Taipei announced as World Design Capital 2016

Taipei announced as World Design Capital

News: Taiwanese city Taipei has been announced as World Design Capital 2016, having been the only city to submit a bid for the title.

The International Council of Societies of Industrial Design (ICSID) in Canada announced the designation yesterday at its general assembly meeting in Montréal, Canada.

“Taipei is a city driven by design,” stated ICSID President Soon-in Lee. “In what was a very provocative bid book, we learnt of Taipei’s plan to focus its programme on issues of sustainability and the responsibility of preserving the environment for future generations. The balance between innovation and a respect for nature is what will allow Taipei to be recognised as a true design leader through its designation as World Design Capital.”

The city will stage events under the theme Adaptive City – Design in Motion. Taipei’s deputy mayor Hsiungwen Chen attended the event to accept the title on behalf of the Taipei city government. “In the process of bidding for WDC, we have discovered that embedding design into our city’s governance is gradually changing the face and the thinking of Taipei, and enhancing the quality of our service to our citizens,” he said.

“Our next step will be to fulfil the vision of the WDC and Taipei’s programme will act as a catalyst for our existing industrial ecology, leading to the creation of more investment opportunities and job openings,” he continued. “This in turn will allow us to develop more human resources and establish more market opportunities for our design industry.”

ICSID announced in August that it had received only one bid for the 2016 title, down from just three contenders the previous time around. When Dezeen caught up with ICSID president-elect Brandon Gien in Gwangju soon after, he told us that the cost of entering and hosting was to blame, saying it is “prohibitive for cities around the world to enter, because it is expensive.”

The single qualifying bid was examined by a selection committee that included Soon-in Lee, executive mayor of Cape Town Patricia de Lille and designer Jens Martin Skibsted. Taipei is the fifth World Design Capital and will follow Cape Town, which becomes World Design Capital 2014 next year.

The World Design Capital programme was established in 2008 to “focus on the broader essence of design’s impact on urban spaces, economies and citizens” and is bestowed every two years. Previous cities to hold the position are Torino (2008), Seoul (2010) and Helsinki (2012).

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Eight Budding Designers in China: A group of innovators who think and create both traditionally and globally

Eight Budding Designers in China


by Stefano Caggiano China is often considered the “factory” of the world, but as the world’s most populous country is growing at such a rapid rate—in all ways—those beliefs are surely bound to be recognized as old-fashioned soon. One realm in which the…

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SANAA wins Taichung Cultural Centre competition

News: Japanese architecture studio SANAA has won a competition to design the Taichung Cultural Centre in Taiwan.

SANAA wins Taichung Cultural Centre competition

SANAA‘s proposal for a stack of warped cuboids beat proposals by international firms including Eisenman Architects of New York and Mass Studies of Seoul.

SANAA wins Taichung Cultural Centre competition

Translucent mesh will be draped from the edges of the roofs to create curving curtains around the buildings. The cuboids will sit at angles to one another and overlap at the corners to link exhibition spaces, libraries and reading areas within the new Taichung Cultural Centre.

SANAA wins Taichung Cultural Centre competition

Visitors will enter through a large plaza beneath the volumes in the centre of the complex. Inside there will be three main storeys interspersed with mezzanines.

SANAA wins Taichung Cultural Centre competition
Ground level plan – click for larger image

A spiralling ramp will connect private study areas piled on top of each other around the sides in one of the largest spaces. The offset volumes will create large covered outdoor spaces and roof terraces, providing seating areas for cafes.

SANAA wins Taichung Cultural Centre competition
First level plan – click for larger image

SANAA recently presented designs for a new campus for Israel’s leading design school and is shortlisted to design a new headquarters and visitor centre for the Nobel Prize in Stockholm.

SANAA wins Taichung Cultural Centre competition
Second level plan – click for larger image

Beijing architects MAD have designed a convention centre for Taichung, while Stan Allen constructed a pavilion of bamboo scaffolding at a former airport in the central Taiwanese city.

SANAA wins Taichung Cultural Centre competition
Long section – click for larger image

See more projects by SANAA »
See more architecture and design in Taichung »
See more cultural architecture »

SANAA wins Taichung Cultural Centre competition
Cross section – click for larger image

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Taipei city submits the only bid for World Design Capital 2016

Taipei submit single bid for World Design Capital 2016

News: only one city has submitted a bid for World Design Capital 2016 – meaning Taipei is likely to be awarded the title.

This week the International Council of Societies of Industrial Design (ICSID) in Canada announced that they had received a single submission from the city of Taipei for the World Design Capital 2016 designation. Last time around there were just three contenders.

The World Design Capital selection committee said that they are not discouraged by the lack of submissions to this fifth edition and will “leverage this opportunity to focus its assessment on the viability of the application”.

Taipei’s application has passed the first evaluation phase. ICSID and WDC officials will conduct a two-day visit to the city to assess if it qualifies for the title, which will be announced in September. It’s not yet clear what will happen if Taipei fails to qualify.

Two projects underway in Taipei include Agora Garden, a plant-covered twisting tower by Vincent Callebaut and Taipei Performing Arts Center, designed by architects OMA.

World Design Capital was established in 2008 to “focus on the broader essence of design’s impact on urban spaces, economies and citizens”.

Next year the city of Cape Town will become the World Design Capital 2014, following previous winners Helsinki, Seoul and Turin. The South African capital beat off competition from shortlisted rivals Bilbao and Dublin to be named World Design Capital back in 2011.

Earlier this year at the 2013 Design Indaba conference non-profit organisation Cape Town Design launched a call for event submissions for the city’s stint as World Design Capital.

Read more design in Taipei »
Read design and architecture news from Taiwan »

Image of Taipei city courtesy of Shutterstock.

Here’s a full press release from ICSID:


In its first round of evaluation towards the selection process of the next World Design Capital (WDC) designated city, the International Council of Societies of Industrial Design (ICSID) announced on 6 August 2013 that members of the Selection Committee identified the City of Taipei as the only municipality to move on to the next phase in the process towards becoming the WDC 2016.

The Selection Committee convened on 5 August to discuss the merits of the application brought forward by the City of Taipei with the aim of evaluating its contents against the stringent criteria that awards this designation to a qualifying city on a biennial basis. Having passed the initial scoring, it was decided upon careful consideration that the application would move on to the next phase, which would involve a two-day onsite evaluation.

The site visit will enable further information to be gathered in an attempt to provide the WDC Selection Committee with a more thorough understanding of the proposed programmes, as well as aim to address questions raised during the first round of evaluation.

The 2016 designation will mark the 5th cycle for the WDC programme established by Icsid as a year-long platform demonstrating the value of design when utilised by cities to empower revitalisation strategies from a social, cultural and economic perspective.

The WDC Selection Committee was not discouraged by the one bid submitted but rather leveraged this opportunity to focus its assessment on the viability of the application. The same rigour will be applied to ensure that the proper evaluation metrics are enforced to determine whether the City of Taipei will meet all criteria.

A comprehensive report on the findings will be compiled by members of Icsid’s WDC Organising Committee and shared with the WDC Selection Committee following the city visit. The final deliberation and official announcement is expected to take place in September 2013.

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Controller

Saman Kesh nous prouve une nouvelle fois son talent indéniable pour la mise en scène et la réalisation avec ce court-métrage « The Controller ». Dans cette création parfaitement maîtrisée produite par Marq Films, une fille prisonnière aux pouvoirs impressionnants prend le contrôle de son petit-ami pour venir la secourir.

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Les Bebes Cupcakery by J.C. Architecture

A door and deep-framed window are set into the glass house-shaped facade of this cupcake shop in Taiwan by J.C. Architecture.

Les bebes Cupcakery by J.C. Architecture

Taiwanese studio J.C. Architecture used the cake boxes as a starting point for the interior design. “We wanted to create a space that derives from the actual product itself,” say the architects. “We took the idea of the gift packaging and studied the movement of folding.”

Les bebes Cupcakery by J.C. Architecture

Les Bebes Cupcakery has a house-shaped shop frontage that extends beyond the facade of the building with a floor-to-ceiling glass window, interrupted by a solid black doorway.

Les bebes Cupcakery by J.C. Architecture

A black-framed box with a yellow interior pushes through the glass, acting as a display cabinet for the cupcakes.

Les bebes Cupcakery by J.C. Architecture

Inside the shop, a line of small shelves appears to have folded out of the white walls like box lids, revealing squares of dark tiles behind.

Les bebes Cupcakery by J.C. Architecture

Dark tiles are also used to border a raised bar area, which is lined with yellow and black stools.

Les bebes Cupcakery by J.C. Architecture

We recently featured a beauty salon in Osaka that also has a house-shaped shop window.

Les bebes Cupcakery by J.C. Architecture

Earlier this year we featured a patisserie that uses reclaimed wooden doors to recreate the decorative panelling of nineteenth century French interiors.

Les bebes Cupcakery by J.C. Architecture

See all our stories about shop design »

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Agora Garden by Vincent Callebaut

A plant-covered twisting tower shaped like a DNA strand by Belgian architect Vincent Callebaut is under construction in Taipei, Taiwan (+ slideshow).

Agora Garden by Vincent Callebaut Architectures

Described by Vincent Callebaut as “neither single tower, nor twin towers”, the 20-storey Agora Garden apartment block is designed with a double-helix structure that twists up around a fixed central core.

Agora Garden by Vincent Callebaut Architectures

“Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain,” says the architect.

Agora Garden by Vincent Callebaut Architectures

Balconies on each floor will be filled with plants, vegetable gardens and fruit trees, creating a cascading layer of greenery across the exterior. These will enable residents to grow their own food and compost all their biodegradable waste.

Agora Garden by Vincent Callebaut Architectures

Between two and four apartments will be located on each floor of the building and will integrate a number of sustainable technologies, including rainwater-harvesting and solar energy.

Agora Garden by Vincent Callebaut Architectures

“The concept is to build a true fragment of vertical landscape with low energetic consumption,” explains Callebaut. “The project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity.”

Agora Garden by Vincent Callebaut Architectures

Agora Garden is being constructed on one of the largest designated residential sites in the city and will be surrounded be a moat. As well as apartments, the building will also accommodate rooftop clubhouses, a swimming pool, gym facilities and car parking floors.

Agora Garden by Vincent Callebaut Architectures

Vincent Callebaut won a competition to design the building in 2010 and construction is set to complete in 2016.

The architect also recently unveiled a futuristic concept for “farmscrapers” made from piles of giant glass pebbles. See more architecture concepts by Vincent Callebaut.

Here’s a detailed project description from the architect:


Agora Garden, An Ecologocal Residential Tower

Taipei, Taiwan, 2010-2016

In November 2010, Vincent Callebaut Architectures SARL was awarded as the successful tenderer for the construction of a new luxurious residential tower located at Taipei. The project is currently under construction and will be completed in 2016.

You will find below the conceptual design proposal presented during the competition phase in 2010 by Vincent Callebaut, design architect:

The Ecologic Philosophy of the Project

In the heart of the urban networks of Xinyin District in full development, the Agora Garden project presents a pioneer concept of sustainable residential eco-construction that aims at limiting the ecologic footprint of its inhabitants by researching the right symbiosis between the human being and nature.

On this site that is the last and only biggest parcel of land for residential use, the concept is to build a true fragment of vertical landscape with low energetic consumption. The building is thus eco-designed. It integrates not only the recycling of organic waste and used water but also all the renewable energies and other new state-of-the-art nanotechnologies (BIPV solar photovoltaic, rain water recycling, compost, etc.). The project targets thus the energetic performance so as to be officially approved by the Green Building Label, the norm for high environmental quality, delivered by the Home Affairs Ministry of Taipei.

Part of the concept of inhabited and cultivated vertical farm through its own inhabitants, this project of residential tower enables first to design by its avant-gardist architecture a new life style in accordance with the nature and the climate. Actually, the Agora Garden tower superimposes vertically wide planted balconies of true suspended orchards, organic vegetable gardens, aromatic gardens and other medicinal gardens.

Such as a living organism, the tower becomes metabolic! It overpasses its energy-consuming passive role (absorbing all the natural resources and rejecting only waste) to produce its own organic food. The architectural concept is thus to eco-design an energy self-sufficient building, whose energy is electric, thermal and also alimentary.

Therefore, the project answers directly to 4 main ecologic objectives of the After Copenhagen:

1. The reduction of the climatic global warming.
2. The protection of the nature and the biodiversity.
3. The protection of the environment and the quality of life.
4. The management of the natural resources and waste.

Finally, according to the Cradle to Cradle concept where nothing is lost, everything transforms itself; all the construction and furnishing materials will be selected through recycled and/or recyclable labels. By imitating the processes of natural ecosystems, it deals thus with reinventing in Taiwan the industrial and architectural processes in order to produce clean solutions and to create industrial cycle where everything is reused, either back to the ground as non-toxic organic nutrients, or back to the industry as technical nutrients able to be indefinitely recycled. Biotechnological prototype, the Agora Garden project reveals thus the symbiosis of human actions and their positive impact on the nature.

Agora Garden by Vincent Callebaut Architectures

Above: north and south facades

The Morphologic Philosophy of the Project

Neither single tower, nor twin towers, the project arises towards the sky with two helicoidal towers gathering themselves around a central core. This architectural party offers a hyper-compacted core and a maximal flexibility of the housing storeys (with the possibility to unify two apartments units in one without any footbridge). It brings a reduction of view angles towards the urban landscape and a hyper-abundance of suspended gardens.

The Agora Garden tower is, as its name indicates it, directly inspired of the structure in double helix of the DNA (Deoxyribonucleic acid), source of life, dynamism and twinning. Every double helix is represented in the project by two housing units forming a full level.

Thus, from its base to the top, the 20 inhabited levels in double helix stretch themselves and twist themselves at 90 degrees. By metaphor, the obtained sinuosity corresponds to the universal musical symbol of harmonic revealing the notion of ultimate balance praised by the project.

» This twist of 90 degrees answers to four major objectives:

1. The first objective is to be perfectly integrated in the north/south pyramidal profile of the building volume. Actually, the morphology of the project changes according to its orientation. Its east/west elevations draw a rhomboidal pyramid whereas the north-south ones represent a reverse pyramid.

2. The second objective is to generate a maximum of cascades of suspended open-air gardens, not part of the F.A.R. (floor area ratio). Thus, the planted balcony surface area can easily exceed the limit of the required 10 percents. The global framework of 40 percents of building coverage ratio, i.e. 3 264 M2 is thus totally respected.

3. The third objective is to offer to the inhabitants exceptional panoramic views on the skyline of Taipei by multiplying the transversal views, especially towards the very close Taipei 101 tower and the Central Business District in full emergence.

4. The fourth objective is to generate from a flexible standardized level a progressive geometry with corbels which assures the intimacy and the confidentiality of each apartment by avoiding the indiscreet vision axes.

Inspired from nature, the Agora Garden project is shaped with an organic fluid and dynamic geometry. From the simple and standardized element of the double helix of housing superimposed vertically and put in successive rotation of 4.5 degrees level by level, a multi-facial morphology appears all in convex and concave curves.

Actually, according to the point of view of the pedestrian from the surrounding streets, the Agora Garden tower changes of faces and proposes new profiles. Besides this moving geometry wearing a planted dress with sensual style, the project represents a built ecosystem that repatriates the fauna and the flora in the heart of the city and generates a new box of subtropical biodiversity. It is a new nest in the city!

Agora Garden by Vincent Callebaut Architectures

Above: east and west facades

The Main Components of the Project

The luxuriant forest and the glade

In order to ensure the confidentiality of the residents, the whole perimeter of the site is bordered by a mineral moat that animates the outside public space with organic urban furnitures. Inside the parcel, the walls of this moat transform themselves into planted surrounding walls. The main access of the site is located at the Song Yong Road which is less busy that the main avenue, Song Gao Road. The tower is coiled up in the centre of a heavy and luxuriant safe forest of mature trees that protects the intimacy of the inhabitants from the surrounding urban pollution. In the heart of the vegetable lung, the pedestrian square of exotic wood opens itself on a mineral and aquatic glade.

Such as the shock wave created by a water drop, the landscape design is made in circles arches and radiates from the epicentre of the tower. A circular light well, curved this time, makes the light, the abundant plants in cascades to the deepest basement. The car parks, the swimming pool and the fitness are thus naturally lightened and ventilated.

The lobbies in indoor – outdoor connectivity

The ground floor in double height sets through its great transparent facades a high connectivity between the interior community spaces and the exterior garden.

The central core, a vertical twisted garden surrounded by sky entry foyers

The central core has been designed to separate totally the vertical circulations into two housing units on the same level. This core is fixed (it does not pivot). But in order to ensure the rotation of the storeys floor by floor, it is surrounded by a (naturally lightened) horizontal circulation loop welcoming the entry foyer dedicated to each unit. This buffer loop enables thus to set the main entrance always in the axis of each apartment and this despite of the 4.5 degrees rotation storey by storey. An alternative has been studied to build sky entry foyers directly around the cylindrical central core offering thus planted entry foyers with spectacular front view on the city of Taipei.

By level, the central core gathers 2 staircases, 4 high speed elevators of 24 people (1800 kg), 1 car elevators (also useful to carry enormous art pieces, luxury antique vehicles, or even huge pianos, etc.), 2 sky garages in glass and also all the vertical shafts for the main flows. All these vertical flows are covered by a huge bearing exoskeleton in reinforced steel.

The apartments, a maximal spatial and technical flexibility

The apartments of 540 M2 on average superimpose themselves under the shape of two planted twists unified around a central core. Each unit presents a storey structurally made with Vierendeel beams system behind glass facades only on even floors. All levels are linked at both ends by two spiralling mega columns covered by green walls. Each apartment is completely free columns!

This structural concept inspired by the DNA chain enables a maximal flexibility in terms of interior layout. It ensures also an optimal visual permeability (indoor outdoor connectivity) towards the suspended gardens of the balconies in foreground and the urban panorama on the background.

» The spatial flexibility is divided in 4 main typologies of storeys of 2 or 4 units:

Typology A: 2 units with curved living rooms around a central core.
Typology B: 2 units with living rooms stretched in the length behind the Southern façades.
Typology C: 2 units with living rooms set in bow by the panoramic storey.
Typology D: 4 units in duplex with living rooms benefiting from a double height.

In addition to these basic typologies, two huge clubhouses are set up on the roof floors so as to respect the setback required by the building volume. Therefore, from the same standardized double helix (1.250 M2 floor area), the rotation of the storey and its customizable interior laying-out makes every level be a unique floor for each resident!

Agora Garden by Vincent Callebaut Architectures

Above: north-west and south-east facades

» The technical flexibility is obtained by the integration of the double deck and double wall concepts:

Spatially hyper-flexible, the constructive system proposed also a total flexibility to the level of technical distribution of the flows. Additional vertical flows are organized with “oblique shafts” along the glass façade. The system of double deck is integrated at each level under the shape of a double floor and a suspended ceiling. The network of the flows (rain water, used water, hot water, electricity, under floor-heating, cool air, hot air, optic fibre, etc.) crossing the central core can thus irrigate without any difficulty on the horizontal way all the surface area of each storey. Moreover, the use of castellated beams will enable to take advantage of a maximal free height under ceiling. The interior partitioning of each apartment will be à la carte according to the wishes of each inhabitant. The double walls will compartmentalize the different rooms following the curved axes of the building by integrating also many useful storage spaces.

» The energetic efficiency is obtained by isolating façades with high performance named inter-layer or double-layer:

The Agora Garden tower is covered by linear crystalline façades repeating themselves at each level. The identical facades in every apartment will be pre-manufactured in factory to accelerate their setting-up during the works. A multilayer glass (airspace + Polyvinyl Butyral) or double layer façades with integrated blinds will be directly associated there in order to protect the interior spaces from the solar radiation in summer and to limit the calorific loss in winter.

The landscape balconies, green cascades of flowers, fruits, vegetables and aromates

The landscape concept is to build a cascade of suspended gardens which cover the entire building. The tower becomes then a true vertical inhabited park, in a box of nature in the heart of the city! The selected essences will be preferably eatable in order to make each inhabitant gardener in its own vegetable consumption. Suspended orchards, organic vegetable gardens, aromatic and medicinal gardens will flourish the wide and deep jardinière along the global periphery of each apartment. Garden furniture, compost spaces from waste to organic fertilizers, fuel cells, rain water tanks for the irrigation of plants, and ecologic nests for birds will be directly integrated in the design of these jardinières. In order to protect the organic substrate tanks from the heating coming from the solar radiation, the planting beds will be covered by a layer of Bethel white granite on honeycomb. The white colour of the Agora Garden tower will provide a new emblematic, pure and fresh identity.

The tower generates through its morphology in rotation two types of very specific landscape balconies:

1. The balconies called ascending or positive:open-air, they benefit from a maximal sunshine and enable to cultivate their trees and shrubs of subtropical essences. We will preferably set up the living rooms on this side. It will be also possible to inlay photovoltaic sunshades at the extremity of the slab according to the wishes of each resident. Thermal captors could be also set up in order to produce sanitary hot water.

2. The balconies called descending or negative:Covered by the superior level, they offer half shadowed relaxing spaces to cultivate flowers, vegetables, aromatic plants and falling and climbing species. We will preferably set up the bedrooms on this side.

In bow of the housing storeys, are laid-out some outdoor garden bath sanctuary that coils themselves up in an alcove dig in the façade of each apartment. Different from the modern city built of concrete, glass and steel, the Agora Garden tower appears in an urban centre as a green twisted mountain. Following the seasons, the planted essences (with persistent and deciduous leaves) will make its colours and its abundance to evolve. Declining a camaieu of green in the summer, the tower will blaze with golden and bloody colours in autumn. In spring, it will be bloomed with thousands colours and will liberate floral fragrances from its fruit trees. The tower will then develop perfumed micro-climate for the very best welfare of its inhabitants!

The photovoltaic roof and its gardens for phyto-purification

Located at 100 meters high, a huge photovoltaic pergola of 1000 m² transforms the sun rays into electric energy which is directly reintroduced into the network of the building. Under this layer with blue-steel reflection, clubhouses are located on the roof surrounded by panoramic sky gardens. They filter and purify the rain water with the action of the plants in order to reinject the water by gravity in the distribution network of sanitary water. From this terrace, there is an extraordinary panoramic view on the 101 tower.

Agora Garden by Vincent Callebaut Architectures

Above: north-east and south-west facades

The landscape basement naturally lightened and ventilated:

Contrary to the traditional car park of 2.10 M high under beams and plunged under an artificial shadowy light, the car park of the Agora Garden project benefits from the natural light. Actually, a light well integrating seismic joints makes the light and the fresh air fall to the levels of the basement. Thus, the car park and the connected facilities (swimming pools and fitness) are naturally ventilated. The main access of the basement is done by the Song Yong Road under a sculptural entry gate inspired by a spiralling leaf.

From the level B1, we can access to both car elevators inside the central core and go very quickly to the sky garages located at the entrance of each apartment. The car park is designed in the existing perimeter of the current car park of the pre-existing Agora Garden hotel in order to limit the works cost of excavation and foundations.

Only the south-west wall has been corrected so as to set up a laying-out with double helix. Actually, in the continuation of the rotating tower, the car park is drawn according to a circular plan with an ascending interior helix around the core in the direction of the exit and a second descending helix in the direction of the entrance. The whole set forms a continuous banister that welcomes more than 230 cars and 500 scooters. From slab to slab, the minimal height is 3,10 meters which improves comfortably the atmosphere of the building of an immaculate white. It is important to notice that the structure of the tower weights through this car park in order to facilitate the descent of the loading of the whole building.

The Challenge Of A Positively Ecologic Revolution!

In the architecture of the Agora Garden project, the association of the living (Bios), the biotechnologies (renewable energies and nanotechnologies), and the NICT (New Technologies of Information and Communication), can meet the Chinese antique thought which always refused to separate the nature and the humanity that nourishes itself from it; the body from the spirit that did not exist without it. Avant-gardist on the theme of contemporary ecologic crisis, the Chinese thought prefers the relationships rather than the separated elements. The human being and its life framework depend from the fusion of the variables:

As humbly wrote the influent sinologist, specialist in old China Marcel Granet in the Chinese Thought in 1934: None opposes the human being from the nature; do not think of opposing them such as the free element from the determined element. The Chinese people only see in the Time and the Space a gathering of occasions and sites. These are interdependences, solidarities that constitute the order of the Universe. We do not think that the Man could form a reign in the Nature or that the spirit distinguishes itself from the material.

In the heart of Taipei, after having built the city on the landscape, after having then built the city on the city, it is now time for the landscape to rebuild itself on the city! In this perspective of ecologic resilience, the Agora Garden project must be considered as an abstraction of geography and a distortion of ecosystem. The Agora Garden project is a nature built from the living that fights for the re-naturalisation of Ecopolis of tomorrow! This tower reveals strongly and surely the challenge of reinventing a new lifestyle for residential tower, that is self-sufficient, sculpturally unprecedented. It is a project absolutely unique in the world and charismatic drawing with poetry in the oriental sky, a delicate superposition of sky villas with wide suspended private gardens.

Last but not least, it is a unique ecologic landmark, new symbol of sustainability at the bottom of the prestigious 101 tower!

Agora Garden by Vincent Callebaut Architectures

Above: cross section

Type: International Competition – First Prize Winner In November 2010
Client: Bes Engineering Corporation, Taipei
Contract Location: Xinyin District, Taipei City, Taiwan
Program: 40 Luxurious Apartments + Facilities
Surface Area: 42.335.34 M²
Delivery: 2016
Current Phase: Construction Documents – Below Grade Under Construction
Green Certification: LEED Gold

International Design Architect: Vincent Callebaut Architectures, SARL Paris
Local Architect: LKP Design, Taipei
Structural Engineer: King Le Chang & Associates, Taipei
Local Mep Engineering: Sine & Associates, Taipei
International Interior Architect: Wilson & Associates (Wa), Los Angeles
International Landscape Architect: SWA, Sausalito, San Francisco
Local Landscape Architect: Horizon & Atmosphere (H&A), Taipei
International Lighting Designer: L’observatoire International, New-York
Local Lighting Designer: Unolai Design, Taipei
Green Consultant: Enertek, Taipei
VCA’s Team: Emilie Diers, Frederique Beck, Jiao Yang, Florence Mauny, Volker Erlich, Philippe Steels, Marco Conti Sikic, Benoit Patterlini, Maguy Delrieu, Vincent Callebaut
Model Maker: Patrick Laurent

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Dadong Art Centre by MAYU Architects

MAYU Architects designed eleven huge funnels to protect visitors from extreme weather conditions in the outdoor spaces of this cultural centre in Taiwan (+ slideshow).

Dadong Art Centre by MAYU Architects

Located in Kaohsiung, the Dadong Art Centre sits between the park and the historic Fengshan city and comprises four buildings – a theatre, an exhibition centre, a library and an education centre.

Dadong Art Centre by MAYU Architects

The shelter folds around the edges of the theatre and exhibition centre to create public spaces that can also be used for dance, Tai-Chi and other games, which the architects say occur frequently on the city streets.

Dadong Art Centre by MAYU Architects

“The roof shape prevents against extreme climatic conditions such as typhoons, periodically strong rain and high summer temperature,” they explain.

Dadong Art Centre by MAYU Architects

During heavy rain, some of the downward pointing funnels channel water down into concealed springs, letting it drain away naturally.

Dadong Art Centre by MAYU Architects

When the temperature is high, hot air is drawn up though the funnels, keeping the spaces naturally ventilated.

Dadong Art Centre by MAYU Architects

Glass diamonds create criss-crossing patterns across the concrete exterior walls.

Dadong Art Centre by MAYU Architects

The theatre is the largest of the four buildings and contains a timber-clad auditorium and a rehearsal hall.

Dadong Art Centre by MAYU Architects

“In order to achieve optimal acoustics in both music and theater use, the ceiling of the auditorium is adjustable,” say the architects.

Dadong Art Centre by MAYU Architects

We’ve also featured a school in Vietnam designed around the weather and a Japanese house with a protective shield for typhoons.

Dadong Art Centre by MAYU Architects

See more projects in Taiwan »

Dadong Art Centre by MAYU Architects

Here’s some project details from the architects:


Architect: MAYU architects (Malone Chang & Yu-lin Chen) + de Architekten Cie
Client: Kaohsiung City Government
Location: Kaohsiung, Taiwan

Dadong Art Centre by MAYU Architects

Project Team: MAYU: Malone Chang & Yu-lin Chen (Architects), Kwantak AUYEUNG, Yachih KUO, Fenlan CHEN, Mavis LIU, Yayun WANG, J. Hsiu, J. Yang, W. Lo, Y. Mai, C. Chen, Y. Lee, H. Shen, I. Shr, Y. Huang, R. Huang, B. Guo, S. Wang (Project team), Wei Cheng LI, Yonghao CHEN, Chih-Hung WANG, Wanzhen CHEN, Qi Yang HUANG, Binghong MA (Construction supervision)
CIE: Branimir Medić & Pero Puljiz (Architects), V. Ulrich, T. Cheng, L. Cvetko, H. Gladys, C. Eickelberg, M. A. Rival (Project team)

Dadong Art Centre by MAYU Architects

Program: 800-seat multi-purpose theater, 150-seat rehearsal hall, 4,000 m2 art education centre, 1,900 m2 administation office, 4,800 m2 exhibition hall, 1,600 m2 outdoor activity space, 3,600 m2 library

Dadong Art Centre by MAYU Architects

Structural Engineer: Arup Amsterdam + Tien-Hun Engineering Consultant Inc.
Acoustics Consultant: Peutz & Associates + Gade & Mortensen Akustikk + Prof. Wei-Hwa Chiang NTUST
Environment Technology Consultant: Hander Engineering & Construction Inc. + I. S. Lin & Associates

Dadong Art Centre by MAYU Architects

Competition: 01/2007
Construction Start: 09/2008
Completion: 03/2012
Building Surface: 36,470 sq m

Dadong Art Centre by MAYU Architects

Ground floor plan – click above for larger image

Dadong Art Centre by MAYU Architects

First floor plan – click above for larger image

Dadong Art Centre by MAYU Architects

Second floor plan – click above for larger image

Dadong Art Centre by MAYU Architects

Third floor plan – click above for larger image

Dadong Art Centre by MAYU Architects

Basement floor – click above for larger image

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