Hasta La Ideas

by Alison Zavos for Feature Shoot

Born in the Canadian prairies, Liz Wolfe studied photography at Ryerson University’s School of Image Arts in Toronto. In 2009, she exhibited her work at the Architecture + Design Museum (Los Angeles), the Gladstone Hotel (Toronto) and Project Basho Gallery (Philadelphia). Liz currently lives in Toronto.

You must get some really fun commissions considering the nature of your work. What are some of the more interesting projects you have been asked to photograph?

One of the most amusing projects I’ve done was for Chronicle Books. They commissioned me to shoot an entire book of Peeps-themed recipes and crafts. I had never heard of marshmallow Peeps, I knew nothing about the obsessive Peeps fan culture that exists in America, I had no idea how simultaneously hilarious and surreal life could get.

And when I awoke, as if from a nightmare, to find myself crouched on the floor, covered in a stickiness that can not be removed with domestic cleaning products, my arms coated in sugar, my fingers placing a miniature veil ever-so-gently on the head of a marshmallow chick bride, preparing her for her imminent role as one half of a wedding cake topper, I finally understood what people mean when they say you never know where photography will take you.

How much of your work evolves from experimentation and how much is carefully thought out from the beginning?

I only experiment in the pre-production stage, never during shooting. Occasional scenarios have arisen in which I’ve altered elements of the photograph slightly during shooting, but these situations are extremely rare. Typically, everything is sketched out, color-coded and planned in advance. I know exactly what the final photograph is going to look like before I start shooting. And I mean exactly! (Not just because I’m a control freak, but also because I like to shoot on film and I try to keep my shooting ratio as low as possible.)

Though I have incredible respect for people who take full advantage of photography’s inherently spontaneous qualities, for me, photography is not a spontaneous medium. It is a recording device and very little else; the most practical way for me to translate the images from my mind into reality.

A lot of your work is available for sale through your site. What made you decide to sell your work in this way and is this proving to be lucrative?

I sell inexpensive open edition prints through my site; it’s not lucrative, but it’s the best way to keep things accessible so people have an affordable option for purchasing work. It’s important to me, to have photographs for people who would love something for their walls, but have no interest in exclusivity or collecting art in the traditional sense.

An exhibition of drawings and collages created for Blueprint magazine’s Paper City feature, including work by architect Peter Cook and architect and artist James Wines, opens today at the Royal Academy of Arts in London. (more…)

Young German designer Uli Budde has designed a plant pot with a built-in saucer. (more…)

Was putting a photo of the famed Wall Street bull statue on the cover of A Colossal Failure of Common Sense a colossal failure of common sense? That’s the allegation of Arturo DiModica, the artist who created “Charging Bull,” installed the three-and-a-half ton bronze statue without permission in front of the New York Stock Exchange in 1989, and registered it with the copyright office nine years later. In a lawsuit filed yesterday in the U.S. District Court in Manhattan, DiModica is seeking to have the photo of the statue (which now stands in Bowling Green Park) removed from the cover of A Colossal Failure of Common Sense: The Inside Story of the Collapse of Lehman Brothers, published earlier this month by Random House’s Crown Business division. The suit also seeks unspecified damages from Random House and the book’s authors, Lawrence McDonald and Patrick Robinson.

So what’s DiModica up to besides suing people? Plenty, at least according to his rather loopy website—chargingbull.org—which notes, “For New York City, Arturo is designing a grand fountain that will rival any of the great fountains around the world and be a fabulous work of sculpture in its own right, reflecting Arturo’s artistic vision.”

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