Whackpack Furniture by Brendan Magennis

Whackpack Furniture by Brendan Magennis

New Designers 2011: design graduate Brendan Magennis has made a collection of flat-packed furniture that has no screws or glue and can be assembled with just a few hearty whacks of a mallet.

Whackpack Furniture by Brendan Magennis

Magennis used a Japanese woodworking technique called a hell joint, where wooden wedges are driven into the ends of each dowel to pack them tightly inside the receiving hole.

Whackpack Furniture by Brendan Magennis

Called Whackpack, the series currently comprises a table, bench and side table, with other pieces under development.

Whackpack Furniture by Brendan Magennis

Magennis designed the collection while studying contemporary furniture design at Bucks New University and was shortlisted for the New Designer of the Year Award at the graduate show in London last month. See all our stories about New Designers here.

Whackpack Furniture by Brendan Magennis

The text below is from Brendan Magennis:


My product Whackpack Furniture was shortlisted for the New Designer Award on preview night. It is a range of furniture stimulated by the discovery of the ‘Hell Joint’ through Japanese Joinery.

Whackpack Furniture by Brendan Magennis

Whackpack Furniture is a flatpack inspired creation aimed for today’s nomadic lifestyles and shrinking apartments sizes. It is designed to fashion a new way for the consumer to construct furniture using wooden, a mallet and satisfying strength.

Whackpack Furniture by Brendan Magennis

No allen keys and no glue required. The Whackpack range is made up of three pieces at the minute with other projects underway. I presented the Whackpack Coffee, Whackpack Jardinere and the Whackpack Bench at New Designers.


See also:

.

No Screw No Glue
by Joost van Bleiswijk
Stool by Michael Marriott
for Paul Smith
Clamped Stools by
Daniel Glazman

Worth the Weight by Oscar Medley-Whitfield

Worth the Weight by Oscar Medley-Whitfield

New Designers 2011: as the value of copper increases, product design graduate Oscar Medley-Whitfield has minted a range of copper-bullion bowls so investors can display their assets at home.

His Worth the Weight project involved finding a suitable low-tech way to cast copper in the teaching workshops at Kingston University.

Worth the Weight by Oscar Medley-Whitfield

The material tends to absorb oxygen when molten then become aerated and brittle when cooled – not very useful for making ingots.

Worth the Weight by Oscar Medley-Whitfield

He settled on a traditional Japanese technique, shown in the movie above, where molten copper is poured into a cloth inside a pan of boiling water.

Worth the Weight by Oscar Medley-Whitfield

This slows the cooling process and reduces the amount of oxygen incorporated, resulting in a pure and dense casting.

Worth the Weight by Oscar Medley-Whitfield

Medley-Whitfield developed the project in his final year and presented it at graduate show New Designers, which took place in London from 6 to 9 July. He also showed a series of benches that rely on each other for supportSee all our stories about New Designers 2011 here.

Worth the Weight by Oscar Medley-Whitfield

The details below are from Oscar Medley-Whitfield:


Worth the Weight
The un-Final Collection

Worth The Weight is a project driven by an insight into the worth and projected worth of the commodity, copper.

Worth the Weight by Oscar Medley-Whitfield

It is an experimental, material and process lead project that is focused around developing a method of casting which is suitable for copper.

Worth the Weight by Oscar Medley-Whitfield

Copper is a difficult metal to cast with as it has a tendency to absorb up to 100% of is own volume in oxygen when in its molten state.

Worth the Weight by Oscar Medley-Whitfield

This makes it extremely hard to get refined results from the casting processes as the additional oxygen creates air pockets leaving the finished object with an aerated texture and brittle composite. For these reasons copper is little cast within industry.

Worth the Weight by Oscar Medley-Whitfield

The cloth mould water casting process tackles the issues surrounding copper casting in a number of ways. The lack of oxygen in water ensures a more refined surface finish then conventional moulds. It also supplies a slower cooling process, which gives the metal a dense concentration.

Worth the Weight by Oscar Medley-Whitfield

Although the bowls are presented and finished as a final collection they are in no way demonstrations of cloth mould water castings full potential. Each bowl is a show of slight variation on the process and with each variation comes new opportunity for process refinement.


See also:

.

Andre Pereira at
New Designers
Ben Fursdon at
New Designers
Orawee Choedamphai at
New Designers

DIY Series by Andre Pereira

DIY Series by Andre Pereira

New Designers 2011: Kingston University graduate Andre Pereira has created a series of products to help with tricky DIY tasks, including these paint brushes that clip onto the edge of a tin of paint.

DIY Series by Andre Pereira

The DIY series also includes a brush guard that holds bristles together for neater corners and edges.

DIY Series by Andre Pereira

In addition, Pereira presented colour-coded wire strippers to help with wiring a plug and proposes that a plug’s prongs could be insulated with colour-coded plastic.

DIY Series by Andre Pereira

A heat-sensitive sticker attached to radiators would indicate when they need bleeding.

DIY Series by Andre Pereira

Pereira presented the project at graduate show New Designers 2011, which took place 6-9 July in London.

DIY Series by Andre Pereira

See all our coverage of the event here.

DIY Series by Andre Pereira

Here are some more details from Andre Pereira:


DIY Series: Painting

Brush Guard, Overhang Paint Can, Hanging Brush

The painting series promotes a clean working environment, through permitted conveniences, and reducing the amount of skill needed to carry out a professional job.

The ‘Brush Guard’ restricts the brushes bristles from spanning out when pressure is applied, giving the user greater control when painting straight lines. It also promotes tool longevity to often throw away tools keeping the brushes shape when not in use. Both the ‘Overhang paint can’ and the ‘Hanging Brush’ permit the user to rest wet paint brushes providing the user with a clean working environment. The Overhang paint can’s handle rests on the stopper permitting the user to rest their paint brush on the groove. The ‘Hanging Brush’ has notch which hooks onto paint can edges allowing the paint to drip into the can rather than down its side and the floor.

DIY Series: Maintenance

Plug Strippers, Coloured plug, Radiator Sticker

The maintenance series has been designed to simplify often overlooked tricky household tasks.

The Plug Strippers are designed to cut and strip the wires of a cable to the required lengths making the fiddly task of wiring a UK plug easier. The order the wires are stripped relates to the order in which they are attached to the plug. The strippers would consist of three blades 2 stripping blades and one cutting blade with the housing being compression moulded.

The Coloured plug is simple, by colouring the existing insulated pins with the according colours of the wires that would attach to them, assures the user they are wiring the plug correctly preventing the plug from being accidentally mixed up.

The Radiator sticker is thermochromic, meaning it reacts to a specified temperature; indicating to the user when to bleed their radiator. Air is a poor conductor of heat so when it builds up at the top of radiators it greatly reduces the heating systems efficiency increasing the amount of energy needed to heat a room. This means the bottom half of the radiator would be hot and the top half colder. By putting the sticker at the top of the radiator you are able to tell whether there is air trapped: When the heating system is on a red ring should appear showing that the system is working. When the system is on and the sticker remains completely yellow,then there may be air trapped.


See also:

.

Ben Fursdon
at New Designers
Hannah Niskanen-Benady
at New Designers
Oscar Medley-Whitfield
at New Designers

Poles Apart by Adrian Bergman

Poles Apart by Adrian Bergman

New Designers 2011: London Metropolitan University graduate Adrian Bergman has designed a modular retail display system that’s only held together by rubber rings.

Poles Apart by Adrian Bergman

Shopkeepers can use the Poles Apart kit to assemble or reconfigure display tables and rails without tools, nails, glue or screws.

Poles Apart by Adrian Bergman

Rubber rings on both sides of angled holes in the table top hold the legs in place.

Poles Apart by Adrian Bergman

The New Designers show took place in London from 6 to 9 July. See more work from the show here.

Poles Apart by Adrian Bergman

The following information is provided by the designer:


‘Poles apart’ is a modular display unit designed to target the retail market. Each unit is assembled using rubber o-rings as its only additional fastenings. The units are free from any glue and are constructed from ash and plywood.

Poles Apart by Adrian Bergman

‘Poles Apart’ utilises each component so it can be configured and customised in various formations to suit its environment.  Offset angular holes are cut into the rails allowing the legs to slide through, secured to the surface using the rubber o-rings.


See also:

.

Hose Clip Shelving by
Max Frommeld
Particle shelving by Dominic
McCausland
Prop-er Benches by Oscar
Medley-Whitfield

Broo-ver by Ben Fursdon

Broo-ver by Ben Fursdon

New Designers 2011: product design graduate Ben Fursdon has created the Broo-ver, a broom converted into a vacuum cleaner.

Broo-ver by Ben Fursdon

Fursdon reduced the ubiquitous household machine to the minimum number of components to make it easier to clean and repair.

Broo-ver by Ben Fursdon

A clear plastic jug collects the dirt and unclips to reveal removable filters. Components are arranged in a straight line along the handle, eliminating bends in the pipe to reduce blockages.

Broo-ver by Ben Fursdon

Fursdon designed the prototype while studying at Kingston University and presented it at graduate show New Designers in London last week.

New Designers took place 6-9 July. See more stories about the work on show »

Here are some more details from Ben Fursdon:


Broo-ver

Less plastic, less parts, less hassle: a new approach to the humble vacuum cleaner.

Vacuum cleaners are a household essential, used often, abused more often and thrown away in vast numbers. Due to the complicated assembly and myriad of components, many vacuum cleaners end up at landfill when they could be repaired. Broo-ver is designed to empower the owner. Stripped down to the minimum amount of parts possible, Broo-ver promotes easy maintenance, increased level of ownership and understanding  and longer product life span.

The main concept for Broo-ver came about after a trip to the local land-fill site. After seeing the mass amount of vacuum cleaners that were being thrown away, and learning that around 8 out of 10 of them could be repaired quite simply, I decided to design a vacuum cleaner with simplicity and minimal components. My in-depth research included deconstructing numerous vacuum cleaners (modern and old), spending time with the owner of the UK’s only vacuum cleaner museum (James Brown) and generally trying to learn everything and anything about vacuum cleaners. After creating various working models which were then tested on users, the final Broo-ver shape and components developed.

The end result is an elegantly simple and user-focused vacuum cleaner, which affords the owner a better understanding of how it works and increased level of ownership.


See also:

.

The Toaster Project
by Thomas Thwaites
Ultra Lead by
Georges Moanack
Folding Plug by
Min-Kyu Choi

The Fourth-Dimension by Orawee Choedamphai

The Fourth-Dimension by Orawee Choedamphai

New Designers 2011: textile designer Orawee Choedamphai has created modular knitted screens that incorporate cable ties and Lego.

The Fourth-Dimension by Orawee Choedamphai

Called The Fourth-Dimension, the elements can be combined to make room dividers and wall hangings.

The Fourth-Dimension by Orawee Choedamphai

Choedamphai presented the work as part of One Year on at New Designers in London this weekend.

The Fourth-Dimension by Orawee Choedamphai

She first showed at New Designers last year and is now studying for an MA in Textiles and Fashion Product at Bucks New University in the UK.

The Fourth-Dimension by Orawee Choedamphai

New Designers took place 6-9 July.

The information below is from Orawee Choedamphai:


The Fourth-Dimension

The Fourth-Dimension is a series of 3D knitted ornaments, inspired by Lego, which can be linked together to form bigger structures.

Unconventional materials such as wire and cable ties are used alongside traditional craft skills that create a striking contrast, and add a sense of femininity into a masculine environment. The sculptures could be used as interior solutions to enhance, confine or divide spaces.

The Fourth-Dimension by Orawee Choedamphai

Orawee is a knitted textile designer who specialized in three-dimensional knitted structure for interior architecture and fashion accessories. Industrial Design was her 1st degree, which she studied in Bangkok, Thailand, before she came to the UK to studied Textiles and Surface Design BA (Hons) at Bucks New University. The Industrial Design background together with her textile skills enabled her to explore knitting in a different direction and thus opened up new boundaries.

The Fourth-Dimension by Orawee Choedamphai

Since a child, Lego has been her favourite toy and due to this ‘modularity’ has become one of the most important elements of her design. Orawee have a passion for making things. However, prior to her 2nd degree she was not accustomed to knitting, as it is not a part of her culture. Therefore, this made her unique to her fellow students. She became fascinated with industrial knitting, and enjoyed experimenting with a knitting machine.

The Fourth-Dimension by Orawee Choedamphai

Orawee is currently studying MA in Textiles and Fashion Product at Bucks New University, and have strong ties with the MA Furniture Design students, which have influenced her experiments with knitted sculptures in yet another direction; towards furniture.


See also:

.

Losanges by Ronan
& Erwan Bouroullec
Tape Measure Project
by Debbie Smyth
Origin part II:
Balance by BCXSY

Safety Vase by Hannah Niskanen-Benady

Safety Vase by Hannah Niskanen-Benady

Kingston University graduate Hannah Niskanen-Benady presented this series of side tables that incorporate knitted containers at graduate show New Designers in London over the weekend.

Safety Vase by Hannah Niskanen-Benady

Niskanen-Benady designed the hallway or bedside tables for stashing small items like keys, coins and jewellery.

Safety Vase by Hannah Niskanen-Benady

A hole in the walnut surface of each Safety Vase table holds the cashmere and merino wool vases, hanging below the table top.

Safety Vase by Hannah Niskanen-Benady

New Designers Part 2 took place from 6 to 9 July.

See more stories about this year’s graduate shows »

Here’s some more information from Hannah Niskanen-Benady:


Hallway and Bedside Tables, Cashmere and merino hand knit framed by a solid walnut top and hand turned legs.

Experimenting with hard and soft materials and textures has been the muse for the Safety Vase series. The Safety Vase series empathises with wood and wool’s emotional and physical qualities to create a safe hideaway for one’s treasures. Knit holds connotations of safety, warmth and softness. Wood is a traditional furniture material that represents strength and longevity. The Safety Vase series explores and celebrates these qualities. It questions current furniture typologies and asks whether the emotional warmth of knit can be introduced to the hard world of wooden furniture.

A safe hideaway for those treasures that have a tendency to be misplaced has been created. The vase like form invites the user to touch and feel the softness of the wool whilst playfully hiding objects away, this furniture series is about experiencing the knit. It poses the question of why cant the first thing you touch when you wake up in the morning or come in from work be soft and comforting.

The knit is framed and contrasted by the hardness of the wood, both the minimal legs and the table top create a frame around the vase without distracting from it.


See also:

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1.3 Chair by
Ki Hyun Kim
Hose Clip Shelving
by Max Frommeld
From Here For Here
by Ariane Prin