“Digital technology will continue to disappear”

Dezeen and MINI World Tour: Google Creative Lab creative director Alexander Chen explains how he created a digital string you can pluck like a viola and discusses Google Glass and the future of user interface design in this movie we filmed at Design Indaba in Cape Town last month. 

Chen presented a number of his personal projects at Design Indaba, which involve novel ways of making music on a computer. “I grew up playing the viola and I’ve always written and recorded my own music,” he explains. “I was learning that alongside computer programming and visual design [so] I always wanted to combine the things together.”

"Digital technology will continue to disappear more and more"

For a project called Mta.me, Chen created a virtual stringed instrument based on the New York subway system (above). “I’d just moved to New York and I started to think ‘what if the lines on the subway map could be a musical instrument?'” he says.

In Chen’s map, the different subway routes become strings, which vibrate at different frequencies based on their length. Chen then animated the map so that the strings are plucked by other subway lines that intersect them. “I took it one step further,” he says. “I looked up the subway schedule and using computer code had the subway performing itself.”

"Digital technology will continue to disappear more and more"

Chen then goes on to talk about his work at Google Creative Lab, where he helped to produce the original concept video for Google Glass, as well as the final movie demonstrating the new user interface, which Google released in February.

He believes that wearable technology like Google Glass demonstrates how digital technology in future will be more integrated into our lives. “Technology continues to disappear more and more,” he says. “I don’t know if I want to make any strong predictions, but I hope that technology disappears more and more from my life and you forget that you’re using it all the time instead of feeling like you’re burdened [by it].

“I hope it becomes more like the water running in our house and the electricity running through our buildings: we use it when we need it and then we forget about it for the rest of the day and just enjoy being people.”

"Digital technology will continue to disappear more and more"

This movie features a MINI Cooper S Countryman.

The music featured is by South African artist Floyd Lavine, who performed as part of the Design Indaba Music Circuit. You can listen to Lavine’s music on Dezeen Music Project.

See all our Dezeen and Mini World Tour reports from Cape Town.

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Fionda chair by Jasper Morrison for Mattiazzi

Milan 2013: British designer Jasper Morrison will present a chair inspired by camping furniture for Italian brand Mattiazzi in Milan next week.

Fionda chair by Jasper Morrison for Mattiazzi

Called Fionda, which means “sling” in Italian, the chair by Jasper Morrison is composed of a folding wooden frame and a loose canvas seat that hooks over the corners and can be removed to enable the chairs to be stacked horizontally.

Fionda chair by Jasper Morrison for Mattiazzi

The chair will be available as a dining chair or a lounge chair and there will also be a matching stackable table.

Fionda chair by Jasper Morrison for Mattiazzi

It will be exhibited by Mattiazzi at the Salone Internazionale del Mobile in Milan from 9 to 14 April.

Fionda chair by Jasper Morrison for Mattiazzi

Other chairs launching at Milan next week include the Scoop chair by Danish designers KiBiSi and these armchairs with wavy backs and seats by Spanish designer Patricia Urquiola.

Fionda chair by Jasper Morrison for Mattiazzi

See all our previews of design at Milan 2013 or see all our stories about work by Jasper Morrison.

Here’s some more information from Jasper Morrison:


Fionda’s mother is a folding camping chair, which itself comes from a long line of chairs known variously as BKF, Hardoy, Butterfly or Tripolina in Italy, all of which suspend a canvas sling from a frame to create a surprisingly comfortable seat. I bought one of the camping chairs in Japan and liked having it in my living room, but the aluminium X bars at the front and back were uncomfortable and prevented it being a real living room chair, so I decided to make a project out of removing the X’s.

I am attracted to the language of camping and campaign furniture. It’s something about the lightness of structure and required efficiency in achieving something comfortable which fits well in today’s mood. The frame needed a number of steps to perfect the joint but the result is light and strong, and can be stacked horizontally with the covers off.

There are two chair models, a dining chair and a lounge chair, and a table which is also stackable. It’s a chair for using inside or taking outside, for interiors which don’t need so much upholstery, and for the traveller who just got home and needs a rest!

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Dezeen’s Milan 2013 map

Milan 2013: the design world descends on Milan next week. To help you navigate the hundreds of events around the city we’ve compiled a map with our pick of the best exhibitions, parties and talks.

Our Dezeen and MINI World Tour Studio will be at the MINI Paceman Garage in the Tortona district, where we’ll set up a video studio as part of our Dezeen and MINI World Tour.

We’re also media partners for the Ventura Lambrate district in the north-east of the city and Edit by Designjunction in Brera.

See all our stories about product launches and shows at Milan 2013.

To tell us about your event, please email editorial@dezeen.com.

For more design festivals taking place in 2013 check out Dezeen’s World Design Guide.

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Fuel Station + McDonalds by Giorgi Khmaladze

A McDonald’s restaurant and a petrol station are concealed within this faceted glass shell in Georgia, designed by architect Giorgi Khmaladze (+ slideshow).

Fuel Station and McDonalds by Giorgi Khmaladze

“The city officials wanted to avoid having a regular gas station in the middle of the area, which right now is undergoing major renewal,” Giorgi Khmaladze told Dezeen. “From that departure point, I proposed to combine two programs in one building footprint.”

Fuel Station and McDonalds by Giorgi Khmaladze

The structure, located in the coastal town of Batumi, features an elongated shape that cantilevers on one side to create the canopy for the petrol station. The entrance to McDonald’s is positioned on the opposite side, as the architect wanted to keep the two as separate as possible.

Fuel Station and McDonalds by Giorgi Khmaladze

“Spaces are composed in such a way that the two major programs – vehicle services and dining – are isolated from one another, both physically and visually,” explains Khmaladze.

Fuel Station and McDonalds by Giorgi Khmaladze

Serving areas are contained inside the building’s circular core. Staircases wind around the outside of the circle on both sides, leading up past a series of tiered seating booths towards a dining area on the first floor.

Fuel Station and McDonalds by Giorgi Khmaladze

Glass lines the perimeter of the dining area and a terrace wraps around the outside. Rather than a view down onto the petrol station and road, diners are faced with the sloping topside of the canopy, which the architect has covered with beds of shrubbery.

Fuel Station and McDonalds by Giorgi Khmaladze

Two pools of water are positioned around the outside of the building and help to define different routes for pedestrians and cars.

Fuel Station and McDonalds by Giorgi Khmaladze

McDonalds has also recently been working with French designer Patrick Norguet, who has redesigned its restaurants across France. See more design for McDonalds.

Fuel Station and McDonalds by Giorgi Khmaladze

Other chain restaurants to be redesigned in recent years include British roadside restaurant Little Chef and Burger King diners in Singapore. See more chain restaurant designs.

Fuel Station and McDonalds by Giorgi Khmaladze

Photography is by the architect.

Fuel Station and McDonalds by Giorgi Khmaladze

Here’s some more information from Giorgi Khmaladze:


The project is located in one of the newly urbanized parts of the seaside city of Batumi, Georgia. It includes fuels station, McDonald’s, recreational spaces and reflective pool.

Fuel Station and McDonalds by Giorgi Khmaladze

Given the central location and therefore importance of the site, it was decided to give back as much area as possible for recreation to the city by limiting the footprint of the building and vehicular circulation. This resulted in one volume with all programs compressed within.

Fuel Station and McDonalds by Giorgi Khmaladze

Spaces are composed in such a way that the two major programs – vehicle services and dining – are isolated from one another, both physically and visually so that all operations of fuel station are hidden from the view of the customers of the restaurant.

Fuel Station and McDonalds by Giorgi Khmaladze

Because of the predefined, small building footprint, most of the supporting and utility spaces are grouped and located on the ground level to be close to all technical access points.

Fuel Station and McDonalds by Giorgi Khmaladze

Public space of the restaurant starts from the lobby and its separate entrance on the ground floor. From where, as a way to naturally connect to the upper floor and to offer customers the experience of smooth transition between levels, the floor steps upwards and creates inhabitable decks on intermediate levels to be occupied as dining spaces.

Fuel Station and McDonalds by Giorgi Khmaladze

Part of the dining space offers view towards outside water features, while the rest seamlessly transitions into open air patio on the upper level. The patio, enclosed from all sides to protect the space from outside noise, provides calm open air seating. The vegetation layer, which covers the cantilevered giant canopy of the fuel station adds natural environment and acts as a “ecological shield” for the terrace.

Fuel Station and McDonalds by Giorgi Khmaladze

Project: Fuel Station + McDonalds
Architect: Giorgi Khmaladze (Khmaladze Architects)
Collaborators: Capiteli (Structural Engineer), Gulfstream (MEP), Archange & Schloffer (MCD Standards), Franke (Kitchen engineering), Erco (exterior lighting).

Fuel Station and McDonalds by Giorgi Khmaladze
Location: Batumi, Georgia
Year: 2010-11 Design, 2012-13 Construction
Size: 1200 sqm
Client: SOCAR

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Job of the week: product designer at Nestlé

Job of the week!

Our job of the week on Dezeen Jobs is a position for a product designer at food brand Nestlé, makers of the Kit Kat chocolate bar. See more stories about chocolate on Dezeen here.

Visit the ad for full details or browse many other architecture and design job opportunities on Dezeen Jobs.

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Unexpected Welcome sketches by Moooi

Milan 2013: Dutch brand Moooi has sent us these sketches by designers including Marcel Wanders, Studio Job and Joost van Bleiswijk for the Dutch firm’s new collection launching in Milan next week.

New collection by Moooi

Above: Cloud Sofa by Marcel Wanders

Presented at Via Savona 56, Moooi‘s Unexpected Welcome collection will feature new products by brand co-founder Marcel Wanders, including the Cloud Sofa, the Bell Lamp topped with a ceramic bow and the Farooo Lamp based on a lighthouse.

New collection by Moooi

Above: Bell Lamp by Marcel Wanders

Also included are two helmet-like lamps decorated with Japanese fish and flowers by Milanese designer Lorenza Bozzoli and the crane-like Construction Lamp by Dutch designer Joost van Bleiswijk.

New collection by Moooi

Above: Farooo Lamp by Marcel Wanders

Artists Studio Job will present a set of lamps with metal buckets or tubs for shades and a collection of interlocking furniture called Labirinth.

New collection by Moooi

Above: Labyrinth by Studio Job

Slovenian designer Nika Zupanc will unveil a Golden Chair with a minimal silhouette, while Shanghai studio Neri & Hu will show a group of tables titled Common Comrades and Swiss design duo ZMIK will present a hinged hanging lamp called Kroon.

New collection by Moooi

Above: Bucket lamp by Studio Job

Photography by Dutch photographer Erwin Olaf will surround the works. “Expect to arrive in Milano to experience two parallel universes collide,” Wanders told Dezeen. “In the midst of it you’ll encounter the works of Erwin Olaf, and also my new furniture for Moooi.”

New collection by Moooi

Above: Tub lamp by Studio Job

“The 2013 Moooi presentation is a game changer,” said Moooi founder and CEO Casper Vissers. “You will find the creativity and soul of Moooi as a brand together with the individual, innovative and sparkling products from the designers we collaborate with. We will make your visit to Moooi unexpected and very welcome again!”

New collection by Moooi

Above: Construction Lamp by Joost van Bleiswijk

Unexpected Welcome will be on show at Via Savona 56 in the Tortona district from 9 to 14 April. Our own Dezeen and MINI World Tour movie studio will be located just down the road at the MINI Paceman Garagemore details here.

New collection by Moooi

Above: Kroon lamps by ZMIK

Other Moooi products we’ve featured include a clock inspired by London landmark Big Ben and a glass and spun metal lamp – see all design by Moooi and see all design by Studio Job.

Other products launching in Milan this year include an aluminium sideboard by Ronan and Erwan Bouroullec and modular furniture made from Meccano-like perforated steel plates – see all products and news from Milan 2013.

New collection by Moooi

Above: Common Comrades by Neri & Hu

Here’s more information from Moooi:


On occasion of the 52nd edition of the Salone del Mobile, Moooi has prepared an entire collection of refreshing new designs and surprising experiences that will be revealed at an unexpected location: via Savona 56. From the 8th to the 14th of April Moooi is taking up residence in the imposing space of 1.700 m2 and transforming it into a stylish assembly of colourful living quarters, new product displays, lounges, an artistic exhibition, along with the FRAME Moooi award nominees exposition, panel discussion, exclusive ceremony and VIP cocktail evening.

New collection by Moooi

Above: Golden Chair by Nika Zupanc

Moooi’s biggest gift to the public is to reveal how a wide empty space can be magically transformed into several iconic, rich and colourfully dressed living quarters. This assortment of interior environments is decorated with an inspiring variety of patterns and colours to embrace any kind of space and make people of different ages, cultures and personalities fall in love with their homes. Of course Moooi will make sure to dress and accessorise all the interior sets with an irresistible blend of exquisite richness, nurturing warmth and colourful playfulness.

The living quarters will be furnished with items from the current collection & many new, exciting creations by Marcel Wanders, Studio Job, Joost van Bleiswijk, Edward van Vliet, Neri & Hu, Nika Zupanc, Moooi Works/Bart Schilder, Bertjan Pot, Raimond Puts, Lorenza Bozzoli and ZMIK (Mattias Mohr & Rolf Indermuhle). You are welcome to enjoy, amongst others, the artistic temperament and intimate nature of Marcel Wanders’ Canvas, Zliq and Cloud sofas, the retro atmospheres of Nika Zupanc’s Golden Chair and the sophisticated brightness of ZMIK’s Kroon chandeliers. Take some time to walk around and study the high-stream inventiveness of Joost van Bleiswijk’s Construction lamps, the pragmatic playfulness of Studio Job’s Bucket & Tub lamps and the graceful symbolism of Lorenza Bozzoli’s Juuyo lamps.

New collection by Moooi

Above: Juuyo lamp, Koi Carp Tattoo by Lorenza Bozzoli

The new designs can also be admired and observed in detail along an extensive ‘catwalk’ presentation, in which they ‘pose’ individually to share their pristine beauty with the public. This unexpected home vision brings to life a whole world of new ideas and inspiring settings to brighten up daily life with a touch of magic. It represents a place where visions converge and where every traveller can stop to admire the perfect eclectic mix of culture & experiences that make a home environment more beautiful and unique. Celebrating the successful cooperation and friendship between two highly creative souls, Marcel Wanders has asked renowned photographer Erwin Olaf to join the Moooi presentation with a grand selection of photographs from his personal work. Interior design meets artistic photography and they connect, creating the perfect balance between two inspiring, stylish and playful realities.

The photographs unfold their stories and feelings on a large scale, reaching a stunning height of 4,5 meters especially for this exhibition. Admiring them feels like stepping into a world of exceptional sophistication, permeated with the sharp intensity of human emotions and enveloped in a dreamy haze of subtle tension. Although cleverly concealed, their hidden stories instinctively appeal and connect to our deepest sense of being, revealing the strong frailty of the human spirit. Erwin Olaf has chosen to challenge the public with pieces for his series Grief, Fall, Keyhole and Berlin which respectively challenge everyday notions, dwell on sensations of shame & guilt, or show the transcendent relation between people in a different light.

New collection by Moooi

Above: Juuyo lamp, Peach Flowers by Lorenza Bozzoli

Especially for this occasion the Moooi presentation will be inhabited and characterized by a number of colourful mannequins by Hans Boodt. Combining 25 years of experience in visual merchandizing, creativity and know-how, the world-famous, high-quality mannequins of Hans Boodt never fail to make a great impression with their strong charisma. They will make themselves at home at Moooi’s presentation, bringing an extra feeling of intimacy to the living quarters and resembling peoples’ personality, style & taste. Real and surreal at the same time!

This year the exclusive Frame Moooi Award ceremony, VIP cocktail evening and panel discussion will also take place in via Savona 56. On the 10th of April a selected crowd of design professionals is invited to attend a unique cocktail evening dedicated to the celebration of creativity and design. Jana Scholze (Curator of Contemporary Furniture at London’s Victoria and Albert Museum) will crown the winner, who will receive a tempting award of €25,000. Detailed information on the 10 shortlisted designs will be available throughout the entire week of the Salone on artistic, informative panels at via Savona 56.

New collection by Moooi

Above: Unexpected Welcome collection

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Pedrali celebrates fiftieth anniversary in Milan

Pedrali celebrates fiftieth anniversary in Milan

Dezeen promotion: Italian design brand Pedrali will commemorate it’s fiftieth anniversary with a mirrored installation and the launch of a new chair in Milan next week.

Pedrali celebrates fiftieth anniversary in Milan

Above: Pedrali Adv Campaign – concept and art direction by Leftloft. Photo by Paolo Spinazzè
Top: Pedrali New Ideas – concept and art direction by Leftloft. Photo by Beppe Brancato

Specialising in tables and chairs made solely in Italy, the Bergamo-based furniture company is also celebrating 25 years of exhibiting at the Salone Internazionale del Mobile trade fair.

Pedrali celebrates fiftieth anniversary in Milan

Above: Frida chair by Odoardo Fioravanti for Pedrali

To mark the occasion, Pedrali will collaborate with Migliore+Servetto Architects to create the Pedrali Mirror installation that will be unveiled at this year’s event.

Pedrali celebrates fiftieth anniversary in Milan

Above: Gliss wood 905 chair by Claudio Dondoli and Marco Pocci for Pedrali

The brand will also launch the Ester chair (below) by French designer Patrick Jouin at their stand located in Hall 6 Booth D33-E26 at the Milan Fairgrounds in Rho from 9 to 14 April.

Pedrali celebrates fiftieth anniversary in Milan

Above: Ester chair by Patrick Jouin for Pedrali

The following text has been provided by Pedrali:


Pedrali double Anniversary – 50 years of successful company activity and 25 years at I Saloni

Pedrali celebrates its 50 years of activity and its 25th attendance at the Salone Internazionale del Mobile in the year 2013.

Pedrali celebrates fiftieth anniversary in Milan

Above: Brera chairs by Pedrali Lab

The Milan event represents yearly the international meeting point for furniture and design and the company – run by Monica and Giuseppe Pedrali – embodies perfectly the “made in Italy” essence, which includes tradition and innovation, engineering excellence and creative brilliance.

Pedrali’s products are 100% made in Italy and are manufactured exclusively inside its own production facilities, which have various specialised departments. All plastic and metal products are made in the factory of Bergamo, while wooden products are made at the subsidiary in Udine.

Pedrali celebrates fiftieth anniversary in Milan

The research and development department studies the best technological solutions for the realization of high-quality, safe and durable products through an accurate planning and analysis of the raw materials and the processes. Always taking into account the environmental conservation.

Pedrali’s R&D team includes draftsmen with an experience and knowledge carried out on the fieldwork, who work together with international designers to realize innovative products such as Frida. The chair, designed by Odoardo Fioravanti, won the XXII Compasso d’Oro ADI award in July 2011. A further confirmation of its excellent planning came in December 2012, when the Malmö armchair designed by Michele Cazzaniga, Simone Mandelli and Antonio Pagliarulo won The Good Design award.

Pedrali celebrates fiftieth anniversary in Milan

Above: A Wheel for Pedrali at Salone Internazionale del Mobile 2012

Following this trend, Pedrali is announcing the collaboration with the French designer Patrick Jouin, who won the Designer of the year Maison&Objet 2003 award.

On the occasion of the 53rd edition of the Salone Internazionale del Mobile (9th–14th April 2013 – Hall 6 Booth D33, E26) Patrick Jouin has designed for Pedrali the Ester armchair, mainly for the luxury contract sector.

Pedrali celebrates fiftieth anniversary in Milan

Above: sketch of Pedrali Mirror for Salone Internazionale del Mobile 2013

Ester is a mix of elegance and handiness. The attention to details is omnipresent. A steel frame is covered by a polyurethane foam and the comfortable seat is made of crossed elastic belts. The result is a precious leather monolith.

After the success of the project “A Wheel For Pedrali” at Salone del Mobile 2012, which won the Fx International Interior Design Award, the collaboration between Migliore+Servetto Architects and Pedrali will continue for the Salone Internazionale del Mobile 2013 with the “Pedrali mirror” project.

www.pedrali.it

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Agora Garden by Vincent Callebaut

A plant-covered twisting tower shaped like a DNA strand by Belgian architect Vincent Callebaut is under construction in Taipei, Taiwan (+ slideshow).

Agora Garden by Vincent Callebaut Architectures

Described by Vincent Callebaut as “neither single tower, nor twin towers”, the 20-storey Agora Garden apartment block is designed with a double-helix structure that twists up around a fixed central core.

Agora Garden by Vincent Callebaut Architectures

“Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain,” says the architect.

Agora Garden by Vincent Callebaut Architectures

Balconies on each floor will be filled with plants, vegetable gardens and fruit trees, creating a cascading layer of greenery across the exterior. These will enable residents to grow their own food and compost all their biodegradable waste.

Agora Garden by Vincent Callebaut Architectures

Between two and four apartments will be located on each floor of the building and will integrate a number of sustainable technologies, including rainwater-harvesting and solar energy.

Agora Garden by Vincent Callebaut Architectures

“The concept is to build a true fragment of vertical landscape with low energetic consumption,” explains Callebaut. “The project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity.”

Agora Garden by Vincent Callebaut Architectures

Agora Garden is being constructed on one of the largest designated residential sites in the city and will be surrounded be a moat. As well as apartments, the building will also accommodate rooftop clubhouses, a swimming pool, gym facilities and car parking floors.

Agora Garden by Vincent Callebaut Architectures

Vincent Callebaut won a competition to design the building in 2010 and construction is set to complete in 2016.

The architect also recently unveiled a futuristic concept for “farmscrapers” made from piles of giant glass pebbles. See more architecture concepts by Vincent Callebaut.

Here’s a detailed project description from the architect:


Agora Garden, An Ecologocal Residential Tower

Taipei, Taiwan, 2010-2016

In November 2010, Vincent Callebaut Architectures SARL was awarded as the successful tenderer for the construction of a new luxurious residential tower located at Taipei. The project is currently under construction and will be completed in 2016.

You will find below the conceptual design proposal presented during the competition phase in 2010 by Vincent Callebaut, design architect:

The Ecologic Philosophy of the Project

In the heart of the urban networks of Xinyin District in full development, the Agora Garden project presents a pioneer concept of sustainable residential eco-construction that aims at limiting the ecologic footprint of its inhabitants by researching the right symbiosis between the human being and nature.

On this site that is the last and only biggest parcel of land for residential use, the concept is to build a true fragment of vertical landscape with low energetic consumption. The building is thus eco-designed. It integrates not only the recycling of organic waste and used water but also all the renewable energies and other new state-of-the-art nanotechnologies (BIPV solar photovoltaic, rain water recycling, compost, etc.). The project targets thus the energetic performance so as to be officially approved by the Green Building Label, the norm for high environmental quality, delivered by the Home Affairs Ministry of Taipei.

Part of the concept of inhabited and cultivated vertical farm through its own inhabitants, this project of residential tower enables first to design by its avant-gardist architecture a new life style in accordance with the nature and the climate. Actually, the Agora Garden tower superimposes vertically wide planted balconies of true suspended orchards, organic vegetable gardens, aromatic gardens and other medicinal gardens.

Such as a living organism, the tower becomes metabolic! It overpasses its energy-consuming passive role (absorbing all the natural resources and rejecting only waste) to produce its own organic food. The architectural concept is thus to eco-design an energy self-sufficient building, whose energy is electric, thermal and also alimentary.

Therefore, the project answers directly to 4 main ecologic objectives of the After Copenhagen:

1. The reduction of the climatic global warming.
2. The protection of the nature and the biodiversity.
3. The protection of the environment and the quality of life.
4. The management of the natural resources and waste.

Finally, according to the Cradle to Cradle concept where nothing is lost, everything transforms itself; all the construction and furnishing materials will be selected through recycled and/or recyclable labels. By imitating the processes of natural ecosystems, it deals thus with reinventing in Taiwan the industrial and architectural processes in order to produce clean solutions and to create industrial cycle where everything is reused, either back to the ground as non-toxic organic nutrients, or back to the industry as technical nutrients able to be indefinitely recycled. Biotechnological prototype, the Agora Garden project reveals thus the symbiosis of human actions and their positive impact on the nature.

Agora Garden by Vincent Callebaut Architectures

Above: north and south facades

The Morphologic Philosophy of the Project

Neither single tower, nor twin towers, the project arises towards the sky with two helicoidal towers gathering themselves around a central core. This architectural party offers a hyper-compacted core and a maximal flexibility of the housing storeys (with the possibility to unify two apartments units in one without any footbridge). It brings a reduction of view angles towards the urban landscape and a hyper-abundance of suspended gardens.

The Agora Garden tower is, as its name indicates it, directly inspired of the structure in double helix of the DNA (Deoxyribonucleic acid), source of life, dynamism and twinning. Every double helix is represented in the project by two housing units forming a full level.

Thus, from its base to the top, the 20 inhabited levels in double helix stretch themselves and twist themselves at 90 degrees. By metaphor, the obtained sinuosity corresponds to the universal musical symbol of harmonic revealing the notion of ultimate balance praised by the project.

» This twist of 90 degrees answers to four major objectives:

1. The first objective is to be perfectly integrated in the north/south pyramidal profile of the building volume. Actually, the morphology of the project changes according to its orientation. Its east/west elevations draw a rhomboidal pyramid whereas the north-south ones represent a reverse pyramid.

2. The second objective is to generate a maximum of cascades of suspended open-air gardens, not part of the F.A.R. (floor area ratio). Thus, the planted balcony surface area can easily exceed the limit of the required 10 percents. The global framework of 40 percents of building coverage ratio, i.e. 3 264 M2 is thus totally respected.

3. The third objective is to offer to the inhabitants exceptional panoramic views on the skyline of Taipei by multiplying the transversal views, especially towards the very close Taipei 101 tower and the Central Business District in full emergence.

4. The fourth objective is to generate from a flexible standardized level a progressive geometry with corbels which assures the intimacy and the confidentiality of each apartment by avoiding the indiscreet vision axes.

Inspired from nature, the Agora Garden project is shaped with an organic fluid and dynamic geometry. From the simple and standardized element of the double helix of housing superimposed vertically and put in successive rotation of 4.5 degrees level by level, a multi-facial morphology appears all in convex and concave curves.

Actually, according to the point of view of the pedestrian from the surrounding streets, the Agora Garden tower changes of faces and proposes new profiles. Besides this moving geometry wearing a planted dress with sensual style, the project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity. It is a new nest in the city!

Agora Garden by Vincent Callebaut Architectures

Above: east and west facades

The Main Components of the Project

The luxuriant forest and the glade

In order to ensure the confidentiality of the residents, the whole perimeter of the site is bordered by a mineral moat that animates the outside public space with organic urban furnitures. Inside the parcel, the walls of this moat transform themselves into planted surrounding walls. The main access of the site is located at the Song Yong Road which is less busy that the main avenue, Song Gao Road. The tower is coiled up in the centre of a heavy and luxuriant safe forest of mature trees that protects the intimacy of the inhabitants from the surrounding urban pollution. In the heart of the vegetable lung, the pedestrian square of exotic wood opens itself on a mineral and aquatic glade.

Such as the shock wave created by a water drop, the landscape design is made in circles arches and radiates from the epicentre of the tower. A circular light well, curved this time, makes the light, the abundant plants in cascades to the deepest basement. The car parks, the swimming pool and the fitness are thus naturally lightened and ventilated.

The lobbies in indoor – outdoor connectivity

The ground floor in double height sets through its great transparent facades a high connectivity between the interior community spaces and the exterior garden.

The central core, a vertical twisted garden surrounded by sky entry foyers

The central core has been designed to separate totally the vertical circulations into two housing units on the same level. This core is fixed (it does not pivot). But in order to ensure the rotation of the storeys floor by floor, it is surrounded by a (naturally lightened) horizontal circulation loop welcoming the entry foyer dedicated to each unit. This buffer loop enables thus to set the main entrance always in the axis of each apartment and this despite of the 4.5 degrees rotation storey by storey. An alternative has been studied to build sky entry foyers directly around the cylindrical central core offering thus planted entry foyers with spectacular front view on the city of Taipei.

By level, the central core gathers 2 staircases, 4 high speed elevators of 24 people (1800 kg), 1 car elevators (also useful to carry enormous art pieces, luxury antique vehicles, or even huge pianos, etc.), 2 sky garages in glass and also all the vertical shafts for the main flows. All these vertical flows are covered by a huge bearing exoskeleton in reinforced steel.

The apartments, a maximal spatial and technical flexibility

The apartments of 540 M2 on average superimpose themselves under the shape of two planted twists unified around a central core. Each unit presents a storey structurally made with Vierendeel beams system behind glass facades only on even floors. All levels are linked at both ends by two spiralling mega columns covered by green walls. Each apartment is completely free columns!

This structural concept inspired by the DNA chain enables a maximal flexibility in terms of interior layout. It ensures also an optimal visual permeability (indoor outdoor connectivity) towards the suspended gardens of the balconies in foreground and the urban panorama on the background.

» The spatial flexibility is divided in 4 main typologies of storeys of 2 or 4 units:

Typology A: 2 units with curved living rooms around a central core.
Typology B: 2 units with living rooms stretched in the length behind the Southern façades.
Typology C: 2 units with living rooms set in bow by the panoramic storey.
Typology D: 4 units in duplex with living rooms benefiting from a double height.

In addition to these basic typologies, two huge clubhouses are set up on the roof floors so as to respect the setback required by the building volume. Therefore, from the same standardized double helix (1.250 M2 floor area), the rotation of the storey and its customizable interior laying-out makes every level be a unique floor for each resident!

Agora Garden by Vincent Callebaut Architectures

Above: north-west and south-east facades

» The technical flexibility is obtained by the integration of the double deck and double wall concepts:

Spatially hyper-flexible, the constructive system proposed also a total flexibility to the level of technical distribution of the flows. Additional vertical flows are organized with “oblique shafts” along the glass façade. The system of double deck is integrated at each level under the shape of a double floor and a suspended ceiling. The network of the flows (rain water, used water, hot water, electricity, under floor-heating, cool air, hot air, optic fibre, etc.) crossing the central core can thus irrigate without any difficulty on the horizontal way all the surface area of each storey. Moreover, the use of castellated beams will enable to take advantage of a maximal free height under ceiling. The interior partitioning of each apartment will be à la carte according to the wishes of each inhabitant. The double walls will compartmentalize the different rooms following the curved axes of the building by integrating also many useful storage spaces.

» The energetic efficiency is obtained by isolating façades with high performance named inter-layer or double-layer:

The Agora Garden tower is covered by linear crystalline façades repeating themselves at each level. The identical facades in every apartment will be pre-manufactured in factory to accelerate their setting-up during the works. A multilayer glass (airspace + Polyvinyl Butyral) or double layer façades with integrated blinds will be directly associated there in order to protect the interior spaces from the solar radiation in summer and to limit the calorific loss in winter.

The landscape balconies, green cascades of flowers, fruits, vegetables and aromates

The landscape concept is to build a cascade of suspended gardens which cover the entire building. The tower becomes then a true vertical inhabited park, in a box of nature in the heart of the city! The selected essences will be preferably eatable in order to make each inhabitant gardener in its own vegetable consumption. Suspended orchards, organic vegetable gardens, aromatic and medicinal gardens will flourish the wide and deep jardinière along the global periphery of each apartment. Garden furniture, compost spaces from waste to organic fertilizers, fuel cells, rain water tanks for the irrigation of plants, and ecologic nests for birds will be directly integrated in the design of these jardinières. In order to protect the organic substrate tanks from the heating coming from the solar radiation, the planting beds will be covered by a layer of Bethel white granite on honeycomb. The white colour of the Agora Garden tower will provide a new emblematic, pure and fresh identity.

The tower generates through its morphology in rotation two types of very specific landscape balconies:

1. The balconies called ascending or positive:open-air, they benefit from a maximal sunshine and enable to cultivate their trees and shrubs of subtropical essences. We will preferably set up the living rooms on this side. It will be also possible to inlay photovoltaic sunshades at the extremity of the slab according to the wishes of each resident. Thermal captors could be also set up in order to produce sanitary hot water.

2. The balconies called descending or negative:Covered by the superior level, they offer half shadowed relaxing spaces to cultivate flowers, vegetables, aromatic plants and falling and climbing species. We will preferably set up the bedrooms on this side.

In bow of the housing storeys, are laid-out some outdoor garden bath sanctuary that coils themselves up in an alcove dig in the façade of each apartment. Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain. Following the seasons, the planted essences (with persistent and deciduous leaves) will make its colours and its abundance to evolve. Declining a camaieu of green in the summer, the tower will blaze with golden and bloody colours in autumn. In spring, it will be bloomed with thousands colours and will liberate floral fragrances from its fruit trees. The tower will then develop perfumed micro-climate for the very best welfare of its inhabitants!

The photovoltaic roof and its gardens for phyto-purification

Located at 100 meters high, a huge photovoltaic pergola of 1000 m² transforms the sun rays into electric energy which is directly reintroduced into the network of the building. Under this layer with blue-steel reflection, clubhouses are located on the roof surrounded by panoramic sky gardens. They filter and purify the rain water with the action of the plants in order to reinject the water by gravity in the distribution network of sanitary water. From this terrace, there is an extraordinary panoramic view on the 101 tower.

Agora Garden by Vincent Callebaut Architectures

Above: north-east and south-west facades

The landscape basement naturally lightened and ventilated:

Contrary to the traditional car park of 2.10 M high under beams and plunged under an artificial shadowy light, the car park of the Agora Garden project benefits from the natural light. Actually, a light well integrating seismic joints makes the light and the fresh air fall to the levels of the basement. Thus, the car park and the connected facilities (swimming pools and fitness) are naturally ventilated. The main access of the basement is done by the Song Yong Road under a sculptural entry gate inspired by a spiralling leaf.

From the level B1, we can access to both car elevators inside the central core and go very quickly to the sky garages located at the entrance of each apartment. The car park is designed in the existing perimeter of the current car park of the pre-existing Agora Garden hotel in order to limit the works cost of excavation and foundations.

Only the south-west wall has been corrected so as to set up a laying-out with double helix. Actually, in the continuation of the rotating tower, the car park is drawn according to a circular plan with an ascending interior helix around the core in the direction of the exit and a second descending helix in the direction of the entrance. The whole set forms a continuous banister that welcomes more than 230 cars and 500 scooters. From slab to slab, the minimal height is 3,10 meters which improves comfortably the atmosphere of the building of an immaculate white. It is important to notice that the structure of the tower weights through this car park in order to facilitate the descent of the loading of the whole building.

The Challenge Of A Positively Ecologic Revolution!

In the architecture of the Agora Garden project, the association of the living (Bios), the biotechnologies (renewable energies and nanotechnologies), and the NICT (New Technologies of Information and Communication), can meet the Chinese antique thought which always refused to separate the nature and the humanity that nourishes itself from it; the body from the spirit that did not exist without it. Avant-gardist on the theme of contemporary ecologic crisis, the Chinese thought prefers the relationships rather than the separated elements. The human being and its life framework depend from the fusion of the variables:

As humbly wrote the influent sinologist, specialist in old China Marcel Granet in the Chinese Thought in 1934: None opposes the human being from the nature; do not think of opposing them such as the free element from the determined element. The Chinese people only see in the Time and the Space a gathering of occasions and sites. These are interdependences, solidarities that constitute the order of the Universe. We do not think that the Man could form a reign in the Nature or that the spirit distinguishes itself from the material.

In the heart of Taipei, after having built the city on the landscape, after having then built the city on the city, it is now time for the landscape to rebuild itself on the city! In this perspective of ecologic resilience, the Agora Garden project must be considered as an abstraction of geography and a distortion of ecosystem. The Agora Garden project is a nature built from the living that fights for the re-naturalisation of Ecopolis of tomorrow! This tower reveals strongly and surely the challenge of reinventing a new lifestyle for residential tower, that is self-sufficient, sculpturally unprecedented. It is a project absolutely unique in the world and charismatic drawing with poetry in the oriental sky, a delicate superposition of sky villas with wide suspended private gardens.

Last but not least, it is a unique ecologic landmark, new symbol of sustainability at the bottom of the prestigious 101 tower!

Agora Garden by Vincent Callebaut Architectures

Above: cross section

Type: International Competition – First Prize Winner In November 2010
Client: Bes Engineering Corporation, Taipei
Contract Location: Xinyin District, Taipei City, Taiwan
Program: 40 Luxurious Apartments + Facilities
Surface Area: 42.335.34 M²
Delivery: 2016
Current Phase: Construction Documents – Below Grade Under Construction
Green Certification: LEED Gold

International Design Architect: Vincent Callebaut Architectures, SARL Paris
Local Architect: LKP Design, Taipei
Structural Engineer: King Le Chang & Associates, Taipei
Local Mep Engineering: Sine & Associates, Taipei
International Interior Architect: Wilson & Associates (Wa), Los Angeles
International Landscape Architect: SWA, Sausalito, San Francisco
Local Landscape Architect: Horizon & Atmosphere (H&A), Taipei
International Lighting Designer: L’observatoire International, New-York
Local Lighting Designer: Unolai Design, Taipei
Green Consultant: Enertek, Taipei
VCA’s Team: Emilie Diers, Frederique Beck, Jiao Yang, Florence Mauny, Volker Erlich, Philippe Steels, Marco Conti Sikic, Benoit Patterlini, Maguy Delrieu, Vincent Callebaut
Model Maker: Patrick Laurent

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Vincent Callebaut
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Scoop chair by KiBiSi for Globe Zero 4

Milan 2013: this office chair by Copenhagen design firm KiBiSi is mounted on a Y-shaped stem, allowing the seat of the chair to rock back and forth as well as rotating left and right.

Scoop chair by KiBiSi for Globe Zero 4

The Scoop Chair has a gyroscope-like suspension system intended to create the feeling of moving freely in the air.

Scoop chair by KiBiSi for Globe Zero 4

The chairs have upholstered cast-foam seats in a range of different fabrics and will be available in a colour scheme inspired by ice cream shades. Frames will be polished aluminium or powder-coated in black and white.

Scoop chair by KiBiSi for Globe Zero 4

“We wanted to stay clear of a home decorative cutesy product and contract business polish. We needed to establish a new middle ground that would bridge private and public spaces,” said KiBiSi partner and creative director Jens Martin Skibsted. See all our stories about projects by KiBiSi.

Scoop chair by KiBiSi for Globe Zero 4

The chair forms part of a series of furniture KiBiSi has designed for Danish furniture brand Globe Zero 4 and will be presented at the Salone Internazionale del Mobile in Milan from 9 to 14 April.

Scoop chair by KiBiSi for Globe Zero 4

KiBiSi is an industrial design firm founded by Lars Larsen, Bjarke Ingels Group and Jens Martin Skibsted.

Scoop chair by KiBiSi for Globe Zero 4

See more news and products from Milan 2013.

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for Globe Zero 4
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Apartment Building in Chailly by Personeni Raffaele Schärer Architects

Unfinished concrete surfaces and wire-fencing balustrades give an industrial aesthetic to the interiors of this apartment building in Lausanne, Switzerland, by local studio Personeni Raffaele Schärer Architects (+ slideshow).

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

“The choice of materials strives to create an abstract ambience,” architect Dany Roukoz told Dezeen. “The spaces remain open and incomplete, creating a simple environment in which one can unroll a vivid carpet, hang pictures and lay out personal furniture.”

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Located to the north of the city in Chailly, the three-storey building was designed by Personeni Raffaele Schärer Architects with a triangular plan that stretches right to the corners of its site. Two apartments are located on each floor, while balconies are inserted into the sharply-pointed corners.

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

“The triangular shape is an approximate extrusion of the site’s legal construction limits,” said Roukoz. “The layout of the apartments on the lower levels is an orthogonal grid that is only interrupted by the free shape of the facade.”

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Exposed concrete ceilings run through each room, while the concrete staircase stretches up through the centre of the building adn flooring inside the apartments is timber.

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Roukoz explains: “Without any ‘coating’, we’ve shown the materials for what they really are.”

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

The exterior of the building is clad with grey render, while windows are surrounded by dark metal frames.

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Other buildings by Personeni Raffaele Schärer Architects include an office block with a gridded exterior and a spiral staircase. See more architecture in Switzerland.

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Photography is by Daniela & Tonatiuh.

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Here’s some more information from Personeni Raffaele Schärer Architects:


Apartment building in Chailly, Lausanne

This building participates to the densification of the northern neighborhoods of Lausanne. Its tectonic derives from the site’s shape and a strict compliance with the building code. It addresses the various conditions around it: the street facing elevation underlines the gentle curve of Temple Avenue while the opposite one follows the waving course of the river Vuachere lined by trees. It is simply organized on three levels. Each apartment has a unique open layout extending out with its own private exterior space (garden, balcony and terrace).

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Client: Françoise et Eric Hubert-Martinet
Architects: Personeni Raffaele Schärer Architects
Civil Engineer: SD ingénierie Lausanne SA
Environmental Engineer: Planair SA

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Completed: 2011-2012
Total area: 600 sqm
Volume SIA 116: 2600 m3
Usage coefficient: 0.5
Levels: 3 + Basement
Apartments: 6

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Structure: reinforced concrete
Facades: roughcast with metal coating on perimeter insulation
Windows: triple glazing, metal/PVC frames
Heating: district heating

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Materials:
Floor – rustic wooden floor
Walls – plaster smoothing finish
Ceiling – exposed concrete

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Above: site plan

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Above: ground floor plan

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Above: first floor plan

Apartment Building in Chailly by Personeni Raffaele Scharer Architects

Above: second floor plan

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Personeni Raffaele Schärer Architects
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