Precious Plastic by Dave Hakkens

Dutch Design Week 2013: Design Academy Eindhoven graduate Dave Hakkens has made his own machines for recycling plastic to make new products locally and plans to share the designs so others around the world can do the same.

Precious Plastic local recycling workshop by Dave Hakkens

The Precious Plastic machines by Dave Hakkens include a plastic shredder, extruder, injection moulder and rotation moulder, which are all based on industrial machines but modified to be less complex and more flexible.

“Of all the plastic thrown away, I’ve heard that we recycle just ten percent and I wondered why we recycle so little,” Hakkens told Dezeen at the Design Academy Eindhoven graduation show opening on Saturday.

Precious Plastic local recycling workshop by Dave Hakkens

One of the issues turned out to be a lack of demand for recycled material from factories, so he visited a range of firms making plastic products to ask why they weren’t using recycled plastic. He found that difficulties with sorting plastics for recycling make the resultant material less reliable than brand new plastic.

“I went to all these companies and I realised that the machines they use to build plastic products are really expensive, very precise and efficient, and [the manufacturers] don’t want to use recycled plastic because it’s not as pure so it could damage the machinery or slow down production,” he explained.

Precious Plastic local recycling workshop by Dave Hakkens

“I wanted to make my own tools so that I could use recycled plastic locally,” Hakkens continued. First he modified a shredder and collected unwanted plastic from his friends, family and neighbours. This allowed him to grind empty bottles and containers into small plastic chips in a mixture of colours.

He then built three machines for melting the plastic and manufacturing new products with it, using a combination of new custom-made components and reclaimed parts like an old oven that he found at a scrapyard.

Precious Plastic local recycling workshop by Dave Hakkens
Extrusion samples

Having perfected the systems so they could handle inconsistencies in the recycled plastic, he designed a small range of products to make and sell.

At the academy show there’s an injection-moulded spinning top, a lamp made by extruding a ribbon of plastic and wrapping it round a mould, and a rotation-moulded waste paper bin, but Hakkens stresses that the processes could be adapted to make a wide variety of different products.

Precious Plastic local recycling workshop by Dave Hakkens
Rotation moulding samples

“In the end you have this set of machines that can start this local recycling and production centre,” he said, explaining that while mass-manufacturers are put off recycled plastic as a material because they need optimum efficiency and accuracy, a local craftsperson making batches of products could afford to work more slowly and make allowances for material inconsistencies.

Precious Plastic local recycling workshop by Dave Hakkens

In addition to setting up his own workshop in Eindhoven, Hakkens intends to publish the blueprints online so that people around the world can create their own local recycling and manufacturing centres, and adapt his designs for their own production needs.

Precious Plastic local recycling workshop by Dave Hakkens

“The idea is that you can make whatever moulds you want for it – so I made this, but I prefer that everybody can just use them and make whatever they want and start setting up their production,” he said. “People can just make [the machines] on the other side of the world, and maybe send some feedback and say ‘maybe you can do this better.'”

He also suggested that local residents who collect plastic waste and bring it to the workshop could be paid a small fee according to the weight of raw material they donate, and predicted that his system could be put to use making filament for 3D printers.

Hakkens is also showing a mobile phone made of detachable blocks at the graduation show as part of Dutch Design Week, which continues until 27 October.

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Dystopian Brutalist Outerwear by Martijn Van Strien

Dystopian Brutalist Outerwear by Martijn Van Strien

This fashion collection made of heavy-duty black tarpaulin by graduate designer Martijn Van Strien is on show at Design Academy Eindhoven as part of Dutch Design Week, which kicked off yesterday.

Dystopian Brutalist Outerwear by Martijn Van Strien

Martijn Van Strien made each garment in his Dystopian Brutalist Outerwear collection from a single piece of tarpaulin, with only straight cuts and sealed seams so they are easy to manufacture.

Dystopian Brutalist Outerwear by Martijn Van Strien

“This series of coats explores the possibilities of combining very durable but inexpensive materials with fast and effective ways of putting them together,” said Van Strien.

Dystopian Brutalist Outerwear by Martijn Van Strien

“After the economic downfall and the decline of our society life on this planet will be tough and unsure,” he continued. “For people to survive they will need a protective outer layer which guards them from the harsh conditions of every day life.”

Dystopian Brutalist Outerwear by Martijn Van Strien

The Dutch designer explained that the basic shapes were inspired by Brutalist architecture. “It has an austere feeling due to the linear, fortresslike and blockish look,” he said. “The style comes off cold, distant, sober and mysterious.”

Dystopian Brutalist Outerwear by Martijn Van Strien

Martijn Van Strien was awarded the Keep and Eye Grant for his project at the opening of the show yesterday morning.

Dystopian Brutalist Outerwear by Martijn Van Strien

Images are by Imke Ligthart.

Here’s some more information from the Design Academy Eindhoven:


The future may be bright, but it might also be very dark, says Martijn van Strien. He considered the worst-case scenario and came up with the ultimate back-to-basics collection for harsh conditions.

Dystopian Brutalist Outerwear by Martijn Van Strien

Made with minimum cost and effort from a single piece of heavy-duty black tarpaulin, with only straight cuts and sealed seams. The styles are inspired by Brutalist architecture, giving this outerwear a linear, invincible look.

Dystopian Brutalist Outerwear by Martijn Van Strien

The design says it all: brace yourself and be safe.

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Phonebloks mobile phone concept by Dave Hakkens

Design Academy Eindhoven graduate Dave Hakkens’ concept for a mobile phone made of detachable blocks has gone viral, attracting over 16 million views on YouTube and garnering almost a million supporters online (+ movie + interview).

Phonebloks by Dave Hakkens

“I put the video online and in the first 24 hours I had like one million views on YouTube,” Hakkens told Dezeen. “I got a lot of responses to it.”

Phonebloks by Dave Hakkens

Dutch designer Hakkens, who graduated from Design Academy Eindhoven this summer, presented his Phonebloks concept at the academy’s graduation show in Eindhoven today at the start of Dutch Design Week.

Phonebloks by Dave Hakkens

Phonebloks is a concept for a phone made of swappable components that fit together like Lego, with each component containing a different function. This means that components can be replaced or upgraded without having to throw away the phone.

Phonebloks by Dave Hakkens

“Usually a phone is integrated into one solid block and if one part gets broken you have to throw away the entire phone,” said Hakkens. “But this has different components, so if  your battery is broken you can replace the the battery or if you need a better camera you only upgrade the camera component. So you don’t throw away the entire phone; you keep the good stuff.”

Last month Hakkens uploaded a video explaining the concept to YouTube, where it went viral and has now been watched over 16 million times.

He then put the idea on “crowdspeaking” site Thunderclap, where instead of donating money, supporters donate their social reach. He now has over 900,000 supporters on the site, and when the campaign closes on 29 October a message about Phonebloks will automatically be sent to each supporters’ social media contacts, giving Hakkens a total audience of over 360 million people.

Hakkens said: “That’s the whole point of this idea; to generate lots of buzz so companies see there’s a huge market and realise they really need to make a phone like this.”

The Phonebloks concept features electronic blocks that snap onto a base board, which links all the components. Two small screws lock everything together. Users can choose components from their favourite brands or make their own modules.

“You can customise your phone, replacing the storage block with a larger battery if you store everything in the cloud, or replace advanced components you don’t need with basic blocks like a bigger speaker,” says the video explaining the concept.

Hakkens hopes Phonebloks will lead to fewer phones being thrown away, thereby reducing waste. “Electronic devices are not designed to last,” the video says. “This makes electronic waste one of the fastest-growing waste streams in the world and our phone is one of the biggest causes.”

Here’s the interview conducted at Design Academy Eindhoven today:


Marcus Fairs: What is Phonebloks?

Dave Hakkens: Phonebloks is a phone made to upgrade and repair; it’s a phone worth keeping. Usually we throw it away after a couple of years. But this one is made to last.

Marcus Fairs: How is it made to last?

Dave Hakkens: Usually a phone is integrated into one solid block, and if one part gets broken you have to throw away the entire phone. But this has different components, so if for instance only your battery is broken you can replace the the battery, or if it’s slow after a couple of years you can change just the speed component. If you need a better camera you only upgrade the camera component. So in this way you don’t throw away the entire phone; you keep the good stuff.

Marcus Fairs: Tell us how it went viral.

Dave Hakkens: The idea with this whole project is I’m just one guy at the Design Academy; I can’t make this phone by myself. I can go to a lot of companies and pitch, ask them if they’d like to make my phone, but I thought I’d do it the other way around; so I gathered a lot of people who told companies they really wanted this phone. So I put this video online and in the first 24 hours I had like one million views on YouTube. I also gathered supporters so currently I have 900,000 supporters, and they all just wanted this phone. So now I have all this attention and I get a lot of nice emails from companies who want to work on this.

Marcus Fairs: How did you spread the message?

Dave Hakkens: You have this site called Thunderclap. On Thunderclap instead of crowdfunding you crowdspeak people; people don’t donate money but instead they donate their friends and family. You say you’re interested in a project and want to support it, so you donate your friends – their Facebook followers and Twitter followers – and on the 29 October automatically a message is sent out by those people saying “We want phone blocks”. That spreads to all their friends and families. So currently I have like 900,000 supporters but on 29 October we will reach 300 million people. So that’s the whole point of this idea; to generate lots of buzz so companies see there’s a huge market and realise they really need to make a phone like this.

Marcus Fairs: What is the next step?

Dave Hakkens: My idea succeeded from day one; I got a lot of responses to it. I’ve got a lot of people interested in developing it: engineers, technicians and companies. So right now I’m thinking what would be a logical next step. Crowdsource it on the internet? Work together with a company? That’s what I’m thinking about now; how to realise the phone the best way.

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New Design Academy Eindhoven creative director announced

Thomas Widdershoven

News: graphic designer Thomas Widdershoven of Amsterdam studio Thonik has been appointed creative director of Design Academy Eindhoven after a turbulent period for the Dutch institution.

Widdershoven, who founded Thonik with Nikki Gonnissen in 1993, has also been named chair of the executive board at the academy. He said he was looking forward to building Design Academy Eindhoven’s reputation as the “strongest” of the Dutch design schools.

“After a good start [to] the academy and a period of prosperity, it is now important to further develop the national and international stature of the Design Academy and connect to current developments in the design world, and broader society as a whole,” he said.

The academy advertised for a creative director in December following a period of turmoil that saw the resignation of the heads of the three masters courses, their subsequent return to the school and the departure of school’s chair Annemieke Eggenkamp.

The school has been without a creative director since September 2009 when fashion designer Alexander van Slobbe quit just nine months after being appointed as successor to trend forecaster Li Edelkoort, who stepped into the row last summer to publish a letter criticising Eggenkamp’s leadership.

Last July the three heads of the masters courses resigned in unison, claiming management decisions at the school were “compromising the quality of education”. The three later returned after extracting concessions from the school but continued to press for the appointment of a creative director.

Widdershoven graduated from the Gerrit Rietveld Academy in Amsterdam and taught graphic design at the Hogeschool van de Kunst Arnhem until 2000. Since then he has taught at his former university, at HEAD in Geneva and at Fu Dan University in Shanghai.

See all news about Design Academy Eindhoven.

Here’s more information from the academy:


Thomas Widdershoven has been appointed creative director of the Design Academy Eindhoven. In this position he develops the artistic and educational policy of the academy and works together with the yet to be appointed director of education. With its international team of tutors the Design Academy Eindhoven offers a high-quality four-year Bachelor and a two-year Master in Design. The academy became widely known under the direction of Lidewij Edelkoort.

“The Design Academy has the strongest position of all academies in The Netherlands. There is strength and courage in the single focus on design. After a good start of the academy and a period of prosperity, it is now important to further develop the national and international stature of the Design Academy and connect to current developments in the design world, and broader, society as a whole. In the position of creative director, I want to contribute to this development”, said Thomas Widdershoven.

Thomas Widdershoven combines the role of creative director at the Design Academy with his work for Thonik, the design studio of which he is director. The field, network and international perspective of both overlap and complement each other. “I want to be a creative director who is firmly rooted in the design practice.”

Thonik is the design studio that Thomas Widdershoven founded with Nikki Gonnissen in 1993. With fifteen employees the design studio collaborates with clients and creatives in design, e-culture, architecture, art, film and advertising. Recent clients include Museum Boijmans Van Beuningen in Rotterdam, the Venice Architecture Biennale and the Dutch broadcasting company VPRO. Thonik is widely known for two projects in the public domain: the visual identity and electoral campaigns of the Dutch Socialist Party (SP) and the visual identity of the municipality of Amsterdam. The work of Thonik gets much recognition. Thonik has had solo exhibitions at the Shanghai Art Museum, the Venice Architecture Biennale 2008, MOTI Breda, Spiral Art Center Tokyo, Sfera Kyoto, Institute Néerlandais Paris and Galerie Anatome Paris. The design studio has monographs published in English, Chinese and Japanese. Thonik has won many awards, including the Rotterdam Design Prize and the Gouden Loeki, an award for the best Dutch television commercial.

Education is a passion of Thomas Widdershoven. Almost immediately after graduating as a designer at the Gerrit Rietveld Academy in Amsterdam, he became a teacher of graphic design at the Hogeschool van de Kunst Arnhem (1995-2000). He later left that position for a lectureship at the Rietveld Academy where he taught at the designLAB (3d design, 2001-2005). Thomas gives workshops and lectures in The Netherlands and abroad, recently at the HEAD in Geneva and the Fu Dan University in Shanghai.

Thomas Widdershoven: “Many people are pessimistic because they have no clear image of the future. I do not share this pessimism. Therefore, I commit myself to education. The future should be shaped – by the designers of the future.”

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Design Academy Eindhoven advertises for creative director

Design Academy Eindhoven advertises for creative director

News: Design Academy Eindhoven is looking for a creative director following a period of turmoil that has seen the resignation of the heads of the three masters courses, their subsequent return to the school and the departure of school’s chair.

The school has been without a creative head since September 2009, when fashion designer Alexander van Slobbe quit just nine months after being appointed as successor to trend forecaster Li Edelkoort.

Edelkoort, who was chair of the school but also set its creative direction, stepped down in 2008 after ten years at the school. Edelkoort stepped into the row about the school’s direction this summer, publishing a letter criticising the leadership of Annemieke Eggenkamp, who succeeded Edelkoort as chair.

“I have had to watch how the school and the system have been dismantled, all things that made the Design Academy the design academy were closed or changed one by one, mercilessly and ruthlessly,” Edelkoort wrote.

This July the three heads of the masters courses resigned in unison, claiming management decisions at the school were “compromising the quality of education”. At the time Jan Boelen, head of the social design masters course, said: “the Design Academy [is] in great need of an artistic director”.

The three later returned after extracting concessions from the school but continued to press for the appointment of a creative director.

In August, chair Annemieke Eggenkamp announced she would be standing down.

The academy today posted a recruitment advert for a creative director who would be “accountable for the vision, strategy and artistical direction of the Design Academy Eindhoven”.

See the job ad on Dezeen Jobs | See all our stories about Design Academy Eindhoven

Image is from Radio Nederland Wereldomroep.

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Fading Desk by Thijmen van der Steen

Fading Desk by Thijmen van der Steen

Work at home with fewer distractions behind the misty screen of this desk by Design Academy Eindhoven graduate Thijmen van der Steen.

Fading Desk by Thijmen van der Steen

“More and more people work within their living space nowadays,” Thijmen van der Steen told Dezeen. “The desk I designed offers the possibility to do this in a more pleasant and focused way.”

Fading Desk by Thijmen van der Steen

The screen folds out to create a defined workspace for the user that minimises distractions.

Fading Desk by Thijmen van der Steen

The semi-transparent voile screen is printed with a graduated blue that fades to white towards the top.

Fading Desk by Thijmen van der Steen

When work is done, the screen folds around the desktop to hide the computer, files or other objects. The desk can then be used as a source of soft light by placing a lamp inside.

Fading Desk by Thijmen van der Steen

We reported from Dutch Design Week in Eindhoven earlier this year where we picked our top ten graduate projects from Design Academy Eindhoven, including a toy pig farm based on industrial farming methods and a collection of modular clothes to show off different parts of the body.

Fading Desk by Thijmen van der Steen

Other workspaces we’ve featured on Dezeen include a desk with a fabric cover inspired by aeroplane cabins and a boxy desk that looks more like a doll’s house.

Fading Desk by Thijmen van der Steen

See all our stories about Design Academy Eindhoven »
See all our stories about desks »
See all our stories about furniture »

Here’s some more information from Design Academy Eindhoven:


Fading Desk

The computer has established itself as part of the living room without being a conscious part of it. The division between living and working is fading. Fading desk plays with this phenomenon and gives the computer a place of its own that is very worthwhile. Not a boring workspace hiding in an unobtrusive corner, but an elegant piece of furniture that engages with the interior.

The semi-transparent cover does not close off the workspace from its surroundings, but aids concentration. Vice versa, you can see the computer, but details disappear behind the misty print. When work is done, the screen is closed. Put a lamp in it and it becomes a special light object in your home.

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Dezeen’s top ten projects at Design Academy Eindhoven graduation show

Slideshow feature: Dezeen editor Rose Etherington selects her top ten projects from the Design Academy Eindhoven graduate show at Dutch Design Week, including a system for decontaminating polluted land using plants and a method for turning debris from demolished buildings into new construction materials. We’ll be running more detailed stories about individual projects in the show over the coming days.

The Academy was in the news earlier this summer when all three heads of the Masters courses resigned over a dispute about educational reform, then returned to their posts after claiming victory a few days later.

The show continues at deWitteDame, Design Academy Eindhoven, Emmasingel 14, 5611 AZ Eindhoven as part of Dutch Design Week, which runs until 28 October.

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Engineering Temporality by Tuomas Markunpoika Tolvanen

Design Academy Eindhoven graduate Tuomas Markunpoika Tolvanen has covered pieces of furniture in a fine web of steel rings before destroying them with fire to make functioning objects that resemble fuzzy fading memories of the originals (+movie).

Engineering Temporality by Tuomas Markunpoika Tolvanen

Calling his project Engineering Temporality, Markunpoika Tolvanen was inspired by his grandmother’s disintegrating memories as she struggled with Alzheimer’s disease.

Engineering Temporality by Tuomas Markunpoika Tolvanen

He completed the project while studying on the MA Contextual Design course under Louise Schouwenberg, one of three Masters tutors who recently resigned over a dispute with the school then rejoined after claiming victory.

Engineering Temporality by Tuomas Markunpoika Tolvanen

See all our stories about Design Academy Eindhoven »

Engineering Temporality by Tuomas Markunpoika Tolvanen

Here’s some more information from the designer:


Engineering Temporality
Tribute to human fragility and material culture

The topic for my thesis spawned out from a personal agony within my family: my grandmothers declining health. Once a strong and bold woman, now only a fainting image of her past. Her Alzheimer’s disease is unravelling the fabric of her life, knot by knot, and vaporising the very core of her personality and life, her memories, and turning her into a shell of a human being.

Engineering Temporality by Tuomas Markunpoika Tolvanen

I felt the urge to connect design to the human emotional sphere and to values that reflect how we are as human beings, by trying to create a bridge between the metaphysical and the material world using design as medium of expression.

Engineering Temporality by Tuomas Markunpoika Tolvanen

Material Culture

The use of language in Western contemporary culture implies that memories are often conceived as possessions: we ‘keep’ memories alive or ‘preserve’ them, as if our memories were materialised objects. These objects become mementos and our personal possessions which we are responsible for. When objects impregnated with memories are created, they become precious and irreplaceable because of the transference of memories into that object.

Engineering Temporality by Tuomas Markunpoika Tolvanen

Fragility

We have a tendency to facilitate the notion of fragility into objects that have special meaning to us, which enhances our ability to care for them; this can be expressed psychologically, metaphysically or through material fragility. Nevertheless, fragility tends to transform objects more valuable, more precious and beautiful by their virtue of expressing the transience of life and our temporal nature.

Engineering Temporality by Tuomas Markunpoika Tolvanen

Temporality, Care and Dasein

According to philosopher Martin Heidegger temporality is what defines us as human beings. Dasein (meaning ‘Being-there’) is a temporal mode of being. Dasein unifies the past, the present and the future and Heidegger refers to them as the ecstasies of temporality. Our existence as a being (as Dasein) reveals itself as authentic care. My interpretation of Heidegger’s philosophy is that through care we define more profoundly who we are as human beings.

Engineering Temporality by Tuomas Markunpoika Tolvanen

Beauty

In the same way as human life is fragile, transient, and flawed, design should reflect these same values thus bringing more care into our surroundings, revealing Dasein. The notion of beauty migrates into objects when we consider them symbolically comparable to us.

Engineering Temporality by Tuomas Markunpoika Tolvanen

Design

To enhance the active engagement in the caring process towards objects, I created objects that are enmeshed in the notion of fragility through physical and psychological virtues that reflect temporality.

Engineering Temporality by Tuomas Markunpoika Tolvanen

The selection of the material for my final objects was done according to what I regard as being an common structural material in furniture industry; tubular steel. I manipulated the tubular steel by cutting it into small rings. Connecting the rings back together to form a semi covering layer over an existing object was a method of capturing the physical space the object occupied.

Engineering Temporality by Tuomas Markunpoika Tolvanen

The vanishing of the original objects is done with fire; a primordial force used as a method for recreating the original object. The object goes through a horrific physical transformation and a metaphysical bond between the object and memories is forged into existence.

Engineering Temporality by Tuomas Markunpoika Tolvanen

My pursuit was to give an object a memory, create tension and stage a play between the perfect, anonymous mass produced structural material and the imperfect of human being. The shell that is left caresses the vanished object, the memory of it, referring to the past.

Engineering Temporality by Tuomas Markunpoika Tolvanen

The intentions of my thesis are to translate human fragility into a design object and introduce humanistic, more profound values into the field of design where functionality, aesthetics and mass produced perfectness are the paramount. This has been my aspiration — make design a metaphysical experience that overlooks functionality. This is not to say that functionality in objects, or in design, should be disregarded. For me it’s about elevating the tedious functionality of everyday objects.

Engineering Temporality by Tuomas Markunpoika Tolvanen

“Temporality reveals itself as the meaning of authentic care. The primordial unity of the structure of care lies in temporality.” – Martin Heidegger

Engineering Temporality by Tuomas Markunpoika Tolvanen

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Markunpoika Tolvanen
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Design Academy Eindhoven “gives in to demands” of departed masters heads

Design Academy Eindhoven by Radio Nederland Wereldomroep

Dezeen Wire: three senior Design Academy Eindhoven teachers have agreed to return to their posts after claiming victory in their dispute with the school.

Jan Boelen, Joost Grootens and Louise Schouwenberg, the heads of Social Design, Information Design and Contextual Design respectively, resigned two weeks ago but will now return to the school in the new academic year.

“What we did not imagine when we resigned has finally happened under the pressure of students, teachers, colleagues, experts from the design field, the media, and former directors: the school has given in to all our demands for autonomy and freedom,” Schouwenberg told Dezeen.

She added: “Naturally we still have demands, such as seeking an artistic director focused on content.”

The three heads resigned following a row over the autonomy of the masters courses.

Related: Read the resignation letter from Design Academy Eindhoven masters heads | See all our stories about Design Academy Eindhoven

The teachers and the Design Academy Eindhoven released the following statement:


Design Academy Eindhoven puts interest of students first and reaches agreement with departed heads of the Master Programmes

On 5 July 2012, the three heads of the DAE Master Programmes, Jan Boelen (Social Design), Joost Grootens (Information Design) and Louise Schouwenberg (Contextual Design) resigned from their positions at Design Academy Eindhoven, out of discontent with the educational reform plans under development. Educational and organisational aspects were expected to prevail over the artistic autonomy and the content for which department heads and mentors are responsible. Moreover, according to the three heads, the plans would not be in accordance with the special character unique to a Master Programme of Design.

As the students, the tutors and the Board of the DAE all want to retain the three heads for their educational institute, they have been actively seeking a solution to break this impasse since their resignation. On Thursday 19 July an agreement was reached concerning the key points of contention.

Starting in the new academic year, Boelen, Grootens and Schouwenberg will return as Heads of Master Programmes under the conditions that were applicable to the Master Programmes within DAE to date. In the course of the year they will hold regular meetings about the future of the Master Programmes with Igor van Hooff, member of the Executive Board, and Dr T. Wagemakers, currently member of the Board of Trustees of DAE, who will join the Executive Board as interim director and be in charge of the Educational Reform portfolio. With the interest of its students always foremost, Design Academy Eindhoven will continue to develop its unique educational model.

All parties involved look forward to a positive extension of their collaboration, operating in full confidence that DAE will continue to be the artistic haven it always has been.

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Gijs Bakker leaves Design Academy Eindhoven

Gijs Bakker

Dezeen Wire: Gijs Bakker, head of the masters school at Design Academy Eindhoven, is leaving the schol after 25 years, the school has announced. His departure this week coincided with graduation week for masters students and was followed by the resignation of the  heads of all three masters courses.

“For 25 years Gijs Bakker has been commited to our academy,” the school wrote in a statement. “First as Head of Living (bachelors), followed by a position as Head of a master research programma to finally become Head of the Master Department. We are very proud of the work he has done at our academy and wish him all the best!

The day after the school announced the departure of Bakker, it confirmed that Jan Boelen, Joost Grootens and Louise Schouwenberg, who respectively headed the Social Design, Information Design and Contextual Design masters courses, had stepped down, apparently following a row over the direction of the school. More info in our previous story.

Bakker, who was born in 1942, co-founded influential Dutch design brand Droog Design in 1993 with Renny Ramakers. He resigned in 1999 in a dispute over the company’s direction.

Related: Li Edelkoort to resign as chair of Design Academy Eindhoven (June 2008) | See all our stories about Design Academy Eindhoven |

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