London Lashes by Paperself at Dezeen Super Store

London Lashes by Paperself at Dezeen Super Store

August is London design month at Dezeen Super Store and the first of our featured products are these stick-on paper eyelashes that depict some of the city’s famous landmarks.

London Lashes by Paperself at Dezeen Super Store

The London Lash features (from left to right above) the London Eye, Big Ben, the Gherkin, Tower Bridge and the Statue of Eros.

London Lashes by Paperself at Dezeen Super Store

Paperself created the accessories as part of a collection to celebrate the events taking place in London this year, including the Queen’s Diamond Jubilee and the London 2012 Olympics.

London Lashes by Paperself at Dezeen Super Store

The British Collection also features the English Rose Lash (above).

London Lashes by Paperself at Dezeen Super Store

Each pair of lashes are £12.50 and Dezeen readers can get 10% off any Dezeen Super Store purchase (excluding sale stock and Jambox) and enter our competition to win a designer watch worth £150 by downloading this flyer and presenting it at the shop.

London Lashes by Paperself at Dezeen Super Store

See more products for sale at Dezeen Super Store »

Dezeen Super Store
38 Monmouth Street, London WC2
1 July – 30 September 2012

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“The market cannot solve the housing crisis” – Justin McGuirk


Dezeen Wire:
 in an article for Domus magazine, design critic Justin McGuirk examines the social and physical decline of London’s social housing, discussing the part played by luxury real-estate developers and how architects have been held accountable.

Council housing blocks in Hackney, Newham, and Southwark are cited as examples, as McGuirk calls for the British government to accept responsibility for the city’s housing crisis and to work with architects to protect residents from the ruthlessness of the property market.

Read the full article here »

See also: our interview with McGuirk on the future of design criticism.

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Eliza Southwood

Illustrations celebrate cycling in an East London cafe

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Teaming up with Hackney GT, architect-turned-illustrator Eliza Southwood has outfitted Wilton Way Café with a host of bicycle-inspired drawings, prints and ephemera for a new exhibition celebrating cycle culture and sport. The London-based artist’s vibrant retro aesthetic sets the tone for a quick look at the history of cycling, which includes old-school posters and an original “Opperman” BSA racing fixie suspended from the ceiling, a model used during the pivotal 1931 race from John O’Groats to Land’s End.

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Fascinated with Major Taylor, an early pioneer of American cycling, Southwood recently created a series depicting the Civil War-era champion in various racing moments, including a notorious one-mile championship in 1899 where he competed against rival Tom Butler.

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Southwood’s cheerful color palette smartly balances such historically intense moments in cycling, but her trained eye for technical drawing keeps each portrait from feeling inappropriately animated.

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Home to London Fields Radio and the maker of one of Hackney’s meanest coffees around (with beans from local roasters like Climpson & Sons), Wilton Way Cafe is an ideal spot take in Southwood’s cycle-inspired illustrations, which will be on view throughout August 2012.

Images by Karen Day and Andrea DiCenzo


Dezeen Olympics: most tweeted Olympic designs

London 2012 Olympic street art by Banksy

The London 2012 Olympics continue and so do the Dezeen Olympics, awarding medals to the design and architecture of the games. Today’s competition is for the most tweeted stories about our coverage and we give the gold medal to Banksy’s Olympic-inspired street art.

NLA chair launches T-shirt protest  against Olympic marketing rules

New London Architecture chair Peter Murray wins the silver medal for his t-shirt protest against the marketing agreement set out by the London 2012 organisers that prevents architects publicising their work.

Underground Supporter  posters by Rizon

Along a simliar theme, the bronze medal is awarded to unofficial posters for the games that allow businesses to sidestep the strict marketing rules.

See the winners of most popular, most commented and most liked on Facebook, and have a look at all our stories about the London 2012 olympics here.

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Movie: Canada Water Library by CZWG

Movie: architect Piers Gough of CZWG and structural engineer Hanif Kara explain their design for Canada Water Library, a bronzed, hexagonal building on a constrained site in south London, in this movie by filmmakers Living Projects.

Read more about the building in our earlier story, and see more stories about CZWG here.

Living Project also produced a film about the Maggie’s Centre for cancer care that the architects completed last year. Watch the movie here.

See all our stories about libraries »

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Word Of Mouth: London Street Food

The Big Smoke’s top five mobile restaurants

While NYC has been loudly blazing the trail for a Twitter-hyped food truck revolution for some time, across the pond London is gradually creating its own community of street food vendors through a more stealth blend of social media, word of mouth and truck coup d’etat. To find out more about the city’s burgeoning street food culture, we checked in with Burgerac—London’s top burger detective—who tipped us off to five London joints dishing up delicious fare all over town. “With an ear to the ground, and an eye on Twitter, you can find wonderful food cooked by enthusiastic individuals in their homes and from their stalls and food trucks all over the capital,” he explains.

The blogs are abuzz about this newly formed culinary insurgence, but in typical English fashion Burgerac adds, “hype can be the enemy of enjoyment—the bottom line about all of these guys is that actually what they do is very simple. They just use good quality ingredients and do that one thing really super well, and that’s reflected by people’s reaction to what they’re doing.” See Burgerac’s picks below.

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Pitt Cue Trailer

Located under the Hungerford Bridge not far from the Tate Modern is the Pitt Cue Trailer, a food truck offering sweeping views of Big Ben and the Thames while you chow down on a super juicy pulled pork sandwich and a can of Brooklyn Lager. Topped with their legendary pickles and pickled onions, the pulled pork is where it’s at but serious barbecue fans should also consider adding on sausages or brisket.

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MotherFlipper Burgers

Less talked about than London’s revered Lucky Chip burger—but equally respected—MotherFlipper Burgers at King’s Cross station could easily give In-N-Out some stiff competition in an international burger contest. A simple stack of lettuce, onions, tender beef and buttered buns garnished with ketchup, mayo and mustard, MotherFlipper has mastered the basic burger.

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Banhmi11

With a few stalls around town (and a recently opened brick-and-mortar location in Shoreditch), Banhmi11 may be London’s most ubiquitous street food vendor, but it certainly hasn’t lost its touch. We downed one of their classic pork belly sandwiches at their Chatsworth Road market location, which starts with a toasted buttered baguette and then carrots, cucumbers, cilantro, special spices and the all-essential pork. Vegetarians will equally enjoy their tofu creation, featuring the same tasty fixings without the meat.

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Big Apple Hot Dogs

Big Apple Hot Dogs are a souped-up sausage version of NYC’s gourmet dog scene. Situated on a sidewalk just a stone’s throw from Old Street, this street cart serves up several styles of juicy sausages prepared by a local butcher, resting on buns by a local baker and smothered in toppings (like kimchee and sauerkraut) pickled by a friend.

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Homeslice Pizza

When the sun starts setting and most of the bazaar has cleared, you can find the trio behind Homeslice Pizza serving up wood-fired pies in an oven out in front of Ridley Road Market Bar in Dalston. Lovingly known as the closest thing to a thin crust Italian-style in London, Homeslice makes pies that are also on par with Brooklyn’s renowned pizza joint Roberta’s. The revolving menu includes everything from a classic margherita to an aubergine, spring onion and siracha pie—each best enjoyed with one of the bar’s ultra fresh ginger beer mojitos.

See more photos of these five food havens in the slideshow below. Images by Andrea Dicenzo.


London design month at Dezeen Super Store

London design month at Dezeen Super Store

This August is London design month at Dezeen Super Store where, with the eyes of the world on London for the Olympic Games, we will be showcasing a range of products by some of the best designers and brands the city has to offer.

Pigeon Light by Ed Carpenter

Above: Ed Carpenter’s Pigeon Light

Products designed in London will be given special prominence in the shop, identified by our London design month flag (top), which is based on the street pattern of the Seven Dials area of Covent Garden where Dezeen Super Store is located.

Punkt alarm clock

Above: AC01 alarm clock by Jasper Morrison for Punkt.

Featured products will include iconic designs by established designers, as well as new goods by young and upcoming talents.

Tableware by Ian McIntyre for Another Country

Above: tableware by Ian McIntyre for Another Country

A selection of new products by London-based designers will also be featured throughout the month on Dezeen.

Umbrellas by Ella Doran

Above: Sunflower umbrella by Ella Doran

If you are a London-based designer and would like to have your products showcased as part of London design month at Dezeen Super Store, please send details to stores@dezeen.com.

Change the Record by Paul Cocksedge

Above: Change the Record by Paul Cocksedge

Don’t forget you can still get 10% off any product at Dezeen Super Store at 38 Monmouth Street with this flyer.

Dezeen Super Store

Dezeen Super Store
38 Monmouth Street, London WC2
1 July – 30 September 2012

Monday to Saturday: 11am to 7pm
Sunday: 11am to 5pm

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FSMA Tower by Dave Edwards

Algae would produce energy and clean water for a conceptual skyscraper proposed for London by British architect Dave Edwards.

FSMA Tower by Dave Edwards

The outer skin of the skyscraper is imagined as a green wall used for food and improving air quality, with algae absorbing CO2 emissions and also harvested as bio-methane to provide heat and power.

FSMA Tower by Dave Edwards

Waste biomass would be used to feed the building’s skin while waste water would be sent through the algae to be recycled.

FSMA Tower by Dave Edwards

A ground source heat pump would store summer heat and enable surplus heat from the waste biomass and from London Underground to be circulated through the tower in the winter.

FSMA Tower by Dave Edwards

The base of the tower would be taken up by a future iteration of the Financial Services Authority, while housing, retail and community facilities would fill the upper floors.

FSMA Tower by Dave Edwards

We’ve previously featured proposals for algae-growing pods on the side of a skyscraper and an algae bioreactor fitted into a building’s facade.

FSMA Tower by Dave Edwards

See more stories about algae »
See more stories about skyscrapers »

Here’s some more text from Edwards:


Ecologies of (Bio) Diversity: Self Sustaining tower for the City of London

The project re-imagines the tall building not as a singular edifice to one commonly corporate programme but as an ecology of different interdependent programmes. Layered together in a matrix similar to the conventional city, in this manner the urbanism of the city is not left at street level but brought into the sky via informal encounter and diversity of uses and users within the tower.

This project is not singular. It proposes the City of London as being re-colonised by people living as well as working within the Square Mile. The green beacons act as garden squares around which new urban diversity is created and new populations and new economies occur. The tower has not completely removed the programmes that are currently planned for this part of the city, but hybridised them and woven them with new programmatic insertions aimed at creating this more normal urban diversity found elsewhere in the city. The tower is sited between the city banks and the Bank of England, at a point of urban confluence but also symbolically positioned in the centre of the city.

The site is a currently an empty piece of land cleared for two tower projects (currently on under construction). It lies in the centre of the Square Mile in a group of tall buildings that define the iconic skyline of London’s financial district. The area is characterised by a lack of residential space and is heavily urban, lacking open spaces and programmatic and bio-diversity that defines London at the beginning of the 21st century.

The tower seeks to reintroduce a diversity of programmes and bio-diversity in this barren part of London. In this respect it seeks to critique and redefine the nature of the skyscraper as a mono-programmed singular iconic edifice (Lloyds of London and the Gherkin are prime examples of this 20th century appropriation of the tall building). The new way of seeing the skyscraper as an ecology, an ecosystem of many intertwined programmes that add to the urban diversity of the city. The word ecology also relates to the notion of the skyscraper as infrastructure, with its size allowing for passive and active systems for re-using water, light and energy within a closed system.

The tower is a mixed of programmes loosely knitted together with voids between allowing for public integration of green space into the tower. At the base the civic element of the tower is that of a newly reformed Financial Services Authority II, promoting the notion of legislature re-entering the City of London after the excess of the late 20th century. This public body is fully accessible to the public, becoming an internal public space. Key worker housing fills the upper half of the tower, with retail and community facilities included. A primary school exists between floors 11 and 15, bringing further mix to the uses.

The outer skin is green – this is made up of a number of growing mediums, growing food and ecological plants to bring greenery into the city. This growing medium uses water pumped from the London Underground, with a new entrance to Bank Station placed beneath the FSA II.

The tower is a highly energy-intensive building to build and run. This is partly offset by the low land take (a highly valuable commodity in the UK). The building itself is seen as a living ecology. The algal ‘fields’ covering the facade absorb CO2 and can be harvested for bio-methane for use in the CHP, giving not just the tower but its surrounding structures renewable energy.

The waste biomass can through anaerobic digestion be used to feed the building skin. Waste water from this process and building uses can be sent through the algae, cleaning it for re-use within the building. Surplus heat from the digestion and the Tube beneath can be circulated through the tower in the winter through the floors. Tying this into a Ground Source Heat Pump means excess summer heat can be dumped into the ground.

Working with PhD researchers at University of Newcastle, some work has been done to quantify how this type of tower may function. These figures are often in dispute due to the untested nature of such a scale of system outside laboratory conditions but they begin to give some indication of what such a tower may be capable of.

Typical 21100 sqm (2.1Ha) of Algae Panels up to 44000 sqm
Absorbing 250,000 Tonnes of CO2 per year
Producing 450 Tonnes of bio-diesel converted to 4.6xE6KWh per year
Enough energy for 120 Average homes (3300KWh electricity 20500KWh Gas)
Heating requirements could be considered as half due to passive systems.

To further enhance the efficiency of the power generation system, a series of pinnacles can be built across the city. These are a visual reminder of the generation of local power and also act as waste water treatment, lessening the impact on the local infrastructure. These pinnacles, plus retro-fitting the panels onto the existing building, mean the FSA II tower becomes a centre of local servicing as well as adding new programmatic typologies. In principle, the FSA II tower represents not a singular edifice but a new network that turns the city into a self-sustaining ecology: recycling its own waste, generating its own power and providing areas for urban farming.

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Clapham Library by Studio Egret West

This library by London architects Studio Egret West looks like a row of books (+ slideshow).

Clapham Library by Studio Egret West

Clapham Library occupies the lower floors of a 12-storey building, sitting underneath a number of private apartments.

Clapham Library by Studio Egret West

The exterior of the building is clad in white bricks infused with a mineral aggregate which gives the facade a sparkling effect.

Clapham Library by Studio Egret West

Inside the library, bookshelves follow the curve of a wide spiral ramp which leads up from the cafe and children’s library on the basement level to the reading room on the upper level.

Clapham Library by Studio Egret West

A spiral staircase also corkscrews straight to the upper level for quicker access.

Clapham Library by Studio Egret West

On the basement level, the children’s area doubles as a space for readings and musical performances with room for up to 100 seats.

Clapham Library by Studio Egret West

A study bench inside the long ramp provides additional seating for events, while the ramp itself can also be used as a viewing platform.

Clapham Library by Studio Egret West

Acoustic buffers hang down from the ceiling at angles to limit noise in the library.

Clapham Library by Studio Egret West

The library completes the £80m Clapham One regeneration scheme, which also includes a leisure centre, a doctor’s surgery and housing.

Clapham Library by Studio Egret West

We recently featured another project by Studio Egret West – a shoal of titanium fish outside a shopping centre in east London.

Clapham Library by Studio Egret West

See all our stories about libraries »

Clapham Library by Studio Egret West

Photography is by Gareth Gardner.

Here’s some more information from Studio Egret West:


Cathedral Group and Studio Egret West collaborate on new London library

The new Library Building in Clapham has opened its doors to complete the £80m Clapham One mixed-use regeneration scheme, which has transformed leisure services across two sites in Clapham Town Centre. The Clapham One development has been delivered by PPP (Public Private Partnership) specialists Cathedral Group, working in partnership with United House and Lambeth Council.

In addition to the new library, the scheme also provides a highly sustainable leisure centre, a new GP surgery and some of the most high quality residential accommodation in the borough including affordable housing, in partnership with Notting Hill Housing Group.

Clapham Library by Studio Egret West

The £6.5m, 19,000 sq ft public library, which has been designed by the architects Studio Egret West, is located in the heart of Clapham on the High Street on the site of a former office block, Mary Seacole House. In addition to holding more than 20,000 books, it provides a stunning new performance space for local community groups, as well as modern meeting room facilities. It is housed in a 12-storey, mixed-use building, with the community uses focused on the ground floor and the Clapham High Street frontage, and the high quality residential apartments above.

Behind the Library is the Primary Care Centre which includes two separate facilities, the Clapham Family Practice and a Primary Care Trust Resource Centre. There is also a basement car park that provides plant area and the required parking for the Primary Care Centre and the Library, along with car parking for the residential homes above.

Clapham Library by Studio Egret West

Click above for larger image

Library design

The Library has been designed as a distinctive public building with a well-defined identity that sits underneath a discreet, private building of desirable homes above. The Library embodies an audacious spiral design of seamlessly connected spaces. The openness and flexibility of the central space allows it to be transformed into a performance area, where the open spiral ramp offers visitors a great view of any performance.

The spiral represents a path of seamless learning, which connects the multifunctional building in a way that has not been seen before. On entering, it is immediately apparent where all the various elements of the building are located with the ramp spiralling up towards the reading room and down towards the childrenʼs library.

Clapham Library by Studio Egret West

Click above for larger image

The bookshelves follow the spiral of the ramp and face towards the open side of the ramp. This means that wherever you are standing, and especially from the entrance you will be able to see the main focus of the Library, the books. The books are arranged on standard shelving units that sit on level plinths which are part of the Library ramp. The books follow the ramp into the basement area where the childrenʼs Library is located.

Angular acoustic buffers hang down from the ceiling to prevent too much noise. At the bottom of the ramp, in the centre of the space and overlooked by the whole building, is the performance space which doubles as a reading area for the childrenʼs Library in the daytime.

Clapham Library by Studio Egret West

Click above for larger image

The stage is overlooked by the ramp as it spirals down from the reading room. As well as having a possible 100 seats at ground floor, there is also a study bench that follows the inside edge of the spiral, which can be used as additional audience seating. This configuration enhances the flexibility of the performance space. It can be used as a traditional theatre with rows of seating in the ʻstallsʼ and the ʻcircleʼ along the ramp even provides an ʻupper circleʼ.

Alternatively, the space can be used for smaller scale readings with seating around tables next to the stage area. As the performance space is at the centre of the building below the void, it lends itself to orchestral or musical performances. With musicians located in the reading area and the audience viewing from the ramp above the whole space will fill with music.

The Cafe is located on the ground floor. It has a prime high street position in the new Library without interfering with any of the community facilities in the building. It acts as a magnet from both the street and the Health Centre.

Clapham Library by Studio Egret West

The exterior of the building is designed to be elegant and unobtrusive. Although the form of the building is unique, the colouring has been kept purposefully low key. Cladding reinforces the form of the building, but also gives it a texture that will become more interesting the closer it is viewed.

The material employed is a white split-clad brick infused with quarts (sparkling Mica aggregate) for adding glistening qualities. The blocks are formed by breaking a single cast element into two sections, the broken (or split) face is unique to every block and has a three dimensional finish. From afar the masonry finish will have a uniform look, leaving the form of the building to shine through. When viewed from close-by the finish will be non-uniform with shadows and bright spots providing texture to the building.

Rising above the library and around the corner of the High Street into St Luke’s Avenue is the residential component in the form of three white, sculptured volumes. The soft curvaceous, three-fingered composition breaks up the massing of the building, gently stepping down to meet the Georgian house scale of the neighbouring residential streets. A cantilevered element at the first floor level is supported by a large, render-clad sculpted column, nicknamed ‘the stiletto’.

Developers: Cathedral Group and United House
Partners: London Borough of Lambeth
RSL partners: Notting Hill Housing Trust
Architect: (Mary Seacole House site) Studio Egret West
Contractor: (Mary Seacole House) United House
Contractor’s Architect: DLA Architecture and Studio Egret West (Library fit out)
Architect: (Leisure Centre site) LA Architects
Contractor: (Leisure Centre site) Morgan Ashurst

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2012 London Olympics Flame

Retour sur l’impressionnante flamme olympique qui a été allumée lors de la cérémonie d’ouverture du 27 juillet. Le design et la structure de cette flamme ont été conçue par Thomas Heatherwick, et se compose de 204 pétales en cuivres représentant les nations présentes aux Jeux Olympiques de Londres.

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