Room of One’s Own writing pavilion by Nika Zupanc for Miss Dior

Slovenian designer Nika Zupanc has referenced an essay by English writer Virginia Woolf to create a latticed writing room and furniture for French fashion house Dior.

Room of One's Own writing room by Nika Zupanc for Miss Dior

When asked to create a piece for Dior‘s Esprit – Miss Dior exhibition, Nika Zupanc used Modernist writer Virginia Woolf’s 1929 essay A Room Of One’s Own as a starting point for a small pavilion that a wearer of the Miss Dior fragrance could use to write in.

“The text has come to symbolise women’s emancipation, which detailed the material conditions that restricted women’s access to writing,” Zupanc told Dezeen. “It conveyed the idea that a woman capable of writing always needed money and space for herself.”

Room of One's Own writing room by Nika Zupanc for Miss Dior

With this in mind, she designed a small sanctuary that a woman could use for writing books, poems and letters, or simply reflecting.

“I set out to transpose extremely feminine codes to another scale, taking things into a more serious sphere that was gigantic and impressive,” she explained. “This spawned the idea of a pavilion designed like a solitary bubble, the ideal place for dreaming, for escape, for creation.”

Room of ones own by Nika Zupanc for Miss Dior

Raised up on pointy legs at each corner, the wooden lattice structure extends up to five and a half metres above the ground and over the space to create a small room accessed from a small set of steps.

“The simple structure in hand-extruded black meshed wood required 1400 hours of joinery work alone,” said Zupanc. “The idea was to get as close as possible to the imagery of caned furniture.”

Room of One's Own writing room by Nika Zupanc for Miss Dior

The designer integrated Miss Dior motifs such as the bow, the pale pink colour and lattice pattern into the elements of the project. Translucent pink curtains that veil the entrance are the same colour as the perfume liquid.

These match the pink metal legs of a chair, which extend up and curve around to form the shape of a bow. A scaled-down version of the wooden lattice is used for the seat.

Room of One's Own writing room by Nika Zupanc for Miss Dior

The chair and a simple writing desk furnish the space, with a version of Zupanc’s bell-shpaed Lolita lamp for Dutch brand Moooi in a cooper pink edition suspended above.

Zupanc was one of 15 designers and artists asked by curator Herve Mikaeloff to contribute to the exhibition celebrating the perfume, which will be shown in the Galerie Courbe at the Grand Palais in Paris from 13 to 15 November.

Read on for more information from the designer:


Room of One’s Own
Nika Zupanc for Miss Dior

“That heady feeling when you encounter a fragrance, blown up into a larger-than-love object. An homage to Virginia Woolf, it has just enough space for the very fabulous but utterly basic tools needed for heart searching – a table, chair and lamp. A metaphysical sanctuary with emancipatory potential” – Nika Zupanc.

Room of One's Own writing room by Nika Zupanc for Miss Dior

All women long for a room of their own where they can write happy endings to gloomy affairs or short messages full of emoticons, a very private place indeed. It seems all of this room searching ended in a splash of perfume, creating that heady feeling of being in a bubble. By blowing it up a fairytale-like pavilion materialises. An invitation to hide and seek.

Room of One's Own writing room by Nika Zupanc for Miss Dior

As an homage to Virginia Woolf, there is just enough space for the very fabulous but utterly basic tools needed for heart searching – a shiny table, chair and lamp. However, it is the staggering height taking a cue from the Venetian piano nobile that needs to be filled up with cravings and whispers. The wooden wall carved in the signature Miss Dior quilting brings transparency and a hint of a doubt. The realness of this larger-than-love object becomes questionable. Much alike that of a fragrance, the presence, depth and dimensions of which are merely in your oh so captivated head.

Room of One's Own writing room by Nika Zupanc for Miss Dior

Miss Dior Chair

There is something daring in this object of controlled prettiness. The connotations that a bow has to live up to – that of a surprise, a gift, of immaculacy – are all but forgotten here. Taking it back to its simplicity and plain knotted shape a bow is a bow is a bow. Its odd pink frivolity is counterbalanced by the reserved metal frame and its brave new function, that of a sitting tool for those heroic enough to wear their heart on their sleeve.

The post Room of One’s Own writing pavilion
by Nika Zupanc for Miss Dior
appeared first on Dezeen.

Dior Homme by Romain Gavras

Robert Pattinson est la nouvelle égérie de la maison de haute couture Dior, qui nous livre son dernier spot publicitaire tourné par Romain Gavras. L’acteur britannique y est filmé en noir et blanc au côté du mannequin Camille Rowe-Pourcheresse sur Whole Lotta Love de Led Zeppelin. Une très belle campagne à découvrir.

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Link About It: This Week’s Picks: Google’s data center, Unknown Pleasures, Steve Jobs in Hell and more in our weekly look at the web

Link About It: This Week's Picks

1. Relax Shacks Just outside Boston, self-titled “carpenter, tinkerer and micro-architecturer” Derek Diedrickson builds DIY micro shelters mostly from materials found on the side of the road. Dubbed “Relax Shacks,” these transportable refuges cost less than $100 and can house the homeless or just serve as a comfy space…

Continue Reading…


Christian Dior – Secret Garden

Retour sur le dernier film publicitaire de Christian Dior « Secret Garden ». Réalisée par Inez & Vinoodh, cette publicité met en avant les modèles Daria Strokus, Melissa Stasiuk et Xiao Wen Ju dans La Galerie des Glaces et les jardins du Château de Versailles. Une vidéo rythmée par « Enjoy The Silence » de Depeche Mode.

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Weapon of Beauty

L’atelier hollandais Ted Noten a pensé et conçu cette arme de beauté appelé “Dior 001″. Reprenant tous les accessoires concernant la mise en valeur des femmes par le maquillage, ce pistolet impressionne par son design fait à partir de nylon imprimé 3D et de l’or 18 carats.



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Dior Illustrated: Rene Gruau and the Line of Beauty by Gitta Gschwendtner

Dior Illustrated by Gitta Gschwendtner at Somerset House

This exhibition designed by Gitta Gschwendtner for London’s Somerset House displayed fashion drawings on gauze-covered boxes.

Dior Illustrated by Gitta Gschwendtner at Somerset House

Designed to showcase work by 20th century illustrator René Gruau for fashion brand Dior, the exhibition opened with a collage of posters featuring Gruau’s work, incased in a eight-metre box with a timber frame and coloured gauze covering.

Dior Illustrated by Gitta Gschwendtner at Somerset House

Similar structures were used to hang works in the exhibition itself, while smaller stacked boxes spelled out the exhibition name.

Dior Illustrated by Gitta Gschwendtner at Somerset House

Grey netting was used to cover a vaulted alcove housing a selection of Dior Haute Couture dresses.

Dior Illustrated by Gitta Gschwendtner at Somerset House

The exhibition, called Dior Illustrated: Rene Gruau and the Line of Beauty, took place 10 Nov 2010 to 9 Jan 2011.

Dior Illustrated by Gitta Gschwendtner at Somerset House

See also: Drawing fashion at the Design Museum by Carmody Groarke

Dior Illustrated by Gitta Gschwendtner at Somerset House

More about Gitta Gschwendtner on Dezeen »
More exhibitions on Dezeen »

The information that follows is from Gschwendtner:


‘Dior Illustrated: Rene Gruau and the Line of Beauty’ at Somerset House

‘Dior Illustrated’ celebrates the renowned illustrator René Gruau, who created some of the most iconic fashion images of the 20th century. This exciting exhibition showcases groundbreaking artworks including original illustrations for Christian Dior Perfumes, vintage perfume bottles, sketches and magazines, as well as a selection of Dior Haute Couture dresses.

The challenge for the exhibition design was to create a spatially stunning environment for the predominantly two-dimensional works. Furthermore, the Embankment Gallery with its vaulted ceilings and stone coloured render required a design that complements its unique architecture.

Gitta Gschwendtner’s design solution creates a stunning installation of timber frame boxes covered in coloured gauze. These light three-dimensional structures form the main exhibition build for the hanging of the prints and object display.

On entering the exhibition the visitor encounters an 8 meters long gauze box containing a collage of Dior advertisements. This exhibit introduces Rene Gruau’s prolific work prior to seeing the original illustrations that form the basis for the advertisement prints upstairs.

Further along a large-scale installation of red gauze boxes showcases the exhibition title while introducing the concept of the transparent exhibition structures to the visitor.

In the main gallery gauze boxes are staggered in the space loosely following the shape of the vaulted ceiling. The transparent gauze creates layers of colour in the space, with each section custom dyed in a different shade to compliment the work. The precious couture dresses are dramatically lit behind a screen of grey gauze, protecting them from visitors touch and giving them an ethereal quality.

Exhibition Design: Gitta Gschwendtner
Graphic Design: Studio Frith
Photography: Sorted


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Drawing Fashion at The Design
Museum by Carmody Groarke
Drawer Kitchen by
Gitta Gschwendtner
Lik+Neon by
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Dior Blow

Après une présence remarquée lors du défilé Dior Homme, voici cette série printemps-été de lunettes de soleil. Le modèle Blow monobloc en couleurs tranchantes, est disponible en édition limitée de 500 exemplaires à partir d’avril 2009.

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En vente dans les points de vente Dior.