Moët & Chandon’s Le &: The historic champagne house creates a unique sensory dinner experience with renowned chef Yannick Alléno

Moët & Chandon's Le &


In a luxurious marriage of champagne and gastronomy, Moët & Chandon has teamed up with France’s three-Michelin-starred chef Yannick Alléno for Le &, a “culinary journey” at Moët &…

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Two in Wine

Ever wonder why there are different glasses for different wines? The idea is that each wine deserves its own type of glass to enhance its unique flavor, aroma and color. It’s an often overlooked part of the experience that every vino-enthusiast has come to appreciate. Inspired by this concept, the Doublet incorporates not one, but two of the more common types into one beautiful, seamless, stemless piece. Even if you’re not a wine snob, you can clear out some cabinet space with this artistic two-in-one alternative!

Designer: Stefan Burlacu


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(Two in Wine was originally posted on Yanko Design)

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Link About It: This Week’s Picks : Banksy’s water tank, Alessi in love, coffee on demand and more in our weekly look at the web

Link About It: This Week's Picks


1. The Science of Champagne That effervescence that defines the most celebratory drink in alcohol’s repertoire happens to be one giant happy accident. As physicist Gerard Liger-Belair explains in his new book, “Uncorked: The Science of…

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Moët & Chandon’s 2004 Grand Vintage Rosé: A private tasting of the prolific French domaine’s newest vintage with oenologist Elise Losfelt

Moët & Chandon's 2004 Grand Vintage Rosé


With summer underway, kicking back with a chilled glass of rosé is a great way to beat the heat. As much as we enjoy imbibing sparkling wines of the Champagne region, we’re equally interested in the scientific and gastronomic process behind their…

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Interview: Richard Geoffroy: Dom Pérignon’s Chef de Cave on the vintner’s exquisite 2002 Rosé

Interview: Richard Geoffroy

One of my favorite people to sit down and have a glass of champagne with is Dom Pérignon’s head wine maker, the doctor turned Chef de Cave Richard Geoffroy. He’s a magician, a poet and a man deeply passionate about the quirks of the land and the grapes it…

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Dom Pérignon by David Lynch

We talk to the filmmaker about his foray into Champagne

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Spending an afternoon with David Lynch in the penthouse of the Chateau Marmont isn’t necessarily an everyday occurrence—the filmmaker, known for his surrealistic visions, actually admits that he rarely leaves the house if he doesn’t have to. As the son of a forester, Lynch grew up spending time with his father in their woodshop, and now enjoys time at home creating his own art, photography and sound studios.

Lynch did venture out recently to the home of his friend, special effects designer Gary D’Amico, to collaborate on a bottle and package design project for Dom Pérignon. The two experimented with welding torches, shot beams of light into crystals, sprinkled sparkles and powered up smoke machines and other lighting effects to capture images for the resulting wraps. Shrouded in dreamy, glowing light streaks is Lynch’s scrawled label, “Dom Pérignon by David Lynch” sliced horizontally across the dark Champagne bottle.

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We asked Lynch for insight into his growing interest in collaboration, and what inspires his work.

You have collaborated with Danger Mouse and Sparklehorse, and have been part of several collaborations from fashion to the recent suite at Hotel Lutetia. Why collaboration? What do you get out of it? How does it influence your filmmaking?

I always say commercial work is money and a chance to do something, a chance to experiment. A lot of times a chance to experiment with the latest technologies. So I always learn something and feel really good about the result and the experimentation and the process of getting that result. It is a collaboration in a way, but I really like the things where I have a freedom to experiment. Obviously the client has to like the result. This idea of experimenting to get something was embraced by Dom Pérignon. Luckily it turned out good.

For you is Champagne an every day or a special occasion beverage?

It’s a special occasion, but like I say, I learned a lot about what goes into Dom Pérignon. So now when I take a drink, it is a very rich experience.

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Can you talk a little bit about some of the visual artists whose work really speaks to you?

There are a lot of great DPs out in the world. There are a lot of great painters. A lot of times you will see something and it will be very inspiring. There might be a painter where 90% of the stuff doesn’t talk to you but 10% really talks to you. Inspirations can come from so many places. I always say my greatest inspiration came from the city of Philadelphia, Pennsylvania. So many reasons, the mood of the place, the architecture, what I saw and heard and felt. It was very magical, but laced with a deep tormenting fear and sickness. And I ate many steak sandwiches there.

Lynch’s designs for the Dom Pérignon Vintage 2003 and Dom Pérignon Rosé Vintage 2000 will be available on 1 October 2012.


A.I. Selections

Beauty through balance in a sommelier’s portfolio of small-batch wines
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Acid Inc. may suggest an illicit obsession, but for sommelier David Weitzenhoffer and his partner Laura Supper, the name (professionally called A.I. Selections) relays their passion for wines higher in acidity—a key component for an exceptionally well-paired meal. “You can feel acidity in wine usually as that sort of prickling sensation toward the front of your tongue,” Weitzenhoffer explains. “To me acidity does several things with food but the most important is that it gets its claws into the flavors that are already on your palate and marries the flavors in the wine with that of the food. It also has an important role in cutting richness, and balancing out high acid dishes like crudo, tomatoes, vinaigrettes, etc.”

Wanting to learn even more about the fine art of such balance from beginning to end, Weitzenhoffer left his post at Lidia Bastianich’s renowned restaurant Felidia and moved to northwest Italy, where he worked with artisanal producers around the vineyards of Piedmonte. Four years ago he put this knowledge to serious use and began importing these small-batch wines to restaurants in New York, San Francisco and LA.

With just about 40 producers in their portfolio—most of which are organic or biodynamic—Weitzenhoffer and Supper concentrate on finding wine that is a reflection of the people making it, working off the ethos, “Good wine; good people”. They seek out conscientious farmers who know their terroir and distinctly cultivate their vines, leading to wines that have a clear focus and excellent finish. “Some of these artisan producers are making wines with more soul and character, great age-ability, and most importantly wines that are more food appropriate, all the while creating a wine that comes from a specific place—a wine that couldn’t come from any other place than their little piece of earth,” says Weitzenhoffer.

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We had the pleasure of tasting several wines with Weitzenhoffer recently, who guides you through a selection casually, but with great understanding of each wine at hand. We started with Champagne, tasting both a glass of crisp bubbly from Michel Rocourt and then one from Doyard—which Weitzenhoffer explains is “not so bubbly it sears your tongue, it has a rich yeasty quality while using acidity to keep it fresh. It’s why it is poured by the glass at places like Babbo, Jean Georges, AI Fiori, and others here in New York.”

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To accompany the classic cheese and crackers snack, Weitzenhoffer suggests a Lambrusco, especially the Ca’ Montanari Opera02 Lambrusco, which he says is unparalleled stateside. For white wine, Weitzenhoffer says he is a “sucker for Chablis”, which is made from Chardonnay grapes, but “due to the sea shells in the soils has a great minerality, and chalky character that makes it ideal for all sorts of early courses—trout, various crudo, pea soup, oysters!!!” He recommends a Chablis from the mother-and-daughter team at Château De Béru, an organic farm situated on the clay and limestone slopes of the Chablis Grand Cru foothills.

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“For me Nebbiolo is the most complex wine in the world and while it takes a little work and often time to fully understand the grape, it is so great with various foods from lighter meats, to heavy meat,” says Weitzenhoffer. Most wine drinkers know that a good Barolo or Barbaresco isn’t cheap, so he suggests trying a Nebbiolo d’Alba, a younger wine made from the same grapes. “Cascina Luisin makes one from old vines and is delicious”, he says. “I’d be thrilled to walk into a retail shop and spend $27 on a bottle like this that drinks like something much more expensive.”

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With the mentality that “wine is for the people”, Weitzenhoffer and Supper’s approach sets out to enlighten palates with perfectly balanced, yet ultra-interesting wines that enhance food and transport you to the place where it was created. A.I. wines can be found in restaurants like Craft and Blue Hill in NYC, Terroni in LA and Bar Tartine in San Francisco.


The Bow Tie Collection

Nicholas Tee Ruiz a eu l’excellente idée de penser cette collection d’objets insolites. Sous le nom de “Bow Tie Collection“, cet artiste nous propose de découvrir des noeuds papillon avec des assemblages de bouchons, de legos ou encore de pilules. Plus dans la suite.



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Dom Pérignon: Vintage 2003

The world’s preeminent brand of bubbly launches their most intense vintage to date
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The summer of 2003 was blistering hot in France, only to be followed by an extreme winter and harsh spring filled with unusual frosts that destroyed a majority of the Côte des Blancs Chardonnay crop. While this doesn’t sound ideal to anyone, such conditions are even more peril when your business is producing vintage Champagne. Thanks to the inclement weather that year, no house could produce a solid vintage, except of course, the masterminds at Dom Pérignon‘s Abbaye d’Hautvillers.

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Launched today, Dom Pérignon’s vintage 2003 tastes like the marvel that it was to yield. Cellar master Richard Geoffroy describes it as “a duality between restraint and expression,” but above all for him this particular vintage speaks to their deep-rooted philosophy and commitment to the brand’s legacy. “There was never the slightest doubt that we would produce a vintage that year,” he explained via satellite at the NYC premiere. Making high-quality Champagne is at the very heart of what Dom Pérignon does, and they saw this challenge as a test of their greatness—one they haven’t endured since producing another of Geoffroy’s favorites, the vintage ’76.

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The perfectly balanced 2003 is the upshot of a powerful tension between the white and black grapes. The vintage has character, but remains quintessentially Dom Pérignon with a round, rhythmical finish that dances delicately between mineral and floral flavors. To the skilled chef de cave, the 2003 is an intense memory, and Geoffroy beautifully captures this by saying, “I wish every single vintage could be as strong as 2003.”


Il Grand Tour di Mumm Code

Sono molto pigro lo ammetto. Quindi se devo muovermi, è davvero per un buon motivo!
Così non ho potuto rifiutare l’invito al Gran Tour organizzato da Mumm Code, una serie di tappe interessanti in vari eventi, tutti dal sapore in new formality. Sarò in buona compagnia con gli amici di BoBos, FrizziFrizzi, Polkadot e Viaggiatore Gourmet. Stasera si parte con il gustoso meeting Le Grand Fooding. Vi tengo aggiornati.

Il Grand Tour di Mumm Code