Le Corbusier’s Cité Radieuse rooftop to open as art space

Le Corbusier's Cite Radieuse rooftop to open as art space

News: the rooftop of Le Corbusier’s Cité Radieuse housing block in Marseille is to open to the public this summer as a contemporary art space masterminded by French designer Ora-Ïto. Originally intended as an outdoor gymnasium for the self-contained community of Cité Radieuse – the first building in Le Corbusier’s influential Unité d’Habitation project – the rooftop gradually fell into disuse and was put up for sale three years ago.

Ora-Ïto, whose past designs include a spaceship and sedan chair for French auto maker Citroen, stepped in to buy the space and set to work transforming it into an arts centre with a cafe, shop and artists’ residences.

As part of a £6 million restoration jointly funded by Ora-Ïto, the building’s co-owners and the French state, a 1950s extension was removed to reveal a sun deck and shower room with coloured tiles. The exhibition space will be called MAMO, which is short for “Marseille Modulor” and intended as a playful reference to New York’s MoMA, where a major Le Corbusier retrospective will take place this summer.

Le Corbusier's Cite Radieuse rooftop to open as art space

Set to open in June as part of Marseille’s 2013 Capital of Culture celebrations, MAMO’s first show will be an exhibition by French sculptor Xavier Veilhan, whose Architectones installations are developed specifically for architectural sites.

Cité Radieuse was damaged by fire last August when a fire broke out in a first floor apartment – see all news about Le Corbusier’s architecture.

Earlier this year Foster + Partners completed a polished steel canopy in Marseille’s harbour, while we also recently featured Hufton + Crow’s photographs of Zaha Hadid’s new 142-metre tower in the city – see all projects in Marseille.

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Heel chair by Nendo for Moroso

Milan 2013: Japanese design studio Nendo presents a chair inspired by the spike heels on a pair of stilettos at the Salone Internazionale del Mobile in Milan.

Heel chair by Nendo

Made from wood and lacquered in black, the Heel chair has two straight legs at the front, while the pair at the back are curved to meet the central section of a hollow backrest.

“The line of the back legs and their connection to the backrest give this chair the silhouette of a spike heel,” explains Nendo.

Heel chair by Nendo

Heel is manufactured by Italian brand Moroso and is on show from today until 14 April at the Salone Internazionale del Mobile at C29/D30, Hall 16.

Nendo is presenting a number of products in Milan this week, including a collection of furniture and homeware designed in collaboration with Luca Nichetto. The studio also recently refurbished the womenswear floor of Milanese department store La Rinascente.

Heel chair by Nendo

Other designs on show at the Salone Internazionale del Mobile include an outdoor chair by Jasper Morrison and a set of colourful three-legged stools by Industrial Facility.

See more design by Nendo »
See more furniture by Moroso »
See all our stories from Milan 2013 »

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The La Trobe Institute for Molecular Science by Lyons

This science facility in Melbourne by Australian firm Lyons has a tessellated facade based on the hexagonal geometry of a molecular structure (+ slideshow).

The La Trobe Institute for Molecular Science by Lyons

Located at the Bundoora campus of La Trobe University, the La Trobe Institute for Molecular Science is a six-storey building with hexagonal windows stretching across its front and rear facades.

The La Trobe Institute for Molecular Science by Lyons

“The cellular exterior of the building is derived from ideas about expressing the molecular research that is being undertaken within the building,” explains Lyons.

The La Trobe Institute for Molecular Science by Lyons

Some of the hexagons are extruded from the facade, creating a series of irregularly shaped meeting spaces, while others are simple windows shaded by overhanging canopies.

The La Trobe Institute for Molecular Science by Lyons

Above: photograph is by Nils Koenning

The three lower floors of the building contain student laboratories and teaching rooms, which open out to small terraces and lawns. Research facilities occupy the top three floors and include administrative spaces, a conference room and a staff lounge.

The La Trobe Institute for Molecular Science by Lyons

Above: photograph is by Michael Evans

A continuous staircase stretches though the centre of the building, starting from a first-floor foyer. A bridge links this foyer with another university building, while more stairs lead down over a low roof to meet the ground level below.

The La Trobe Institute for Molecular Science by Lyons

The architects used a broad colour palette to highlight details both inside and outside the structure. Vivid blues and reds frame the hexagonal windows, while columns and banisters are coloured bright orange and the bridge features a shade of lime green.

The La Trobe Institute for Molecular Science by Lyons

Lyons has completed a few university buildings recently, including a bioscience facility with an X-shaped facade and a building covered in brightly coloured scales that was branded “ugly” and “menacing” by Dezeen readers. See more architecture by Lyons.

The La Trobe Institute for Molecular Science by Lyons

Photography is by Dianna Snape, apart from where otherwise stated.

The La Trobe Institute for Molecular Science by Lyons

Here’s some more information from Lyons:


The La Trobe Institute for Molecular Science (LIMS), La Trobe University

The La Trobe Institute for Molecular Science (LIMS) is a major new building on La Trobe University’s Bundoora Campus, which will meet the University’s long-term needs in terms of student learning and research in the science disciplines.

The La Trobe Institute for Molecular Science by Lyons

Lyons were appointed following a design competition sponsored by the Australian Institute of Architects. An integral part of the brief was for the project to have a ‘transformative’ effect in terms of the architecture and identity of the campus, which had previously been built within the strict guidelines for materials and heights.

The La Trobe Institute for Molecular Science by Lyons

Above: photograph is by the architects

The building is designed around the University’s specific model for creating a pathway for students in science; an environment where students can develop into student researchers and ultimately into lead researchers.

The La Trobe Institute for Molecular Science by Lyons

Above: photograph is by Michael Evans

The lower levels of the building accommodate first to third year undergraduate learning spaces – with large open flexible labs (accommodating teaching cohorts for 160 students) connected with ‘dry’ learning spaces. This allows students to move between laboratory based project work, to digital and collaborative learning activities within the adjacent spaces. At ground level, these learning spaces breakout to new landscaped spaces, extending the idea of placing students at the centre of outside social and learning areas.

The La Trobe Institute for Molecular Science by Lyons

The upper three levels of the building are research focused and based around a highly collaborative model. All laboratories are large open flexible spaces where teams are able to work together, or expand and contract according to research funds. These large ‘super labs’ are located immediately adjacent to write-up spaces, allowing a very direct physical and visual connection between all research work areas.

The La Trobe Institute for Molecular Science by Lyons

A series of further shared spaces, including a major conference room, staff ‘college’ lounge and informal meeting spaces, are also located on the research levels. The design is fully integrated with the adjacent existing building, which accommodates a number of other LIMS research staff and laboratories.

The La Trobe Institute for Molecular Science by Lyons

The project design also responds to the unique attributes of the University’s Bundoora Campus, with its elevated ‘concourse’ at the first level. The primary reception to the building is, in fact, located at this concourse level at a ‘cross roads’ of the campus circulation in a north/south direction.

The La Trobe Institute for Molecular Science by Lyons

A major stairway rises through the centre of the building, connecting the student and research levels – as a form of representation of the ‘pathway’. The cellular exterior of the building is derived from ideas about expressing the molecular research that is being undertaken within the building, and is adjusted via the materiality of the building itself.

The La Trobe Institute for Molecular Science by Lyons

The walls are primarily precast concrete, with the cells providing a ‘lower’ and ‘upper’ window into the various spaces, aiding the penetration of daylight. The cellular concept also creates a framework for a number of distinctive spaces for students to occupy or for research staff to meet and collaborate.

The La Trobe Institute for Molecular Science by Lyons

Above: long section – click for larger image

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Riya office chair by PearsonLloyd for Bene

Milan 2013: London studio PearsonLloyd is presenting a chair with orange adjustment controls for office brand Bene at the Austrian Design Details exhibition in Milan today.

Riya office chair by PearsonLloyd for Bene

Buttons and levers used to adjust the height, tilt and armrest positions are picked out in orange to make them easier to find, though there is the option to keep them a more subtle grey tone.

Riya office chair by PearsonLloyd for Bene

The seat and back are available in a variety of colour and textile combinations, while the plastic frame comes in a choice of black or white and the base can be ordered in a metallic finish.

Riya office chair by PearsonLloyd for Bene

Optional extras include a high back for shielding noise in open-plan workspaces and a weight-sensitive mechanism for automatic adjustment.

Riya office chair by PearsonLloyd for Bene

The chairs will be on display as part of the Austrian Design Details exhibition in the Salone dei Tessuti, located at Via San Gregorio 29.

PearsonLloyd will also unveil a range of plastic stacking chairs in Milan this week. The studio’s previous designs for Bene include the Docklands range of workstations and PARCS modular office furniture.

See all our stories about designs by PearsonLloyd »
See all our coverage of Milan 2013 »
See our Milan 2013 map »

Here’s the press release from PearsonLloyd:


Riya chair for Bene

London based studio PearsonLloyd will launch its new task chair Riya at Milan furniture fair this April.

Riya office chair by PearsonLloyd for Bene

Riya is the latest project to emerge from the studio’s ongoing relationship with Austrian furniture brand Bene. Like previous products designed by PearsonLloyd for Bene, which include the ground breaking Parcs range and the recently launched Docklands and Bay Chair, Riya is designed to work across the modern office landscape: in touch-down spaces and open plan zones for collaborative tasks, as well as in quiet areas for focussed individual work.

To achieve this, the task chair had to be flexible, and thanks to its new approach to adjustment controls, it is particularly easy to adapt. Instead of rooting around under the seat for hidden levers, the chair boasts visible orange controls that enable workers to change the chair’s ergonomic settings, and effortlessly glide into a comfortable position. While the task chair has all the comfort and support features you’d want from a seat you spend everyday in, its ease of use, coupled with the option for a weight sensitive synchro mechanism, make it a great choice for shared usage spaces.

Riya office chair by PearsonLloyd for Bene

Working in open plan spaces comes with a set of difficulties though, such as unwanted noise and visual distraction. So PearsonLloyd incorporated a high back option for the chair. Far from an indication of status, the high back acts as an acoustic shield, enclosing workers from noise behind them and creating a sense of privacy.

The task chair’s simple form and clean lines provide a great platform for bringing colour and textiles into the office space. Riya is an example of PearsonLloyd’s continued efforts to rid office furniture of the traditional tech aesthetic, and bring some human touches into the workspace.

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Work starts on Herzog & de Meuron’s Naturbad Riehen swimming pool

Work starts on Herzog & de Meuron's Naturbad Riehen swimming pool

News: construction is underway on an outdoor bathing lake in Riehen, Switzerland, by Swiss architects Herzog & de Meuron.

Naturbad Riehen will be filled with natural water without chlorine or chemical additives and is designed to accommodate 2000 bathers per day. As well as the pool for bathers, the Naturbad will incorporate a series of biological water treatment basins embedded in a sloping field on the other side of the road.

Herzog & de Meuron originally won a competition to design a municipal pool for Riehen in 1979, but the scheme was shelved in 1982. The Swiss architects were then commissioned to rethink the concept in 2007, when they abandoned the conventional swimming pool concept in favour of a facility using natural filtration.

The pool is expected to be completed in 2014.

Work starts on Herzog & de Meuron's Naturbad Riehen swimming pool

Last month Herzog & de Meuron was among 12 international firms shortlisted to design a new headquarters for the Nobel Prize in Stockholm, Sweden, while earlier this year they completed three halls for the Messe Basel exhibition centre – see all architecture by Herzog & de Meuron.

Last year we featured a proposal for a skyscraper in Peru with vertiginous swimming pools sticking out of every apartment and a concept for a pool under an inverted dome at an Istanbul primary school – see all swimming pools.

Work starts on Herzog and de Meuron's Naturbad Riehen swimming pool

Above: site plan

Images by Herzog & de Meuron.

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Naturbad Riehen swimming pool
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Gamma collection by Arclinea in Milan

Gamma collection by Arclinea in Milan

Dezeen promotion: Italian kitchen brand Arclinea will be displaying their latest collection at their Milan showroom from today.

Gamma collection by Arclinea in Milan

Arclinea‘s Gamma range includes handleless units, designed to create seemingly uninterrupted surfaces.

Gamma collection by Arclinea in Milan

The pieces includes solutions for tidying away appliances and utensils, plus display cabinets for bottles of wine.

Gamma collection by Arclinea in Milan

The designs have also been adapted for the bedroom and bathroom, so the same aesthetic can be used throughout the home.

Gamma collection by Arclinea in Milan

Visit the Arclinea showroom from 9 to 14 April, 10:00 – 22:00, at Corso Monforte 28, Milan, to see the full selection of new products.

Read on for more text from Arclinea:


Gamma by Arclinea marks a breakthrough in state-of-the-art, modern kitchen design that broadens the offer of the Arclinea Collection, providing a clear, simple response to the most modern, diversified requirements and combining Arclinea’s key values of quality, functionality, personalisation, liveability with a broad range of kitchen furniture, virtually unlimited possibilities of combination and a broad price range.

Gamma collection by Arclinea in Milan

The Gamma kitchen targets a new market, a new world that seeks accessible, personal, absolutely daily but always extraordinary luxury. Gamma is a kitchen to choose and live in: a kitchen that becomes a light, stimulating roomscape that, while letting imagination take flight, is also functional, sincere, appropriate. Gamma is both a single and multiple space that enhances the importance of the kitchen as centre of the home and emotions: a sensation of wellbeing and harmony, to be shared.

Gamma collection by Arclinea in Milan

It made its debut in the Seventies, the offshoot of design research steered towards development of the Italian kitchen product on domestic and international markets, in accordance with “European” technical requirements of modularity. The handle-less kitchen becomes an icon of lightness and elegance and, for Arclinea, a further stimulus towards constant, both formal and substantial research that, over the years has spawned extraordinary projects with a strong aesthetic impact and endless possibilities of rational composition, passing through in-depth studies of colour and constant research into materials. Today, Gamma is a complete cross-range product that dialogues effortlessly with any environment of the Arclinea general catalogue, integrating seamlessly with all design aspects. In response to the most modern requirements.

Gamma collection by Arclinea in Milan

During the 2013 Milan Furniture Show, Arclinea new products will be on display in our showroom in Corso Monforte 28, Milan – MM1 S.Babila -.

We look forward to seeing you, 9 to 14 April, 10 am to 10 pm for the presentation of the new “Gamma” kitchen concept, the extension of “Artusi Outdoor” program and a wide range of innovative solutions within the Arclinea Collection.

9 to 12 April – four appointments to celebrate the excellence of cooking, 7.30 am to 10 pm.

www.arclinea.it

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Job Office collection by Studio Job for Lensvelt

Milan 2013: Belgian artists Studio Job will present a desk with a golden nose for a drawer handle as part of a collection for Dutch furniture brand Lensvelt at MOST in Milan this week.

Job Office by Studio Job for Lensvelt

Above: Job Buffet

Another piece in the Job Office collection for Lensvelt is the Job Buffet, a white powder-coated metal cabinet with two doors and a chrome-plated aluminium key that locks it.

Job Office by Studio Job for Lensvelt

The Job Desk also makes use of white powder-coated metal for its top and legs, but instead of a key to open the slim drawer, the user must pull on the golden nose.

Job Office by Studio Job for Lensvelt

Above: Job Desk

The two Job Tables are enlarged versions of the Job Desk.

Job Office by Studio Job for Lensvelt

Above: Job Desk

The Job Desk Lamp uses LED bulbs and features an oversized golden switch under its powder-coated metal shade.

Job Office by Studio Job for Lensvelt

Above: gold nose drawer handles

Each piece in the collection is available in a range of colours: white, green, grey, dark grey, black, red, yellow and blue.

Job Office by Studio Job for Lensvelt

Above: Job Desk Lamp

“Over time, Hans Lensvelt has proven to be an ingenious product developer who consistently transforms our unconventional designs into comprehensive functional products, yet intricately maintaining a sense of wit,” said designer Job Smeets. “Our collaboration constitutes sustainable office furniture, valuing the importance of functionality and high-quality objects that represent their own identity and humour.”

Job Office by Studio Job for Lensvelt

Above: Job Cabinet

The collection is an extension of the Job Cabinet launched by Studio Job in Milan last year – a metal cabinet with a single door that also comes with a gold-coloured key.

Job Office by Studio Job for Lensvelt

These pieces will be on show at the MOST exhibition in Milan from 9 to 14 April, while Studio Job will also show lamps with metal buckets and tubs for shades as part of Moooi’s latest collection – see all design by Studio Job.

This week we’re covering all the highlights from Milan, including Zaha Hadid’s monochrome pendant lamps for Slamp and OMA’s furniture collection for US brand Knoll – see all news and products from Milan 2013 or take a look at our interactive map featuring the week’s best exhibitions, parties and talks.

Photographs are by Roos Aldershoff.

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“We’re trying to get design out of the way”

Dezeen and MINI World Tour: in our final movie from Design Indaba in Cape Town, Ben Terrett, head of design at Government Digital Service, explains the design principles behind the new Gov.uk website, which combines all the UK Government’s websites into a single site.

“There were thousands of websites, and we folded them into Gov.uk to make just one,” says Terrett. “The reason to do that really is to ensure that the user doesn’t have to understand government to find something out. They just go to one place and it’s there. They don’t have to know which department has what information.”

"Calvert and Kinneir were doing a very similar thing to what we're doing"

Terrett explains that the core idea behind it was to make it as simple and intuitive as possible for the user. “People only go onto government websites once or twice a year to find out a particular thing,” he says. “So people shouldn’t spend time relearning how to use it. The core of all our work is focussing on user need.”

Terrett sought advice from Margaret Calvert, the graphic designer who, along with Jock Kinneir, designed the UK’s road signs, which have been imitated around the world. Terrett cites her work as one of the iconic pieces of British design he took inspiration from: “There is this huge catalogue or canon of projects that have got this fantastic heritage of this public sector sort of design work,” he says, also citing the London Underground tube map and Joseph Bazalgette’s sewer network. “The more you look at it the more they were trying to do a very similar sort of thing to what we’re doing.”

"Calvert and Kinneir were doing a very similar thing to what we're doing"

The Gov.uk site only uses a single font and has been stripped of any graphical flourishes. “Something we’re trying to do in particular is let design get out of the way and let the user get to what they want,” Terrett says. “You shouldn’t come to the website and go: ‘wow, look at the graphic design’. We haven’t yet achieved that in most web interfaces; they’re still getting in the way [and] you can see the graphic design everywhere. We need to get past that.”

"Calvert and Kinneir were doing a very similar thing to what we're doing"

Terrett believes that, with new technology like Google Glass simplifying or even removing the user interface altogether, websites will eventually catch up. “Google Glass and other things that we don’t know about yet will prompt people to think harder and work harder on that stuff,” he says. “But there’s a long way to go and I think it’s a fascinating challenge, a really exciting challenge.”

The Gov.uk website is shortlisted for this year’s Designs of the Year award, alongside high-profile projects such as Renzo Piano’s The Shard and the Olympic Cauldron by Thomas Heatherwick.

"Calvert and Kinneir were doing a very similar thing to what we're doing"

This movie features a MINI Cooper S Countryman.

The music featured is by South African artist Floyd Lavine, who performed as part of the Design Indaba Music Circuit. You can listen to Lavine’s music on Dezeen Music Project.

See all our Dezeen and Mini World Tour reports from Cape Town.

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Village by Jasper Morrison for Kettal

Milan 2013: British designer Jasper Morrison unveils an outdoor chair for Spanish brand Kettal at the Salone Internazionale del Mobile today.

Village by Jasper Morrison for Kettal

Called Village, the stacking chair by Jasper Morrison is made of aluminium and comes with an optional fabric seat pad and backrest.

“This chair pays respect to the long standing codes of metal stacking outdoor chairs while gently refreshing the look,” says Kettal.

Village by Jasper Morrison for Kettal

The collaboration follows Morrison’s Park Life outdoor chairs for the same brand last year. See all our stories about furniture by Kettal.

Village will be on show at the Salone Internazionale del Mobile from today until 14 April, where Morrison will also show a chair inspired by camping furniture for Italian brand Mattiazzi. See all our stories about design by Jasper Morrison.

See all our stories about design at Milan 2013 »
See our map of the best things to see at Milan 2013 »

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Cassell Street House by b.e. Architecture

Slabs of travertine in two different shades create horizontal stripes across the facade of this house in Melbourne by b.e. Architecture (+ slideshow).

Cassell Street House by b.e. Architecture

“The house builds on some of the ideas of 57 Tivoli Road,” architect Daniel Rees told Dezeen, comparing the project to a basalt-clad house the studio completed in 2010. “Here, the facade is clad in beautiful banded silver travertine marble.”

Cassell Street House by b.e. Architecture

b.e. Architecture sourced stone from opposite sides of the same quarry to create the two-tone effect, then cut the material into ten different slab sizes to give a varied pattern.

Cassell Street House by b.e. Architecture

The striped travertine clads the top floor of the two-storey Cassell Street House, while the lower floor features a mixture of concrete and glass walls. The glazed areas surround a living room on one side and a study on the other, allowing both rooms to open out to separate gardens.

Cassell Street House by b.e. Architecture

The architects were keen to make the building look aged, so they added weathered timber window shutters and entrance gates to help it fit in with its Edwardian neighbours.

Cassell Street House by b.e. Architecture

“The house was designed to be sympathetic with the period but not mimetic of any particular style, whilst remaining unapologetically contemporary,” they explain.

Cassell Street House by b.e. Architecture

Four bedrooms are located on the upper floor, alongside a series of en suite bathrooms. There are also three balconies on this floor, which sit within deep recesses in the stone facade.

Cassell Street House by b.e. Architecture

A car park occupies the basement and can be accessed by a ramp tucked around the side of the building.

Cassell Street House by b.e. Architecture

Melbourne-based b.e. Architecture was founded in 1997 by Jonathon Boucher and Broderick Ely. As well as 57 Tivoli Road, the studio also designed Meakins Road, a house surrounded by a steel and timber grid. See more by b.e. Architecture.

Cassell Street House by b.e. Architecture

Other residences completed in Australia recently include a house with a facade inspired by tree branches. See more houses in Australia.

Cassell Street House by b.e. Architecture

Photography is by Peter Clarke.

Cassell Street House<br /> by b.e. Architecture

Here’s some more information from b.e. Architecture:


Cassell Street house is a boutique new home built on a corner block in South Yarra, built in place of an attached Edwardian row house and set amongst homes of a similar vintage. The house was designed to be sympathetic with the period but not mimetic of any particular style, whilst remaining unapologetically contemporary.

Cassell Street House by b.e. Architecture

The limited material palate of natural and aged materials such as travertine, rusticated timber, concrete and steel cast over a strong rectilinear form work to give the building the quality of looking older than it is – to look as though in an another world it could well have been standing in its place unchanged since the 1930s.

Cassell Street House by b.e. Architecture

Being sited on a corner block, the first floor form in particular is highly visible from the street with all sides visible to the passer by. A bespoke material treatment was thus considered an appropriate urban gesture. The complex travertine facade is made up of 10 different sized slabs of stone laid in bands sourced from opposite sides of the same quarry producing two distinct colours. The banding quality of the stone facade is referential of Byzantine buildings in a reference to the owner’s heritage.

Cassell Street House by b.e. Architecture

The deep apertures formed in the travertine walls of the first floor facade make the building read as a singular and massive stone edifice and in doing so shade and shelter the western windows as well as protecting the occupant from the nearby major road.

Cassell Street House by b.e. Architecture

By contrast, downstairs is characterised by expansive glazing, opening the living areas to the secluded garden space which surrounds the building.

Cassell Street House by b.e. Architecture

A visitor enters from the street into the heart of the building adjacent a curving staircase rising three floors from basement garage to the upstairs bedrooms. The curving staircase contrasts with the rectilinear form of the exterior and is used as a separation device to define the ground floor living areas into two distinct zones: The day/summer areas facing north and overlooking a pool and outdoor eating area; the night/winter areas facing south and east into the more sheltered back yard.

Cassell Street House by b.e. Architecture

Architects: b.e architecture
Location: Melbourne, Australia

Cassell Street House by b.e. Architecture

Construction Team: Bayside Construct
Design Team: Andrew Piva, Broderick Ely, Jon Boucher, Kris Keen

Cassell Street House by b.e. Architecture

Area: 500 sqm
Year: 2012

Cassell Street House by b.e. Architecture

Above: ground floor plan

Cassell Street House by b.e. Architecture

Above: first floor plan

Cassell Street House by b.e. Architecture

Above: basement floor plan

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by b.e. Architecture
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