Former Airside co-founder and MD launch new design company


Dezeen Wire:
Alex Maclean and Caroline Matthews, formerly co-founder and MD of acclaimed design firm Airside, have announced the launch of their new studio, to be called Rupert Ray.

Airside are to close next month – more details in our earlier Dezeen Wire story.

The new company will open in April working on branding, graphic design, illustration, animation and live action in London. Rupert Ray is named after a historical figure who happens to be distantly related to both Maclean and Matthews.

Here’s the announcement from Rupert Ray:


Rupert Ray launches

New design company Rupert Ray will open its doors in April 2012, launched by Alex Maclean, founder of the highly acclaimed design outfit Airside, and Caroline Matthews, who was previously MD of Airside.

Rupert Ray’s output will span disciplines including branding, graphic design, illustration, animation & live action. The pairing of the two directors is what will make Rupert Ray unique – Alex is known as a ‘client’s creative’ and Caroline has a reputation as a ‘designer’s MD.’

Coming from very different backgrounds and with different skillsets, their combined experience and enthusiasm will enable them to undertake projects spanning both the digital realm and the old world.

Rupert Ray’s first clients are a start-up lingerie brand in the US which Rupert Ray will be creating branding for, and a user experience brief from Intel.

Initially there will be an in-house team of three full time staff supplemented by freelancers and expanded as the company grows.

Alex Maclean, creative director, Rupert Ray commented; “Caroline and I have learned a lot from creating digital projects over the last 20 years. The shakeout of the digital revolution is not over, but with hindsight we have strong opinions about how to thrive in this new world. We like to say we do visual intelligence – I’m the visuals and she’s the intelligence.”

Caroline Matthews, managing director, Rupert Ray commented; “With 16 years advertising account handling behind me, alongside my experience at Airside, the importance of mutual respect and understanding with my clients is in my blood now. Launching Rupert Ray at this stage of my career feels unbelievably natural and instinctive, and I couldn’t have anyone better than Alex to be partnering with.”

Rupert Ray launches in April 2012 founded by the two directors, Alex Maclean (CD) and Caroline Matthews (MD). They met at the highly acclaimed design company Airside, co-founded by Alex, which will voluntarily close in March 2012 after 14 years of award-winning work.

The company will draw on the strengths of both directors who, whilst coming from very different backgrounds, secretly want to do each other’s jobs. Alex is a ‘client’s creative’ and Caroline is a ‘designer’s MD’.

Their combined experience defines Rupert Ray’s offering – each of them has 20 years experience in design and advertising. This allows them to undertake projects in media spanning both the digital realm and the old world.

Rupert Ray will create finely tuned stories for people and brands, deliberated crafted for specific media. The agency’s disciplines will include visual branding, illustration, graphic design and moving image.

Who is Rupert Ray?

The long version:

In the late 19th Century a young man, the last child of nine, not much more than a boy, left his privileged but unhappy home to make his own way and forget the past. He had a penchant for adventure, a reckless disregard for his own shortcomings and a hunger for knowledge that would place him close to the eye of a storm overtaking his world.

His young adult life saw the end of an age of empire, of inherited privilege and a culture of deference. Through the transformations wrought by horrors of two successive wars Rupert Ray witnessed the awakening possibilities of meritocracy (which he exploited) and the emancipation of strong willed women (whom he loved too much). Acquiring artisanal and engineering skills before duty in the fledgling Air Corps, he became an accomplished artist.

Later in life he lost no thirst for change, becoming a patron of the arts and embracing a new and unsettling visual and literary culture born in the salons of Paris, the pubs of London and the coffee shops of Edinburgh.

By some accident of fate Alex and Caroline both happen to be (albeit distantly) related to him. We love the story, the myth and the spirit of restless adventure he displayed so it seemed most appropriate to name the company after him.

The short version:

We named the company after an historical figure whose life story embodies a spirit of bold adventurism. A self-starting, self-taught character who is distantly related to both directors.

How many staff will Rupert Ray employ?

Three full time staff initially, plus our large team of trusted and hugely talented freelancers.

Why did Airside close?

You can read the original announcement on the closure of Airside here – the agency closed voluntarily and in profit.

How is Rupert Ray different to Airside?

At its heart Rupert Ray will carry the same enthusiasm, warmth, humour and respectful working process – we’re just a little more glamorous, less cartoony and with a glint in the eye.

Caroline and Alex’s biographies

Caroline Matthews – managing director, Rupert Ray

Caroline brings 20 years of commercial and advertising experience to Rupert Ray. Before joining Airside in 2010, where she rescued the company from the darkest days of the recession, Caroline had a career in advertising lasting more than 15 years as an account handler, doing everything from brand strategy, internal communications, corporate identity and implementing national and global TTL campaigns.

She started at Ogilvy & Mather on Ford, had five years at HHCL & Partners before moving on to CHI and then The Bank. There she ran the Global account for Peroni, specifically assisting countries throughout Europe and America and driving brand growth in the UK by 40% year-on-year.

As MD of Rupert Ray, Caroline will oversee all aspects of the business, from finances to HR. She is also responsible for client liaison, strategic development, financial management and rollout of projects. She has respect from business leaders and creatives alike.

“Caroline is better than anyone I have worked with at understanding the complexities of engaging clients and creatives on a level playing field. She knows what’s needed to create truly great long lasting work that comes in on budget. Her broad skill-set means she can juggle all the elements needed to ensure people remain happy and motivated on all sides. She does it all with an effortless charm and breeze that I greatly miss.” James Greenfield, man vs machine, previously CD, Airside

Alex Maclean – creative director, Rupert Ray

Alex graduated from and then became a research fellow for the Royal College of Art before. He co-founded a pioneering charity promoting online democracy (UK Citizens Online Democracy) and created websites for feature films, before co-founding Airside London/Tokyo with Nat Hunter and Fred Deakin in 1998.

As founding creative director of Rupert Ray, Alex will engage with all clients on a strategic level. He is an award-winning animation director and illustrator and maintains a creative interest over all aspects of a project, from brief meeting and scripting, to design and final production. Two decades of experience creating digital projects has given him insight into how audiences engage with content.

His personal Airside highlights include:

  • Sony Bravia idents for UEFA (shown worldwide) – perfect response to the brief – unexpected for Airside
  • Konditor & Cook for stand out branding
  • Alex’s short film – Penguin in a Pickle
  • Nadav Kander’s website 2001
  • Richard Ashcroft’s website 2002 (award-winning, ground-breaking, photography by Nadav Kander)
  • No.1 Ladies Detective Agency (BAFTA nominated Film Titles)
  • Mastercard worldwide billboard campaign
  • Sony IFA exhibition – great immersive job – theatrical, animation and live action – worked with Tim Bricknell (Director) and Adam Scott (Event designer)
  • Pet Shop Boys website 2006 – because we invented Twitter – seriously
  • Our winning BBC Radio 1 pitch in 2000 – because we invented iPlayer – seriously
  • Demos & Intel info films – cracking an incredibly difficult subject and working with explaining extremely esoteric technological subjects
  • Lemon Jelly ‘Nice Weather for Ducks’ – the first proper music video Alex directed
  • Vitsoe branding and website – sophisticated visual identity and storytelling
  • A Fellow of the Royal Society of Arts, Alex has also sat on the judging panels of prestigious international competitions including the D&AD and Design Week Awards.

His lectures on design take him to conferences and universities worldwide, including a tour of New Zealand and Australia with the British Council in 2005, Design Indaba in South Africa in 2007 where he shared the billing with Ivan Chermayeff and Paul Smith, and most recently Glug, where he did a talk about Airside entitled ‘14 years in 14 minutes.’

“Meticulous, perfectly judged, beautifully executed work achieved with minimal fuss and a real sense of enthusiastic collaboration.” Anthony Minghella, director, The English Patient

Award-winning design consultancy Airside to close in March 2012


Dezeen Wire:
 pioneering multidisciplinary design consultancy Airside has announced that it is to close in March 2012, stating: “we can’t see a way for Airside to move forward and accommodate all of our individual ambitions.”

The company’s work in the fields of graphic identity, website design, film, animation and music garnered critical acclaim and award recognition including 2 BAFTA nominations and 11 D&AD nominations.

See all of our previous stories about Airside, including a podcast recorded at the Design Museum.

Here is some more information from Airside:


Airside comes to an end.

After 14 years of creating groundbreaking design, the founders of influential design company Airside have decided to shut up shop for good at the end of March 2012. They will remain fully open for business up until that date.

To clarify the reasons behind this decision, the three founders Alex Maclean, Nat Hunter and Fred Deakin have prepared the following statement:

For the record, we aren’t going bust, in fact we’re currently thriving. We haven’t fallen out with each other, in fact we’re as close as we ever were. What has happened is that after 14 years of working together, we have grown into different people with different goals. Despite all of our best efforts we can’t see a way for Airside to move forward and accommodate all of our individual ambitions. You could put it down to musical differences if you like!

The world has changed enormously since we started in 1998 and we hope that we’ve been part of that change. We were lucky enough to be the first of a certain kind of design company that now feels like the norm. New paradigms are emerging and as individuals we want to explore them in a way that Airside is currently unable to. Our influence has been clear on a generation of creative practitioners and that makes us feel good; it also feels like our work here is done.

We feel that it is completely true to the unique spirit of Airside to end the company as friends and to end it on a high. We’ll be making an announcement as to our individual future plans nearer to March 2012 when we close, and there will of course be a party to mark our closing. Between now and then we’ll be focused as always creating amazing work for our clients and ourselves – this is the last chance for us to work together as Airside. Although we definitely plan to collaborate in future, and don’t bet against a re-union tour in 2022! And of course the spirit of Airside will live on in the shape of our Tokyo branch Airside Nippon, which will continue to trade as usual.

Voluntarily choosing to end Airside has been one of the toughest decisions we’ve ever made, but it also feels completely right. We’ve loved every minute of working together and feel like we created a truly unique company that completely fulfilled all the dreams that we had back in 1998: maybe that’s why it feels OK to end it now. When we see the inspiration and positive impact we believe we’ve had on the creative world we are very proud. Sniff! We’ll all really miss Airside.

Selected client list:

Anthony Minghella, Barbican Gallery, Bassetts, BBC, Chanel, Clarks, Coca Cola, Crafts Council, D&AD, EMI, Fiat, Ford, Greenpeace, Hayward Gallery, House of Commons, Intel, Konditor & Cook, Lemon Jelly, Live Earth, London Film Festival, London Transport, Mastercard, Mika, MTV, NHS, Nike, Nokia, Orange, Panasonic, Pet Shop Boys, Royal College of Art, Serpentine Gallery, Science Museum, Selfridges, Sony, The Beatles, Victoria & Albert Museum, Virgin Atlantic, Virgin Trains, Visa, Vodaphone, White Cube Gallery and William Orbit

Early Years:

  • Jam Tokyo-London website for the Barbican – quirky interface – our first award winner
  • The Airside T-shirt Club and Airside Shop – one of the first design companies to make and sell our own products
  • Lots of art gallery websites: Serpentine, White Cube, Hayward
  • Impotent Fury club night at the 333 – the Wheel of Destiny
  • Lemon Jelly – a project where we could design every aspect of the campaign and have complete artistic freedom
  • Nice Weather For Ducks video – a big hit – still gets referenced to this day (eg Simply Health ads!)
  • 64-95 – an hour long animated DVD – our animation boot camp.

.

Growing Up:

  • The Dot Com Refugees – toys for Japan – a dream project
  • T-shirts for films – Battle Royale and Shaun Of The Dead
  • Surf posters and ads – our first advertising award winner
  • Orange idents – winning best in show at the Design Week awards
  • Working with Greenpeace – balancing our advertising work!
  • Mastercard – a global airport billboard campaign and a big award winner
  • Japan – exhibitions and client work – a mutual love affair.

.

Maturity:

  • Live Earth movies – full narrative animation
  • Pet Shop Boys website – big award winner – invented Twitter (!)
  • Beatles video – a great honour
  • No. 1 Ladies Detective Agency – our second BAFTA nomination – again, a great honour
  • Virgin Atlantic In Flight Entertainment system – a huge job, massive innovation, fantastic client response.

.

Overall:

  • One of the first companies to work across all media
  • Evolved a unique vector / flat colour style that has spread globally
  • Combined strong aesthetics with depth of thinking
  • Created and integrated powerful narratives into our work
  • Embraced green and ethical values
  • HAD FUN!

.

Awards:

2 BAFTA nominations

1 Cannes Lion Grand Prix, 1 Gold

11 D&AD nominations/in book

7 CADS winner/nominations

7 Design Week winner/nominations including 1 Best In Show

2 Creative Review Best In Book

3 HOW Awards

Plus many others – full list is below:

2011 – One Dot Zero animation festival – short animation selected

2010 European Design Award – Music Packaging

2010 – HOW Logo Design Awards Winner Airplot

2010 – I.D. Magazine Annual Design Review Honorable Mention – Graphics Airplot

2009 – Media Guardian Innovation Awards – Digital Technology – Winner Fiat ecoDrive

2009 – Cannes Lions Grand Prix Cyber Lion –  Fiat eco:Drive / AKQA

2009 – Interactive Media Awards Best in Class – Consumer Goods Vitsoe

2009 – Cannes Lions Gold Cyber Lion – Design Awards Nokia viNe

2009 – Creative Review The Annual – Best-in-Book Fiat eco:Drive / AKQA

2009 – Creative Review The Annual – Best in Book Nokia viNe / RGA

One Show Interactive : Best of Show, Fiat eco:Drive / AKQA 2009

Creativity – Best in Show AKQA / Fiat eco:Drive 2009

BAFTA nomination 2009 – Best film titles

Webby Awards – Best Website Nominee for Fan Site and for Music Site Pet Shop Boys 2007

Pixel Awards Winner – Best Website – Pet Shop Boys  2007

IMA Award – Outstanding Achievement Award Pet Shop Boys Website 2007

HOW Awards 2006 – Winner Best International Billboard campaign – Mastercard

HOW Awards  2006 – Winner Best packaging awards – Think Tank

Epica awards 2005 – Bronze finalist Coca Cola Love Posters

ALEX Awards USA 2005 – Winner Best CD Single – Lemon Jelly

ALEX Awards USA 2005 – Winner Best Vinyl Packaging Lemon Jelly

Design Week Awards 2007 – Shortlisted – Sony Bravia Idents for UEFA

Design Week Awards 2007 – Commended – Pet Shop Boys website

Design Week Awards 2006 – Best of Show – Orange Playlist Idents

Design Week Awards 2006 Winner – Best Moving Image

Design Week 2005 Winner – Best Poster  ‘Surf Baby Sick’

Design Week 2002 Winner ‘Interactive Media – Promotional

Design Week 2002 Winner ‘Interactive Media – Information’

D&AD In Book – LemonJelly Record Cover 2006

D&AD In Book – Coca Cola ‘Love’ Posters 2006

D&AD In Book – D&AD Student Awards Annual  2005

D&AD 4 illustrations In Book – Surf / BBH 2005

D&AD In Book – Digital Crafts / Animation & Motion Graphics 2003

D&AD Silver Nomination – Integrated / Integrated Advertising & Design (Digital) 2006

D&AD Silver Nomination – Music Packaging 2003

D&AD Silver Nomination – Interactive Media 2002

British Animation Awards 2004 Finalist in 2 categories

BAFTA nomination 2002:  Interactive

Soho Shorts Animation Shortlist

Resfest 2003 Animation Shortlist

‘Anifest’ 2003 Czech Animation festival – Best Music Promo

Best Newcomer, Muzik Awards, 2001 (Nomination – Lemon Jelly

CADS 2004 Winner –award for best music packaging Lemon Jelly

CADS 2003 Best Dance Video (Nomination – Lemon Jelly – Nice Weather For Ducks)

CADS 2003 Best single design (Nomination – Lemon Jelly – Nice Weather For Ducks)

CADS 2003 Best single design (Winner – Lemon Jelly – Spacewalk)

CADS 2003 Best Album design (Nomination – Lemon Jelly – Lost Horizons)

CADS 2003 Best Design Team (Nomination – Airside)

CADS 2002 Best Special Packaging (Nomination – Lemon Jelly _ Soft Rock

BT Innovation Award for Best Use of New Media 2001

Dezeen Screen: To The Victor – The Spoils! by Airside

Dezeen Screen: To The Victor – The Spoils! by Airside

Dezeen Screen: this music video by London designers Airside for new Flashman track To The Victor – The Spoils! tells the story of an epic voyage through a series of vignettes that come to life one by one. Watch the movie »

Flashman – The Proposition

Voici le clip du premier morceau de Flashman “The Proposition”. Conçu, animé et realisé par Jack Cunninngham, cette vidéo produite par Airside permet de mettre en avant avec intelligence des animations de formes abstraites en rythme avec la musique.



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Previously on Fubiz

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Malika Favre

Découverte des élégants travaux et dessins de la graphiste française Malika Favre, basé à Londres. Elle fait partie du portfolio et des illustrateurs Airside depuis les années 2000. De nombreuses commandes et de carte blanche typographiques sont à découvrir dans la suite de l’article.



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Previously on Fubiz

Part time bookkeeper at Airside


Dezeenjobs:
London-based design studio Airside require a part time bookkeeper for their office in Islington: (more…)