Hotel du Marc

Madame Clicquot’s former domicile gets a top-to-toe makeover

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Housed in the former residence of Madame Clicquot herself, Hotel du Marc is a place to stay unlike any other. As if the historic setting in Reims, France wasn’t enough, Veuve Clicquot recently completed a head-to-toe renovation, updating the interiors and facade to create the kind of charming experience for which many hotels strive but few achieve.

The facade underwent extensive repairs—though WWI-era pockmarks left by mortar shells remain—and now sports a smart-looking new awning (made locally, along with other new features), but it’s the decor, a mix of antique pieces, custom art and other clever design elements, that makes for a visit not just comfortable but totally enchanting. The surprises begin right away when, greeting guests at the entryway, a grometrically mirrored installation in tribute to Issey Miyake’s “Pleats Please,” recasts a problematic space by containing a cloakroom with serious “wow” effect.

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Stairs leading up to the rooms honor the famous chalk caves of Reims with an ombre carpet that fades from white to burgundy—for the Pinot grapes, of course. The vine-like balustrade, designed by Pablo Reinoso, also evokes the neighboring fields, culminating in the twisting and turning wood of the artist’s captivating site-specific sculpture at the top of the stairs.

From there, a hallway swathed in their trademark yellow, leads to a handful of spacious rooms, each featuring a design tied to a season as well as a place. Details such as Fornasetti plates (a favorite part of the “Rome” room where I stayed when Veuve Clicquot invited us to preview it last month), and bathroom tiles incorporating touches of gold into an anchor pattern inspired by the Veuve Clicquot logo, make the rooms as elegantly pleasant as the rest of the house.

Downstairs, a library, lounge, chef’s kitchen and other spaces for entertaining promise many occasions for enjoying the bubbles responsible for the whole affair. On our visit, the kitchen transformed from an afternoon hands-on cooking demo to a post-dinner screening of Lady Gaga concert tapes, to give you an idea. A formal dining room is literally the heart of the house, featuring woodwork taken from the castle of Eduard Werle (Clicquot’s business partner) around which the house was initially built. Formerly painted white, the wood was restored and painted black, nicely offsetting frescoes depicting scenes of life in Champagne.

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A cellar stores wine used in the house, as well as rare bottles, still wines and (eventually) Andree Putman’s 2005 writing table for the brand. The feature also allows the building to have a Canadian well, which keeps the building 13 degrees cooler in the summer as well as providing heat in the winter, part of the winemaker’s ongoing efforts to be environmentally conscious.

Alas, this kind of experience does not come without exclusivity; staying at the Hotel du Marc is by invite only. For more photos, however, check out Notcot’s coverage.


Govino Glasses

Superior outdoor sipping with crystal-like plastic glassware

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Nothing kills the buzz of a drink outdoors more than the chunky rim of a plastic cup at your lips. Refining the concept with a few Dieter Rams-worthy design principles, Govino‘s reusable wine glasses and champagne flutes, made from BPA-free, shatterproof polymer, keep al fresco sipping safe while upping the overall experience. Reflecting wine’s color and aroma more like crystal, the streamlined design not only adds elegance lacking from standard party cups, but a thumb indentation helps prevent them from slipping out of hands easily.

Govino glasses, designed to withstand temperatures up to 160°,can be washed and used again instead of tossed out like most alternatives. Each food-safe four-pack sells online for $13.


Yellow Circuit

Veuve Cliquot paints Milan yellow with an origami bucket, a mobile shop and more

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During Milan’s recent Design Week, it was hard not to miss Veuve Clicquot’s presence in the city. Dubbing their project the Yellow Circuit, the revered champagne producers splashed their signature color in showrooms, exhibits and even on a trolley. Strategic partnerships included 20 hotels, lounges and bars around Milan, as well as design spaces like Comprex, Edra, Kartell, MDF Italia and Moroso.

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Ubiquitous at all the venues was Clicq’d Up, a foldable champagne bucket designed by young Belgian designer Mathias van de Walle that was also the subject of most of the media buzz. Debuting as part of the design festivities, van de Walle based his innovative object on the idea of creating an origami structure full of ice—a combination of form, function and fun. The reusable bucket packs flat, making it easily transported, set up and stored.

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A constant mobile presence as it made its rounds through the city, Clicquot On The Move turned a classic Milanese trolley into a roaming boutique, designed in partnership with ATM, the city’s public transport company. With stops in the center area between Piazza Castello and Piazza Fontana, passengers had the chance to enjoy sights alongside a Veuve Clicquot personal shopper.