What the tech?

Combining cyber architecture with interactive technology and sensory experiences, the Tuiteratura installation reflects the collaborative spirit of social networks and proposes engagement between the public and the installation itself. Excerpts from famous literary pieces dance across the screen alongside user submitted Tweets using the hashtag #tuiteratura. In person, users can leave their own mark by using physical motions to control an interactive keyboard, further contributing to the exhibit’s content.

Designers: Estudio Guto Requena & Atelier Marko Brajovic


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(What the tech? was originally posted on Yanko Design)

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Gabriel Chandelier at the Château de Versailles by Ronan and Erwan Bouroullec

Paris designers Ronan and Erwan Bouroullec have installed a chandelier at the entrance to the Château de Versailles, France, comprising looping cords of illuminated crystal (+ movie).

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

The Gabriel Chandelier by Ronan and Erwan Bouroullec is the first permanent contemporary artwork to be installed at the Château de Versailles and hangs over the Gabriel Staircase at the main entrance to the palace.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

“We thought that in the final analysis it was not perhaps necessary to give a delineated form to this piece of lighting but rather to try to arrange it so that the form naturally found its line from gravity,” said the designers.

“Because it is effectively the number of pieces of crystal which make it up, the weight and the length determine this form rather than a curve which we would have drawn.”

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

Manufactured by crystal brand Swarovski, the 12-metre-high installation comprises 800 crystal modules threaded around a stainless steel skeleton containing an LED lighting system.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

“It seemed to us that crystal was the best response because, historically, all the chandeliers at Versailles were made with this material,” the designers added. “This would ensure a link between past and present.”

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

The Gabriel Staircase was conceived by french architect Ange-Jacques Gabriel in 1772 but was never completed. Work resumed in the 1980s, then Ronan and Erwan Bouroullec won the commission to create a permanent artwork to adorn and illuminate the finished staircase through a competition launched in 2011.

Photography is by Studio Bouroullec.

Film is by Juriaan Booij.

Here’s some more information from the designers:


A dramatic new chandelier created by Ronan and Erwan Bouroullec with the support and expertise of Swarovski will light up the entrance to the King’s Grand Apartments at the Palace of Versailles from November 2013.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

Ronan & Erwan Bouroullec won the commission through a competition launched in 2011 by the Public Administration of the Palace, Museum and State Property Department for Versailles to create a permanent mobile artwork to adorn and illuminate the grand Gabriel Staircase at the main entrance to the palace.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

The award-winning designers created a majestic chandelier made of Swarovski crystal whose sweeping grace and modern lines integrate harmoniously with the historically charged location. The piece, which is over 12 metres high, is suspended in loops from the ceiling like a luminous transparent chain. It comprises three interlacing strands, each made of hundreds of Swarovski crystals illuminated by luminous LED light-sources which diffuse a gentle, continuous and encircling light.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

These immense, supple lines form an organic design ruled by the laws of gravity which each viewer will experience differently as they gradually ascend the two flights of steps of the Staircase.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec
Ronan and Erwan Bouroullec

To create the chandelier, the designers chose crystal, the material traditionally used in the making of chandeliers for ceremonial rooms, in order to establish a strong link between the past and the present. They called upon the expertise and technological mastery of Swarovski, the prestigious Austrian crystal business, which has a longstanding collaborative relationship with the brothers and has supported the Palace of Versailles for more than 30 years.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

Ronan and Erwan Bouroullec’s creation is a delicate yet complex alliance of crystal and innovative lighting, two areas in which Swarovski has long become the point of reference. The project forms part of Swarovski’s major programme of cultural support and ongoing patronage of art and design.

Gabriel Chandelier at the Chateau de Versailles by Ronan and Erwan Bouroullec

The Gabriel Staircase, a monumental space conceived by Ange- Jacques Gabriel in 1772, was never completed. Work resumed in the 1980s, but the finished staircase lacked a focal point. The installation of the ‘Gabriel Chandelier’ in November will enrich these historic surroundings, emphasising the entrance to the Grand Apartments whilst preserving the unique nature of the space.

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by Ronan and Erwan Bouroullec
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Sounds of Threads music visualisation using strands of wool by Bertrand Lanthiez

Dezeen Music Project: French artist Bertrand Lanthiez created this audiovisual installation by projecting white light along criss-crossing woollen threads (+ movie).

Sounds of Threads music visualisation by Bertrand Lanthiez created on strands of wool

Called Sounds of Threads, the installation comprises strands of wool stretched between four wooden stands, with beams of white light projected across them in time to a piece of music.

Sounds of Threads music visualisation by Bertrand Lanthiez created on strands of wool

“I was interested in questions of how sight can enhance hearing, or also disturb our balance in perceiving a multimedia-based bodily experience,” said Lanthiez.

Sounds of Threads music visualisation by Bertrand Lanthiez created on strands of wool

“I tried to demonstrate the power of our senses when they interact simultaneously,” he added.

Lanthiez composed an original piece of music to use in the installation, which he exhibited earlier this year in Reykjavik.

Sounds of Threads music visualisation by Bertrand Lanthiez created on strands of wool

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strands of wool by Bertrand Lanthiez
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Content 2013: Portland’s most untraditional fashion show grows by leaps and bounds

Content 2013


Since its inception in 2009, Content has become one of Portland’s most original and interactive displays of fashion, art and design. Hosted, as always, at the Ace Hotel, Content…

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Sibling’s wifi-blocking ON/OFF installation creates a disconnected “cold spot”

This temporary event space by Australian design collective Sibling features a cage that blocks mobile reception and Wi-Fi signals, creating the “ultimate disconnection space” (+ slideshow).

ON:OFF exhibition by Sibling_dezeen_1sq

Sibling‘s installation, called ON/OFF and presented at the University of Melbourne earlier this autumn, featured a Faraday cage – an electrified mesh enclosure that blocks electromagnetic signals and creates a “cold spot”.

ON:OFF exhibition by Sibling

The designers created the cage in order to achieve the opposite of what most contemporary design and technology tries to achieve: to disconnect people, rather than connect them.

ON:OFF exhibition by Sibling

“Connection is a popular motif in design,” write the designers. “All types of infrastructure – bridges, pathways, transportation, service systems, forums and applications – wish to tie into the urban fabric and make things productive.

“However, there is also an opposite tendency: the act of disconnection. Sibling asks: How can one remove oneself from connectivity?”

ON:OFF exhibition by Sibling

The outside of the cage was clad in mirrors while the interior had perforated surfaces. “We used circle-perforated sheeting in order to symbolise the interior as being off the grid, as one is disconnected from technology,” said Sibling’s Timothy Moore.

ON:OFF exhibition by Sibling

“This is the reality as one will notice upon entering and sealing the door that their smartphone Wi-Fi bars will drop slowly until they turn off,” he added.

ON:OFF exhibition by Sibling

Faraday cages were invented by English scientist Michael Faraday in 1836 and are used to conduct sensitive experiments and protect delicate equipment from interference by electromagnetic waves.

On/Off was installed at the University of Melbourne from 13 September- 4 October as part of the ABP Alumni Survey Series. Talks took place within the cage, which accommodated up to ten people.

Photography by Tobias Titz.

Here’s some more information from Sibling:


The right of connection – to housing, health, education, the internet, financial capital – allows humans to improve the spaces they occupy in the world. Heightened connectivity also demands an opposite tendency: the ability to switch off. On/Off takes an extreme position on connectivity through the construction of a type of Faraday cage. Discovered by Michael Faraday in 1836 it is a structure covered by a conductive material that prevents electromagnetic charges reaching its interior. It is the ultimate disconnection space.

Within the mirror-clad monolith created by SIBLING sits a starkly warm space where smartphone reception is blocked. It is a gesture to physically connect people in a space with architecture creating a filter (or temporary firewall) between the individual and the world. The space of disconnection is situated within a red grid, which provides a flattened interior without hierarchy or end. This vastness is reflected by the mirror into infinity creating a neutral environment from which to begin social experiments in cold spots.

On/Off was an exhibition at the University of Melbourne from September 13 – October 4 as part of the ABP Alumni Survey Series. During the exhibition a series of events occurred – arduino workshops, well-being seminars and lunches – to experiment within a space of disconnection. A film and book also accompanied the exhibition.

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a disconnected “cold spot”
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Room of One’s Own writing pavilion by Nika Zupanc for Miss Dior

Slovenian designer Nika Zupanc has referenced an essay by English writer Virginia Woolf to create a latticed writing room and furniture for French fashion house Dior.

Room of One's Own writing room by Nika Zupanc for Miss Dior

When asked to create a piece for Dior‘s Esprit – Miss Dior exhibition, Nika Zupanc used Modernist writer Virginia Woolf’s 1929 essay A Room Of One’s Own as a starting point for a small pavilion that a wearer of the Miss Dior fragrance could use to write in.

“The text has come to symbolise women’s emancipation, which detailed the material conditions that restricted women’s access to writing,” Zupanc told Dezeen. “It conveyed the idea that a woman capable of writing always needed money and space for herself.”

Room of One's Own writing room by Nika Zupanc for Miss Dior

With this in mind, she designed a small sanctuary that a woman could use for writing books, poems and letters, or simply reflecting.

“I set out to transpose extremely feminine codes to another scale, taking things into a more serious sphere that was gigantic and impressive,” she explained. “This spawned the idea of a pavilion designed like a solitary bubble, the ideal place for dreaming, for escape, for creation.”

Room of ones own by Nika Zupanc for Miss Dior

Raised up on pointy legs at each corner, the wooden lattice structure extends up to five and a half metres above the ground and over the space to create a small room accessed from a small set of steps.

“The simple structure in hand-extruded black meshed wood required 1400 hours of joinery work alone,” said Zupanc. “The idea was to get as close as possible to the imagery of caned furniture.”

Room of One's Own writing room by Nika Zupanc for Miss Dior

The designer integrated Miss Dior motifs such as the bow, the pale pink colour and lattice pattern into the elements of the project. Translucent pink curtains that veil the entrance are the same colour as the perfume liquid.

These match the pink metal legs of a chair, which extend up and curve around to form the shape of a bow. A scaled-down version of the wooden lattice is used for the seat.

Room of One's Own writing room by Nika Zupanc for Miss Dior

The chair and a simple writing desk furnish the space, with a version of Zupanc’s bell-shpaed Lolita lamp for Dutch brand Moooi in a cooper pink edition suspended above.

Zupanc was one of 15 designers and artists asked by curator Herve Mikaeloff to contribute to the exhibition celebrating the perfume, which will be shown in the Galerie Courbe at the Grand Palais in Paris from 13 to 15 November.

Read on for more information from the designer:


Room of One’s Own
Nika Zupanc for Miss Dior

“That heady feeling when you encounter a fragrance, blown up into a larger-than-love object. An homage to Virginia Woolf, it has just enough space for the very fabulous but utterly basic tools needed for heart searching – a table, chair and lamp. A metaphysical sanctuary with emancipatory potential” – Nika Zupanc.

Room of One's Own writing room by Nika Zupanc for Miss Dior

All women long for a room of their own where they can write happy endings to gloomy affairs or short messages full of emoticons, a very private place indeed. It seems all of this room searching ended in a splash of perfume, creating that heady feeling of being in a bubble. By blowing it up a fairytale-like pavilion materialises. An invitation to hide and seek.

Room of One's Own writing room by Nika Zupanc for Miss Dior

As an homage to Virginia Woolf, there is just enough space for the very fabulous but utterly basic tools needed for heart searching – a shiny table, chair and lamp. However, it is the staggering height taking a cue from the Venetian piano nobile that needs to be filled up with cravings and whispers. The wooden wall carved in the signature Miss Dior quilting brings transparency and a hint of a doubt. The realness of this larger-than-love object becomes questionable. Much alike that of a fragrance, the presence, depth and dimensions of which are merely in your oh so captivated head.

Room of One's Own writing room by Nika Zupanc for Miss Dior

Miss Dior Chair

There is something daring in this object of controlled prettiness. The connotations that a bow has to live up to – that of a surprise, a gift, of immaculacy – are all but forgotten here. Taking it back to its simplicity and plain knotted shape a bow is a bow is a bow. Its odd pink frivolity is counterbalanced by the reserved metal frame and its brave new function, that of a sitting tool for those heroic enough to wear their heart on their sleeve.

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by Nika Zupanc for Miss Dior
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Cool Hunting Video: Empire State Light Show: World famous lighting designer Marc Brickman on his incredible installation at NYC’s iconic building

Cool Hunting Video: Empire State Light Show


On the 86th floor of New York City’s Empire State Building, we had the chance to talk with the man behind the structure’s elaborate light shows—world-renowned lighting designer, Marc Brickman. His most recent installation unveiled…

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ArtBo + 43SNA: Material Focus: Interesting uses of media across a variety of works at the Colombian art fairs

ArtBo + 43SNA: Material Focus


While our first look at the works found among Colombia’s ArtBo and 43SNA art fairs explored the underlying focus on a collective humanity among South American artists and galleries, our next look studies some of…

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ArtBo + 43SNA: Humanity: Global compassionate connections found within various works at the recent Colombian art fairs

ArtBo + 43SNA: Humanity


When planning a visit to Colombia to take in the vast amount of contemporary art works at Bogotá’s ArtBo and Medellín’s 43rd Salón (inter)Nacional de Artistas, instincts would predict a large presence of works around violence,…

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Skinned latex casts of derelict buildings by KNOL Ontwerp

Thin latex casts from derelict buildings hang in this installation by Amsterdam design studio KNOL Ontwerp to form ghostly recreations of the spaces they were taken from (+ slideshow).

Skinned by KNOL Ontwerp

Skinned is a growing collection of latex sheets cast from buildings and streets that can be cut, folded up and taken elsewhere by Jorien Kemerink, who founded KNOL Ontwerp with Celine de Waal Malefijt in 2009.

Skinned by KNOL Ontwerp

The material creates a translucent copy of the architectural details but also captures some of the dirt. “The history of use is caught in the cast,” says Kemerink. “Like skin transplantations, they can be taken to other spaces where they get new spatial meaning.”

Skinned by KNOL Ontwerp

She particularly finds the process useful when designers or creatives take over a vacant building for a short space of time.

Skinned by KNOL Ontwerp

“When a vacant building is being reused again, you often encounter dirty or decayed spaces,” she explains. “The latex provides you with a way to ‘seal’ all the dirt and put a clean layer on top, making the place instantly useable.”

Skinned by KNOL Ontwerp

“When you leave again the parts that you want to preserve can be cut out, folded and taken to new locations,” she adds.

Skinned by KNOL Ontwerp

Kemerink recently taught a class at the Central Academy of Fine Arts in Beijing, China, where she worked with students to make casts of places in the city.

Skinned by KNOL Ontwerp

“This project looks at the emotional connection that people have with a space,” she said. “My dream is to collect more and more special places in various places all over the world.”

Skinned latex casts of derelict buildings by KNOL Ontwerp

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by KNOL Ontwerp
appeared first on Dezeen.