Formafantasma shows engraved glassware at Bagatti Valsecchi in Milan

Milan 2014: design duo Formafantasma is presenting a collection of engraved drinking glasses that form new patterns when stacked together, at an exhibition curated by Rossana Orlandi in Milan

Formafantasma to show engraved glassware at Bagatti Valsecchi in Milan

Commissioned by the MAK Museum in Vienna and produced by Austrian brand J.& L. Lobmeyr, the Alphabet collection of glasses and a carafe by Formafantasma are engraved with twelve different patterns.

The etchings reference motifs found in both J.& L. Lobmeyr’s archive and at the Geymüllerschlössel castle, in which the museum is housed.

Formafantasma to show engraved glassware at Bagatti Valsecchi in Milan

Placed upside-down on the table one inside another, any two engraved patterns will combine to form a new pattern.

Delicate gold lines on each glass suggest the correct alignment. The bigger glass protects the smaller one like a crystal dome used to cover a still life composition.

“The design highlights the pleasure of diversity within a set of objects while revisiting the rules of table setting,” said Formafantasma.

Formafantasma to show engraved glassware at Bagatti Valsecchi in Milan

The pieces were originally created for a site-specific installation called The Stranger Within for the Dining Room of Geymüllerschlössel.

They will be shown at the Rossana Orlandi-curated Bagatti Valsecchi exhibition, Via Gesù 5, in Milan from 8 to 13 April.

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Two in Wine

Ever wonder why there are different glasses for different wines? The idea is that each wine deserves its own type of glass to enhance its unique flavor, aroma and color. It’s an often overlooked part of the experience that every vino-enthusiast has come to appreciate. Inspired by this concept, the Doublet incorporates not one, but two of the more common types into one beautiful, seamless, stemless piece. Even if you’re not a wine snob, you can clear out some cabinet space with this artistic two-in-one alternative!

Designer: Stefan Burlacu


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(Two in Wine was originally posted on Yanko Design)

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Bishop of Norwich by Kacper Hamilton

Designer Kacper Hamilton has created a port decanter set that encourages users to constantly share the drink around.

Bishop of Norwich by Kacper Hamilton

Hamilton‘s glassware is named after the British tale of the Bishop of Norwich, about a nineteenth-century gentleman who was notorious for forgetting to pass the port.

Bishop of Norwich by Kacper Hamilton

To ensure the drink is shared by users of this set, the bottoms of the decanter and glasses are pointed so they can’t be put down. This means they will be constantly sipped and drained, so the port is always passed from person to person.

Bishop of Norwich by Kacper Hamilton

The vessels only stand when returned to their individual brass bases. The bases hold six glasses and a decanter with a matching brass stopper, which are displayed in a row on a wooden tray.

Bishop of Norwich by Kacper Hamilton

The project was exhibited at the Mint shop during London Design Festival 2013. Kacper Hamilton has also created a set of seven wine glasses inspired by the seven deadly sins.

Here is more information from the designer:


Influenced by and named after the classic tale of the ‘Bishop of Norwich’, a nineteenth-century gentleman notorious for forgetting to pass the port. This set brings about the return of humble rituals from the past through a drink that has become quintessentially British.

With respect to the tradition, the ‘Bishop of Norwich’ has been specifically designed to encourage the user to drink their port and pass the decanter. Due to their elaborate design the port glasses and decanter cannot be put down on the table unless placed within their individual brass bases, hence the port is continuously passed, shared and quaffed.

Bishop of Norwich by Kacper Hamilton

An elongated wooden tray brings all the parts together, making the complete creation a grand central piece. The ebony finish creates a striking contrast with the brushed sheen of the brass and a distinctive sculptural form appears when all the elements are displayed alongside one another.

Each solid brass base is engraved with the KH Studio monogram. The large decanter base displays the edition number (Limited Edition of 12), date of production, and ‘Made in England’.

Bishop of Norwich by Kacper Hamilton

When Port wine is passed around at British meals, one tradition dictates that a diner passes the decanter to the left immediately after pouring a glass for his or her neighbour on the right; the decanter should not stop its clockwise progress around the table until it is finished. If someone is seen to have failed to follow tradition, the breach is brought to their attention by asking ‘Do you know the Bishop of Norwich?’; those aware of the tradition treat the question as a reminder, while those who do not are told ‘He is a terribly good chap, but he always forgets to pass the port!’

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Wine bottle by Zaha Hadid for Leo Hillinger

Wine bottle by Zaha Hadid for Leo Hillinger

Product news: London architect Zaha Hadid has designed a curvaceous wine bottle for Austrian winemaker Leo Hillinger.

Zaha Hadid created the limited-edition design for Leo Hillinger‘s Icon Hill 2009 vintage red wine, of which 999 bottles were made.

One side has a concave indentation with the same curve as the back of the bottle so a row of them can interlock. A dimple in the base allows sediment to gather and provides a thumb hold for pouring.

Wine bottle by Zaha Hadid for Leo Hillinger

“The elongated volume of the bottle has been derived from the profile of liquid droplets,” said Hadid. “A continuous spatial curve was then projected onto the bottle’s surface, defining areas for the concave indentation and suggesting the waves created when droplets break a liquid’s surface.”

The shape was created using NURB-based software, then the glassware was formed in cast-iron moulds.

It comes in a box with the form of the bottle cut from striations, a common feature of Hadid’s designs. See our feature on striations in architecture and design here.

Wine bottle by Zaha Hadid for Leo Hillinger

Other designs for alcohol we’ve featured include packaging for coffee-flavoured beer designed by Nendo and a set of seven wine glasses inspired by the seven deadly sins.

See more architecture and design by Zaha Hadid »
See more design for drinking »


Icon Hill is an exceptional red wine cuvee of 2009 vintage, produced by the renowned Austrian winemaker Leo Hillinger in a limited edition of 999 bottles that have been designed by Zaha Hadid Architects to reflect the wine’s bold and distinctive character.

The elongated volume of the bottle has been derived from the profile of liquid droplets. A continuous spatial curve was then projected onto the bottle’s surface, defining areas for the concave indentation and suggesting the waves created when droplets break a liquid’s surface.

The concave indentation and the bottle’s surface have the same curvature, enabling a set of bottles to interlock and be perceived as singular whole. A smaller indent and volume has been created at the base of the bottle for correct handling and to accommodate any tartrates.

To achieve the precision and accuracy required for production, the shape of the bottle was created using NURB-based CAD software. The bottle manufacturer directly implemented this 3D master geometry to produce the cast iron moulds for the glass forming process.

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Cumulo by Liliana Ovalle

Mexican designer Liliana Ovalle has created a carafe and set of tumblers printed with fine black lines that overlap to create a moiré effect when the pieces are clustered together.

Cumulo by Liliana Ovalle

Each item in the Cumulo collection by Liliana Ovalle is decorated with fanned-out linear patterns that become finer as they radiate outwards, creating a cross-hatching effect where they reach round to the other side and can be seen through the layers of glass.

Cumulo by Liliana Ovalle

“The glasses and carafe acquire a more complex three-dimensionality when combined together,” said Ovalle. “As the patterns overlap in various arrangements, the accumulation of lines reveals hidden depths and densities.”

Cumulo by Liliana Ovalle

The prototypes were blown in borosilicate glass. They were exhibited at the Okay Studio & Friends exhibition in Ben Sherman‘s Mod_ular Blanc event space during London Design Festival last month, along with opaline glassware by Mathias Hahn and a circular mirror with a large brass weight by Hunting & Narud.

Cumulo by Liliana Ovalle

Having graduated from London’s Royal College of Art in 2006, Ovalle joined the Okay Studio design collective in 2011 and continues to operate from their space close to the Dezeen offices in Stoke Newington – see more projects by Okay Studio designers.

Cumulo by Liliana Ovalle

Ovalle also presented a series of clay vessels based on the geological phenomenon of sinkholes as part of a group show at Gallery Libby Sellers in London for the festival.

See more work by Liliana Ovalle »
See all our coverage of London Design Festival 2013 »

Cumulo by Liliana Ovalle

Photography is courtesy of the designer.

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BLOWN lamp by Samuel Wilkinson for &tradition

Product news: London designer Samuel Wilkinson has launched a blown-glass lamp with a digitally created lozenge pattern for Danish brand &tradition (+ movie).

Blown lamp Samuel Wilkinson

Combining traditional craft with digital technology, the BLOWN pendant lamp is Samuel Wilkinson‘s first lighting collaboration with &tradition.

Blown lamp Samuel Wilkinson

Wilkinson used 3D computer software to model the structure of the metal mould used to imprint the diamond shapes onto the glass.

Blown lamp Samuel Wilkinson

“The texture of the glass is rendered carefully in 3D CAD in order to control the inflation of each bubble precisely, achieving fine control of how the form would reflect the light at different angles,” said Wilkinson.

Blown lamp Samuel Wilkinson

The mould incorporates zig-zag teeth that fit into each other exactly and follow the diamond pattern, so the mould line is hidden within the indentations to leave a seamless finish.

Blown lamp Samuel Wilkinson

Molten glass is inflated and shaped using traditional glass-blowing techniques and then inserted into the mould while still hot.

Blown lamp Samuel Wilkinson

The mould imprints the pattern onto the glass, then once it cools the shade is sanded and cleaned.

Blown lamp Samuel Wilkinson

The lampshade encloses the light source and refracts the lozenge pattern onto surrounding surfaces.

Blown lamp Samuel Wilkinson

BLOWN comes in two versions: translucent with a silver lustre and sandblasted matte white. Both are completed by a powder-coated aluminium suspension fitting and a fabric chord.

Blown lamp Samuel Wilkinson

Wilkinson also designed the energy efficient light bulb Plumen 001 in collaboration with London design brand Hulger.

Blown lamp Samuel Wilkinson

BLOWN was exhibited at design fair designjunction during the London Design Festival last month. Other lighting designs that featured at the event include the Apollo lighting range by International and wicker lighting by Swedish studio Claesson Koivisto Rune.

Blown lamp Samuel Wilkinson

See more designs by Samuel Wilkinson »
See more lighting design »
See all our coverage of London Design Festival »

See more information from the designer:


Blown is a mouth-blown glass pendant light with a variegated lozenged pattern imprinted on the surface which encloses the light source. It comes in two versions: translucent with a silver lustre and sandblasted matte white . Both versions are finished off with a powder-coated die-cast aluminium suspension and a fabric chord.

Blown lamp Samuel Wilkinson

Wilkinson came to prominence for his involvement with the design of the avant-garde energy efficient light bulb Plumen 001, but this is his first light for &tradition. “It’s nice to be working with Samuel Wilkinson on a pendant light that marries traditional form with material innovation in this way,” says Brand Manager Martin Kornbek Hansen. Wilkinson has previously designed the Hoof tables for &tradition.

Blown lamp Samuel Wilkinson

Like the Hoof tables, Blown is experimenting with a manufacturing process which combines industrial manufacture with a hand-crafted finish. While the making of Blown relies on technical 3dCAD (computer-aided design), the end product is mouth-blown by highly skilled craftsmen, connecting traditional craft with innovative technology.

Blown makes a statement as a standalone item, but works equally as well in clusters or in succession. The two versions cater to a range of interiors, with the sandblasted variant providing a subtle, sophisticated glow, while the translucent version transforms the space it inhabits with the intricate textures and patterning.

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UrbanGlass: New York’s historic glass studio reopens in a renovated space, adding a gallery and storefront

UrbanGlass


BAM’s Harvey Theater now has a shiny new neighbor. Founded in 1977 by Richard Yelle and Joe Upham, the New York Experimental Glass Workshop—the country’s first open-access glass studio—has bounced around from its original Great Jones Street location in Manhattan to several other…

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Vienna Design Week: Bertille & Mathieu + Lobmeyr: The French-Swiss duo reinvents an iconic company’s products in a sweet collaboration

Vienna Design Week: Bertille & Mathieu + Lobmeyr


by Adam Štěch As part of Vienna Design Week—which concludes this Saturday, 5 October—French-Swiss designers Bertille Laguet and Mathieu Rohrer (Bertille & Mathieu) are currently collaborating with iconic glassware…

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Carafe and water filter by Soma

Product news: Californian company Soma has launched an hourglass-shaped carafe and a biodegradable filter to fit in the top.

Carafe and water filter by Soma

Soma claims to have designed the “world’s first completely biodegradable filter”, which is made of coconut shell carbon and a layer of natural silk encased in a plant-based composite.

Carafe and water filter by Soma

The cone-shaped filter aims to removes impurities and improve taste. It slots into the top of a glass carafe, which is formed to fit comfortably in the hand and incorporates a bevelled edge around the base to prevent it from falling over.

Carafe and water filter by Soma

Founder of Soma Mike del Ponte worked with water filtration expert, David Beeman, Joe Tan and Markus Diebel on the design of the products. Soma in 2012 as a crowd-funded project to create an alternative to domestic plastic water purifiers.

Carafe and water filter by Soma

The company has partnered with Water, a non-profit organisation working to provide safe drinking water globally, so every filter purchased contributes to the charity.

At the Global Design Forum this year, a water-filtration system that uses plants to extract arsenic from water supplies was voted the “idea that will change the world”. Formafantasma also designed charcoal inserts for blown-glass containers that purify tap water.

Other recent glassware designs include a set of bubble-shaped lanterns by Kristine Five Melvaer and a glass with a stem that holds exactly one measure of alcoholSee more glassware design »

See more information from the designer:


Soma, the smart, beautiful and sustainable water filter, officially launches into the marketplace today with a modern design that will redefine the way you drink and serve water in your home. Unlike anything else in the market, Soma is the pinnacle of clean, industrial design that looks gorgeous on any table and for any occasion. An elegant glass carafe holds Soma’s unique filter composed of coconut shell carbon, four layers of fine silk and a plant based casing, is the world’s first completely biodegradable filter.

dezeen_Carafe and water filter by Soma_7

With the goal of going above and beyond the unremarkable products in the current market, Soma enlisted a dream team of designers, including the world’s leading filtration expert, David Beeman (Starbucks, Peet’s, Keurig) and the renowned industrial design duo Joe Tan and Markus Diebel (IDEO, Incase). Their collaborative expertise helped to build an award-winning water filter that is innovative, eco-conscious and convenient. With its unique hourglass-shaped glass carafe, Soma is the first water filter designed with the consumer in mind, constructed to fit perfectly into the pourer’s hand.

Soma’s modern, sustainable design is only the beginning of its positive impact. From day one, Founder Mike Del Ponte envisioned Soma as not only aesthetically pleasing, but also ethically sound. Knowing that a staggering number of filters end up in landfills annually, the Soma team was determined to create a product that also had a low-impact on the environment. Soma’s biodegradable filter is designed to remove water impurities and improve taste for less than 25 cents a day. Expired filters can be tossed in green bins and will biodegrade completely in commercial composting facilities without negative environmental impacts.

Carafe and water filter by Soma

To simplify your life, Soma makes filter replacement easy with its subscription service, ensuring timely delivery of a fresh filter every two months. Partnering with charity: water, Soma is also focused on giving back. With every Soma filter purchased, you are helping bring clean, safe drinking water to those in need.

“Over the past year we have worked tirelessly to create a beautiful product paired with an unprecedented experience,” said Mike Del Ponte, Co-founder and CEO of Soma. “First, we focused on product development-creating a decanter-quality glass carafe and innovative filter that provided the best tasting water, while also having the lowest impact on the environment.” Del Ponte adds, “Once we felt we had created an incredible product that was unlike any other, we focused on finding the right group of investors and advisors to help guide the process, from an idea to launching the product, in just over one year. I am proud of what we have created and am thrilled to finally share Soma with the world.”

The Soma carafe and two filters retails for $49, with each replacement filter priced at $12.99 (including shipping). For a limited time, new customers will receive two free filters with each purchase.

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Vinegar and Brown Paper: Britain’s Andy Poplar gives glassware a sense of humor with etched messages and mantras

Vinegar and Brown Paper


by Elyssa Goodman After working in advertising for over a decade, Britain-based designer Andy Poplar was burned out—he decided to quit his job and be a stay-at-home dad. Then one day, two years ago, he decided to teach himself how to etch glass,…

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