The knitting collection of Loes Veenstra by Christien Meindertsma

Dutch Design Week 2013: designer Christien Meindertsma has compiled photographs of hundreds of jumpers knitted by an elderly woman into a book and organised a flashmob in her honour (+ movie).

The knitting collection of Loes Veenstra by Christien Meindertsma

Christien Meindertsma‘s book celebrates the creations of Rotterdam resident Loes Veenstra, who has knitted more than 500 jumpers since 1955.

The knitting collection of Loes Veenstra by Christien Meindertsma

Museum Rotterdam and visual arts studio Wandschappen asked Meindertsma to create “something new” with the jumpers that Loes Veenstra had knitted, mostly using yarns donated to her over the years.

The knitting collection of Loes Veenstra by Christien Meindertsma

“In the book I tried to categorise the sweaters so that you can see the same yarn or pattern return in different pieces,” said Meindertsma. “What is quite special is that almost all pieces were knitted without a pre-made pattern; she just improvised and used what she had at the time.”

The knitting collection of Loes Veenstra by Christien Meindertsma

The jumpers are photographed against a neutral backdrop that enhances the patterns and the use of different yarns and threads that have become available since the 1950s.

The knitting collection of Loes Veenstra by Christien Meindertsma

When Meindertsma discovered that the jumpers had never been worn she organised a surprise flashmob of people wearing them on Mrs Veenstra’s street.

The knitting collection of Loes Veenstra by Christien Meindertsma

Groups of dancers, a marching band, a choir, baton twirlers and hundreds of volunteers wearing the sweaters appeared on the street, where Mrs Veenstra was able to view her entire output for the first time.

The knitting collection of Loes Veenstra by Christien Meindertsma

The project won Best Autonomous Design in the Product category at last week’s Dutch Design Awards, whose selection committee described it as “a good translation of a special story into a carefully designed book,” adding: “the flashmob puts a smile on your face.”

The knitting collection of Loes Veenstra by Christien Meindertsma

Other winners included a bubble-shaped extension on top of a neo-classical museum, and a conceptual proposal to shrink the human population. Iris van Herpen’s fashion collection featuring 3D-printed garments won the top prize.

The knitting collection of Loes Veenstra by Christien Meindertsma

Photography and videos were a cooperation with Roel van Tour and Mathijs Labadie.

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by Christien Meindertsma
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Nike Free Hyperfeel running shoe by Nike

American sports brand Nike has released a stripped-down running shoe that is designed to allow athletes to feel and respond to the ground beneath them as they would in bare feet.

Nike Free Hyperfeel running shoe by Nike

The Nike Free Hyperfeel is the latest shoe to feature Nike’s Flyknit technology, where the upper is knitted in one piece and fits the foot like a sock, but has a lower profile with less cushioning than previous shoes in the Flyknit range.

Nike Free Hyperfeel running shoe by Nike

The rubber outsole on the bottom of the shoe is just 0.7 millimetres thick, substantial enough to provide protection from sharp objects underfoot without reducing flexibility or responsiveness.

Nike Free Hyperfeel running shoe by Nike

The raised squares on the bottom of the outsole provide grip, but are also designed to act like pistons, increasing the feedback the runner gets from variations in the surface they are running on.

Nike Free Hyperfeel running shoe by Nike

“We’re trying to make a shoe that is just an extension of your foot”, Tony Bignell, vice president of Nike Footwear Innovation, told Dezeen at the worldwide launch of the product in Portland, Oregon. “It’s designed to amplify what the foot is already doing.”

Nike Free Hyperfeel running shoe by Nike

The combination of the knitted upper and thin sole also make the shoe very light. A size 10 weighs just 180g.

“When you talk to athletes and say: “What do you want the shoe to feel like when it’s on your foot?” Most athletes will look at you and say: “actually, I don’t want it to feel like anything,” said Bignell.

Nike Free Hyperfeel running shoe by Nike

Cushioning is provided by an insole made from Lunarlon, the sports brand’s proprietary shock-absorbing foam, which slips inside the shoe.

“The Nike Free Hyperfeel is really designed for runners that are looking for a barefoot sensation but with a comfortable ride,” Bignell explained. “We’re always trying to strike a balance between protection, which is important, and also sensation.”

Nike Free Hyperfeel running shoe by Nike

Here are some more details from Nike:


The Nike Free Hyperfeel is created to intuitively move with the foot. It is inspired by Nike’s “Nature Amplified” design ethos — an approach focused on the body in motion and fueled by scientific data and athlete insights.

Research insights informed the precise placement of cushioning and outsole traction for a low-profile shoe that provides padding and protection only where necessary. A drop-in Lunarlon insole with flex grooves allows the foot to have direct contact with the Lunarlon cushioning. The waffle outsole is ultra-thin, allowing the foot to get closer to the ground.

Scientists in the Nike Sport Research Lab carefully studied which areas of the foot come into contact with the ground and absorb pressure, and which areas require traction. They used pressure-mapping technology and high-speed film to analyze the foot in motion.

The result is Nike Free Hyperfeel, a shoe that mimics the intricate workings of the human foot: Lunarlon foam replicates cushioned pads under the foot. The outsole protects like hardened skin on the sole. Dynamic Flywire flexes and contracts, inspired by ligaments.

The Nike Free Hyperfeel ($175) will be at retail in the US, UK and Japan beginning 5 September.

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shoe by Nike
appeared first on Dezeen.

Knitted tree and creatures by Donna Wilson for the Stepney Green Design Collection

Knitted tree and creature by Donna Wilson for the Stepney Green Design Collection

East London designer Donna Wilson will contribute a special installation to Dezeen’s Stepney Green Design Collection made up of a 1.8 metre-high knitted tree with a selection of her soft-toy creatures living in it.

Knitted tree and creature by Donna Wilson for the Stepney Green Design Collection

The one-off knitted tree is from an exhibition called Endangered Species (above) that Wilson created earlier this year at the Yorkshire Sculpture Park.

Knitted tree and creature by Donna Wilson for the Stepney Green Design Collection

The tree is inhabited by a selection of Wilson’s signature creatures including Cyril Squirrel-fox (above) and his offspring Rill and Ralf (below).

Knitted tree and creature by Donna Wilson for the Stepney Green Design Collection

Dezeen has been commissioned to curate a collection of products designed by east London creatives that live near to new housing development VIVO and we will be publishing more designs as they are added to the collection during the next month.

Knitted tree and creature by Donna Wilson for the Stepney Green Design Collection

The designs will be on show as part of a collection of 30 works of art, fashion, sculpture and furniture celebrating local talent that will be exhibited at the Genesis Cinema in October and then donated to the VIVO residents – find out more here.

See all our stories about Donna Wilson »
See more designs for the Stepney Green Design Collection here »

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for the Stepney Green Design Collection
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Flyknit running footwear by Nike

Slideshow: sports brand Nike have created a range of running shoes with knitted uppers made in one piece.

Flyknit by Nike

The Flyknit shoes have a light, almost seamless upper, knitted with different structures for different areas in polyester yarn with varying elasticity, thickness and strength.

Flyknit by Nike

Supportive cables are also woven into the fabric so the shoe fits snugly like a sock but gives support and ventilation in the appropriate areas.

Flyknit by Nike

The shoes produce less waste than normal running shoes since the material isn’t cut from larger sheets.

Flyknit by Nike

Nike also recently unveiled a wristband that tracks your movement throughout the day and gives you points for being more active – take a look here.

Flyknit by Nike

Here are some more details from Nike:


NIKE has engineered knit for performance to create running footwear that features only the essentials. Employing a new technology called Nike Flyknit, yarns and fabric variations are precisely engineered only where they are needed for a featherweight, formfitting and virtually seamless upper.

With all the structure and support knitted in, the Nike Flyknit Racer’s upper and tongue weigh just 34 grams (1.2 ounces). The whole shoe weighs a mere 160g (5.6 ounces) for a size 9, which is 19% lighter than the Nike Zoom Streak 3, a shoe worn by first, second and third place athletes in the men’s marathon at the 2011 World Championships.

While reducing shoe weight is one aspect of helping runners, the Nike Flyknit upper is also engineered for a precision fit, creating a feeling of a second skin.

An additional environmentally sustainable benefit to Nike Flyknit is that it reduces waste because the one-piece upper does not use the multiple materials and material cuts used in traditional sports footwear manufacture. Nike Flyknit is truly a minimalist design with maximum return.

The inspiration for Nike Flyknit was born from the common runner feedback, craving a shoe with the qualities of a sock: a snug fit that goes virtually unnoticed to the wearer. But all the features that make a sock desirable have proven to make them a bad choice for a running upper. An inherently dynamic material like yarn generally has no structure or durability.

NIKE embarked on a four-year mission of micro-engineering static properties into pliable materials. It required teams of programmers, engineers and designers to create the proprietary technology needed to create the knit upper.

The next steps were to map out where the specific yarn and knit structures were needed. Applying 40 years of knowledge from working with runners, NIKE refined the precise placement of support, flexibility and breathability – all in one layer.

The result is precision engineering in its purest form, performance on display. Every element has a purpose: resulting in one of the lightest, best fitting running shoes NIKE has ever made.

The Nike Flyknit Racer is the marathon shoe that the world’s best runners from all over the world, including those from Kenya, Great Britain, Russia and the US will wear in this spring’s marathons and in London this summer.

With the knowledge gained from working with the worlds best marathon runners, NIKE has also created an everyday running shoe, the Nike Flyknit Trainer+, which at 220 grams or 7.7 ounces, will bring the weight and fit benefits of Nike Flyknit to runners of all levels.

Both models will be available for all runners this coming July.

Nike Flyknit will debut in a collection that celebrates the performance attributes of the technology, while at the same time hints at its future capabilities.

Helena Westerlind at The Temporium

Helena Westerlind at The Temporium

The Temporium: this series of knotted collar pieces made of rope by London-based designer Helena Westerlind is today’s entry to our Advent calendar.

Helena Westerlind at The Temporium

Knotted is a new brand launched by recent graduate Westerlind at our Christmas shop The Temporium.

Helena Westerlind at The Temporium

Each item is individually hand-knotted in cotton rope.

Helena Westerlind at The Temporium

They’re available in black and white.

Helena Westerlind at The Temporium

See more stories about fashion on Dezeen here and more stories about The Temporium here. 

Helena Westerlind at The Temporium

Here’s some more information about Helen:


Helena Westerlind graduated from the Architectural Association this year.

Helena Westerlind at The Temporium

The rope formations of her collection are inspired by the material qualities of rope and traditional techniques such as knitting and crochet.

Helena Westerlind at The Temporium

These can be formed into a structured surface through knotting.

Helena Westerlind at The Temporium

Knotting organises the continuous nature of the material through repeated movements and creates a level of complexity.

Helena Westerlind at The Temporium

All the pieces have been individually hand-knotted by the designer in such a way that the resulting structures also enhance the nature of the rope.

Helena Westerlind at The Temporium

Safety Vase by Hannah Niskanen-Benady

Safety Vase by Hannah Niskanen-Benady

Kingston University graduate Hannah Niskanen-Benady presented this series of side tables that incorporate knitted containers at graduate show New Designers in London over the weekend.

Safety Vase by Hannah Niskanen-Benady

Niskanen-Benady designed the hallway or bedside tables for stashing small items like keys, coins and jewellery.

Safety Vase by Hannah Niskanen-Benady

A hole in the walnut surface of each Safety Vase table holds the cashmere and merino wool vases, hanging below the table top.

Safety Vase by Hannah Niskanen-Benady

New Designers Part 2 took place from 6 to 9 July.

See more stories about this year’s graduate shows »

Here’s some more information from Hannah Niskanen-Benady:


Hallway and Bedside Tables, Cashmere and merino hand knit framed by a solid walnut top and hand turned legs.

Experimenting with hard and soft materials and textures has been the muse for the Safety Vase series. The Safety Vase series empathises with wood and wool’s emotional and physical qualities to create a safe hideaway for one’s treasures. Knit holds connotations of safety, warmth and softness. Wood is a traditional furniture material that represents strength and longevity. The Safety Vase series explores and celebrates these qualities. It questions current furniture typologies and asks whether the emotional warmth of knit can be introduced to the hard world of wooden furniture.

A safe hideaway for those treasures that have a tendency to be misplaced has been created. The vase like form invites the user to touch and feel the softness of the wool whilst playfully hiding objects away, this furniture series is about experiencing the knit. It poses the question of why cant the first thing you touch when you wake up in the morning or come in from work be soft and comforting.

The knit is framed and contrasted by the hardness of the wood, both the minimal legs and the table top create a frame around the vase without distracting from it.


See also:

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1.3 Chair by
Ki Hyun Kim
Hose Clip Shelving
by Max Frommeld
From Here For Here
by Ariane Prin

The Strong, Star-Bright Companions

Artist Ellen Lesperance weaves new meaning into knitwear with an exhibit honoring women activists
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Fair Isle fans have long fetishized the winter staple, but Ellen Lesperance‘s upcoming exhibit at Seattle’s Ambach & Rice Gallery explores the sweater as more than a cozy way to keep warm. Named “The Strong, Star-Bright Companions,” after an elegiac poem by Ralph Waldo Emerson, the show features Lesperance’s gouache paintings of sweaters worn by female activists, as well as three actual sweaters knitted by the artist herself—all rendered with precise attention to detail.

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Lesperance painstakingly replicates the pattern and gauge of yarn in large paintings, piecing the whole pattern together from photographs into flattened-out diagrams. Much of her source material came from archival photos of the Greenham Commons Women’s Peace Camp. For nineteen years, from 1981 to 2000, women camped out to protest the storage of nuclear missiles in Berkshire, England. While they waited, they knitted—incorporating their ideologies, in the form of fish and axes, into intricately innovative patterns. “I’ve been knitting for over 20 years. I used to work at Vogue Knitting in New York, and I’d never seen patterns like these,” Lesperance said from her home in Portland, OR.

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The exhibit also features the artist’s tightly-gridded visions of sweaters worn by contemporary women, like Nawal el Saadawi, the famed Egyptian feminist activist. And Lesperance commemorates the darker side of activism in the form of triangle-shaped patterns that serve as death shrouds for activists who died in the line of duty, including Helen Thomas, who was driven over at Greenham Commons Women’s Peace Camp, and Italian activist Pippa Bacca, who was raped and killed on a symbolic peace protest while hitchhiking to Jerusalem. “They were definitely maligned for being stupid young girls,” said Lesperance. “There’s definitely an interest in elevating them.”

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By memorializing and replicating these sweaters, Lesperance also lends a deeper resonance to the simple, utilitarian act of knitting a sweater. As Rosa Parks might have suggested, in the face of greater forces there’s something very powerful about the act of sitting down, taking your time and creating a useful object of beauty. “Sweaters can be worn,” said Lesperance. “You can stretch out the experience of being with the work. You could wear the sweaters for years, if you wanted to.”

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The Strong, Star-Bright Companions” is on view through 15 May 2011 at Ambach & Rice.


Aldo Lanzini at Missoni’s Spring/Summer 2011 Show

From runways to galleries, the philosophical needlework of a rising Italian artist
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Aldo Lanzini‘s beautifully alarming crochet masks most recently made an appearance at Missoni’s Spring/Summer 2011 fashion show when the 30 ushers wore them to seat people. While the riotous colors and fantastical faces make compliment the Italian label’s renowned knitwear well, their bold expressions and strange forms of the maskes are a spectacle of their own.

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Splitting his time between Milan and NYC for the past 15 years, Lanzini has been quietly building a large army of loud characters with his expressive needlework, explaining to Vogue Italia that his pieces are “the condition of contemporary man, some kind of conscious schizophrenia.”

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Lanzini’s work can currently be seen at Milan’s Le Case D’Arte, where he transformed the gallery into visceral experience that amplifies the senses through visual, sonorous, tactile and olfactory elements. Dubbed “The Drop,” the exhibition speaks to Lanzini’s constant investigation of how the process of creation affects the everyday life and is on view through 11 December 2010.