Filament. 01-04 by Alan Nguyen

Product designer Alan Nguyen has taken a series of extreme close-up photos of 3D-printer filament waste, revealing how the machines can produce detritus of surprising beauty.

Filament. 01-04 3D printing macro photos by Alan Nguyen

A product designer at Amsterdam 3D printing firm Freedom of Creation, Alan Nguyen created the images using blobs of filament generated when changing the cartridge of plastic on a Cube 3D Printer.

Filament. 01-04 3D printing macro photos by Alan Nguyen

“Normally people just throw them away, but I’ve been collecting these strands of filament for over a year now and they are just so beautiful,” said Nguyen.

Filament. 01-04 3D printing macro photos by Alan Nguyen

“It’s pure poetry,” he explained. “Being produced from a machine that is designed to create exact physical copies of predefined digital code dictating where they should be laid down by Cartesian coordinates, they are free-moving spontaneous bursts of purely saturated awesomeness.”

Filament. 01-04 3D printing macro photos by Alan Nguyen

Cube 3D Printers work by feeding a roll of plastic less than two-millimetres-wide into the extruder head, where it’s melted and squeezed out to draw the 3D product layer by layer.

The gradients in these images are created when swapping from one colour of filament to another, and the squiggles are produced when calibrating the print head after adding new material.

Filament. 01-04 3D printing macro photos by Alan Nguyen

“If you’ve ever noticed when you use a normal printer, immediately after loading a new cartridge you might get a bit of bleeding of colours because it needs calibration, or some old ink leaked a bit,” said Nguyen. “This is exactly the same thing that happens with the Cube 3D Printers while loading a new cartridge.”

Filament. 01-04 3D printing macro photos by Alan Nguyen

“A bit of the old filament is left behind when unloading the plastic and mixes with the new filament resulting in these beautifully perfect gradients,” he continued. “All of the drama at the top is created purely by chance from external forces either by friction, the ambient climate or somebody simply walking past and altering the flow.”

The designer is currently working on a limited run of artist’s prints for this series and will release another series soon.

Filament. 01-04 3D printing macro photos by Alan Nguyen

Produced by Cubify, which together with Freedom of Creation is owned by American firm 3D Systems, the Cube became the first desktop 3D printer to be available through a major retailer when US chain Staples began to stock it earlier this year.

Freedom of Creation founder and Cubify creative director Janne Kyttanen talked to Dezeen about how such machines promise the kind of plug-and-play simplicity we have come to expect from the electronic products in our home, in a movie report we filmed as part of Print Shift, our one-off publication about additive manufacturing.

See more stories about photography »
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World Architecture Festival 2013 day one winners announced

World Architecture Festival 2013 day one winners announced

World Architecture Festival 2013: we’re reporting on the World Architecture Festival in Singapore this week. Category winners from the first day include a whirlpool-shaped aquarium and a sports college perforated with the shapes of athletes.

Winners in today’s categories will compete with the second batch of laureates, which we’ll publish tomorrow, for the World Building of the Year prize to be announced on Friday. Last year the award went to Wilkinson Eyre Architects’ Gardens by the Bay project in Singapore.

The annual World Architecture Festival (WAF) is taking place at the Moshe Safdie-designed Marina Bay Sands hotel and conference centre until 4 October and Dezeen is media partner for the event. The Inside Festival is running alongside WAF and we revealed the day one category winners of the Inside Awards earlier today.

Read on for the list of today’s WAF category winners:

The Left-Over-Space House
The Left-Over-Space House

House category winner: The Left-Over-Space House, Australia, by Cox Rayner Architects, Casey and Rebekah Vallance

A three-metre-wide caretaker’s cottage has been recycled and extended into a private family house for parents and two children by Cox Rayner Architects. “There’s a realness and authenticity to the spirit of the house that reflects the owners,” said this year’s panel of judges.

28th Street Apartments
28th Street Apartments

Housing category winner: 28th Street Apartments, USA, by Koning Eizenberg Architecture

Koning Eizenberg Architecture restored a former YMCA building in Los Angeles and added 25 new residential units in a thin five-storey stucco-clad building beside it. “This project demonstrates architecture as an agent for social transformation,”  the judges commented. “The architect was able to knit together historical continuity and something very new, something of high architectural value.”

Statoil regional and international offices
Statoil regional and international offices

Office category winner: Statoil Regional and International Offices, Norway, by a-lab

Five aluminium-clad volumes are stacked up like a pile of horizontal skyscrapers at this office complex outside Oslo by Norwegian studio A-Lab – read more about the project in our previous story. The judges said the building is “a comprehensive and integrated project that merges modular construction and cost effectiveness in a modern Scandanavian way, demonstrating a deep understanding of democratic and social values in the new working environment.”

University of Exeter: Forum Project
University of Exeter: Forum Project

Higher education category winner: University of Exeter: Forum Project, UK, by Wilkinson Eyre Architects

World Building of the Year 2012 recipients Wilkinson Eyre have made the shortlist for this year’s award, with an undulating canopy bridging the spaces between rectangular buildings at the University of Exeter in England. The judges said: “The project creates hugely uplifting spaces for the students with a delightfully detailed timber gridshell roof.”

The Blue Planet
The Blue Planet

Display category winner: The Blue Planet, Denmark, by 3XN

Shaped like a whirlpool, this aquarium in Copenhagen by Danish architects 3XN is covered in shimmering aluminium shingles similar to fish scales – read more about the project in our previous story. “It deals successfully with the site and finds opportunity where there is little context. It overcomes significant engineering and technical challenges,” were the judges comments.

Sancaklar Mosque
Sancaklar Mosque

Religion category winner: Sancaklar Mosque, Turkey, by Emre Arolat Architects

This mosque in an Istanbul suburb sits in a quiet park cut off from the surrounding area by high walls. “The project captured the spiritual essence of a mosque without being referential,” said the judges.

Fontys Sports College
Fontys Sports College

Schools category winner: Fontys Sports College, Netherlands, by Mecanoo Architecten

This sports college in Eindhoven by Dutch firm Mecanoo features a black brick exterior with perforations in the shape of athletes – read more about the project in our previous story.

Emporia shopping centre in Malmö
Emporia shopping centre in Malmö

Shopping category winner: Emporia, Sweden, by Wingårdh Arkitektkontor

Also triumphing in the Shopping Centres category at the Inside Awards, Swedish studio Wingårdh‘s Malmö emporium has a gaping golden chasm over its entrance – read more about the project in our previous story. “Malls are generally massive; this one, despite its size, does not impose on its surroundings,” the judges concluded.

Future Projects winners

» Health: New Sulaibikhat Medical Center, Kuwait, by AGi Architects
» House: Meditation House, Lebanon, by MZ Architects
» Culture: National Maritime Museum of China, China, by Cox Rayner Architects
» Commercial mixed-use: New Office in Central London, UK, by Allford Hall Monaghan Morris
» Leisure led: Singapore Sports Hub, Singapore, by Arup Associates, DP Architects
» Office: Selcuk Ecza Headquarters, Turkey, by Tabanlioglu Architects
» Masterplanning: Earls Court Masterplan, UK, by Farrells
» Infrastructure: Brisbane Ferry Terminals Post-Flood Recovery, Australia, by Cox Rayner Architects

Keep an eye out for movies from Singapore we’re filming for the latest leg of our Dezeen and MINI World Tour.

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Amass by Benjamin Hubert for 100% Design

London designer Benjamin Hubert created a screen of branching modular structures to surround the auditorium at trade show 100% Design during the London Design Festival (+ movie).

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

Called Amass, the modular system comprises three different components that can be configured in several orientations.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

“The branched form of Amass was inspired by the controlled randomness found in nature and the building blocks of life,” said Benjamin Hubert.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

For 100% Design, 46,000 pieces were hung in curtains around the stage and seating area to create a permeable visual barrier defining the space.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

“The brief called for a visually iconic space that would create a reference point within 100% Design,” Hubert explained.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

“Based on observations from previous years, the auditorium needed to accommodate an audience for the seminar programme without excluding passers-by.”

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

Although other modular plastic partitions already exist on the market – Algue by the Bouroullec Brothers perhaps being the best-known example – Hubert points out that his system can be used to create structural compositions like walls and corners as well as simple curtains.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

“Amass was created to build architectural structure as apposed to other modular plastic products, which only act as simple curtains or dividers,” he said.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

“The Amass geometry allows for walls of varying thickness and corners to be created, forming three-dimensional structures.”

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

The parts are made of injection-moulded polypropylene, which can be recycled, but they are also reusable.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

“Each year, trade shows reportedly generate more than 600,000 tonnes of waste, much of which comes from the exhibition design and structure,” Hubert noted.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

After an event using his system, the whole installation can be taken apart and reassembled elsewhere.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

Following its debut hosting the talks programme at 100% Design, the product will be made available for space division in commercial and contract interiors. It has applications ranging in scale from one square metre to over 100 square metres.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

100% deign took place from 18 to 21 September as part of the London Design Festival, and also featured a pavilion made from 1500 metres of undulating paper strips.

Amass modular space divider by Benjamin Hubert for 100% Design's auditorium

Elsewhere at the festival, Hubert showed his expanded Pelt collection of furniture for De La Espada and what he claims is the world’s lightest timber table as part of a solo show at Aram Gallery.

See more design by Benjamin Hubert »
See more coverage of London Design Festival 2013 »

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Inside Awards 2013 day one winners announced

Inside Awards 2013 day one winners announced

Inside Festival 2013: Dezeen is in Singapore for this year’s Inside Festival, where category winners of the awards programme from the first day include a shopping centre with colour-coded atriums and a lift scaling the fortified city walls of Valletta.

The winners were selected from a shortlist of 59 projects by a jury headed by designer Nigel Coates and featuring designers Jason Bruges, Lyndon Neri of Neri & Hu and Sadie Morgan of dRMM. Dezeen is media partner for the biennial Inside Festival 2013 and we’ll be announcing winners from day two tomorrow.

Each category winner will be put forward for the title World Interior of the Year, to be announced at the festival on Friday.

The event continues at the Marina Bay Sands hotel and conference centre in Singapore until 4 October, coinciding with the World Architecture Festival. Look out for day one winners from WAF 2013, which we’ll publish later on today.

Here are the details of today’s six winning interior projects:

Dardanel Administration Building by Alatas Architecture and Consulting
Dardanel Administration Building

Creative Re-use category: Dardanel Administration Building by Alatas Architecture & Consulting

Turkish firm Alatas Architecture & Consulting redesigned the interior of this wooden waterside mansion in Istanbul to include steel reinforcement to improve earthquake resistance, plus a transparent staircase and elevator.

Auckland Art Gallery Toi o Tamaki by Francis-Jones Morehen Thorp, fjmt and Archimedia
Auckland Art Gallery Toi o Tamaki

Culture category winner: Auckland Art Gallery Toi o Tamaki by Francis-Jones Morehen Thorp, FJMT + Archimedia (Architects in Association)

Tree-like canopies with wooden patterns cover the entry forecourt, atrium and gallery areas of the Auckland Art Gallery by Australian firm FJMT and New Zealand studio Archimedia. Large transparent walls allow views from the galleries to the city’s Albert Park.

Knowledge Centre, St. Olavs Hospital by Nordic Office of Architecture
Knowledge Centre, St. Olavs Hospital

Health category winner: Knowledge Centre, St. Olavs Hospital by Nordic Office of Architecture

The new laboratories, auditoriums and catering facilities at this hospital in Trondheim, Norway, by Nordic Office of Architecture have exposed lattices of wooden ceiling beams that contrast with raw concrete stairwells.

Clemenger BBDO by HASSELL
Clemenger BBDO. Photo by Nicole England

Office category winner: Clemenger BBDO by Hassell

Advertising and marketing agency Clemenger BBDO’s Sydney office was designed by architects Hassell to be a workshop-like space with an informal layout and open offices.

Tashya by Charged Void
Tashya

Shops category winner: Tashya by Charged Void

Ornately patterned wood screens are used a copper and steel elements to create a contemporary take on traditional Indian interiors at this fashion and jewellery boutique by design studio Charged Voids.

Emporia by Wingårdh arkitektkontor
Emporia

Shopping Centres category winner: Emporia by Wingårdh arkitektkontor

Swedish architects Wingårdh colour coded the glass atriums in this shopping centre in Malmö to help shoppers navigate the huge complex, which has a giant golden chasm at its entrance – read more about the project in our previous story.

Barrakka Lift by Architecture Project
Barrakka Lift

Transport category winner: Barrakka Lift by Architecture Project

As part of the regeneration of Valletta, this 20-storey-high public lift from the recently restored harbour to the top of the Maltese capital’s fortified walls has an aluminium mesh skin and glazed lift carriages to offer views out to the sea – read more about the project in our previous story.

Also highly recommended by the judges were Google Japan by Klein Dytham Architects in the offices category and Sydney Cruise Terminal by Johnson Pilton Walker Architects in the transport category.

Stay tuned for movies from Singapore we’re filming for the latest leg of our Dezeen and MINI World Tour.

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Animation shows completion of Antoni Gaudí’s Sagrada Família

News: the completion of Art Nouveau architect Antoni Gaudí’s Sagrada Família basilica in Barcelona is simulated in this movie released to show the final stages of construction anticipated before 2026, 100 years after the death of the architect (+ movie).

The one-minute video published on the Sagrada Familia Foundation’s Youtube channel shows each of the stages left and how the basilica will look when completed.

It combines helicopter footage of the current building with computer-animated renders to show spires, a central cupola and other remaining structures rise from nothing.

2026 completion of Gaudi's Sagrada Familia

The Sagrada Familia Foundation has also published six one-minute movies showing 3D animations of the completion dates for each phase, including the Sagristia in 2015, Torre de Maria in 2018 and Torre de Jesus in 2020.

When the basilica is finished it will have 18 towers dedicated to different religious figures, of various heights to reflect their hierarchy. There are eight towers completed so far.

2026 completion of Gaudi's Sagrada Familia

Work began on Sagrada Familia in 1882 and Catalan architect Antoni Gaudi took over the direction in 1914. The completed basilica is due to open in 2026, 144 years after it began, to coincide with the centennial anniversary of Gaudí’s death in 1926.

Since the mid 1980s, the build has been overseen by Catalan architect Jordi Bonet, whose father previously worked on the project with Gaudí.

2026 completion of Gaudi's Sagrada Familia

In June, Google celebrated Gaudi’s 161 birthday with a google doodle that depicted stylised versions of some of the architects most famous works, including Park Guell and Casa Mila in Barcelona.

See more design and architecture in Barcelona »
See more religious architecture »
See more churches »

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Bentley launches furniture range

Bentley launches furniture range

News: car brand Bentley has become the latest luxury brand to develop its own furniture line with the launch of the Bentley Home range of sofas, chairs and tables.

British auto brand Bentley’s collection of luxury designs for the home and office will be produced by Italian furniture brand Club House Italia, which also distributes the home ranges by fashion houses Fendi and Kenzo.

Bentley launches furniture range
Canterbury bed. Main image: Richmond armchair

The Bentley Home collection includes a range of seating, tables in various sizes, a pair of cabinets and a bed, which are all designed in neutral colours with wood finishes.

Quilted diamond patterns on the leather interiors of Bentley cars have been adapted for upholstery and the same veneers used for panelling in the vehicles are also used.

The brand will display the products at the Maison & Objet Paris trade fair in January.

Bentley launches furniture range
Madeley & Kendal chestnut dining table

Another luxury brand dabbling in furniture and product design is Italian fashion label Fendi. The company collaborated with New York studio Aranda\Laschon to install a collection of seating made up of foam pyramids at the 2010 Venice Architecture Biennale and put its name to an installation of stripy leather furniture at Design Miami last year.

Also in Miami, French fashion house Louis Vuitton showed a collection of portable objects inspired by the brand’s signature luggage and travel accessories by designers including Fernando and Humberto Campana.

Sam Jacob shared his thoughts about luxury design in his Opinion column earlier this year – read it here.

Here’s the information sent to us by Bentley:


New furniture range from Bentley Homes

» Unique quilted diamond pattern inspired by interiors of Bentley models
» Sophisticated seating options include sofas and chairs
» Colours palette features ivory and taupe

The new Bentley Home collection is inspired by the renowned craftsmanship and exquisite materials that characterise the interiors of all Bentley models. Designed to furnish luxury homes and offices, the collection combines Bentley’s inherent qualities of craftsmanship, heritage and tradition, exclusivity and style, with the exacting design of one of Europe’s leading furniture makers.

Bentley launches furniture range
Sherbourne & Kingsbridge cabinet

This exclusive collection blends the finest elements of traditional and modern design, an exercise in subtlety rather than showmanship, incorporating functional performance with comfort and luxurious, sensuous quality. It captures the elan of the Bentley driver, through items that mirror the impeccable quality and attention to detail which is a landmark of the Bentley brand.

The bodies of the new Richmond pieces are created with an embracing double shell and can be covered in either leather or a fine veneer of burr walnut. The same wide selection of veneers which is available for Bentley car customers is also available for most pieces in the collection. The wood is then carefully matched to a padded structure covered in a sophisticated light cashmere. The seating reflects the level of comfort and luxury found in the Crewe-based marque, which makes it unique in its class.

The colour palette is composed of varying neutral tones of ivory and taupe matched with shades of beige and cream. Intricate details such as the leather braid around the contours highlight the soft and sinuous lines. The iconic quilted diamond pattern embossed in the leather interiors of a Bentley has also been interpreted into the unique designs of the furniture.

Bentley launches furniture range
Harlow coffee tables

The new collection consists of the following new pieces:

Richmond

An elegant and sophisticated line of seating which includes sofas, chaise longues and armchairs. The enveloping external structure can have a veneer finish or leather cover. In contrast, the inner structure is covered in leather or linen or in fine cashmere velvet. The profile is embellished by a leather braid.

Madeley & Kendal

A large oval or round meeting table with refined Kendal chairs embellished with leather and the Bentley logo which can be embroidered on the back, on request. A trapezoidal structured table made of curved wood panels with edges embellished in hand-made leather coating. The feet are made of steel with a gun-metal finish.

Sherbourne & Kingsbridge

Tall and short leather-coated cabinets with veneered fronts; these are also available in smooth or quilted leather. Tone-on-tone lacquered interiors with external coatings and shelves of crystal represent the luxury and quality of both Bentley and Club House Italia, part of the Luxury Living Group. The handles and feet are also made from steel with a complementing gun-metal grey finish.

Harlow

A modern coffee table with metal steel structure and a complimentary gun-metal grey finish. The surface is made from onyx or leather coated.

Canterbury

The bed is characterised by an imposing headboard, embracing coated structure available in leather or fabric. The shapes are soft and convoluted, working in harmony with the contemporary and informal line. An innovative duvet cover, Fibra di Legno, is a high-quality fabric made from wood pulp that gives the yarn softness and smoothness, adding to the luxurious feel of this piece.

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Art Warehouse in Boeotia by A31 Architecture

A smooth, curved concrete shell forms the exterior of this art studio in Boeotia, central Greece by Athens studio A31 Architecture (+ slideshow).

Art Warehouse in Boeotia by A31 Architecture

A31 Architecture designed the space as a combined studio and gallery for an artist, creating a place adjacent to his home where he can hang paintings and simultaneously construct large sculptures.

Art Warehouse in Boeotia by A31 Architecture

A wooden door is set into the double-height glass-fronted entrance, accessed by an open concrete patio area.

Art Warehouse in Boeotia by A31 Architecture

Inside, floating steps protrude out from the side of one wall in the large downstairs workspace, leading to a mezzanine attic level that is used for storage.

Art Warehouse in Boeotia by A31 Architecture

The concrete steps also double as exhibition space for small sculptures.

Art Warehouse in Boeotia by A31 Architecture

Thin sections of concrete have been cut from the exterior to form windows and the blocks that were removed are now in use as benches and plinths.

Art Warehouse in Boeotia by A31 Architecture

“The space created is open, friendly, solemn, and simple,” said architect Praxitelis Kondylis. “It forms part of the nature as if it has been standing there for ages.”

Art Warehouse in Boeotia by A31 Architecture

Other warehouses we’ve featured include one with an orthogonal exterior made from clay bricks infused with metal shavings, a former slaughterhouse with reclaimed roof tiles and a textile warehouse clad in white stone.

Art Warehouse in Boeotia by A31 Architecture

See more warehouses »
See more architecture and design in Greece »

Art Warehouse in Boeotia by A31 Architecture

Photography is by Yiannis Hadjiaslanis.

Art Warehouse in Boeotia by A31 Architecture

Here’s a project description from the architects:


Art Warehouse in Boeotia, Greece

The Artist’s warehouse is a monolithic Modern structure. Its orthogonal plan is divided into three zones: firstly, the cantilever with the balcony in the south, where the entrance is situated. Secondly, the artist’s workspace and finally the attic in the north which serves as a storage space.

Art Warehouse in Boeotia by A31 Architecture
Site plan – click for larger image

A straight staircase connects the two levels, while the cantilevered concrete steps can serve as exhibition stands for the artist’s work.

Art Warehouse in Boeotia by A31 Architecture
Ground floor and mezzanine plans

The most important demand was an open space structure of a significant height suitable to the needs of the artist in order for him to hang paintings and construct huge sculptures.

Art Warehouse in Boeotia by A31 Architecture
Section

Another wish has been the integration of the new structure with the surrounding nature. A part of the landscape was incorporated in the open-space sculpture gallery, hosting the artist’s creations.

Art Warehouse in Boeotia by A31 Architecture
Detailed end section

The space created is open, friendly, solemn, and simple. It forms part of the nature as if it has been standing there for ages. It’s dome, a timeless and interregional architectural coronation element spanning from antiquity to Modernism, interacts with the intimate space of the artists house, the “cell”.

Art Warehouse in Boeotia by A31 Architecture
East facade

The wall openings, which relate to the Sun’s trajectory, the interior lighting and the ventilation, stem from transverse horizontal sections in the building shell. The sliced concrete blocks that are removed now function as benches for people and pedestals for sculptures.

Art Warehouse in Boeotia by A31 Architecture
West facade

Architect: A31 Architecture (Architect and project author – Praxitelis Kondylis)
Structural Design: A31 Construction (Engineer – Panagiotis Karras)
Construction: A31 Architecture and Construction Ltd
Plan Area: 4.000 m2
Building Area: 75 m2
Budget: 70.000 Euros
Client: Alexander Liappis, Painter
Spot: Dilesi, Boeotia, Greece

Art Warehouse in Boeotia by A31 Architecture
End facade

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House Snapped by Naf Architect & Design

This house in Saitama, Japan, by Naf Architect & Design looks like it’s been chopped in half and split open.

House Snapped by Naf Architect & Design

Architect Akio Nakasa of Naf Architect & Design designed the three-storey House Snapped for a couple and created two sections to separate the pair’s shared activities, such as dining and relaxing, from private ones, such as dressing and working.

House Snapped by Naf Architect & Design

“The composition of this residence was inspired by a phrase of the client couple, ‘stranger hours’,” said Nakasa. “This is a witty phrase describing the relationship of the couple, which is not always stereotypically close but sometimes distant like strangers.”

House Snapped by Naf Architect & Design

The smaller side of the building is intended to accommodate the “stranger hours” and contains bedroom and bathroom spaces, while the “shared hours” are assigned to living and dining rooms in the largest side of the house.

House Snapped by Naf Architect & Design

A round wooden column is positioned at the junction between the two sides, emphasising the appearance of a hinge.

House Snapped by Naf Architect & Design

Each room inside the house has a different floor surface, chosen to suit the activities taking place inside. A wool carpet was selected for the bedroom for its sound-absorbing qualities, while the kitchen and dining room has a mosaic floor that will reflect sound and one of the studies is covered with soft cork tiles.

House Snapped by Naf Architect & Design

“The height of the ceiling and flooring materials are chosen according to the nature of the space in order to increase the quality of the time the couple spends together,” added Nakasa.

House Snapped by Naf Architect & Design

The exterior of the house is clad with timber boards, painted in a vivid shade of blue, while the hinged middle features a contrasting white-rendered surface. A triangular lawn occupies the space in between.

House Snapped by Naf Architect & Design

Naf Architect & Design also recently completed a house with a climbing wall and ladders between floors. Other residential projects include a renovated house with a wooden box at its centre.

House Snapped by Naf Architect & Design
Concept diagram – click for larger image

See more architecture by Naf Architect & Design »
See more houses in Japan »

Photography is by Toshiyuki Yano.

Here’s a full project description from Akio Nakasa:


House Snapped

Two buildings, large and small, stand on L-shape plot adjoining at the corner. The form of the two buildings comes is as if one building snapped in two, and they are placed along the shape of the site.

House Snapped by Naf Architect & Design
Ground floor plan – click for larger image

A column stands at the adjoining corner of the two buildings, and four zones, yard, entrance, small and large buildings, are placed radially. Four zones can be shared or partitioned using sliding doors.

The composition of this residence was inspired by a phrase of the client couple, “stranger hours”. This is a witty phrase describing the relationship of the couple, which is not always stereotypically close but sometimes distant like strangers.

The antonym of “stranger hours” may be “shared hours”. The large building incorporates living room, dining room, and kitchen where the couple spend “shared hours” and the small building in the back of the plot incorporates bedroom, bathroom, and toilet where the couple spend “stranger hours”.

House Snapped by Naf Architect & Design
First floor plan – click for larger image

The height of the ceiling and flooring materials are chosen according to the nature of the space in order to increase the quality of the time the couple spends together, whether it is “shared hours” or “stranger hours”. For example, the living room has vaulted ceiling and flooring with high reflectance material for the voices to reach one another. The bedroom has low ceiling and flooring with sound absorption material to keep tranquility.

The yard, where the couple and their neighbours exchange greetings, is covered with soft lawn. The entrance, which accepts all kinds of guests, has whisper concrete finishing which gives more formal impression.

Four zones placed around the column may be flexibly used according to the situation, allowing a compact and comfortable lifestyle.

House Snapped by Naf Architect & Design
Second floor plan – click for larger image

Name of the project: House Snapped
Location: Saitama City, Saitama
Category: detached house
Structure: Wood construction
Number of storeys: 2 storeys above ground
Maximum height: 8.432 m
Maximum eave height: 6.411 m
Frontal road: 4.00m on the east
Site area: 108.49m2 Building area: 51.04m2
Total floor area: 81.41m2
Completion: April 22, 2012
Architect: Akio Nakasa (principal architect), Daisuke Aoki

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Frame-Up tile collection by Refin

Frame-up tile collection by Refin

Dezeen promotion: Italian tile manufacturer Refin has launched its latest collection of porcelain tiles in London and Bologna.

Frame-up tile collection by Refin
Frame-Up Emilia Flower tiles. Main image: Frame-Up Emilia Tradition tiles

Refin showed the Frame-Up tiles at both 100% Design trade fair during the London Design Festival and the Cersaie bathroom exhibition in Bologna.

Frame-up tile collection by Refin
Frame-Up Vanguard Circle tiles

Of the four designs in the collection, two reference geometric circular patterns of the interwar period and 1960s.

Frame-up tile collection by Refin
Frame-Up Vanguard Square tiles

The other two have been adapted from traditional floral motifs found in the Emilia region of Italy during the late eighteenth century.

Frame-up tile collection by Refin
Frame-Up Emilia Flower tile

The square tiles measure 60 by 60 centimetres and can be fitted in either commercial or retail interiors. For more further details about the products visit the Refin website.

Keep reading for more information from Refin:


Frame-Up: a new porcelain tile collection from Refin

Italian porcelain tile manufacturer Refin has just launched its latest collections at 100% Design, London, and Cersaie, Bologna. Amongst the new ranges is Frame-Up, the latest collaboration between DesignTaleStudio, the company’s design, production and experimental laboratory, and Studio FM Milano.

Frame-up tile collection by Refin
Frame-Up Emilia Tradition tile

Frame-Up is an evolution of the Frame collection, a huge success for the brand and winner of a European Design Award 2013.

Frame-up tile collection by Refin
Frame-Up Emilia Tradition tile

The Frame-Up collection comprises four new decorative designs: two geometric patterns inspired by the artistic avant-garde circles of the period between the two world wars and the early Sixties – Vanguard Circle and Vanguard Square – and two reminiscent of the sinuous graphic patterns found in majolica tiles from the Emilia region of Italy around the late 18th century – Emilia Flower and Emilia Tradition.

Frame-up tile collection by Refin
Frame-Up Vanguard Circle tile

The fragmentation and deconstruction of the designs transform historical research into a new contemporary graphic language, creating a highly original, elegant product. Both designs can be used in a variety of ways to create either a regular, modular pattern, or a contemporary patchwork effect which is achieved by mixing pattern scales randomly.

Frame-up tile collection by Refin
Frame-Up Vanguard Square tile

Frame-Up is available in porcelain stoneware tiles measuring 60 by 60 centimetres, and represents a powerful creative tool for architects and interior designers aiming to innovate and enhance commercial projects, public areas and private residences.

For more information, contact UK specification consultant Massimo Sferrazza by telephone on 020 3603 1884 or 07503 778938, or by email at ukstudio@refin.it.

www.refin-ceramic-tiles.com

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by Refin
appeared first on Dezeen.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

The long narrow bodies of snakes inspired the shapes of this pair of matching woodland hideaways that stretch out between the trees of a park in northern Portugal (+ slideshow).

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

Designed by architects Luís Rebelo de Andrade and Tiago Rebelo de Andrade, the structures each offer accommodation for one or two inhabitants at the Pedras Salgadas Park, a rural holiday resort on the edge of a spa town.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

The architects aimed to “recreate the fantasy of tree houses”, by designing spaces that sit amongst the tree branches. Rather than climbing upwards, the structures maintain a flat level, which gradually becomes more elevated as the ground slopes away underneath.

dezeen_Tree Snake Houses_7

Both buildings are constructed from timber, but are externally clad with slate tiles that create the impression of rough scales.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

“The characteristic design associated with the slates and the wood on the base suggests a snake gliding between the trees,” said the designers. “Like a wild animal in its natural habitat, the house suddenly appears in the visual field of the observer.”

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

Narrow columns anchor the structures to the ground and long narrow bridges lead from the hillside towards each entrance.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

Inside, symmetrical interiors offer combined living and sleeping areas with a kitchen and washroom on one side and a toilet and closet on the other.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

Sustainable technologies such as solar panels and water recycling allow the buildings to be self-sufficient, while low-energy lighting and well-insulated walls ensure that electricity and heating are used as efficiently as possible.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

This isn’t the first project Luís Rebelo de Andrade has worked on at the Pedras Salgadas Park – last year he collaborated with young Portuguese architect Diogo Aguiar on a series of woodland cabins.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

Other tree houses on Dezeen include a hotel room that looks like a bird’s nest and a treetop artists’ studio. See more tree houses »

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

Photography is by Ricardo Oliveira Alves.

Here’s a project description from the architects:


Tree Snake Houses

Along with the project Pedras Salgadas Park by architects Luís Rebelo de Andrade and Tiago Rebelo de Andrade, came the challenge of creating an object that could recreate the fantasy of the tree houses.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

The project for these houses was developed in partnership with the Modular System Company. The idea was to get an object that would be far away from the orthogonality and from pre-established concepts associated with the modular construction.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

The characteristic design associated with the slates and the wood on the base suggests a snake gliding between the trees. Like a wild animal in its natural habitat, the house suddenly appears in the visual field of the observer.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

The choice of materials gives an instant sense of connection with nature at the same time it establishes a coherent image of the proposal into a perfect symbiosis between the house and the Park.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade

The architects made use of new technology already tested in prototypes that allow a weightless easy-carrying construction. Native raw material, slate and wood used in the finishing also promote the integration at the same time it confers invisibility to the houses, not allowing these to take the chief role which belongs to the centennial Park itself.

Tree Snake Houses

Sustainability and ecology have always been one of the major concerns during the development of the project. The consistency and rationale for the intervention were attained by the layers and reinforced insulation, heating systems, water reuse, water solar panels, the low consumption lighting system using LED technology as well as the option of keeping the soil without any impermeable system, among other solutions. Each house comprises a studio with a bathroom and a kitchen.

Tree Snake Houses

Thus, the two Tree Snake Houses of Pedras Salgadas Park are objects that, using similar materials and technologies, point out to our imaginary: the primitive hut and the wild animal.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade
Site plan – click for larger image

Developed by the architects Luís Rebelo De Andrade And Tiago Rebelo De Andrade in cooperation with Modular System the project also foresees multiple purposes, which can be adapted to different landscapes and climates.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade
Plans – click for larger image

More models of these houses like the Mountain Snake House, the River Snake House and the Sand Snake House, whose dimensions and materials are easily adapted to various climates and regions, are being developed and will soon be available to the public. It will then be possible to acquire one of these houses and to benefit from different situations such as coastal areas, riverbanks, mountain or urban environments.

Tree Snake Houses by Luís and Tiago Rebelo de Andrade
Elevation – click for larger image

Architects: Luís Rebelo de Andrade & Tiago Rebelo de Andrade
Collaborators: Madalena Rebelo de Andrade, Raquel Jorge, Pedro Baptista Dias
Project Area: 27,00 sqm
Client: UNICER
Constructor: Modular System

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Tiago Rebelo de Andrade
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