,” Boyle added. “This is total nonsense and must not be allowed to spoil our appreciation of Thomas’s magnificent work.”

Thomas Heatherwick rejects claims that Olympic cauldron is a copy as "spurious nonsense"
Sketches showing Atopia’s proposal

Speaking to Oliver Wainwright in The Guardian, Jane Harrison, the co-director at New York design studio Atopia said that Heatherwick’s cauldron “looked identical to something we had proposed to the London Olympic committee back in 2007, after which we hadn’t heard anything.”

Harrison added that Atopia’s proposal also featured a similar narrative to the construction of the cauldron at the opening ceremony, which was assembled from petals brought to the stadium by each of the competing nations.

“We devised a structure of petals on tall stems, which would travel from all of the participating countries, then be brought into the stadium by children. The petals would be assembled during the opening ceremony to form a flower-like canopy, and distributed back to the different nations after the Games,” she explained.

Thomas Heatherwick rejects claims that Olympic cauldron is a copy as "spurious nonsense"

Atopia has only recently been allowed to raise its concerns after a gagging order preventing architects, engineers and builders from promoting their involvement in the Games was lifted.

Heatherwick received acclaim from the public for the design of the cauldron, although its positioning inside the Olympic Stadium and out of sight for many visitors to the Olympic park sparked controversy.

See all stories about Thomas Heatherwick »

Below are the complete quotes from Thomas Heatherwick, filmmaker Danny Boyle and former head of ceremonies for London 2012, Martin Green:


Thomas Heatherwick, Heatherwick Studio

“This claim is spurious nonsense. The ludicrous accusation that LOCOG briefed us to work with, develop or implement a pre-existing idea and that we acted in accordance with this briefing is completely and entirely untrue.

Before this week, I – and the entire team I was working with – knew absolutely nothing about this proposal, or the ideas it is claimed it contained. None of us saw or were shown the illustrations published in The Guardian on 19 June 2013 until two days ago.

Danny and I evolved the idea for the cauldron over many months, in iterative rounds of discussions and I am appalled at the suggestion that either of us would let ourselves be influenced by any previous work. We were most definitely not steered by LOCOG towards this or any other idea. Any suggestion to the contrary is an affront to our creative integrity.”

Danny Boyle

“As Artistic Director of the London 2012 Olympic Ceremony, I asked Thomas Heatherwick to take on the design of the Olympic Cauldron because of the integrity and originality of his ideas.

Before Tuesday, neither of us had seen, heard of or knew about the existence of the illustrations published in The Guardian on 19 June 2013.

Thomas and I evolved the idea for the cauldron over many months of discussions. I categorically deny that LOCOG briefed us to work with, develop or implement any pre-existing idea that had been presented to them.

I also absolutely and categorically reject any suggestion, whatever its motive, that Thomas or I were influenced by anything other than our obligation to create a ceremonial work of art that celebrated British originality, creativity and engineering.

This is total nonsense and must not be allowed to spoil our appreciation of Thomas’s magnificent work.”

Martin Green, former Head of Ceremonies, London 2012

“Neither these nor any other images or presentations played any part in the briefing I gave to Danny Boyle and Thomas Heatherwick at the beginning of the process to create the Olympic and Paralympic Cauldron. The design for the cauldron came about solely from the creative conversations between Danny, Thomas and myself.”

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Thomas Heatherwick and BarberOsgerby awarded in Queen’s Birthday Honours

Thomas Heatherwick

News: British designer Thomas Heatherwick has been awarded a CBE (Commander of the Order of the British Empire) on the Queen’s 2013 Birthday Honours list for services to the design industry.

London 2012 Olympic Cauldron by Thomas Heatherwick

Heatherwick launched his studio in 1994 and has since worked on several high-profile projects, from the UK Pavilion at the Shanghai World Expo 2010 to the cauldron for the London 2012 Olympic Games and the redesign of London’s iconic routemaster bus.

Edward Barber and Jay Osgerby

Designers Edward Barber and Jay Osgerby both received an OBE (Order of the British Empire) for services to design, following their celebrated design for the London 2012 Olympic Torch.

London 2012 Olympic Torch by BarberOsgerby

The Queen’s Birthday Honours are announced in June each year to recognise the achievements of UK citizens. They follow the New Year Honours, announced at the start of each year, which most recently recognised industrial designer Kenneth Grange with a knighthood.

See more stories about Thomas Heatherwick »
See more stories about BarberOsgerby »

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Thomas Heatherwick reveals garden bridge designed for River Thames

News: Thomas Heatherwick has released images of a proposal for a garden to span the River Thames on a new pedestrian bridge (+ slideshow).

The design was developed by Heatherwick Studio after Transport for London awarded it a tender to develop ideas for improving pedestrian links across the river.

dezeen_Thomas Heatherwick reveals garden bridge across the Thames_1

Images show two fluted piers supporting a walkway planted with trees, grasses and flowers, offering views of the surrounding city.

“With its rich heritage of allotments, gardens, heathland, parks and squares, London is one of the greenest cities in the world,” says Thomas Heatherwick. “In this context we are excited to have been selected by TFL to explore the opportunity of a pedestrian river crossing. The idea is simple; to connect north and south London with a garden.”

dezeen_Thomas Heatherwick reveals garden bridge across the Thames_3

The structure is proposed for a site between the existing Blackfriars and Waterloo bridges, and will cost £60 million, which Heatherwick will be required to raise from private investors.

Isabel Dedring, London’s deputy mayor for transport told the Evening Standard that “The mayor has been keen to find an iconic piece of green infrastructure that can symbolise London as a high quality of life place to live,” adding “but if private sector funding isn’t forthcoming then the project isn’t going to be able to go ahead.”

This would be the first new bridge built on the river since the Millennium Bridge by Foster + Partners, which originally opened in 2000 but was closed due to safety concerns and reopened in 2002.

dezeen_Thomas Heatherwick reveals garden bridge across the Thames_4

Heatherwick Studio says it has been working on the idea with actor and campaigner Joanna Lumley, who adds: “It’s quite strange to talk of something that doesn’t exist yet, but the Garden Bridge is already vivid in the plans and the imagination. This garden will be sensational in every way: a place with no noise or traffic where the only sounds will be birdsong and bees buzzing and the wind in the trees, and below the steady rush of water.”

“It will be the slowest way to cross the river, as people will dawdle and lean on parapets and stare at the great cityscapes all around; but it will also be a safe and swift way for the weary commuter to make his way back over the Thames,” says Lumley.

“There will be grasses, trees, wild flowers, and plants, unique to London’s natural riverside habitat. And there will be blossom in the spring and even a Christmas tree in mid-winter. I believe it will bring to Londoners and visitors alike peace and beauty and magic.”

dezeen_Thomas Heatherwick reveals garden bridge across the Thames_2

Thomas Heatherwick designed the cauldron for the London 2012 Olympics and told us that its lighting was conceived as a religious ceremony.

Heatherwick’s design for a new bus took to the streets of London last year, and he has also recently designed a distillery and visitor centre for gin brand Bombay Sapphire – see all design by Thomas Heatherwick.

Yesterday the winners were announced in a competition to develop a new green space linking sites on London’s Southbank, which aims to rival the popular High Line park in New York – see all stories about parks and gardens.

We’ve also recently reported on a series of bridges in the Netherlands that were copied from the fictions structures depicted on banknotes – see all stories about bridge design.

Visualisations are by Heatherwick Studio.

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Designs of the Year 2013 shortlist announced

Designs of the Year 2013

News: the Design Museum in London has announced the projects nominated for the Designs of the Year 2013, including the Olympic Cauldron by Thomas Heatherwick, The Shard by Renzo Piano (above) and the Little Printer by BERG.

Over 90 designs have been nominated in the categories of architecture, product, furniture, fashion, graphic, digital, and transport design.

All the shortlisted projects will be on show in an exhibition at the museum from 20 March to 7 July 2013 and winners from each category and one overall winner will be announced in April.

Last year’s shortlist included a wind-powered device for detonating landmines, a machine that uses desert sand to print glass and a cinema under a motorway, with BarberOsgerby’s Olympic torch crowned the overall winner.

See our earlier stories on previous winners:

2012 – Olympic torch by BarberOsgerby
2011 – Plumen Lightbulb 001 by Samuel Wilkinson
2010 – Folding Plug by Min-Kyu Choi
2009 – Barack Obama Poster by Shepard Fairey
2008 – One Laptop per Child by Yves Béhar of Fuseproject

See all our stories about the Design Museum »

Here’s the full press release from the Design Museum:


Architecture

La Tour Bois-Le-Pretre, Paris – Designed by Druot, Lacaton and Vassal
The striking transformation of a run-down tower in northern Paris created an alternative approach to the physical and social redevelopment of decaying post-war housing.

Clapham Library, London – Designed by Studio Egret West
The £6.5m, 19,000 sq ft public library is located in the heart of Clapham, holding more than 20,000 books, it also provides a new performance space for local community groups, 136 private apartments and 44 affordable homes.

Designs of the Year 2013

Above: Clapham Library by Studio Egret West

MOCA (Museum of Contemporary Art), Cleveland – Designed by Farshid Moussavi Architects
The 34,000 sq ft structure, which is 44 percent larger than MOCA’s former rented space, is both environmentally and fiscal sustainable.

Metropolitan Arts Centre, Belfast – Designed by Hackett Hall McKnight
The Metropolitan Arts Centre is wedged between two existing buildings on a hemmed-in corner plot that sits beside the city cathedral. The glazed tower sits atop the volcanic stone facade of this performing arts centre to create a beacon above the surrounding rooftops.

A Room For London – Designed by David Kohn Architects in collaboration with artist Fiona Banner
Perched above Queen Elizabeth Hall at London’s Southbank Centre, the boat-shaped one bedroom installation offers guests a place of refuge and reflection amidst the flow of traffic surrounding its iconic location.

Kukje Art Center, Seoul – Designed by SO-IL
This single-storey building is draped in a stainless steel mesh blanket that fits precisely over its structure and merges with the district’s historic urban fabric of low-rise courtyard houses and dense network of small alleyways.

Ikea Disobedients – Designed by Andrés Jaque Arquitectos
IKEA Disobedients, an architectural performance by Madrid-based Andrés Jaque Arquitectos, was premiered at moma PS1, part of the 9+1 Ways of Being Political exhibition and reveals how recent architectural practices use performance to engage audiences with architecture in a non-traditional way.

Designs of the Year 2013

Above: Book Mountain by MVRDV

Book Mountain, Spijkenisse – Designed by MVRDV
This mountain of bookshelves is contained by a glass-enclosed structure and a pyramid roof with a total surface area of 9,300 sq m. Corridors and platforms bordering the form are accessed by a network of stairs to allow visitors to browse the tiers of shelves. A continuous 480m route culminates at the peak’s reading room and cafe with panoramic views through the transparent roof.

The Shard, London – Designed by Renzo Piano
The Shard is the tallest building in Western Europe, transforming the London skyline, the multi-use 310m vertical structure consists of offices, world-renowned restaurants, the 5-star Shangri-La hotel, exclusive residential apartments and the capital’s highest viewing gallery.

Thalia Theatre, Lisbon – Designed by Gonçalo Byrne Arquitectos & Barbas Lopes Arquitectos
Built in the 1840s, the Thalia Theatre has been in ruins almost ever since. The project reconverts it into a multipurpose space for conferences, exhibitions and events. In order to retain the old walls, the exterior is covered in concrete, while the interior remains in its original condition.

Astley Castle, Warwickshire – Designed by Witherford Watson Mann
A sensitive renewal of this dilapidated castle in rural Warwickshire, the ancient shell forms a container for a dynamic series of interior contemporary spaces. The rebirth of Astley in this elegantly assured, thoughtful project presents a strong new idea for the future interactions with the old and new.

Museum Of Innocence, Istanbul – Designed by Orhan Pamuk with Ihsan Bilgin, Cem Yucel and Gregor Sunder Plassmann
The Museum of Innocence is a book by Orhan Pamuk, telling the story of the novel’s protagonist, Kemal in 1950s and 1960s Istanbul. Pamuk established an actual Museum of Innocence, based on the museum described in the book, exhibiting everyday life and culture in Istanbul during the period in which the novel is set.

Home For All – Designed by Akihisa Hirata, Sou Fujimoto, Kumiko Inui and Toyo Ito
Presented at the Venice 2012 Architecture Biennale, Home for All is the proposal to offer housing solutions for all the people who lost their homes in the Japan earthquake, 2011.

Designs of the Year 2013

Above: Galaxy Soho by Zaha Hadid

T-Site, Tokyo – Designed by Klein Dytham
The T-Site project is a campus-like complex for Tsutaya, a giant in Japan’s book, music, and movie retail market. Located in Daikanyama, an upmarket but relaxed Tokyo shopping district, it stands alongside a series of buildings designed by Pritzker Prize-winning architect Fumihiko Maki. The project’s ambition is to define a new vision for the future of retailing.

Galaxy Soho, Beijing – Designed by Zaha Hadid
Five continuous, flowing volumes coalesce to create an internal world of continuous open spaces within the Galaxy Soho building – a new office, retail and entertainment complex devoid of corners to create an immersive, enveloping experience in the heart of Beijing.

Superkilen, Nørrebro – Designed by BIG, TOPOTEK1 and Superflex
Superkilen is a kilometre-long park situated through an area just north of Copenhagen’s city centre, considered one of the most ethnically diverse and socially challenged neighbourhoods in the Danish capital. The large-scale project comes as a result of a competition initiated by the City of Copenhagen and the Realdania Foundation as a means of creating an urban space with a strong identity on a local and global scale.

Four Freedoms Park, New York – Designed by Louis Kahn
In the late 1960s, during a period of national urban renewal, New York City Mayor John Lindsay proposed to reinvent Roosevelt Island (then called Welfare Island) into a vibrant, residential area. Louis Kahn, was announced as the architect of the project in 1973. Louis Kahn finished his work but died unexpectedly as the City of New York approached bankruptcy. On March 29, 2010, 38 years after its announcement, construction of Franklin D. Roosevelt Four Freedoms Park began.

Rain Room – Designed by Random International
Random International’s largest and most ambitious installation yet, Rain Room is a 100 sq m field of falling water for visitors to walk through, experiencing how it might feel to control the rain. On entering visitors hear the sound of water and feel moisture in the air before discovering the thousands of falling droplets responding to their presence and movement to keep the visitor dry.

Superstitious Fund Project – Designed by Shing Tat Chung
The Superstitious Fund was created by Shing Tat Chung in February 2012 as a response to research behind superstitions and there effects on the world around us, creating a correlation between superstitions from around the world with financial gain or loss.

Designs of the Year 2013

Above: Superkilen by BIG, TOPOTEK1 and Superflex

Raspberry Pi Computer – Designed by Eben Upton
The idea behind this tiny and cheap computer for kids came in 2006, when Eben Upton and his colleagues at the University of Cambridge’s Computer Laboratory became concerned about the numbers of A Level students applying to read Computer Science in each academic year. Affordable and powerful enough to provide excellent multimedia, the design is desirable to children who might not initially be interested in a purely programming-oriented device.

English Hedgerow Plate – Designed by Andrew Tanner and Unanico for Royal Winton
British ceramic designer Andrew Tanner has developed ‘English Hedgerow’, a chintz wall plate for Royal Winton that is the world’s first to interface with augmented reality to create an animated world. An application developed by Jason Jameson and James Hall of Unanico group lets users of ios devices watch as birds and field mice scurry among the brambles, flies buzz, and butterflies flutter through the flowers.

Digital Postcard And Player – Designed by Uniform
Digital Postcards give digital tracks a low cost physical form, with each postcard represents a unique track. The cards are docked in a Postcard Player and users can control the playback of the tracks by pressing buttons printed on the postcards.

Windows Phone 8 – Designed by Microsoft
Windows Phone 8 is the second generation of phones from Microsoft and integrates mobile use with excellent Microsoft office functionality.

Gov.uk Website – Designed by Government Digital Service
The new Gov.uk website aims to combine all the UK Government’s websites into a single site. The project could save the public £50 million a year by building a platform to make web publishing simpler for government and delivering more services online.

Zombies, Run! App – Designed by Six to Start
The Zombies, Run! Fitness app is an interactive running game. The game guides you through zombie-apocalypse-themed missions with a variety of audio narrations. The application is capable of recording the distance, time, pace, and amount of calories burned per running mission via GPS.

Designs of the Year 2013

Above: Rain Room by Random International

Free Universal Construction Kit – Designed by Free Art and Technology Lab
The Free Universal Construction Kit is an online matrix of nearly 80 adapter bricks that can be 3D printed and allows any piece to join to any other, enabling the creation of previously impossible designs, and ultimately, more creative opportunities.

Wind Map – Designed by Martin Wattenberg and Fernanda Bertini Viegas
The Wind Map shows the delicate tracery of wind flowing over the US using different shades to signify different speeds and directions.

Candles In The Wind – Designed by Moritz Waldemeyer for Ingo Maurer
Candles in the Wind is a revolutionary new lighting concept, using modern LED technology to recreate the experience of light from a candle flame. The minimal design is a bare circuit board featuring the latest in micro-processor technology paired with 256 high quality leds to evoke the natural flow and flicker of a candle.

Chirp – Designed by Patrick Bergel
Chirp is a new way to share your stuff using sound. Chirp uses sound to using information from one iphone to another enabling you to share photos, webpages, and contacts all from your phones built-in speaker.

Dashilar App – Designed by Nippon Design Centre Inc.
Dashilar is a smart phone app that creates a new and detailed way to look at the Beijing district of Dashilar.

City Tracking pt2 – Designed by Stamen
As part of a grant from Knight News Foundation, Stamen released original map designs of the world in three original styles: Toner, Watercolor and Terrain.

Designs of the Year 2013

Above: Superstitious Fund Project by Shing Tat Chung

Light Field Camera – Designed by Lytro
The Lytro Light Field Camera is the first consumer camera that records the entire light field, instead of a flat 2D image. By capturing the entire light field, it allows the user to refocus the pictures after they take them.

Fashion

Anna Karenina Costumes – Designed by Jacqueline Durran
Two million dollars’ worth of Chanel diamonds and vintage Balenciaga-inspired dresses are just a few of the finishing touches costume designer Jacqueline Durran dreamt up for Keira Knightley’s fur-wrapped character in Joe Wright’s 2012 film adaptation of the 1877 Tolstoy novel.

A/W12 Womenswear – Designed by Giles Deacon
Made up of a number of gowns, each with their own intricate mood, Deacon combines ideas of death with the exuberance and decadence of life. Flowing skirts and tight restricted arms meet layers of what looks like torn ribbons of silk, built up into floor length dresses.

Louis Vuitton Collection – Designed by Yayoi Kusama
Bold and playful, the collection features the artist’s signature bold spots – which cover every item, from bags to dresses. The range is the house’s most significant artist collaboration since it teamed up with Stephen Sprouse in 2001 to create his now-iconic graffiti bags.

Diana Vreeland: The Eye Has To Travel – Directed by Lisa Immordino
Called ‘the Empress of fashion’, Diana Vreeland’s (1903-1989) impact on fashion and style in her time was legendary. With 350 illustrations, including many famous photographs by Richard Avedon, Irving Penn and other major fashion photographers, this film shows fashion as it was being invented.

I Want Muscle – Directed by Elisha Smith-Leverock
Witty and glamorous, I Want Muscle is a personal 2 minute portrait of female body-builder Kizzy Vaines. Focusing on the attitudes of others to the idea of female body building and the compulsion to push the body to extremes.

Designs of the Year 2013

Above: A-Collection by Ronan and Erwan Bourellec for Hay

AW12 Collection – Designed by Craig Green
Playing with ideas of utility and function, the large wooden structures in this collection have connotations of religious pilgrimage. Inspired by luggage carriers, the huge structures dwarf the models and create abstract, almost menacing silhouettes. Each colour outfit has an exact replica outfit in black, which walks behind it as a ‘shadow’ on the catwalk.

Commes De Garcons RTW A/W12 – Designed by Rei Kawakubo
Kawakubo plays with the idea of 2D shapes, in this collection. Large and flat, the pieces integrate elegant and simplistic curves in bright reds and pinks.

Christian Dior RTW S/S13 – Designed by Raf Simons
For Simons’ first collection for Dior, he explored the ideas of sex and freedom combining minimalism with sensuality and silhouette exploration.

Prada S/S12 RTW Collection – Designed by Miuccia Prada
Influenced by the Chevrolet and 1950s style, this collection saw a return to the bourgeois taste first set out in the nineties.

Proenza Schouler A/W12 Collection – Designed by Lazaro Hernandez and Jack McCollough
This collection opened up to a rougher and more dangerous look with a structured toughness. Integrating modes of protection, Lazaro Hernandez and Jack mccollough experimented with padding and quilting and took inspiration from different forms of fighting such as samurai, fencing, kendo and martial arts.

Furniture

The Sea Chair – Designed by Studio Swine & Kieren Jones
Since the discovery of the Pacific Garbage Patch in 1997, which is predicted to measure twice the size of Texas, five more have been found across the worlf’s oceans. The ‘Sea Chair’ is made entirely from plastic recovered from our oceans. In collaboration with Kieren Jones, Studio Swine has created devices to collect and develop marine debris into a series of stools.

Designs of the Year 2013

Above: The Sea Chair by Studio Swine & Kieren Jones

Liquid Glacial Table – Designed by Zaha Hadid
The Liquid Glacial design embeds surface complexity and refraction within a powerful fluid dynamic. The elementary geometry of the flat table top appears transformed from static to fluid by the subtle waves and ripples evident below the surface, while the table’s legs seem to pour from the horizontal in a vortex of frozen water.

A-Collection – Designed by Ronan and Erwan Bourellec for Hay
Fabricated from oak and beech, the motivation for the series was an old wooden university trestle chair by architect Berndt Pedersen.

Gravity Stool – Designed by Jolan Van Der Wiel
Jolan Van Der Wiel developed a ‘magnet machine’, whereby he positions magnetic fields above and below a container of polarized material containing metal shavings. In order to form and determine the shapes of his furniture pieces, the hanging units are pulled down and then released, in which the substance follows, drawn upwards by magnetic force, letting gravity determine the shape of the stool.

Well Proven Chair – Designed by James Shaw and Marjan van Aubel
The Well Proven Chair is the result of research into the development of wood chips. The investigation began with the discovery that products and furniture made from wood generate between 50-80% waste in the form of sawdust, chippings and shavings. By combining these waste products with bio-resin, it turns to a porridge-like mixture and expands into a solid. With the addition of water or increased temperatures it can expand up to 700%. This material is then used to create the seat shell combined with a simple but beautiful leg structure of turned ash.

Tié Paper Chair – Designed by Pinwu
The Tié Chair is the design studio’s second paper chair and was inspired by Yuhang Aper Umbrellas – the shell is made from irregularly shaped rice paper sheets, and the shape echoes the classic Chinese horseshoe-back armchair.

100 Chairs – Designed by Marni
Marni designers have reworked the patterns and colour palettes of traditional Colombian chairs woven from PVC threads to create a desirable, one-off range, which has been produced by Colombian ex-prisoners.

Designs of the Year 2013

Above: Gravity Stool by Jolan Van Der Wiel

Medici Chair – Designed by Konstantin Grcic for Mattiazzi
Three types of wood, thermo treated ash; walnut and douglas, are joined at irregular angles, resulting in a comfortably reclined seat.

Re-Imagined Chairs – Designed by Studiomama (Nina Tolstrup and Jack Mama)
Re-imagined Chairs by London-based Studiomama is a project born out of questioning resourcefulness and attitudes towards waste. It builds on the interests in expediency and re-using the existing, and speaks of the ability to see the potential in the unwanted, by encouraging users to re-look at unwanted furniture.

Engineering Temporality – Designed by Studio Markunpoika
Using small circular tubular steel to semi-cover over existing objects including cabinets and chairs, Tuomas Markunpoika burnt away the sculptural piece, leaving the charred steel structure behind. Inspired by the designer’s Grandmother’s Alzheimers, Engineering Temporality evokes the ideas of vanishing memory.

Corniches – Designed by Ronan and Erwan Bouroullec for Vitra
The idea for Corniches arose from the need for small storage spaces to keep small items. Corniches are neither regular shelves nor simple horizontal surfaces, but rather individual, isolated protrusions in the environments that we create. Corniches are a new way to use the wall in living spaces.

Future Primitives – Designed by Muller Van Severen
This collection of shelving units, in various heights and configurations, include deckchair shaped seating inserted into their frames, as well as standing and hanging lamps and separate chairs and loungers.

Graphics

Zumtobel Annual Report – Designed by Brighten the Corners and Anish Kapoor
Design studio Brighten the Corners collaborate with artist Anish Kapoor to create this two-volume publication: one book containing the facts and figures for the year, the other a printed version of a 1998 video piece by the artist. Brighten the Corners uses Kapoor’s video projection, Wounds and Absent Objects, as the starting point for the commission which, unusually, meant designing a text-only volume with graphic elements that link to the Kapoor work and a lavish colour publication, which sees a rainbow of hues bursting from the centre of the spreads and features ten neon colours.

Designs of the Year 2013

Above: Re-Imagined Chairs by Studiomama

Bauhaus: Art As Life Exhibition – Designed by A Practice For Everyday Life
Situated in the Barbican Art Gallery, Bauhaus: Art as Life was the largest UK exhibition, to date, focusing on the iconic art school. Graphically, the design is informed by an awareness of the Bauhaus’ own principles of colour, structure and typography – painted walls and bold panels draw together objects, themes and ideas, and the typeface used throughout is a contemporary revival of the letterpress typeface used within the Bauhaus itself.

Strelka Identity – Designed by OK:RM
The Strelka Institute for media, architecture and design is a non-profit organisation aimed at generating discussion, ideas and projects in the creative and cultural industries.

Occupied Times Of London – Designed by Tzortzis Rallis and Lazaros Kakoulidis
The Occupied Times of London is designed by Tzortzis Rallis and Lazaros Kakoulidis who used Barnbrook’s VirusFonts typeface for the large intro caps to their features and then PF Din Mono, designed by Panos Vassiliou as the main body copy face.

The Gentlewoman #6 – Designed by Veronica Ditting
Legend of stage and screen Angela Lansbury was the cover star for Issue 6. The issue gathered some of the most remarkable and captivating women in the world today.

Austria Solar Annual Report – Designed by Serviceplan
Austria Solar teamed up with design group Serviceplan to create a beautiful and uniquely apt presentation of their annual report – printed with special ink that only materialises when exposed to the sun.

Rijksmuseum Identity – Designed by Irma Boom
Irma Boom has designed a new logo for the Rijksmuseum in Amsterdam, replacing the previous logo by Studio Dumbar, which had been in place for 32 years.

Designs of the Year 2013

Above: Future Primitives by Muller Van Severen

Adam Thirwell: Kapow! – Designed by Studio Frith
Exploding with unfolding pages and multiple directional text, Kapow! is set in the thick of the Arab Spring, it is guided by the high-speed monologue of an unnamed narrator. Kapow! asks readers to open and unfold pages, to follow text leaking in and out of paragraphs, while progressively becoming part of and lost within the narrator’s thoughts.

Organic – Designed by Kapitza
At the cutting edge of contemporary pattern design, Organic provides a fantastic source of inspiration for creative’s working in the fields of illustration, graphic design, animation, fashion, textiles, interiors and digital design. Organic is Kapitza’s second book project featuring 200 dazzling, previously unpublished artworks.

Doc Lisboa ’12 – Designed by Pedro Nora
Designed by Pedro Nora, this is the bright and colourful identity for the Doc Lisboa documentary film festival.

Ralph Ellison Collection – Designed by Cordon Webb
Graphic identity to the latest series of Ralph Ellison books.

Venice Architecture Biennale Identity – Designed by John Morgan
Spoken in a Venetian dialect, the stencil text is contained in a white plaster panel and roughly framed in black. The signs were made to blend in with the fabric of existing Venetian signage.

Dekho: Conversations On Design In India – Designed by CoDesign
DEKHO is an anthology of inspirational conversations with designers in India, probing their stories in to the development of design in India and highlighting approaches that are unique to designing for India.

Designs of the Year 2013

Above: Olympic Cauldron by Heatherwick Studio

Made In Los Angeles: Work By Colby Poster Printing Co. – Designed by Anthony Burrill
Graphic artist Anthony Burrill raided the Colby archive to create a vibrant set of prints, revisiting the very best of their past work.

Australian Cigarette Packaging – Commissioned by Australian Government Department for Health and Ageing
The olive green packaging that, now required by law in Australia, is the graphic identity for all cigarette packets regardless of brand. Based on consumer studies, the anti-design features a hard-hitting anti-smoking image, with plain text and unappealing colours.

Product

Olympic Cauldron – Designed by Heatherwick Studio
At just 8.5m high and weighing 16 tonnes, it is far smaller and lighter than previous Olympic Cauldrons. Heatherwick Studio incorporated 204 individual copper ‘petals’, each carried at the opening ceremony by each participating country to create an iconic image not only for the Olympics but also for London.

Bang & Olufsen ‘Beolit 12’ – Designed by Cecile Manz
Beolit 12 is a handy, portable music system that plays music wirelessly from your iPod, iPhone, iPad or Mac, or wired from any other smart phone or PC.

Liquiglide Ketchup Bottle – Designed by Dave Smith/Varanasi Research Group MIT
LiquiGlide is a ‘super-slippery’, non-toxic, edible but tasteless substance that can be applied to the inside of a bottle, preventing the condiments from sticking to the neck and the bottom where they can’t be reached.

Colour Porcelain – Designed by Scholten & Baijings/1616 Arita Japan
The Colour Porcelain collection is decorated with three different levels of intensity, selecting traditional colours from the company’s archives on the pale grey background of natural porcelain.

Designs of the Year 2013

Above: Little Printer by Berg

E-Source – Designed by Hal Watts
E-source provides a sustainable cable recycling system for small scale recyclers in developing countries. It consists of an innovative bicycle powered cable granulator and an approach to separating copper and plastic using water. Un-burnt copper can be sold for up to 20% more than burnt, providing a better income for workers and much healthier working conditions. The designs will be made available to local workshops who would produce the machines and then sell to recyclers.

Little Printer – Designed by Berg
Little Printer lives in your home, bringing you news, puzzles and gossip from your friends. Use your smart phone to set up subscriptions and Little Printer will gather them together to create a timely and beautiful miniature newspaper.

Switch Collection – Designed by Inga Sempe for Legrand
French designer Inga Sempé has teamed with electrical equipment specialists Legrand to produce a collection of switches, sockets and dimmers, the series reinterprets functionality to imply additional user interactivity.

Papa Foxtrot Toys – Designed by PostlerFerguson
Papa Foxtrot is the new toy brand from London-based design studio PostlerFerguson. The studio’s Wooden Giants series comprises of models of the Emma Maersk, Arctic Princess and TI Asia, three of the largest cargo ships in the world.

Child Vision Glasses – Designed by The Centre for Vision in the Developing World
Self-adjustable glasses that allow the wearer to tweak the lenses until they focus clearly. These glasses are based on a fluid-filled lens technology that is similar to that used in the Adspecs. While the Adspecs were designed for use by adults, the Child Vision glasses have been developed specifically for use by young adults aged from 12-18.

W127 Lamp – Designed by Dirk Winkel
Berlin-based product designer Dirk Winkel created this slim black desk lamp to show that plastic can be as solid and tactile as metal or wood.

Designs of the Year 2013

Above: Plug Lamp by Form Us With Love

Plug Lamp – Designed by Form Us With Love
Addressing today’s digitally connected society and our constant need to recharge our computers, smartphones, tablets, this lamp features the addition of an electrical socket in its base.

Replicator 2 – Designed by MakerBot
This fourth generation 3D printing machine from MarkerBot has a massive 410 cubic inch build volume and is the easiest, fastest, and most affordable tool for making professional quality models at home.

Magic Arms – Designed by duPont Hospital for Children
The duPont Hospital for Children has been treating children suffering with musculoskeletal disabilities. As part of their research and development, duPont’s Department of Orthopedics developed WREX–the Wilmington Robotic Exoskeleton. It gives kids with muscle weakness much better movement and the ability to lift objects but was too heavy to use on a younger or smaller child. They figured out a wearable plastic jacket could be 3D printed to offer the same aid as WREX but in a mobile form that a child weighing only 25 pounds could wear.

Kiosk 2.0 – Designed by Unfold Studio
Inspired by the carts used by Berlin’s currywürst vendors, Kiosk 2.0 works as a mobile 3D printing station that brings design out of the studio and onto the streets.

Oigen Kitchenware – Designed by Jasper Morrison/Japan Creative
The Japan earthquake and tsunami in March 2011 brought to light the fact that true wealth in life does not lie in material affluence. Throughout history, the Japanese design aesthetic has been acknowledged for its simplicity. Japan Creative have produced a series of minimalist cast-iron products conceived together with Jasper Morrison.

Designs of the Year 2013

Above: Replicator 2 by MakerBot

Tekio – Designed by Anthony Dickens
Teiko is a prototype modular lighting system inspired by traditional Japanese ‘Chōchin’ paper lanterns. Tekio, the Japanese word for ‘adaptation’, can adapt to any interior and its ability to transform spaces is only limited by your imagination to change its shape and style.

Little Sun – Designed by Olafur Eliasson
Developed over the last two years, Little Sun is a work of art that brings solar-powered light to off-grid areas of the world.

colalife – Designed by Simon Berry
ColaLife works in developing countries to bring Coca-Cola, its bottlers and others together to open up Coca-Cola’s distribution channels to carry ‘social products’ such as oral rehydration salts and zinc supplements to save children’s lives. ColaLife is an independent non-profit organisation run and staffed by volunteers.

Federic Malle Travel Sprays – Designed by Pierre Hardy
Limited edition travel sprays designed by Pierre Hardy, these metallic tubes were designed to ‘embody femininity’ with their expressive colours.

Designs of the Year 2013

Above: Faceture Vases by Phil Cuttance

Faceture Vases – Designed by Phil Cuttance
The Faceture series consists of handmade faceted vessels, light-shades and table. Each object is produced individually by casting a water-based resin into a simple handmade mould. The mould is then manually manipulated to create each object’s form before casting, making every piece utterly unique.

Surface Tension Lamp – Designed by Front
Created by Swedish designers Front, the lamp blows a bubble to from a temporary transparent shade round an LED light. The lamp will create 3 million bubbles over the course of its 50,000 hour life.

Flyknit Trainers – Designed by Nike
Exceptionally lightweight, the Nike Flyknit Trainer features Nike’s Flyknit technology for structure, support and a precision fit that creates the feeling of a second skin. The one-piece knitted form features areas of stretch, breathability and support exactly where the runner needs it.

Transport

Morph Folding Wheel – Designed by Vitamins Design/Maddak Inc.
The wheelchair re-invented. For the first time the wheels on a wheelchair are able to fold flat and fit in storage compartments of airplanes and small cars. When folded, this wheel takes up only 12 litres of space, compared with 22 litres when it is circular and in use. The wheel has been developed with support from the Royal College of Art, the Wingate Foundation and the James Dyson Foundation.

Designs of the Year 2013

Above: Flyknit Trainers by Nike

Air Access Seat – Designed by Priestmangoode
Facilitating an easier transition between gate to aircraft, Air Access is composed of two components: a detachable wheelchair in which passengers are assisted into at their departure gate, which transports them onto and off the airliner; and a fixed-frame aisle seat which is already on board in which the wheelchair seamlessly slides sideways into the infrastructure and locked in place as a regular airline seat.

i3 Concept Car – Designed by BMW
The BMW i3 Concept with eDrive is a sustainable vehicle designed for urban areas. Powered by innovative eDrive technology, the coupe not only generates zero emissions but also provides a calm, virtually silent driving experience for up to 100 miles before requiring charging. And through its optional fast charging, the battery can be replenished to 80% charge in less than 30 minutes.

Mando Footloose Chainless Bicycle – Designed by Mark Sanders
Like other bicycles the Footloose combines manual and electric power. However, unlike other similar machines, it totally eliminates the chain and transforms the cyclist’s efforts directly into electricity to drive the wheels. This energy is then stored in a lithium-ion battery inside the bike frame, before it is converted back into kinetic energy by an electric motor which drives the rear wheel.

N-One – Designed by Honda
Featuring a naturally aspirated 1.3L DOHC engine, this hatchback delivers a fuel economy of 64 mpg.

Designs of the Year 2013

Above: Donky Bicycle by Ben Wilson

Donky Bicycle – Designed by Ben Wilson
The steel beam running through this compact bicycle by British industrial designer Ben Wilson means it can carry heavy loads on its front and rear platforms.

Exhibition Road – Designed by Dixon Jones/ The Royal Borough of Kensington and Chelsea
Exhibition Road is a £28m development project to improve the infrastructure of, access to and facilities within the Exhibition Road area. Led by the Royal Borough of Kensington and Chelsea, in partnership with the City of Westminster and the Mayor of London, it was completed ahead of the London 2012 Olympic Games.

Olympics Wayfaring – Designed by TfL/JEDCO/LOCOG
The Olympic Wayfaring created an identity that was carried out through all of London 2012, appearing on everything from street banners, to the Tube, to the Torch Relay to the Olympic venues themselves.

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