Handmade Valentines

See how five of our favorite creatives celebrate the sappiest holiday of the year

While some bitterly cast off the romantic holiday as nothing more than an excuse to consume, Valentine’s Day is a great way to remind people how special they are. We tapped some of our favorite creatives to see how they make the holiday unique.

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Artist Dodi Wexler has been making and sending valentines since she was 19-years-old, starting with 10 and now crafting more than 200 each year. Wexler explains “I started making the Valentines because I always was so saddened that I never had a secret admirer or anyone amazing asking me to be their valentine on Valentine’s Day. As I made them, I got so wrapped up in the production and sending them to people, that I forgot about being sad. The giving made me really happy, especially because I know how much of a bummer Valentine’s Day can be.”

She also sees the creative merit in her venture, saying “They are a great way to discover new materials and try out new techniques in a doodle without the pressure of a meaningful piece lurking over my shoulder.”

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Jesse Levison spends much of her time silkscreen printing cards for Gold Teeth Brooklyn, a line she runs with her friend Emily Joiner. When we asked what she had up her sleeve this holiday, Levison replied with the “damn crafty” gift she received from her boyfriend Alex, a welder at furniture design studio Uhuru. The sculpture consists of a metal box, which houses a fold-up metal heart etched with a personal message.

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Capturing the spirit of the holiday in ink, Vanessa Prager eschewed her eerie tendencies in favor of a more romantic theme, one that channels her playful and thoughtful personality. The classic card (the image above right is the inside message) serves as both a personal greeting and a keepsake for years to come.

Graphic designer Matt Van Ekeren teamed up with Italian illustrator Olimpia Zagnoli to create a charming animation for Valentine’s Day. “Let Love Grow” is a simple way to show that special someone you care.

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A psychologist and artist “who sometimes suffers insomnia,” Ilana Simons began crafting clay creatures to keep her company at night. For Valentine’s Day she put her late-night hobby to use, filling an empty chocolate box with little characters for her boyfriend to help him with “fighting a chocolate addiction.”


Ecovative Ecocradle

Grow your own packaging with this eco-friendly, fungus-based shipping solution
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Founded just a few years ago by two Rensselaer Polytechnic Institute grads, the environmentally-friendly firm Ecovative is already proving themselves valuable with their new solution to problematically wasteful shipping materials. The Ecocradle, from top to bottom a sustainable alternative to standard supplies, uses agricultural waste as raw materials instead of petroleum-based synthetics.

Offering an equal level of protection compared to traditional packaging, Ecovative’s version remains ten times more energy efficient and completely biodegradable. It makes a great solution for safe transport of precious goods without the guilt (not to mention hassle) of foam peanuts spilling from the box of your latest gadget.

To create the “cradle,” a mash-up of buckwheat hulls and other agricultural byproducts bond together with a fungal root, creating a sturdy form that can be custom grown to meet almost any specifications. Completely recyclable and compostable, Ecovative encourages its customers to get creative by reusing the material in art projects, gardens or household modifications—after you unpack your new gizmo, you can use its cradle as mulch for your tomato plants.

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Beyond the physical product, Ecovative has also made a large effort to fine-tune every aspect of the production process to keep it environmentally friendly. The Ecocradle is grown in the dark with no water or harmful chemicals, and their production facility operates using hydroelectric power, emitting zero greenhouse gases. They deliberately choose raw agricultural materials that have no food or fuel value, and they source materials locally to avoid the carbon cost of transportation.

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From production to packaging, the team at Ecovative is an outstanding example of how businesses can maintain sustainable product models. The Ecocradle is currently available from the Ecovative online shop, which will soon offer a DIY MycoBond kit so you can grown your own packaging.


Robert Mapplethorpe Art, Archive Bound for L.A.

Sorry New York, but Los Angeles is the new home of all things Mapplethorpe. The Los Angeles County Museum of Art (LACMA) and the J. Paul Getty Trust have jointly acquired art and archival materials by or associated with Robert Mapplethorpe, who died in 1989 at the age of 42. Cash from the David Geffen Foundation and the Getty supplemented a gift from the Mapplethorpe Foundation that accounts for most of the acquisition (valued at $30 million or so). So what did they get? Around 2,000 works of art by Mapplethorpe, including a print of virtually every photograph he editioned in silver gelatin, a large number of Polaroid works and unique works, artworks by his contemporaries and the most extensive documentation of his career, including personal correspondence with the likes of Patti Smith and curator-turned-collector Sam Wagstaff, whose own photography holdings the Getty acquired in 1984. “Both Mapplethorpe and Wagstaff contributed greatly to the field of photography, and adding Mapplethorpe’s work to Wagstaff’s collection is a fitting tribute to them both,” said David Bomford, acting director of the Getty Museum, in a statement issued Monday. “The acquisition also supports our philosophy of collecting individual artists in depth, so the chance to share a substantial part of Mapplethorpe’s oeuvre with LACMA is a wonderful opportunity for us.” This is the first time LACMA and the Getty have teamed up on an acquisition. A collaborative series of Mapplethorpe exhibitions is planned.

New Career Opportunities Daily: The best jobs in media.

The Finnish Blood in Me by Sami Kallio

The Finnish Blood in Me by Sami Kallio

Stockholm 2011: Finnish designer Sami Kallio presents a collection of furniture, including these stools with legs shaped like lolly sticks, as part of the Greenhouse at Stockholm Furniture Fair this week.

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Other pieces include a wooden chair with twisted steel backrest and a lamp comprising a metal shade hung with leather over a bent wooden arm.

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Called The Finnish Blood in Me, the range is inspired by design details Kallio remembers from his childhood in Finland.

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The Greenhouse presents up-and-coming individual designers and design schools at the Stockholm Furniture Fair, which continues until 12 February. See all our coverage of the event here »

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Here’s a little text from the designer:


THE FINNSIH BLOOD IN ME

A collection inspired, and interpreted of childhood memories from Finland.

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The armature – WORKSHOP is a reminder from all the workshops and the STOOL from the department store that we visited.

A collection where material and detail are in focus.

The Finnish Blood in Me by Sami Kallio

Nothing strange or conceptual, just memories and function.


See also:

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LoveThisChair by
Huibert van Muilwijk
Camper store in Malmö
by TAF
More coverage of
Stockholm 2011

Sidewinder: A solution to the bane of modern existence

Maybe cable management isn’t the utter bane of modern existence, but it is solidly in the top 10 if your outlets look like mine. My old friend, designer, Mike Kemery had the same issue, except he did something about it. The result is the Sidewinder. By offsetting the outlet with essentially another plate, a gap becomes a handy space to wrap and hide excess cable. One of those solutions that is genius in its simplicity.

Check out the video and funding over at… you guessed it, Kickstarter.

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Book Review: 1000 Product Designs, by Eric Chan/ECCO Design

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Remember the summer of 2009 when we announced that Eric Chan of ECCO was looking for a few good designs? 1000 Product Designs is now out on Rockport Publishing and delivers what its title promises — 1000 product designs in the realm of chairs, lighting, kitchen gadgets, furniture, office accoutrements and everything in between. Although we know that a picture is worth 1000 words, this book proves that design is a word that can be told in a thousand pictures. Check out more after the jump!

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Optical Illusion

via Leo

Elliott Erwitt, Ruth Gruber Among International Center of Photography’s Infinity Award Winners

The International Center of Photography has announced the winners of the 2011 Infinity Awards. Now in their 27th year, the awards recognize major contributions and emerging talent in photography. This year’s honorees will be feted at a May 10 gala in New York City. The legendary Elliott Erwitt (his 1963 photo “57th Street Gallery” is at right) is the winner of the Lifetime Achievement Award. Now 82, he was introduced to photography while still in high school—Hollywood High School. Between classes, the young Erwitt worked in a commercial darkroom processing “signed” prints for fans of movie stars. The Cornell Capa Award goes to photojournalist Ruth Gruber, who turns 99 this year and is the subject of a new documentary. Later this year, the work of Erwitt and Gruber will be featured in two major exhibitions at ICP. Other Infiniti Award winners include Peter van Agtmael (Young Photographer), Abelardo Morrell (Art), Adrees Latif (Photojournalism), and Viviane Sassen (Applied/Fashion/Advertising Photography). The ICP Trustees Award will be presented to the Durst family. Critic Gerry Badger‘s book of essays, The Pleasure of Good Photographs (Aperture), has won the writing award, while the exhibition catalogue From Here to There: Alec Soth’s America (Walker Art Center) has taken top honors in the publication category.

Meanwhile, ICP just won an award of its own. The institution announced today that it has been selected to receive a “Save America’s Treasures” grant from the National Park Service and the President’s Committee on the Arts and the Humanities. Made in partnership with the National Endowment for the Arts, the $57,425 grant will support the systematic organization and preservation of negatives, personal papers, and film materials in ICP’s Robert Capa and Cornell Capa Archive.

New Career Opportunities Daily: The best jobs in media.

Cow-like packaging design for soy milk

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I had to laugh when I saw this package design. (With, not at.) Soy Mamelle’s container, designed by Russian creative agency Kian, is meant to drive home the point that the soy-based product is milk-like. In an era when most food packaging takes great pains to sensorially divorce the end-product from the smelly animal it (in this case ostensibly) came from, the Soy Mamelle bottle adopts the form of a squeezable latex cow udder.

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Sure it’s false advertising on some levels, since soymilk doesn’t come from a cow and squeezing the nipples doesn’t cause milk to shoot out of them — it’s got a regular cap and threaded bottle opening up top — but you can’t beat it for shelf presence and triggering people’s “I must touch that” instinct.

The bottle also comes in a smaller glass version, but that’s just weird; the whole point, I think, is that the packaging is soft and udder-like.

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Nat-2

Paris-inspired booties and an LED watch from a sixth-generation Berlin shoe brand
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Known for inventing four-in-one and two-in-one zipper shoes, Munich’s Nat-2 shows a simpler side of shoe design with their new desert boot-inspired line created just for girls. The suede Marais booties, named after the Parisian neighborhood, combine classic French subtlety with a flexible fit.

At the helm of Nat-2 is creative director Sebastian Thies, whose extensive know-how is due in part to his family’s storied history as innovative shoemakers. Originally founded by “Ferdinand Fischer” in 1856, the company folded during WWII, but was resurrected by Ingeborg Thies, Sebastian’s grandfather and a Fischer by birth. The company was renamed Thies-Fischer KG in 1949 and now produces several brands alongside Nat-2.

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In addition to their new streamlined shoe, Nat-2 recently introduced “Time”—a collection of plastic watches that reflect the pared-down aesthetic of the more grown-up streetwear scene. The patented 42 LED scroll system that lights the entire watch face up as each minute passes strikes a balance between the “keep it fresh, keep it classy” style that Sebastian has curated over the last three years. Perfect for the quantum computer nerd, the watch comes in several different colors including olive and purple.

The Nat-2 Time and Marais sell from the Nat-2 online shop as well as from retailers around the world.