SCALE at Noho Design District

A Cool Hunting, Architizer and Dwell collaboration celebrating the newest in architectural design
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For this year’s Noho Design District, part of New York’s Design Week, we’ve teamed up with our friends at Architizer and Dwell to present SCALE, a collection of objects and prototypes that explore the relationship of furniture and architecture.

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Architects have been known to use furniture as a prototyping method for their creations and with this as our starting point we’ve collected works from architects and designers—some at the top of their game, others just starting out—including Snarkitecture, Bec Brittain, Katie Stout, Seth Keller, Studio DROR, Kiel Mead, Thaddeus Wolfe and more. From Jason Payne’s “Disco Ball” for Hirsuta to the process-driven “Sprue” candelabras by Fort Standard, we think the final collection captures some of the most interesting intersections of architecture and design today.

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SCALE
Friday 18 – Sunday 21 May 2012
12 Noon to 7:00 p.m. daily
The Standard East Village

And don’t forget to stop by the accompanying Sonos Listening Library while you’re there.


Sonos Soundalier

We asked Lindsey Adelman to create a custom speaker for a unique audio experience during NYC Design Week

Advertorial content:

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Best known for her hand-blown glass and sculptural brass lighting fixtures, Lindsey Adelman is no stranger to exploring the limits of industrial design. Driven by this pionering spirit, Adelman’s studio, in collaboration with Kiel Mead of the AmDC, teamed up with Sonos to create the “Soundalier”, a centerpiece for the Sonos Listening Library being held at The Standard East Village at Noho Design District during NYC Design Week 2012. This gorgeously inventive speaker fixture embodies Adelman’s bold design while showcasing the supreme quality and adaptability of the wireless Play: 3 speaker from Sonos.

Inspired by Mead’s initial idea and starting from a photoshopped collage, Adelman repurposed an existing BB.05.01 lighting fixture by replacing the globes with speakers, customizing it to create a piece that demands attention. “It’s new. I love that the form has integrity but is also quirky. The way the speakers are so massive next to the skinny brass arms, you wouldn’t think the frame couldn’t hold their weight. It’s really unexpected and fun,” says Adelman.

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The raw brass frame has been given a dark bronze patina to play off the clean aesthetic of the Sonos Play: 3 speakers, making for a beautiful juxtaposition that nicely compliments the other designers showcased in the Listening Library. The Soundalier will be suspended above the custom-designed room holding a collection of design pieces by the likes of Pete Oyler, Evan Dublin and The Future Perfect to create a truly unique listening experience.

The exclusively designed Soundalier and its accompanying collection of designs curated by Kiel Mead will be shown in the Sonos Listening Library at The Standard East Village as part of the Noho Design District. Exhibit hours are Friday 18 – Monday 21 May 2012 from 12 Noon to 7:00 p.m.


Hand-Eye Supply Announces its Maker Overlords for 2012!

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Once again Core77’s Hand-Eye Supply is participating in Portland, Oregon’s Starlight Parade, this year defending its title of Best Illumination! As a part of this extravaganza we held an open call to find a group of “Portland’s Most Inspirational Makers” who will literally be paraded through the streets on our float “The Brain Storm”. After receiving 52 nominees and over 1200 votes we have our winners! Reflecting Portland, Oregon’s diverse maker culture our winners this year hail from a variety of fields.

Our official Maker Overlords who will be gracing the float:
– Film Maker and Teacher Courtney Hermann
– Designer David Stoops of Blackstar Bags
– Robot Builder Amy Wiegand of Team Pandamonium
– Tinkerer and Teacher Steve Davee

We are very honored to have this team for our float and encourage all Portland readers to turn out to cheer them on at the Starlight Parade on the evening of June 2nd. The parade offers an eclectic mix of parade floats, marching bands, and people representing local businesses and organizations. It draws more than 250,000 spectators to downtown Portland and is broadcast live on KPTV (Channel 12 on your TV dial.)

We really appreciate the enthusiasm displayed by all our nominees and their posses!

Here are some pics from our announcement party, where in addition to celebrating our Maker Overlords we invited party-goers to create designs that will be compiled and illuminated in our float – “The Brain Storm”

Party_02.jpgPhoto Courtesy of Lindsie Reitz // Suite

Party_08.jpgOverlords Steve Davee and Courtney Hermann with Kerri Beth Elliot

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Party_06.jpgPhoto Courtesy of Lindsie Reitz // Suite

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National Building Museum Gets LEGO White House

Remember those commercials featuring Zack the Legomaniac? His real-world, adult equivalents are known as LEGO Certified Professionals, a designation that only a dozen people worldwide have achieved. One of them is Adam Reed Tucker, a Chicago architect-turned-“architectural artist” that now builds exclusively with tiny plastic bricks. “Working with my hands, creating art and sculpture, the freedom to create and explore my own vision of design without computer reliance, and to share architecture with the world all made this a natural move for me,” he says. “I wanted to work on ways to inspire and motivate those familiar with architectural elements and those with no design knowledge at all.”

Tucker is to thank for the LEGO Architecture product line, launched in 2008 with kits devoted to the Sears Tower and the John Hancock Center. He’s also the tireless brickbuilder behind “LEGO Architecture: Towering Ambition,” on view through September 3 at the National Building Museum in Washington, DC. Tucker’s 15 globe-spanning LEGO landmarks (including the Empire State Building, Frank Lloyd Wright‘s Fallingwater, and the Burj Khalifa) recently got some new neighbors, as the museum welcomed LEGO versions of 15 Central Park West (downsized by its original designers, Robert A.M. Stern Architects) and a couple of hometown favorites: a Metro station (ZGF Architects) and a traditional center hall colonial home (Gulick Group). Total brick count on the three models? 77,000. This weekend, Tucker returns to the museum to put the finishing touches on his LEGO White House. Stop by between noon and 4 p.m. on Saturday or Sunday to join in the architectural fun. Can’t make it to Our Nation’s Capital? Build your own LEGO White House (considerably smaller than the museum version) with this 560-piece kit. No word as to whether the gift shop also sells a LEGObama figure to place inside.

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Rhode Island School of Design and CreativeMornings present: The Intersection of Arts + Technology

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Coming together to recognize the magic that happens when Arts and Tech intersect, CreativeMornings has partnered up with John Maeda, President of the Rhode Island School of Design (RISD) and their STEM to STEAM initiative (previously) to host a series of unified events around the world. This June, CreativeMornings chapters will be hosting events under one common theme: The Intersection of Arts + Technology.

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With chapters in over 25 cities around the world, CreativeMornings has grown substantially in the past year and is excited to present this themed month, a first of its kind, in partnership with RISD. The topic of the Intersection of Arts + Technology resonates strongly with the STEM to STEAM initiative, which aims to foster innovation through the addition of Art and Design to STEM education and research.

The STEM to STEAM initiative looks to enact policies and collaborations that recognize and protect art and design in education. With design-focused organizations such as Kickstarter, Airbnb, and Apple revolutionizing industries and sparking innovation, art and design represent an undeniable driver of progress. With budget cuts on the rise, however, arts are often the first to be cut from education, putting at risk the next generation of creative doers and makers

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“After several conversations with John Maeda, we were inspired by RISD’s STEM to STEAM initiative and we’re honored to partner with them on this new effort to recognize the vital importance of art and design in the global economy,” said Tina Roth Eisenberg, creator of CreativeMornings. “I am interested in the magic that happens when arts and technology come together, and the topic is timely and relevant for CreativeMornings’ attendees around the world.”

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Mod Squad: Inside Herman Miller’s NYC Pop-Up Shop


At the Herman Miller pop-up shop, a family of Alexander Girard figures implore visitors to peruse Todd Oldham and Kiera Coffee’s mega-monograph on the designer. At right, an Eames lounge and ottoman with pedestal tables and an asterisk clock designed by George Nelson. (Photos: UnBeige)

The International Contemporary Furniture Fair doesn’t kick off until next Saturday, but Herman Miller is getting a jump on New York design week with a pop-up shop in Soho. The 6,000-square-foot showroom, open to the public through July 1, is arranged as a series of vignettes sprinkled with whimsical objects and designer-friendly books as well as art from Portland’s PDX gallery. It’s also the first place to see the Herman Miller Collection, a mix of classic pieces (Eames chairs, Noguchi tables, George Nelson‘s enduringly endearing Marshmallow sofa) and the work of contemporary designers such as Konstantin Grcic, Jasper Morrison, and Naoto Fukasawa. The portfolio of freestanding furniture for home and office is a revival of sorts. Ben Watson, executive creative director of Herman Miller, looked to heed Nelson’s 1948 call for “the continuing creation of a permanent collection designed to meet the requirements for modern living.” And so Ward Bennett credenzas mix with Stefano Giovannoni‘s swooping Paso Doble chairs, and BassamFellows’ elegant Tuxedo sofas cozy up to Nelson’s own mod tables. Watson has lined up future Collection pieces from the likes of Leon Ransmeier and Ayse Birsel and Bibi Seck.


Wooden bears by David Weeks prowl a table of books and accessories. At right, Grcic’s new Medici chair, produced by Mattiazzi, has a mod Adirondack vibe.


A rainbow of Eames molded plastic chairs around a Nelson X-Leg table.
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UPPERCASE + Anthropologie Calgary: special event!

Click on the image to see full size.

UPPERCASE magazine is very pleased to be part of Anthropologie’s roster of quarterly magazines. (They’ve even done a nice feature about UPPERCASE and other fine publications on their website.) As a small publisher, their support is very much appreciated.
 
We’ve organized a creative event in Calgary’s Anthropologie store on Thursday, May 24: a few hours of crafting with UPPERCASE and the visual display team from the store! Space is limited, so please RSVP to secure your spot or get on the wait list (please note that the attendee list is managed by Anthropologie).
 
It’s going to be pretty and fun! I hope to see you there.

99% Conference 2012 Day 2

The conference on idea execution continues

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Based on the Thomas Edison quote that “genius is 1% inspiration and 99% perspiration”, we founded the 99% Conference with Behance four years ago to help inspire idea execution. As day two of this year’s conference is underway, we just heard a bit of entrepreneurial insight from Jonathan Adler and Warby Parker co-founder Neil Blumenthal and are now anxiously awaiting the words of design mastermind James Victore and Radiolab’s host and creator Jad Abumrad later on today. As well as the premier of more Cool Hunting Videos.

While we’ll continue to be on site at The Times Center through the end of today, those out there unable to make it can follow the inspiration as it unfolds via the CH twitter feed, the 99% Conference feed or by searching #99conf on Twitter and Instagram.


Frieze New York

Highlights from and musings on the London fair’s NYC takeover
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“I think of our fair as a discovery fair,” explains Frieze co-founder Amanda Sharp. For the first US edition of Frieze Art Fair, Sharp and partner Matthew Slotover have taken over Randall’s Island, a sprawling piece of land at the confluence of NYC’s East and Harlem rivers. What began as a London-based magazine in 1991 soon evolved into a must-see contemporary art event at Regents Park in London. Now in NYC, the massive venue is teeming with curious works from a cast of well-chosen international galleries, with new delights to be had at every booth. Nude mannequin nutcrackers, neon jokes, custom-casted busts, turntable muffs—Frieze NYC is packed with innovative art.

Criticized somewhat for taking place outside of Manhattan, Frieze is worth the free ferry ride to Randall’s Island, thanks to careful consideration of the venue as a destination. The Brooklyn-based architects at SO-IL have designed a 250,000-square foot serpentine tent that encourages visitors to linger and look, building out enough space to really stop and take in the art. When you need a break, there are equally alluring NYC restaurants to choose from, like Roberta’s, Fat Radish, Saint Ambroeus and The Standard Biergarten.

For New York, the fair has special significance; it’s a sign of a rebounding post-recession art market. In terms of timing, Frieze comes on the heels of the recently ended Armory Show, and coincides with the NADA, Verge and Pulse art fairs happening throughout the city. Sharp has lived the past 14 years in New York, and this show is in part her response to gallery owners who have been requesting a New York version of Frieze. Of the 182 galleries showing at Frieze, 46 hail from NYC.

While media attention has hyped the fair to the point that this is now being called “Frieze Week”, we went along for the art. Among the standout galleries were Alfonso Artiaco from Naples, London’s Sadie Coles HQ, Sean Kelly Gallery from NYC and Paris’ Galerie Perrotin. Text art, floor art and neon were all out in full force, and the sprawling collection offered endless examples of new works from the best artists around.

Frieze Art Fair runs through 7 May 2012 with free ferry service running to and from the island. For those who can’t make the fair, head over to Frieze Virtual New York 2012 to browse all of the galleries, artworks and artists. Find more stellar art (and captions for the above pieces) by checking out our slideshow.


Everybody Frieze: NYC’s Newest Art Fair Finds ‘Grit, Romance, and Panache’ on Randall’s Island

A couple of centuries ago, when the Revolutionary War was in full swing, the British commandeered a patch of farmland in the East River and used it to launch amphibious attacks on Manhattan. Today we know it as Randall’s Island, and a new crop of Brits have seized it for friendly, aboveground purposes: an international contemporary art fair. The first edition of Frieze New York opens Friday in Randall’s Island Park. Nearly 200 galleries will showcase works inside a light-infused temporary structure designed by New York-based Solid Objectives–Indeburg Liu (SO–IL).

“We build a very big fair and to try and find a spot for it isn’t easy,” Frieze New York co-director Amanda Sharp tells us. “It has to be a space that is accessible, that has a little bit of romance and panache about it, that feels in tune with the idea that perhaps Frieze is more of an innovation.” Determined to avoid setting up shop in a hangar on the Hudson, Sharp and co-director Matthew Slotover scouted fresh locales, including one they had never heard of: Randall’s Island. “I go out there, I get out there very easily, and I’m basically standing on the river, in this beautiful open green space, looking back at this fantastic view,” says Sharp, who also discovered “a bit of grittiness” reminiscent of ’70s New York and films such as The French Connection, which was shot on the island. “So it is unknown, but oddly enough, it’s very familiar. It has a little bit of magic about it, and that’s what we were looking for,” she adds. “If you build a fair with really good galleries, I assume that really good collectors will come because they like to see good art, but if you make it an event, perhaps you open art up to more people, and that really excites me.”

Above: A rendering of the fair’s temporary structure. (Courtesy SO–IL and Frieze New York)

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