Finnish Line: Designers Discuss Spirit of Marimekko

The Smithsonian’s Cooper-Hewitt, National Design Museum recently kicked off “Design by Hand,” a new series focused on the craftsmanship, innovations, and merits of contemporary global designers, with an evening that spotlighted Marimekko. We sent writer Nancy Lazarus to get an inside look at the Finnish design house, renowned for its original prints and colors.

weather diary
Marimekko’s Jussarö cotton fabric, designed by Aino-Maija Metsola, is part of the Helsinki-based company’s new Weather Diary collection. Below, Sami Ruotsalainen’s teapot uses the Räsymatto pattern designed by Maija Louekari.

teapotWhile the name Marimekko is based on “Mari” a girl’s name, and “mekko,” the Finnish word for dress, to its legions of worldwide fans it stands for fond memories and cheery graphic prints. The Cooper-Hewitt, National Design Museum recently hosted an event featuring three Marimekko designers: fashion and textile designer Mika Piirainen, ceramics and product designer Sami Ruotsalainen, and print designer Aino-Maija Metsola. While each designer offered a unique insider’s perspective, selected themes surfaced that shed light on the brand’s impressive longevity:

Potpourri of patterns: “While Marimekko is known for bold designs, it’s not all about massive prints, it’s also about contrasts,” Piirainen said. “We’re crazy about dots, and circles are the friendliest shapes in the world. We’re crazy about stripes, too,” he added. Flowers and their textures are also popular motifs, even black and white solids. Recently these designers have also turned their focus to smaller prints.

Individual inspirations and influences: “It’s important that inspirations for products are close to you so people know there are emotions behind them,” Metsola said. Finland’s islands in the archipelago, seasonal weather patterns, and vegetation form the basis of much of her work, such as her “Weather Diary” aquarelles or “Midsummer Magic” collections. Piirainen is also influenced by nature, and takes photos during his travels to Lapland and Australia. For Ruotsalainen, food and items of everyday life impact his designs.
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Cooper-Hewitt Celebrates National Design Awards: Highlights from Winners’ Panel

It’s National Design Week, and tonight the Smithsonian’s Cooper-Hewitt, National Design Museum will celebrate the winners of the 2013 National Design Awards with a ceremony and dinner at Pier Sixty in New York. Special guests including Tom Wolfe, Al Gore, and Kurt Andersen will be on hand to present the winners with their coveted glass asterisks, while the delightful Todd Oldham will announce the winner of this year’s People’s Design Award. We sent writer Nancy Lazarus to the National Design Awards Winners’ Panel, held at Parsons The New School for Design.

(Angela Jimenez)
Richard Saul Wurman (center) moderates a discussion among NDA winners. Pictured from left, Tiya Gordon, Paula Scher, Gadi Amit, and Mike Femia. (Photos: Angela Jimenez)

Four of this year’s National Design Award winners appeared at a Tuesday evening panel moderated by Richard Saul Wurman, TED founder and 2012 lifetime achievement award winner. Topics encompassed winners’ early career experiences, current projects, and the award’s impact. Below are selected comments from each winning designer or firm.

Paula Scher, principal at Pentagram (communications design):
• “It’s a big deal that the U.S. government honors design, and it’s important to society. If the accolade is a seal of approval, that’s fantastic, but the next day, business is still business.”
• “At Pentagram we’re independent minded designers, there are no strategists. We establish direct client relationships using analogies and entertainment.”
• “With my hobby, large-scale paintings of maps, I use information to create the spirit of a place. It’s the antidote to my design life where I create corporate communications identities.”
• “During my earlier experience creating graphic design for music covers/albums, I learned about the relationship with the public. My work at Pentagram is still largely connected to entertainment, and much of the identity work is focused on making design accessible.”
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Smithsonian’s Cooper-Hewitt, National Design Museum names new director

dezeen_Caroline-Baumann

News: the Smithsonian’s Cooper-Hewitt, National Design Museum in New York has named Caroline Baumann as its new director.

Baumann will take up the role on 16 June, and will be responsible for overseeing the museum’s strategic direction and managing the renovation of the museum and the reinstallation of its galleries, which are due to reopen in autumn 2014.

“We’re rolling out an extraordinary plan for a vibrant future and establishing Cooper-Hewitt as the Smithsonian’s design lens on the world,” says Baumann. “The new Cooper-Hewitt visitor experience –physical and digital – will be a global first, a transformative force for all in 2014 and beyond, impacting the way people think about and understand design.”

She succeeds industrial designer Bill Moggridge, who was the museum’s director for two years until his death in September 2012. Baumann has been acting director of the museum since then.

She also previously served as associate director, acting director and deputy director at the museum, and worked at the Museum of Modern Art in New York from 1995 to 2001.

Previous exhibitions at the museum include a presentation of products using sustainable materials by designers including Yves Béhar and Stephen Burks.

Dezeen was in New York last month for Design Week NYC as part of our MINI World Tour. In two videos filmed with designer Stephen Burks, he told us that New Yorkers are becoming more interested in quality of life and took us on a stroll along the High Line elevated park.

See all of our stories about New York »

Portrait is by © Erin Baiano

Here’s some more information from the museum:


Caroline Baumann Named Director of the Smithsonian’s Cooper-Hewitt, National Design Museum

Caroline Baumann has been named director of Cooper-Hewitt, National Design Museum in New York, effective June 16. Since joining Cooper-Hewitt in 2001, she has held many leadership positions at the museum, most recently as acting director.

Baumann will oversee the only museum in the United States devoted exclusively to historic and contemporary design. In this role, she will strengthen Cooper-Hewitt’s reputation to educate, inspire and empower people through design and oversee the renovation of the museum and the reinstallation of its galleries, which are set to reopen in fall 2014.

“Caroline is passionate about design and reaching people—physically and digitally—with its lessons and insights,” said Smithsonian Secretary Wayne Clough. “She has been key in the museum’s growing success over the years and has been especially adept at forming substantive partnerships in New York, in Washington, across the nation and, indeed, around the world.”

“I am honored to serve as the fifth director of Cooper-Hewitt at this seminal time in the museum’s history,” said Baumann. “We’re rolling out an extraordinary plan for a vibrant future and establishing Cooper-Hewitt as the Smithsonian’s design lens on the world. The new Cooper-Hewitt visitor experience—physical and digital—will be a global first, a transformative force for all in 2014 and beyond, impacting the way people think about and understand design.”

Baumann has been acting director of the museum since September 2012. She also served as associate director, acting director and deputy director between 2006 and 2009. From 1995 to 2001, Baumann worked at the Museum of Modern Art, where she raised funds for the museum’s Yoshio Taniguchi building project among other accomplishments. Before that, she was the director of development at the Calhoun School in Manhattan and art book editor at George Braziller Publishers. She received a master’s degree in medieval art from the Institute of Fine Arts at New York University and a bachelor’s degree in the history of art and French literature from Bates College in Lewiston, Maine.

Baumann is a member of the Citizens’ Stamp Advisory Committee for the U.S. Postal Service and the NYC Landmarks50 Advisory Committee and a director of the Royal College of Art U.S. Alumni Group Advisory Board. She is a member of the Collective, which staged the Collective.1 Design Fair in May in New York. Baumann is also a member of the NYCxDesign steering committee for New York City’s citywide event showcasing design.

During her tenure, Baumann has worked on a wide range of issues, including developing and implementing the museum’s strategic plan, leading the most ambitious fundraising campaign in the museum’s history and managing the museum’s educational, curatorial and digital efforts. Baumann is the liaison to the 32-member board of trustees. She played a critical role in the museum’s master planning process from 2004 to 2006 and participated in the selection of design architect Gluckman Mayner Architects and executive architect Beyer Blinder Belle.

Cooper-Hewitt’s main facility, housed in the Carnegie Mansion at East 91st Street and Fifth Avenue, is undergoing an expansion as part of a $64 million capital campaign that was launched in 2006, and includes a $54 million expansion and $10 million endowment. The expansion includes enlarged and enhanced facilities for exhibitions, collections display, education programming and the National Design Library, and an increased endowment. Baumann spearheaded this $54 million capital campaign.

Phase one of the expansion involved renovating the museum’s East 90th Street townhouses in order to free administrative space within the Carnegie Mansion and to create 60 percent more exhibition gallery space. The renovation of the townhouses was completed in September 2011. The second phase of the renovation, which involves mansion restoration and the creation of a new 7,000-square-foot gallery, is 100 percent funded and construction is nearly 60 percent complete.

During the mansion renovation, Cooper-Hewitt’s usual schedule of exhibitions, education programs and events are being staged at various off-site locations, including the Cooper-Hewitt Design Center in Harlem, which Baumann secured. The museum’s “Design in the Classroom” program, which teaches 21st-century skills by using design as a tool across the curriculum, has served 36,000 New York City K–12 public school children during the past two years.

Baumann has also overseen the expansion of the Cooper-Hewitt’s digital frontier with the launch of Object of the Day, a section of the website that features a new collection work daily and draws from more than 217,000 objects spanning 30 centuries.

Baumann succeeds Bill Moggridge, who was Cooper-Hewitt’s director for two years until his death in September 2012.

Secretary Clough named Baumann on the recommendation of a search committee chaired by Richard Kurin, the Smithsonian’s Under Secretary for History, Art, and Culture, with Kurt Andersen, Barbara Mandel and Judy Francis Zankel, all members of the museum’s board of trustees. The committee also included Emily Rafferty, president of the Metropolitan Museum of Art; Michael Caruso, editor-in-chief of Smithsonian magazine; and Seb Chan, director of digital and emerging media at Cooper-Hewitt.

About Cooper-Hewitt, National Design Museum
The museum has more than 70 full-time staff members, including curators, conservators and design education specialists, and the fiscal year 2013 operating budget is $16 million. The museum is 70 percent funded by earned and contributed income, the remainder coming from federal appropriations. Cooper-Hewitt presents compelling perspectives on the impact of design through educational programs, exhibitions and publications. International in scope and possessing one of the most diverse and comprehensive collections of design works in existence, the museum’s rich holdings range from Egypt’s Late Period/New Kingdom (1100 B.C.) to the present day and total more than 217,000 objects.

The museum was founded in 1897 by Amy, Eleanor and Sarah Hewitt—granddaughters of industrialist Peter Cooper—as part of The Cooper Union for the Advancement of Science and Art. A branch of the Smithsonian since 1967, Cooper-Hewitt, National Design Museum is housed in the Andrew Carnegie Mansion on Fifth Avenue in New York City.

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Caroline Baumann Named Director of Cooper-Hewitt Museum

This just in: Caroline Baumann, who has served as acting director of the Smithsonian’s Cooper-Hewitt, National Design Museum, since the death of Bill Moggridge last September, can dispense with the “acting.” She has been named director, effective June 16. Baumann joined the Cooper-Hewitt from the Museum of Modern Art in 2001, and served as associate director, acting director, and deputy director before stepping in for Moggridge.

“Caroline is passionate about design and reaching people—physically and digitally—with its lessons and insights,” said Smithsonian Secretary Wayne Clough in a statement issued today. “She has been key in the museum’s growing success over the years and has been especially adept at forming substantive partnerships in New York, in Washington, across the nation and, indeed, around the world.”

The appointment comes amidst the countdown to the Cooper-Hewitt’s 2014 reopening following a $54 million renovation and expansion. Said Baumann, “We’re rolling out an extraordinary plan for a vibrant future and establishing Cooper-Hewitt as the Smithsonian’s design lens on the world.”

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Link About It: This Week’s Picks: Dieter Rams’ 620 chair comeback, Maharishi’s Striking Suit, DNA portraits and more in our weekly look at the web

Link About It: This Week's Picks


1. Vitsoe Lucky Vitsoe Known for distributing the universal shelving system designed by legendary designer Dieter Rams, Vitsoe has recently been granted the exclusive worldwide license to Rams modular 620 Chair. To celebrate the ingenious design’s…

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Fashioning Felt


Photo via Cooper-Hewitt

The Cooper-Hewitt’s Fashioning Felt exhibition explores how versatile one of the earliest techniques of textile making actually is, as well as how it’s being used in contemporary design.

This past week we had the luxury of speaking with artist/educator Rachel Miller, who will be teaching “The Fabric of Fashion,” a workshop at the Cooper Hewitt this spring.

Miller says… “This exhibition displayed some of the most diverse and innovative works in the felt medium. Being that felting is one of the most ancient fiber techniques, this exhibition shows incredible versatility: from fashion, to installation, industry, product design, and interior design. As a fiber artist myself, I find great inspiration in seeing how this historical medium has such strong contemporary presence in both the arts and design world, and it is an exhibition that is definitely worth seeing.”


Fashioning Felt will be on display at the Cooper Hewitt until September 7th. To find out more you know what to do.

Designing with sustainable materials

This spring the Cooper Hewitt museum in New York will host an exhibition called “Design for the Living World” that will showcase innovative designs commissioned by the Nature Conservancy.

Ten designers were each given a local sustainable material to create new products with. Seven of them got the opportunity to travel to the material’s place of origin. The image above is of NYC based designer Steve Burks.

For a sneak peak on what to expect go to I.D. magazine.

“We wanted to bring out a whole gamut of responses to the idea of engagement with materials and communities,” Miller explains. “We didn’t want to insist upon full-on product designs with guaranteed markets of some kind.” Lupton adds